Modern Electronics 3 & 4 [Box set] [Import]

Modern Electronics 3 & 4 [Box set] [Import]

Track Listings

1. Rabbits Name Was

2. Salva Mea

3. Siberian Snowstorm (Dave

4. Dark Forces

5. Floating

6. Tahiti

7. Earthquake (Dry Mix)

8. Lavaflow

9. Ob@2 (Nebula 2's Tribal W

10. Nothing Can Save Us Londo

11. Dope Producin (Mark Willi

12. Bad Coffee (Slam Mix)

13. Xirtam 2 (Kenny Larkin Mi

14. Masculinity

15. Officer Squiggle (Adam Be

16. Your Only Friend (Thee Ap

17. Burn Rubber Burn (Ash Car

18. Angelic

19. Pratikus

20. Use The Key

See all 21 tracks on this disc

Editorial Reviews
Product Description
Low priced box-set combining the previously released 'Modern Electronics' albums 3 and 4. Artists include Carl Cox, Terra Ferma, Scan X, Equus, Xyrex, Star Power, Funk D'Void, Freq, Phuture, Thomas Chrome and many more. 2000 release. 2 standard jewel cases housed together in a slipcase.

Tracks:

Valse Sentimentale - Clara Rockmore
Oraison - Ens D'Ondes De Montreal
Etude Aux Chemins De Fer - Pierre Schaeffer
Williams Mix - John Cage
Klangstudie II - Herbert Eimert/Robert Beyer
Low Speed - Otto Luening
Dripsody - Hugh Le Caine
Forbidden Planet: Main Title - Louis Barron/Bebe Barron
Elektronische Tanzste: Concertando Rubato - Oskar Sala
Poem Electronique - Edgard Varese
Sine Music (A Swarm Of Butterflies Encountered Over The Ocean) - Richard Maxfield
Apocalypse-Part 2 - Tod Dockstader
Kontakte - James Tenney/William Winant
Wireless Fant - Vladimir Ussachevsky
Philomel - Milton Babbitt
Spacecraft - MEV

Tracks:

Cindy Electronium - Raymond Scott
Pendulum Music - Sonic Youth
Bye Bye Butterfly - Pauline Oliveros
Projection Esemplastic For White Noise - Joji Yuasa
Silver Apples Of The Moon, Part 1 - Morton Subotnick
Rainforest Version 1 - David Tudor
Poppy Nogood - Terry Riley
Boat-Woman-Song - Holger Czukay
Music Promenade - Luc Ferrari
Vibrations Composees: Rosace 3 - Francois Bayle
Mutations - Jean-Claude Risset
Hibiki-Hana-Ma - Iannis Xenakis
Map Of 49's Dream The Two Systems Of Eleven Sets Of Galactic Intervals: Drift Study '31/69 c.... - La Monte Young

Tracks:

He Destroyed Her Image - Charles Dodge
Six Fants On A Poem By Thomas Campion: Her Song - Paul Lansky
Appalachian Grove - Laurie Spiegel
En Phase/Hors Phase - Bernard Parmegiani
On The Other Ocean - David Behrman
Stria - John Chowning
Living Sound, Patent Pending Music For Sound-Joined Rooms Series - Maryanne Amacher
Automatic Writing - Robert Ashley
Canti Illuminati - Alvin Curran
Music On A Long Thin Wire - Alvin Lucier
Melange - Klaus Schulze
Before And After Charm (La Notte) - Jon Hassell
Unfamiliar Wind (Leeks Hills) - Brian Eno

Amazon.com

Opening with Clara Rockmore's reworking of Tchaikovsky with the theremin, and finishing with one of Brian Eno's ambient soundscapes, OHM artfully succeeds in its goal of giving a representative (as opposed to the impossible, comprehensive) overview of the first several decades of electronic music. Over 3 discs, 42 compositions, and 96 pages of notes and photos, OHM clearly illustrates the producers' and contributing writers' point that early electronic music is much of the foundation of contemporary music. Herein lies the connective tissue bridging musique concrète, 20th-century classical, electronic experimentation, and the theoretical avant-garde to psychedelia, ambient, dub, techno, electro, and synthpop and the globalization of sound. The groundbreaking uses of loops, sampling, drones, remixes, and cut-and-paste technology are put fully into context. The diversity of music included makes any sort of summation impossible, but that is also the point: electronic music is not really a genre, but an open field of endless possibility. From John Cage's famous "William's Mix" of tape snippets to Karkheinz Stockhausen's electronic orchestral compositions, from David Tudor and Holger Czukay's experiments in unrelated blendings of audio elements to David Behrman's supremely peaceful duet between computers and musicians, the aural renegades on OHM tread where none (save a few of their contemporaries) had gone before. The liner notes convey the incredible amount of hard work and experimentation it took to stitch together many of these pieces in the predigital era. Putting aside the inevitable quibbles about what's missing (much of it due to legal and/or logistical issues), a more complete collection of musical eggheads, eccentrics, and visionaries is hard to imagine. --Carl Hanni

Customer Reviews:

excellent but uncomplete.......2006-11-12

Althought most of the music here is an excellent collection of electronic music history, this 3 CDs lack of the important contribution given by the RAI phonology studios of Milan, Italy in the 50s
(which was bigger than Koln's WDR studios) with Bruno Maderna, Luciano Berio and Luigi Nono.
This is a big mistake. Milans studios were the biggest of europe and produced many important electroacoustic pieces.
If the collection aim to describe faithfully electronic music history, it should include this artists too.

To call it music may be a bit limiting. .......2006-10-24

Some of the tracks on here are "music". That is that they contain all the bits we're trained to experience as music -- melody, etc. Some are not, and the composers would be the first people to tell you that. A lot of these works are reactions to ingrained rules, so they're bound to be jarring.

A more successful way to approach such a broad and varied collection of audio experimentation is to think of it as curated sound. This isn't something to wash the dishes to, or to seduce someone to (although if you did manage to seduce someone with the recordings on this anthology, HOLD ON TO THAT PERSON, because they've got to be a keeper). These are unique sound textures that deserve a close, probably solitary listen, and I think if you're in the right frame of mind, it can be a very rewarding listen.

My main complaint is sequencing: each dicrete piece follows it's own internal logic, so there are more than a couple rough gear changes. However, since each piece is so different, and the collection is so varied, I'm not sure that you could totally escape that.

A worthwhile collection.......2006-01-11

The OHM collection contains some of those ground breaking electronic compositions that have shaped today's styles, from the early electronic instruments of Theremin and Martenot, through Pierre Schaeffer's Music Concrete tape music and the electronic music of Stockhausen and Subotnick, to the mainframe computer output of Risset and Chowning.

It is unfair to mark this collection down due to the production quality and 'musicality' of its contents, to do so would be to staggeringly miss the point of the development of electronic music through the 20th Century. What this collection shows is the ideas behind those at the cutting edge of the genre before many could even conceive of such output. That said it is hard going at points, as experimental music can be.

Highlights for me are no doubt Olivier Messiaen's 'Oraison' on CD 1, David Tudor's 'Rainforest Version 1' on CD 2 and on CD 3 David Behrman's 'On the Other Ocean' and Maryanne Amacher's 'Living sound Patent Pending'.

OhMyGodHowDreadful.......2005-08-15

Ok, this collection is supposed to be early works and, thus not expected to be very sophisticated or polished. But the OHM collection sounds like the first attempt of a spastic cat turned-loose on a Moog keyboard. When it is not boreing, this collection of random and dissonant sounds (I can't call it music) is without any redeeming qualities to make it worth while. Don't get me wrong, I am a long-time fan of Wendy (nie Walter) Carlos and some other real pioneers of electronic music. However, I find that the Ohm collection has no similar qualities and is a major disappointment.

Kid Stockhausen.......2003-01-17

This is required listening for anybody interested in the history of electronic music. Although implicitly aiming for the techno music audience, this audio history is overwhelmingly focused on the classical avant-garde of electro-acoustic composers. The closest you'll get to pop electronica is the Brian Eno track at the end of the third disc. No Kraftwerk, no Moroder, etc. Instead "OHM" manages to point to the continuities between, say, John Cage and artists currently working at the experimental edges of electronica (so-called IDM). It seems to be saying, "You think Kid 606 is visionary? Well check out this Stockhausen track from '59!"

Admittedly, some of the songs are much more interesting to think about than they are to listen to. Some of the early pieces that were made through thosuands of hours of pains-taking tape-splicing could be made today in an afternoon with a digital audio editor and a few effects plug-ins.

It is a beautiful package, containing a 90 page booklet of essays, quotations from the featured artists, and photographs. What all music should be: an education in daring.

Modern Electronics 3 & 4
Average customer rating:
Modern Electronics 3 & 4
Various Artists
Manufacturer: Subversive
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
ASIN: B00004T3YO

Tracks:

Rabbits Name Was
Salva Mea
Siberian Snowstorm (Dave
Dark Forces
Floating
Tahiti
Earthquake (Dry Mix)
Lavaflow
Ob@2 (Nebula 2's Tribal W
Nothing Can Save Us Londo
Dope Producin (Mark Willi
Bad Coffee (Slam Mix)
Xirtam 2 (Kenny Larkin Mi
Masculinity
Officer Squiggle (Adam Be
Your Only Friend (Thee Ap
Burn Rubber Burn (Ash Car
Angelic
Pratikus
Use The Key
Drum Code 2

Album Description

Low priced box-set combining the previously released 'Modern Electronics' albums 3 and 4. Artists include Carl Cox, Terra Ferma, Scan X, Equus, Xyrex, Star Power, Funk D'Void, Freq, Phuture, Thomas Chrome and many more. 2000 release. 2 standard jewel cases housed together in a slipcase.

Average customer rating:

Beyond Noend with Errante
F. Gerard Errante
Manufacturer: Drimala
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Jazz | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B00004SAHO
Release Date: 2000-01-24

Tracks:

Silent Tears
Cantabile
Tagore Songs
Kaleidoscope
Twilight
Captured Light
Interlude
Innerutterance
The Widening Gyre
Lyric Prelude

Album Description

Beyond Noend with Errante includes ten compositions for acoustic and electronic clarinet uniquely woven by Errante into an aural fabric that points the way to a new millennium in music. This evocative recording features the world recording premier of three new works by contemporary new music composers Jane Brockman, Robert Scott Thompson, and Peter Terry. The CD also features the new classical crossover hit single, Silent Tears, by F. Gerard Errante and John Toomey that was commissioned for this recording. Beyond Noend with Errante blurs the line between contemporary classical, new age, and jazz to create a listening space beyond genre, somewhere in time.

Average customer rating:

this is wonderful!
Great recording, but not for everybody.

John Somebody

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Avant Garde & Free Jazz | Jazz | Styles | Music

General | Jazz | Styles | Music

General | New Age | Styles | Music

Minimal Techno | Techno | Dance & DJ | Styles | Music

Tracks:

John Somebody-Pt 1
John Somebody-Pt 2
John Somebody-Pt 3-Involuntary Songs
John Somebody-Reprise
No Memory

Customer Reviews:

this is wonderful!.......2001-10-24

scott johnson does some very interesting things in this work. i have never heard anything quite like it. there is a lot of really rythmic breaking up of simple human voices and using it as a beat for the rest of the song. parts of it are really dark and mysteriuos and others are happy with bubbling laughter, but the whole thing has a kind of mystic and dischordant overtone. you should definately get this album.

Great recording, but not for everybody........1999-02-11

I bought this recording on vinyl in the mid-80s, and although it isn't something you can play every day, it is one of my favorites. Johnson takes sampled sounds (speech fragments, women laughing, ...), makes tape loops out of them, and then brings out the inherent musicality of these with guitar. Its wonderful. However, its not for everyone. (A friend of mine asked me, upon hearing it "Do you listen to this because you think its interesting, or do you actually LIKE it?". Of course I actually LIKE it! I love it.)