All Over My Face [CD-single] [Import]

All Over My Face [CD-single] [Import]

Track Listings

1. Nellee Hooper Original Mi

2. Headrillaz Mix

3. Alex Gopher Steel Mix

Editorial Reviews
Product Description
House. The Man Behind the Dpw is None Other Than Legendary Producer Nellee Hooper. This Single is from 'the Big Tease' Soundtrack, which Nellee Himself Compiled.

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

you cant beat an Ira lyric.
A Wonderful CD
Quiet and elegant
Disappointed
they can't take that album away from me

Pure Gershwin
Michael Feinstein
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

Nostalgia | Miscellaneous | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

Cabaret | Broadway & Vocalists | Styles | Music

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Oldies | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music
Similar Items:

Isn't It Romantic
Nice Work If You Can Get It: Songs by the Gershwins
Remember: Michael Feinstein Sings Irving Berlin
Michael & George (Feinstein Sings Gershwin)
Romance on Film/Romance on Broadway

ASIN: B000002H4W
Release Date: 1990-10-25

Tracks:

S' Wonderful
Our Love Is Here To Stay
Liza
The World Is Mine
They Can't Take That Away From Me
Isn't It A Pity?
Let's Call The Whole Thing Off
Embraceable You
What Causes That?
He Loves And She Loves/How Long Has This Been Going On
They All Laughed
The Girl I Love
Someone To Watch Over Me

Amazon.com

Pure Gershwin was Michael Feinstein's first album, and it remains one of his best. It may not have the production values of his later Gershwin tributes, Nice Work if You Can Get It (1996) and Michael & George (1998), but it simply and directly presents Feinstein in his piano-bar days, singing to his own tasteful accompaniments with occasional contributions from bass and drums and a second piano. Establishing the patterns for his later albums, he sings unjustly neglected verses to familiar songs, uncovers some never-before-recorded gems ("The World Is Mine," "What Causes That"), and provides song-by-song notes. Longtime friend Rosemary Clooney guests on "Isn't It a Pity?" --David Horiuchi

Customer Reviews:

you cant beat an Ira lyric........2007-01-05

this is good...and just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. I REPEAT: just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. listen & enjoy some great american music. you cant beat an Ira lyric.

A Wonderful CD.......2005-05-19

PURE GERSHWIN is just that, pure!. Feinstein interprets Gershwin the way it was meant to be performed. This is pure delight!

Quiet and elegant.......2003-04-20

Michael Feinstein's thin voice is compensated by his apparent enthusiasm for the material and a spare arrangement of piano, bass, and drum that gives this recording the ambiance of an intimate piano bar. Before hearing this disc, I knew only Gershwin's biggest hits, so many of the numbers here were new to me and increase my appreciation of that great American composer.

Disappointed.......2003-04-10

I bought this cd because I am a huge Gershwin enthusiast and am always on the lookout for versions of one of my favorite pieces, "Liza". I'd heard a lot of buzz about Feinstein and the supposed wonderfulness of his Gershwin interpretations, so I thought I would give this album a shot.

I was extremely disappointed. Feinstein seems to suck the life out of Gershwin's compositions, a feat I would have previously thought impossible. Though I concede that vocalists are free to reinterpret songs (many to a great success, as in Louis Armstrong's and Ella Fitzgerals's enjoyable versions of Gershwin), I think Feinstein's lazy tempos "loungy" voice make the tracks on this album boring and annoying.

I have loved to listen to and sing these songs my entire life. I just wanted to warn listeners who perhaps, like myself, enjoy George Gershwin's music for its beautiful clarity and energy (as easily experienced through Gershwin's own recordings, early interpretations by artists such as the Astaires, and even recent broadway "Crazy For You") that they will not experience any feeling of the sort from Michael Feinstein.

Amidst all the gushing that has recently been done over him, I found Michael Feinstein to have attempted to murder "Liza" and the other songs on this album. He merely displays a very unexceptional voice and poor interpretive taste. Fans beware, Feinstein proves that it is possible to make a bad cd of Gershwin songs. I'd recommend listening elsewhere.

they can't take that album away from me.......2002-05-09

they say the third time's a charm, but in this instance, it is the first time -- michael feinstein's first gershwin album -- that is the charm. this album is by far better and more listenable than the next two -- "feinstein sings gershwin" and "nice work if you can get it".

the listenability of this album may stem from the fact that it is a bare-bones arrangement, with two pianos, a bass and drums, a la a jazz trio, with no embellishment, so michael feinstein's then sincere and unsophisticated voice is the featured instrument.

i heartily recommend this album, as every song on it is a gem and feinstein's voice is more appealing than on the two later albums, when he jazzed it up with what sounds like an echo chamber and other electronic enhancements and he seems to be doing the songs by the numbers.

feinstein's version of "liza," slowed down to ballad form and plaintively phrased, is the best i have ever heard. the duet with rosemary clooney on "isn't it a pity," again brings out the best of feinstein's then-new voice and shows why george's (clooney) aunt is rightfully considered a jazz legend.

the combined "he loves and she loves/how long has this been going on" is another melodic/poignant highlight, while the album's finale, "someone to watch over me," is a stirring anthem to wanting and needing someone and is done with vocal and instrumental passion; it brings this collection of songs to a fitting crescendo.

for a lawyer's kid from columbus, ohio who started out cataloguing gershwin estate material for the reclusive ira and then began singing the songs for family and friends, michael feinstein has done all right for himself. he has become the recognized interpreter of the gershwin legacy, sort of the same way his pseudo-cousin, john, jr. feinstein, has become the recognized interpreter of the bob knight legacy... .

michael feinstein may have hit a home run his first time up with this album, and it may be his best, as it is the purest and most joyful celebration of gershwin tunes, while the others are fancier, more jazzed up and ponderous and less appealing.

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Average customer rating:

English is an asset and a drawback
You Will Love Opera After Hearing Carmen In English
A wholly credible "Carmen" -- finally!
I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Classical | Styles | Music
Similar Items:

Mozart: The Magic Flute
The Barber of Seville / B. Ford, D. Jones, A. Opie; G. Bellini [in English]
Verdi: La Traviata
Mozart: The Marriage of Figaro
Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

Tracks:

Swanee
Come To the Moon
I Was So Young (You Were So Beautiful)
Tee-Oodle-Um-bum-Bo
Nobody But You
Limehouse Nights
Drifting Along With The Tide
Rhapsody In Blue
Oh Lady Be Good!
Fascinating Rhythm
Hang On To Me
I'd Rather Charleston
The Man I Love
The Half Of It, Dearie, Blues
So Am I
Kickin' The Clouds Away
Concerto In F

Tracks:

Sweet And Low-Down (I)
That Certain Feeling (I)
Looking For A Boy
When Do We Dance?
Sweet And Low-Down (II)
That Certain Feeling (II)
Irish Waltz
Do, Do, Do
Someone To Watch Over Me
Clap Yo' Hands
Maybe
Three Preludes: I. No.1: Allegro Ben Ritmato E Deciso / II. No.2: Andante Con Moto / III No.3: Allegro Ben Ritmato E Deciso
Meadow Serenade
My One And Only
'S Wonderful/Funny Face
He Loves And She Loves
An American In Paris
Liza
Strike Up The Band
Embraceable You
I Got Rhythm (I)
I Got Rhythm (II)

Tracks:

Of Thee I Sing
Jilted
Second Rhapsody
For You, For Me, For Evermore
Cuban Overture
Isn't It A Pity?
Variations On 'I Got Rhythm'
I. Catfish Row: Introduction - Jazzbo Brown - First Chorus, 'Summertime'
II. Porgy Sings: 'I got Plenty O' Nuthin' - 'Bess, You Is My Woman Now'
III. Fugue: Murder Of Crown, Act III Scene 1
IV. Hurricane: Introduction, Act II Scene 3 - Hurricane, Act II Scene 3
V. Good Morning, Brother: Occupational Humoresque, Act III Scene 3 - 'Good Morning, Brother' - Children's Song 'Sure To Go To Heaven' - 'I'm On My Way' (Finale)
They Can't Take That Away From Me
Let's Call The Whole Thing Off
Our Love Is Here To Stay

Tracks:

Girl Crazy Overture
French Ballet Class
Dance Of The Waves
Slap That Bass
Walking The Dog
I've Got Beginner's Luck
They All Laughed
They Can't Take That Away From Me
Shall We Dance
By Strauss
I Can't Be Bothered Now
The Jolly Tar And The Milkmaid (1st Version)
Put Me To The Test
The Jolly Tar And The Milkmaid (2nd Version)
Stiff Upper Lip
A Foggy day (In London Town)
Nice Work If You Can Get It
Things Are Looking Up
I Was Doing All Right
Love Walked In

Customer Reviews:

Excellent performer.......2007-03-09

This plates are wonderful. I was charmed, and when I close my eyes now, I see scenes with American in Paris or Porgy and Bess but my favorite piece of music is Rhapsody in Blue. It's more than excellent is fantastic. Jack Gibbons perfectly feels the unique tone Gershwin's music, the mixture rythms of jazz with influences of impressionists and clear and beauty melodies.
I'm fascinating.

A unique project.......2006-11-23

Gibbons' undertaking is unique: to reconstruct and then execute and record the note-for-note playing of Gershwin as documented on the composers' piano rolls, sound recordings and certain published arrangements. I agree with the reviewer who points out that the result is like a library and not a recital you sit back and listen to (or get up and dance to). In fact Gibbons does some editing of his "library" now and then, and clearly documents it in his liner notes: in some reconstructions he augments accompaniment effects and even the melodic line itself. I don't mind that at all, especially as Gibbons scrupulously accounts for such tampering in his liner notes; but it seems to me that it is in this area of "tampering" that Gibbons the artist is asserting himself...which of course undermines the "library", the "historical archive": you have to search and read a bit to find out when you're hearing only Gershwin and when you're hearing some added Gibbons. I don't mind; Gibbons is a remarkable artist in his own right, not merely an impeccable documentarian. For sheer generosity of production Gibbons' Gershwin must also be unique: 4 cd's, scholar-level liner notes (yes, you need a magnifying glass to read them), and rock-bottom bargain price.

Gershwin historical, manic, perfect, archival.......2006-06-12

First: this is 4 high-end produced cd's (in low-end jewel cases) for the price of 2. The liner notes of all 4 cd's are condensed in a booklet of microscopic print, so you may need to spend the savings on a magnifying glass. MONEY WELL SPENT.
Second: Jack Gibbons plays (and has recorded) the Alkan op 39 etudes (he probably plays a lot more Alkan than that). For those of you not in the know, this is to say he has world-class chops, indeed history-class (Liszt, who never played his friend Alkan, at least in public). But it's also to say that Gibbons knows how to interpret and personalize fantastically difficult piano music. For me, his Alkan op 39 is personal and passionate and real (contrast the facile and over-pedalled Hamelin and the just-the-notes-ma'me Ringeissen). An appreciation of Gibbons' Alkan is important here because while his Alkan is uniquely personal (as such music must be, no matter how hard it is to play) his Gershwin is deliberately impersonal...which is to say: no pianist, no singer would want to reproduce what Gibbons has given us in these 4 cd's, and in fact few listeners will be able to listen for long to these 4 cd's without a respite, a break , some silence, some minimal styling from somebody (anybody) else...which brings me to
Third: This is an archive, not a recital. This is a library, not a program. There is no track-by-track contrast of moods here, no track-by-track concession to easy listening, varied delight, any more than a library shelf of novels is alphabetized by authors' last names as a concession to mood or fancy or taste of the searching patron. This is the documented Gershwin in his recording mode: manic, notey, clever, "on", and never, as generations of stylists found in him, ravishing, tender, longing, sweet, glad, hopeful...person-to-person, in a word. I can listen to these cd's about half an hour at a time, max. This is Gerwhsin, not Gibbons. And this is just one side of Gershwin. He died at 38, in the summer. Brain tumor. A lot of pain.
Finally, Jack Gibbons has given the world a uniquely valuable and easily available resource. Gibbons could now do us a service by playing us some Gershwin as he feels it, as it hits him and makes him sing (as Gershwin, our American Schubert, does to all of us, and as I think Alkan has done to Gibbons). I would love to see a Gershwin stylings by Gibbons now that Gibbons himself has made sure Gershwin in his authenticity is safe and sound.

Definative.......2005-07-23

Here's the whole Gershwin catalog at a great price... Five plus hours of bliss. Definately five stars!

Gibbons, according to a family friend and biographer Edward jablonski "recreates Gershwin's style." I'll never know. I can say this is a lively recording and has the perfect balance. It's neither stuffy and plodding or cute.

Average customer rating:

Undine - Complete Opera in Four Acts

Manufacturer: Capriccio
ProductGroup: Music
Binding: Audio CD

Cowboy | Country | Styles | Music

General | Country | Styles | Music

Nashville Sound | Traditional Country | Country | Styles | Music

General | Pop | Styles | Music
ASIN: B00002604Q
Release Date: 1995-12-12

Tracks:

Rhinestone Cowboy
Gentle on My Mind
By the Time I Get to Phoenix
Dreams of the Everyday Housewife
Heartache Number Three
Please Come to Boston
It's Only Make Believe
Crying
Blue Grass Medley
Milk Cow Blues

Average customer rating:

The BEST Gershwin/Porter album
Glowing Coles of Porter...

Fennell Conducts Porter & Gershwin

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Hi-Fi A La Espanola/Popovers
Liszt: Piano Concertos
Mercury Living Presence - You Are There - The True Story of a Legendary Label
British and American Band Classics

ASIN: B0000057LZ
Release Date: 1993-02-16

Tracks:

Blow, Gabriel, Blow
So In Love
It's All Right With Me
Ridin' High
In the Still of the Night
Begin the Beguine
Night and Day
My Heart Belongs To Daddy
Anything Goes
I've Got You Under My Skin
It's De-lovely
You'd Be So Nice To Come Home To
I Got Rhythm
Love Is Sweeping The Country
Love Walked In
'S Wonderful
Bidin' My Time
Oh, Lady, Be Good
Fascinating Rhythm
Liza
Embraceable You
The Man I Love
Someone To Watch Over Me
But Not For Me

Customer Reviews:

The BEST Gershwin/Porter album.......2004-02-11

Perhaps I'm romanticizing, but this was THE cd I listened to in high school. The arrangements are absolutely captivating; building new material over the original themes while referencing them so purely. I couldn't imagine a better use of your money than purchasing this album, it will bring you years of joy!

Glowing Coles of Porter..........2004-01-15

I can only comment on the Porter half of this recording, as I own it on original vinyl. It's a mono copy, but you wouldn't know it. As usual, excellent engineering from Mercury, who set standards in the early 60's that still count (IMHO) as best practice.

Frederick Fennell is right at home in the warmth of these beautifully wrought Ray Wright orchestrations. As he should be; Wright's day job was orchestrating for Radio City Music Hall. The sound is lush, the dynamics amazing, the performance spot on. It gets four stars only because I can't justify five, not having heard the Gershwin half.

Customer Reviews:

The Real Thing.......2007-01-27

I'm a HUGE Mantovani fan and have had mixed results trying to upgrade my collection to CDs. This collection is the original orchestra arrangements of all the classics. This is the one to buy.

Fantastic Collection of Favorites!!!.......2003-07-02

The Mantovanti Orchestra shows off their "marvelous versatility" in this "wonderful" collection of "8 CDs", with titles that tell you "just what to expect", such as: "The Love Songs", "Memorable Classics", "Itallian Favorites", "On Broadway", etc. You can set the MOOD for practically ANY occassion! There are even some "popular" selections that we all know and treasure like: "Moon River", "Over the Rainbow" and "Autum Leaves"!
You will NOT want to remove these GREAT CDs from your CD Player, once you have listened to them! They make "nice" background music for small get-togethers or "lovely" background music for those "ROMANTIC DINNERS", for you and your "SPECIAL SOMEONE"!!! I HIGHLY RECOMMEND THIS SET!!! It is a GREAT DEAL for the money, even at the full price!!!

Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices

Average customer rating:

Quilter deserves better...

Roger Quilter: Complete Folk-Song Arrangements; Complete Part-Songs for Women's Voices

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

4-for-3 Classical | 4-for-3 Music | Stores | Music

4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:

Roger Quilter: O Mistress Mine; To Daisies; Julia's Hair; Go, Lovely Rose
English Song Series 1

ASIN: B0007XHL0M
Release Date: 2005-04-19

Tracks:

Drink To Me Only - David Wilson-Johnson
Over The Mountains
My Lady Greensleeves
Little Moth
Love Calls Through The Summer Night
If Love Should Pass Me By
The Rose Of Tralee - Philip Langridge
Believe me, If All Those Endearing Young Charms - David Wilson-Johnson
Oh! 'Tis Sweet To Think - David Wilson-Johnson
Come Lady-Day
The Starlings
To A Harebell By A Graveside
It Was A Lover And His Lass
Ye Banks And Braes
Charlie Is My Darling
Ca' The Yowes To The Knowes
Where Go The Boats?
Windy Nights
Summer Sunset
Le Pauvre Laboureur - David Wilson-Johnson
L'Amour De Moi - David Wilson-Johnson
Joli Mois De Mai - David Wilson-Johnson
Daisies After The Rain (Solo Version)
My Heart Adorn'd With Thee
The Passing Bell
Blossom-Time
Daisies After The Rain (Duet Version)
Weep You No More
I Gotta Robe - David Wilson-Johnson
'Tis St. Valentine's Day
What Will You Do My Love - Philip Langridge
The Jolly Miller
Barbara Allen
Three Poor Mariners - David Wilson-Johnson
Since First I Saw Your Face - David Wilson-Johnson
The Ash Grove

Customer Reviews:

Quilter deserves better..........2005-11-10

Was this recording of Quilter songs (Complete Folk-Song Arrangements and Complete Part-Songs for Women's Voices) a vanity project for soprano Amanda Pitt? It is hard to explain in any other terms, for her voice is not pleasant to hear. It is a pinched, badly produced, squally sound - the sort of standard one would expect in a not very gifted singing student. Why Naxos permitted this travesty of a recording under their label is a mystery.

The majority of the songs on this CD are sung by the aforesaid Amanda Pitt (soprano). The other singers in this project are of a better standard - in the case of Philip Langridge, beautiful to listen to. This recording is not worthy of his excellent career and lovely tenor voice. The other two singers - mezzo Joanne Thomas and baritone David Wilson-Johnson - are not bad, either, although the mezzo doesn't get a single solo. The lack of a solo for Ms Thomas is glaringly evident when compared to the ten (10) solos which Ms Pitt sings. (10 out of 21 solos - definitely an unfair ratio. Of these ten solos, several could have been given to the mezzo to sing - they were certainly not beyond the average mezzo range.)

The rest of the album consists of duets - thirteen of them. Eleven of the thirteen duets are soprano/mezzo, and in spite of the mezzo's voice (from what one is permitted to hear of it) isn't bad, the duet performances are frankly awful, chiefly because of Ms Pitt. Even the superior quality of Philip Langridge's singing cannot save the two duets he sings with Amanda Pitt.

It's artistically an insulting and atrociously unbalanced distribution of material.

Look for the John Mark Ainsley/Lisa Milne recording of Quilter songs & arias. Admittedly, it doesn't include most of the duets on this CD, but oh, the sheer pleasure of hearing well-trained and lovely voices give Quilter a worthy treatment!

Average customer rating:

Collection: Say It With Music (Dlx)
Andr Kostelanetz
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music

Easy Listening | Pop | Indie Music | Stores | Music
ASIN: B00007L8X4
Release Date: 2003-02-18

Tracks:

Say It With Music Remember Blue Skies
Top Hat White Tie And Tails How Deep Is The Ocean (How High
This Is The Army Oh How I Hate To Get Up In The Morning Soft
Whatll I Do Always The Song Is Ended (But The Melody Lingers
The Piccolino Cheek To Cheek
White Christmas
The Girl That I Marry Say It Isnt So Mandy
Give Me Your Tired Your Poor God Bless America
Smoke Gets In Your Eyes Yesterdays
Ive Told Every Little Star The Song Is You
The Night Was Made For Love She Didnt Say Yes All The Things
Look For The Silver Lining They Didnt Believe Me Long Ago (A
I Dream Too Much The Jockey On The Carrousel
Why Was I Born The Way You Look Tonight Who
Make Believe Bill
Why Do I Love You You Are Love Ol Man River
Fascinatin Rhythm
Mine
The Man I Love
Embraceable You Soon
I Got Rhythm
Bess Oh Wheres My Bess
S Wonderful
Maybe
Someone To Watch Over Me Oh Lady Be Good
Embraceable You
Strike Up The Band
Begin The Beguine
All Through The Night
I Concentrate On You
I Love You
Night And Day
In The Still Of The Night
Ive Got You Under My Skin
Blow Gabriel Blow
Just One Of Those Things (Bonus Track)
Hallelujah Time On My Hands
Tea For Two
Carioca
Without A Song
More Than You Know
Orchids In The Moonlight
Sometimes Im Happy I Know That You Know
Through The Years Drums In My Heart
Malaguena
La Cumparsita
Mexicana Medley
Yours (Quiereme Mucho)
Siboney
Caminito
Adios
No Taboleiro De Bahiana
The Moon Of Manakoora
Lotus Land
Kashmiri Song
Jamaican Rhumba
Flamingo
Poinciana (Song Of The Tree)
Andalucia
Sweet Leilani (Bonus Track)
Frenesi (Cancion Tropical) (Bonus Track)
Show Boat
South Pacific
Slaughter On Tenth Avenue
An American In Paris
Porgy And Bess

Album Description

The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.

Music:

Music

music

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