New Perspectives

New Perspectives

New Perspectives

Track Listings
 
1. Ghost [Non Album Track]
2. Freefall [#]
3. What Do You Do [#]
4. Metropolis [Unknown Quantity Mix]
5. Medusa [Dynamic Syncopation Remix]
6. Fractures [U-Neek Dub]
7. When It Came [Nwachukwu Remix]
8. Lady Sings [D'nell Remix]
9. Perfect Season [Break Reform Remix]
10. Metropolis [Saudade London Bossa Mix] - Break Reform,
11. Mercy [Ol' English Remix]
12. What Do You Do [Kamara Remix]
13. Freefall [Version 2][Mix]
14. Medusa [Unknown Quantity Mix]

New Perspectives,Break Reform,Abstract Blue Recordings
New Perspectives
Average customer rating: Not rated
    		New Perspectives
    Break Reform
    Manufacturer: Abstract Blue
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Dance & DJ | Styles | Music
    GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    Similar Items:
    1. Fractures
    2. Reformation

    ASIN: B0001DMQ3A
    Release Date: 2005-05-10

    Tracks:

    1. Ghost [Non-Album Track]
    2. Freefall [#]
    3. What Do You Do [#]
    4. Metropolis [Unknown Quantity Mix]
    5. Medusa [Dynamic Syncopation Remix]
    6. Fractures [U-Neek Dub]
    7. When It Came [Nwachukwu Remix]
    8. Lady Sings [D'nell Remix]
    9. Perfect Season [Break Reform Remix]
    10. Metropolis [Saudade London Bossa Mix] - Break Reform,
    11. Mercy [Ol' English Remix]
    12. What Do You Do [Kamara Remix]
    13. Freefall [Bonus Mix][Version]
    14. Medusa [Unknown Quantity Mix]

    Album Details

    Abstract Blue Recordings Presents Break Reform's "New Perspectives", a Collection of Remixes and Unreleased Tracks from this Up-and-coming Outfit. Following the Success of Break Reform's Debut Album, "Fractures", Abstract Blue Presents an Incredibly Varied and Unique Collection of Remixes and Exclusive Tracks from a Group Who's Reputation Continues to Grow, Gaining Recognition from Some of the Most Respected DJ'S and Magazines Promoting New Independent Music. On "New Perspectives" You Will Find Several Recordings Including the Beautiful Single "Ghosts" and the Never Before Heard "Freefall" plus a Few More Surprises. The Remixes Are Provided Courtesy of the Incredible Tony Nwachukwu of Attica Blues, the Sublime D'nell from Abstract Blue/ Furious Styles, the Cosmic Bossa Crew Solar Apple Quarktette and the Beat Scientist Ol' English from Low Budget Soul. Also Included Are the Classic Mixes by Dynamic Syncopation and Unknown Quantity Alongside More Interpretations by Kamara.
    Recollections
    Average customer rating: 4 out of 5 stars
    • Not the best introduction to the music of Karel Husa, but a fine collection of his compositions for Wind Quintet nonetheless
    		 Recollections

    Manufacturer: New World Records
    ProductGroup: Music
    Binding: Audio CD

    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    ClassicalClassical | Indie Music | Stores | Music
    ASIN: B00022LIBQ
    Release Date: 2004-05-25

    Tracks:

    1. Deux Preludes (Prelude 1)
    2. Deux Preludes (Prelude 2)
    3. Five Poems (Walking Birds)
    4. Five Poems (Happy Birds)
    5. Five Poems (Interlude...With a Dead Bird)
    6. Five Poems (Fighting Birds)
    7. Five Poems (Bird Flying High Above)
    8. Recollections (Largo)
    9. Recollections (Andante)
    10. Recollections (Adagio)
    11. Recollections (Moderato)
    12. Recollections (Vivace)
    13. Recollections (Moderato molto)
    14. Serenade (La montagne)
    15. Serenade (La nuit)
    16. Serenade (La danse)

    Album Description

    Karel Husa's (b. 1921) pliant style builds on and extends the traditional classical forms, assimilating elements of serialism, microtonality, and aleatoric techniques. Although the composition dates of these four works for wind quintet span three decades, the pieces bear striking similarities. All purposefully set out to stretch the traditional range of wind sonorities, and often leave rhythms and pitches loosely notated. Yet while all four works explore atonality, at root the tonal structure is easy to identify. All four works are emotional and virtuosic, challenging to play and sophisticated enough to reward repeated listenings.

    The composer notes that, as with many of his works, in Deux Preludes (1966) he set out to explore unorthodox sonorities. The Five Poems (1994) are actually musical characterizations of birds, although Husa avoids imitating bird song directly. "I wrote Five Poems to express my admiration for birds, these wonderful creatures that embellish our lives so magically," he says. "If Messiaen hadn't already directly imitated bird song, I might have. I have done notation of bird songs in the past, which is difficult because they never exactly repeat themselves. And that was the effect I tried for in Five Poems—subtle varieties among the patterns."

    The six movements of Recollections (1982) (wind quintet and piano) explore unusual sonorities and demand virtuosic technique. A sheet of paper under the pedal dampers of the low strings prepares the piano in some sections. Of the title, Husa notes that "recollections are vivid, but not exactly precise. The way we remember things is a mix of accuracy and fancy … There is so much to memory that it is impossible to describe it all. There are memories that are distant, some that are joyous, tragic, and melancholic. To accomplish all this, I wanted the composition to develop from simple tones and to return to them, all the while researching new combinations and sonorities in the quintet." Serenade (1963), for wind quintet, xylophone, harp, and strings, is a reworking of his Évocations de Slovaquie. It explores Slavic folk music, adding abrupt and irregular rhythms.

    Husa's determination to explore new sonorities, to upset rhythmic regularity, and to challenge accepted notions of how wind instruments should interact, combine to create a bold and unmistakably identifiable personal signature.

    Customer Reviews:

    4 out of 5 stars Not the best introduction to the music of Karel Husa, but a fine collection of his compositions for Wind Quintet nonetheless.......2007-02-13

    The woes of the world are sometimes the opportunities of the individuals. Had the Nazis not invaded Czechoslovakia and closed down the engineering schools, Karel Husa might never have become a composer, out of the mere necessity to pursue studies in order to avoid deportation. Had the Communists not seized power in Prague in the early months of 1948 while the then 28 years-old musician was studying composition and conducting in Paris, he might have returned to his home country and remained, as he once remarked himself, a much more traditional composer, as he would not have been exposed to the turmoil of new compositional ideas and experiences that agitated Europe and the United States in the 50s and 60s. And finally, had the armies of the Soviet block not invaded Czechoslovakia in 1968, Husa would not have had the incentive to compose his Music for Prague 1968, which became one of the most often played piece of the contemporary music repertoire.

    One more decisive change in Husa's life and compositional perspectives was of course the decision of Cornell University in Ithaca, New York, to invite him in 1954 to become composition professor. This is how Husa became yet another embodiment of the genuine American composer - one rooted in Old Europe, but whose establishment in the New World prods him to develop an original voice by devising his own, personal combination of the old and the new.

    Indeed, one of the characteristic traits of Husa's compositional attitude is his constant striving to take on the newest ideas, techniques and playing modes, especially as pertains to the exploration of new sonorities, while never relinquishing his Czech roots and the search for expressivity and drama. If perhaps less cutting edge than composers like Lutoslawski (with whom he shares the use of aleatoric processes and sensuous orchestrations) or Ligeti (exploration of new sonorities and untraditional playing modes), he is less "abstract" than them (Husa doesn't shun programmatic music, and Five Poems in particular are musical characterization of birds, although they do not imitate bird songs directly) but by the same token more expressive in a quasi cinematographic way.

    The works contained on this disc are all written for the instruments that make up the traditional Wind Quintet (the two Preludes are limited to flute, clarinet and bassoon, the others add oboe and horn), with the addition of the piano in the "Recollections", and String orchestra, harp and xylophone in the Serenade. They were composed between 1963 (Serenade) and 1994 (Five Poems). Beyond their common instrumentation, the works are diverse in overall mood and sonic outlook. Though in that period Husa was engaged into post-webernian, Darmstadt-inspired serialist music (witness his 1961 Mosaïques that could be found on a CRI CD which included another, composer conducted version of the same Serenade - see my review), the Serenade is the most traditionally oriented, harking back to Janacek, and to my ears the less personal. The two Preludes from 1966 are stark and almost overbearing. In the two next compositions more echoes can be heard of Janacek's compositions for the same kind of instrumental ensemble, like the "Youth" Sextet or Capriccio for piano and winds (the conjugation of high-pitched, nasal oboe and low-toned, gruff-sounding horn, the snappy rhythms, the whip-cracking piano chords) and sometimes of Bartok's Contrasts (the association of clarinet, piano and angular rhythms). The Five Poems are the most evocative and sensuous, and the six movements from Recollections the most advanced and fascinating in their exploration of new sonorities, extremes of dynamics, quarter-tone slides, aleatoric devices and unusual playing modes, with the piano using techniques that one associates with George Crumb, like placing a sheet of paper under the pedal dampers, producing an eerie metallic rattle.

    This is rarely easy listening music (though often sensuous in the mysterious sound world it conjures), but it is rich in content and invention, engaging and rewarding. I wouldn't recommend it as a first introduction to the music of its composer (try the Marco Polo release with Fresque, Symphony No. 2 and Music for Prague instead - see my review) and this is why I have rated it only 4 stars, but anyone with a serious interest in Husa - he deserves it - can safely buy it.
    Works for Piano Four-Hands
    Average customer rating: Not rated
      		Works for Piano Four-Hands

      Manufacturer: New World Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by ThomsonAll Works by Thomson | Thomson, Virgil | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
      SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ASIN: B00000IX6D
      Release Date: 1999-05-04

      Tracks:

      1. Four-Hand Sonata For Piano: I - Very Slowly - Moderately Fast - Very Slowly - Tempo
      2. Four-Hand Sonata For Piano: II - Slowly - Slightly Faster - Slowly
      3. Four-Hand Sonata For Piano: III - Fast - Slightly Faster
      4. Composition For Piano Four-Hands
      5. Suite For Piano Four-Hands: Capriccio
      6. Suite For Piano Four-Hands: Aria
      7. Suite For Piano Four-Hands: Rondo
      8. Perspectives III
      9. Symphony No. 1 ('Symphony On A Hymn Tune'): I - Introduction And Allegro
      10. Symphony No. 1 ('Symphony On A Hymn Tune'): II - Andante cantabile
      11. Symphony No. 1 ('Symphony On A Hymn Tune'): III - Allegretto
      12. Symphony No. 1 ('Symphony On A Hymn Tune'): IV - Allegro
      Earle Brown: Music For Pianos 1951- 1995
      Average customer rating: 5 out of 5 stars
      • Open Forms,Systems/Mobility, Graphics,Timbres
      		 Earle Brown: Music For Pianos 1951- 1995
      Earle Brown
      Manufacturer: New Albion Records
      ProductGroup: Music
      Binding: Audio CD

      PianoPiano | Keyboard | Instruments | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      ASIN: B000000R46
      Release Date: 1996-02-09

      Tracks:

      1. Corroboree
      2. Three Pieces: I. Three Pieces
      3. Three Pieces: II. Three Pieces
      4. Three Pieces: III. Three Pieces
      5. Folio: October 1952
      6. Folio: November 1952
      7. Folio: December 1952
      8. Folio: MM - 87
      9. Folio: MM - 135
      10. Folio: Music For Trio For Five Dancers June 1953
      11. Folio: 1953
      12. Perspectives
      13. 25 Pages
      14. Forgotten Piece
      15. Four Systems
      16. Summer Suite '95: 6 - 12 - 95
      17. Summer Suite '95: No Horns At All
      18. Summer Suite '95: 6 - 14 - 95
      19. Summer Suite '95: Untitled O
      20. Summer Suite '95: Untitled O2
      21. Summer Suite '95: 6 - 30 - 95
      22. Summer Suite '95: Template 1
      23. Summer Suite '95: Segment 2
      24. Summer Suite '95: July 5
      25. Summer Suite '95: July 6
      26. Summer Suite '95: Segment 3A
      27. Summer Suite '95: July 14
      28. Summer Suite '95: August 1

      Customer Reviews:

      5 out of 5 stars Open Forms,Systems/Mobility, Graphics,Timbres.......2002-11-27

      The passing of Earle Brown this last July, 2002 was indeed a loss to American experimentalism. Brown is known for his early ongoing associations with John Cage, a card carrying memeber of the Cage School. He recalls he first had met Cage in Denver in 1951 and had revealed his newly written "Three Pieces".The astonished Cage said "send this to me in New York", and David Tudor proceeded to perform it. In fact most of the experimentalions in musical graphics, indeterminacy would be unthinkable without the pianistic interpretations of David Tudor.

      It's possible to divide Brown's creativity into three periods, the early, the Fifties, where this disk concentrates,the Sixties which sees the coagulations, concretizations of Brown's theories of open form,mobile form and musical graphics. The impressive String Quartet from this period is a high point, and here we get on this disk Corroboree (1964), for three pianos. David Arden pre-records the other pianos. This is a work which does suggest its marginal programmatic image of the noisy Australian aboriginal festival,with obviouslike rhythms emerging but within the context of the opaque musical moments,musical space is redivided here into beautiful like moments of an entire array of sounds and indeed plumbs the depths of piano timbre, with fascinating muting of strings, finger plucking,hand and forearm clusters,key muting, and harmonics. The work for its antiphonal interest should be heard live, so hear you need to imagine these piano separations emanating from differnent places.
      All of the Folio is here largely a work constructed around musical graphics. Within the Cage School, Brown creatively was in the center, not revealing excessive indulgences in musical graphics as Cage himself as in his 'Concert for Piano',which is/was a virtual encyclopedia of what is possible in music performing and graphics,vertical, horizontal, procedures, processes, following circles around, nor was Brown not so much aesthetic bound to his musical objects as Feldman,or Christian Wolff where timbral placements,register, and instrumentation was indeed important than process. Brown's affinity coming from his early studies in engineering and the theories of Jospeh Schillinger informed him very differently than Cage and his interface with Zen thinking,or Feldman's engagements in the painterly world of tone, shape, density,layerings,concept.Brown I think limits himself to the mobiles of Alexander Calder for instance. Improvisation was not an objective here for any memeber of the Cage School.
      Most of the creativity here as well resides in the skills of the performer,which does require one to have travelled the oceanic performative seas of improvisation to impart this lifeworld into the cold;y abstract musical graphics and David Arden is an extraordinary interpreter. He is not quite as adventuresome,pushing conceptual envelopes as David Tudor, Arden runs a middle course in his approach to the open-ness of timbre, of placement of gesture, all which resides in the performer in the freedom that musical graphics allows. Here you have as in 4 Systems simply black horizontal bars placed like in perpsective on the page(one page), a page that can be read left to right right to left, or turned upsidedown for a reading also no dynamics or articulations are indicated,registral placement is somewhat suggested,so the performer must decide these elements.
      Perspectives from 1952 is completly written,and we see another side to Brown,like giving away creative clues, on the aesthetic interests of the creator, for this work has a violent pointillism that was in the post-war air in the Fifties,it may remind you of a timid Boulez Second Sonata. I beleive through these opaque, indeterminate/determinate musical grpahics we can discern where Earle Brown philosphic aesthetic resides, and I think his music does have an understated quality to it, a gentleness,sparce,thinly threadbare,poetic as can be and evocative at times, even though his aim was not to create a discernable discreet aesthetic object.
      The latter Summer Suite from 1995 certainly proclaims this we see a Brown perhaps with the accessibility bug had bit him as everyone,the force fields of postmodernity in place. This is a work far more lyrical within the Brown context, of what represents lyrical moments. In the notes Brown says himself that this work is "jazzy" but I didn't see that, and if it was it would not be interesting jazz.
      Perspectives & Distortion: Cherry Red Rarities 1981
      Average customer rating: 5 out of 5 stars
      • Perspectives and Distortions - Cherry Red compilation 1981
      		 Perspectives & Distortion: Cherry Red Rarities 1981
      Various Artists
      Manufacturer: Cherry Red UK
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      Hardcore & PunkHardcore & Punk | Alternative Rock | Styles | Music | Vinyl Records | American Punk | British Punk | Emo | Garage Punk | Hardcore | Post Hardcore | Proto Punk | Punk | Punk Revival | Punk-Pop | Riot Grrl | Ska Punk | Straight Edge
      New WaveNew Wave | New Wave & Post-Punk | Alternative Rock | Styles | Music
      Post-PunkPost-Punk | New Wave & Post-Punk | Alternative Rock | Styles | Music
      AmbientAmbient | Dance & DJ | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      GeneralGeneral | Compilations | Rock | Styles | Music
      Experimental MusicExperimental Music | Miscellaneous | Styles | Music
      RockRock | Imports | Stores | Music
      ASIN: B00009MKQ0
      Release Date: 2003-06-30

      Tracks:

      1. Bright Waves - Susan Vezey
      2. What Stanley Saw
      3. Third Secret - Virgin Prunes
      4. Calm... - Lol Coxhill
      5. ...In Wooden Brackets - The Lemon Kittens
      6. You Frighten - Eyeless in Gaza
      7. Hello Judas - Kevin Coyne
      8. Dear, Dear - Mark Perry
      9. Departure - Ben Watt
      10. Return Call/We Are - Two Daughters
      11. People in Space - Kevin Harrison
      12. Kings of Sham - Thomas Leer
      13. Folded - Five or Six
      14. Foreign Correspondent
      15. Remorse of Conscience - Robert Fripp
      16. No Way of Knowing

      Album Description

      Subtitled - Cherry Red Rarities 1981. 2003 reissue of 1981 compilation featuring 17 sought after tracks from Cherry Red regulars like Ben Watt, Five Or Six, & Kevin Coyne along with Matt Johnson, Virgin Prunes, Lol Coxhill, Lemon Kittens, Robert Fripp, & more.

      Album Details

      This Rarities Collection Marks 25 Years of Cherry Red Records and is the Third Released in the Label's "Rarities" Collection. Includes Tracks from Such Cherry Red Reguars as Ben Watt, Five Or Six and Kevin Coyne, Experienced Veterens Such as Lol Coxhill and Recruits from the Post Punk Era that was Just Dawning Such as Lemon Kittens and Two Daughters.

      Customer Reviews:

      5 out of 5 stars Perspectives and Distortions - Cherry Red compilation 1981.......2005-10-27

      This is of those very rare albums that will stay with you forever.
      Whom you were with, where you were, what you were doing, the first time you listened to it.
      If you want to hear something that truly will expand your horizons, and change forever what you may think are the boundaries of music, this is the one that will do it.
      Your world will never be the same.
      It is NOT easy listening.
      It is an epic adventure, across vast deserts and oceans of storms, a surrender to what TIMELESS beauty really means.
      Open your mind, the reward will be for a lifetime.
      In a Mellow Tone Featuring the Robert Locke Quartet
      Average customer rating: Not rated
        		In a Mellow Tone Featuring the Robert Locke Quartet
        Robert Locke
        Manufacturer: Robert Locke
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Jazz | Styles | Music
        ASIN: B000CAA0NU
        Release Date: 2002-11-05

        Tracks:

        1. In a Mellow Tone
        2. Samba de uma Nota S(One Note Samba)
        3. I'll Remember April
        4. Blame It on My Youth
        5. They Can't Take That Away from Me
        6. Willow Weep for Me
        7. In a Sentimental Mood
        8. Lullaby of Birdland
        9. Shaker Song
        10. Garota de Ipanema (The Girl from Ipanema)
        11. My Foolish Heart
        12. Wonder Why
        Arthur Berger: The Complete Orchestral Music
        Average customer rating: Not rated
          		Arthur Berger: The Complete Orchestral Music

          Manufacturer: New World Records
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Symphonies | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          ClassicalClassical | Indie Music | Stores | Music
          ASIN: B0000DI4SP
          Release Date: 2003-10-28

          Tracks:

          1. Ideas of Order (1952)
          2. Perspectives II (1985)
          3. Serenade Concertante (1944, rev. 1951)
          4. Prelude, Aria and Waltz (1982) Prelude
          5. Prelude, Aria and Waltz (1982) Aria
          6. Prelude, Aria and Waltz (1982) Waltz
          7. Polyphony (1956)

          Album Description

          There may come a day when Arthur Berger (b. 1912), with his twin talents as composer and critic, will be regarded as his generation's Robert Schumann, who likewise excelled at both. Their impact on the music and thought of their respective eras is similar. Both composed works of great beauty, while maintaining a keen ear for the musical achievements of others—Schumann instrumental in Brahms' success, Berger championing the work of Ives, Copland and many others.

          Berger freely acknowledges beginning his mature career as a neo-classicist—taking the lead from Copland and mid-century Stravinsky—then shifting his methods to twelve-tone processes in the mid-fifties, influenced by Schoenberg and Webern. But ferreting out supposed mentors proves nothing more than intellectual name-dropping with a composer like Berger, whose own voice is so distinctive. Berger's synthesis of neo-classical and dodecaphonic approaches marks him as the foremost arbitrator between the two camps. Berger's compositional output is small. These five short works, none longer than fifteen minutes—Ideas of Order (1952) Perspectives II (1985) Serenade Concertante (1944, rev. 1951), Prelude, Aria and Waltz (1982), and Polyphony (1956)—comprise his entire orchestral effort, and several of these pieces are themselves re-workings of previous settings. These compositions span five decades, yet Berger's language has an unmistakable underlying consistency. Two identifiable ingredients characterize these symphonic works: beautiful surface textures juxtaposed with adventurous rhythmic and harmonic experimentation. The former make each work compelling from the first listen; the latter reward careful study and reveal the depth of Berger's craft.

          Of related interest:
          80308 Arthur Berger—Five Pieces for Piano, Septet
          80360 Arthur Berger—Duo for Cello and Piano, Quartet for Winds, Trio for Guitar, Violin, and Piano, and other works
          80536 Arthur Berger—Composition for Piano Four-Hands, Perspectives III, Suite for Piano Four-Hands
          Tradition and Renewal in the Music of Japan - Perspectives of New Music
          Average customer rating: Not rated
            		Tradition and Renewal in the Music of Japan - Perspectives of New Music

            Manufacturer: Perspectives of New Music
            ProductGroup: Music
            Binding: Audio CD

            GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
            General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
            GeneralGeneral | Classical | Styles | Music
            ASIN: B000PCEARM

            Product Description

            This compact disc was issued to accompany the professional journal Perspectives of New Music, Volume 27 (1989). (Futaiken) Reibo [15:25] Ronnie Nyogetsu Seldin, shakuhachi Minezaki Koto: Zangetsu [21:00] Henry Horaku Burnett, sangen and voice; Nanae Yoshimura, koto; Ronnie Nyogetsu Seldin, shakuhachi Joji Yuasa: Maibataraki II (1987) [7:12] Michiko Akao, Noh flute Charles Dodge: The Waves [12:44] Joan La Barbara, voice
            Perspectives
            Average customer rating: Not rated
              		Perspectives

              Manufacturer: New Dove
              ProductGroup: Music
              Binding: Audio CD
              ASIN: B0009XZTCM

              Product Description

              1. 4:18 Alien 2. 3:32 If Ever 3. 4:05 ITZURBUTY 4. 3:37 Town of Peace 5. 3:53 I'm Here 6. 3:56 Sometimes It's Love 7. 3:19 Forever and a Day 8. 4:37 Environmental Hazard 9. 3:35 She 10. 1:15 Just a Little Diddy 11. 4:50 We Needed Lovin'
              Perspectives
              Average customer rating: Not rated
                		Perspectives
                Various Artists
                Manufacturer: Revere Records
                ProductGroup: Music
                Binding: Audio CD

                GeneralGeneral | New Age | Styles | Music
                MeditationMeditation | New Age | Styles | Music
                GeneralGeneral | Pop | Styles | Music
                CDs $7 - $10CDs $7 - $10 | New Age General | New Age | Today's Deals in Music | Formats | Music
                GeneralGeneral | New Age | Indie Music | Stores | Music
                GeneralGeneral | Pop | Indie Music | Stores | Music
                ASIN: B000047ZGS
                Release Date: 1999-12-29

                Tracks:

                1. Romeo and Juliet are Wed (Emile Pandolfi)
                2. Moonlight in Vermont (Emile Pandolfi)
                3. Ciao for Now (Emile Pandolfi)
                4. The Entertainer (Bronn Journey)
                5. Simple Gifts (Bronn Journey)
                6. Edelweiss (Bronn Journey)
                7. Soon It's Gonna Rain (Mike Strickland)
                8. The Heart Asks Pleasure First (Mike Strickland)
                9. Hot `n Lazy Day (Mike Strickland)
                10. Have You Ever Really Loved a Woman (Anthony Arizaga)
                11. Love Me With All of Your Heart (Anthony Arizaga)
                12. Help Me (Anthony Arizaga)

                Album Description

                This delightful collection of performances from artists Anthony Arizaga, Bronn Journey, Emile Pandolfi, and Mike Strickland is a kaleidoscope of romance, nostalgia, and fun. Anthony's passionate, latin-flavored performances on guitar, Bronn's sweet, gentle touch on the harp, Emile's touching romantic, piano masterpieces, and Mike's whimsical, jazz flavored piano and ensemble gems present the listener with a snapshot of the performances that have made these artists bestsellers across the country. Give yourself a treat and enjoy these unique Perspectives! BAND_MEMBERS: Emile Pandolfi, Bronn Journey, Mike Strickland, Anthony Arizaga.

                Music:

                1. No Matter What You Do [CD-single] [Import]
                2. Nueva Musica [Extra tracks] [Import]
                3. Philadelphia Doo Wop
                4. Punta del Este Chill Sessions, Vol. 2 [Import]
                5. Pure Urban Divas: 40 Soulful Sistas With [Import]
                6. Remixes 2000 [Import]
                7. Rhythms & Grooves [Import]
                8. Schlinger
                9. Sky Diaries [Import]
                10. Thank You Pt. 1 [CD-single] [Import]

                Music

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