Lieder [Import]

Lieder [Import]

Editorial Reviews
Product Description
Pimpie Jackson First Came to the Attention of Germany's Dance Scene When He Released his First 10 Inch, 'playmade Des Monats' in the Summer of 1999. Pimpie also Worked Alongside Some of Munich's Best Known Dance Acts and Producers Including Gausch and Erobique.

Tracks:

O mio babbino caro (from 'Gianni Schicchi')
The Girl With Flaxen Hair (from Preludes, Book I; La fille aux cheveux delin: Prelude for Piano L 117/8)
Nocturne in C sharp minor (Op Post)
The Swan (from Carnival of the Animals)
Serenade (from 'Schwanengesang' song cycle for voice and piano, D 957
Casta Diva (from 'Norma')
Andante from Piano Concerto No. 21 in C Major K. 467
Nocturne from Quartet for Strings No. 2 in D Major: 3rd movement
Dance of the Blessed Spirits (from 'Orfeo ed Euridice')
Songs My Mother Taught Me, song for voice and piano B104/4 Op 55/4
Pur ti Miro (from 'L'incoronazione di Poppea')
Elegie (Elegie 'O doux printemps d'autrefois' for voice and piano)
Traumerei ('Kinderszenen' for piano, Op 15, No. 7 'Dreaming')

Amazon.com

Every track on this CD contains a beautiful melody, many of them easily recognizable, all of them exuding tranquility. "O mio babbino caro" from Puccini's Gianni Schicchi opens the disc, with Bell delicately accompanied by a harp and spinning the long melody with great sensitivity. Bellini's "Casta diva" from Norma lives up to its reputation as the epitome of bel canto in Bell's hands; his violin sings. The middle movement of Mozart's 21st Piano Concerto takes well to the violin, and Debussy's "The Girl with the Flaxen Hair" is played with great warmth and sensuality. It would be easy to turn a recital like this into treacle, but Bell is wise enough to realize that the music is already sweet enough and he plays with great reserve and a minimum of sentimental slides. The light accompaniments always support, with woodwinds prominent but used with grace. This CD, in short, is a beauty: a fine gift, a lovely mood setter. --Robert Levine

Customer Reviews:

Romance of the Violin.......2007-07-16

While it's not my very favorite Joshua Bell CD, this is a pleasure to listen to!

End of the Day.......2007-06-08

I am a Joshua Bell fan, and this album is the one that I enjoy with my dessert, it calms me at the end of the day, and makes me think of my 6 year old granddaughter's visit. She has to have music on during meals at her home. Usually it is some kid stuff, but I do not have anything like she has at home, so I chose to play Joshua Bell during our dinner. When I placed the dessert before her, she looked up at me and said: "This music is so beautiful, I want to play the violin just like that". What more could I say.
He is inspiring, and she is right. This album is beautiful.

Wonderful!.......2007-05-30

I play this for my grandson to nap by. It is so relaxing and wonderful!

Over and over and over...........2007-05-17

That's how I want to play this CD! It's a wonderful line-up of rich, mellow, captivating compositions played with a warmth and vibrancy that is seldom heard. Joshua at his very best. You won't be disappointed.

Non-standard CD format.......2007-04-22

The music on this CD deserves five stars, but the CD itself is a non-standard format that doesn't work on all players. There's a tiny warning on the back of the CD. You won't notice the warning until you discover that the CD doesn't work on your player. My Macintosh computer wouldn't read the non-standard format so there was no way for me to listen in my office or put the music on my iPod.

A friend's PC was able to read the CD and make a copy in standard format that can be read on any player, including my Mac. The story had a happy ending, but I can not comprehend why the publisher chose the oddball CD specification.

The music is excellent and worth the trouble of making a copy, but the publisher really shouldn't make you go to that effort just to listen to a CD that you paid for.

Andrea Bocelli - Sacred Arias / Myung-Whun Chung

Average customer rating:

Beautiful music
Andrea Bocelli-Sacred Arias
An "experience" of sacred arias more than "listening" of sacred arias
amazing talent
Perfect arias for the perfect voice

Andrea Bocelli - Sacred Arias / Myung-Whun Chung
George Frideric Handel , Giulio Caccini , Charles Gounod , Franz Schubert , Cesar Franck , Gioachino Rossini , Giuseppe Verdi , Wolfgang Amadeus Mozart , Richard Wagner , Pietro Mascagni , Louis Niedermeyer , Franz Xaver Gruber , John Francis Wade , Jean-Paul Lecot , Myung-Whun Chung , and Andrea Bocelli
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Andrea Bocelli - The Opera Album ~ Aria

ASIN: B00002ND9N
Release Date: 1999-11-09

Tracks:

Caccini/Mercurio: Ave Maria
Mascagni: Sancta Maria
Gounod: Ave Maria
Schubert: Ave Maria
Franck: Panis Angelicus
Rossini: Cuius animam
Verdi: Ingemisco
Mozart: Ave verum
Wagner: Der Engel
Handel: Ombra mai fu
Niedermeyer: Pieta signore
Rossini: Dominus Deus
Schubert/Mercurio: Mille Cherubini in coro
Gruber/Mercurio: Silent Night
Wade: Adeste Fideles
Gloria a te, Cristo Ges

Amazon.com

When he was growing up, Andrea Bocelli recalls finding inspiration in a favorite recording of sacred music performed by tenor legend Franco Corelli. Bocelli--who in the meantime has come to inspire millions of fiercely loyal fans himself--returns to the genre as the guiding theme of Sacred Arias, the release of which coincides with the first English-language biography of the singer. These performances are filled with the singer's phenomenally well-known vocal signature: his flair for long, sweetly floating high notes and the gentle sense of cadence he brings to a melody. It's a mistake to compartmentalize Bocelli into a singer of "operatic" versus "popular" styles: in truth his approach is at heart the same. Lack of color and control in his phrasing remains a drawback, but the emotional empathy Bocelli evokes is never in doubt. The arias collected here sample some of the most famous devotional pieces: Schubert's "Ave Maria" and Mozart's transporting "Ave Verum," as well as an arrangement of "Silent Night" in which Bocelli tries out his English. There's also a decidedly odd choice of bedfellows for a program of "sacred" music, such as a song from Wagner's Wesendonck Lieder (whose "angel" is the object of an overpoweringly erotic attraction) and Handel's figurative ode to a tree, "Ombra mai fu." Still, Bocelli sings with an unfeigned directness that is sure to expand his already enormous following even further. --Thomas May

Customer Reviews:

Beautiful music.......2007-01-12

This is my second copy of this CD, I burned the first one out!!
Andrea Bocelli has a very gorgeous voice that is a gift from above. His voice is not affected or braggadoccio but naturally magnificent. I could and do start my day listening to this spiritually uplifting CD almost everyday. It is a wonderful way to get off to a pleasant peaceful start, but also a nice way to come home in the evening if you have a CD player in your car. I highly recommend it to all.

Andrea Bocelli-Sacred Arias.......2006-08-25

Excellent listening. Voice quality and tone is superb. Brings tears to my eyes when I envision listening to this in a church setting.

An "experience" of sacred arias more than "listening" of sacred arias.......2006-04-28

I bought this CD's special edition with DVD, and I am impressed by bocelli's singing in this album. I have heard many voices singing sacred songs, and christmas songs, but very few singers can achieve the "sacred atmosphere" that bocelli devotes when he sings. He may not have a "strong" voice as opera singers, but I think singing these sacred songs, devoting the "sacred atmosphere" to the audience is much more important, the voice actually is just a tool that helps a singer to achieve the result. For real, I have heard some CD by some chorus that perform sacred arias, but they did not move me as much as this CD does, mostly not even close. Personally I like "O come all ye faithful", "silent night", all "ave maria"'s, "domine deus", "cujus animam" the most. When I listen Bocelli's singing I focus on what he tries to devote in singing more than his voice color, because in terms of voice color he surely cant be compared with pavarotti or domingo, so why compares? The way of listening him and listening real opera singers is different man. But the reason I gave only this CD four stars is that I have heard several sacred arias from this album performed by his voice teacher, the legendary tenor Franco Corelli. I tried not to compare both...but I cant, not because Bocelli sings bad, he is already excellent, just Corelli is TOO excellent that cant be described by human language (well I think even Pavarotti is not even close to Franco Corelli, but this is just my opinion). Anyway if you want to "experience" the true beauty of sacred arias, this CD is highly recommended. And this is also a very good sacred aria album for beginning listeners who want to broaden their musical taste to sacred arias.

amazing talent.......2006-03-25

worth the price the songs are breathtaking and talent is indescribable

Perfect arias for the perfect voice.......2006-03-04

These are just terrific. How does Andrea acheive the range he does, and the power he has, without sounding too heavy or too light? His voice sounds like the perfect voice for these perfect arias.

I have noticed one concern with the CD. I have heard several clicks scattered here and there in the songs -- but the CD is clean and I feel confident it is not the machine. Has anyone else noticed this?

Average customer rating:

masters of classical music
A good basic collection
An excellent introduction to classical music
Very Beautiful!!!!!1
Still Stuck on Beethoven

Masters of Classical Music (Box Set)

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

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25 Classical Favorites
Classical Masterpieces of the Millennium [20 CD Set]
The Top 100 Masterpieces of Classical Music, Vol. 6-10
Best of the Millennium: Top 40 Classical Hits
Classical Music for People Who Hate Classical Music

ASIN: B000001VU5
Release Date: 1990-10-25

Tracks:

Eine kleine Nachtmusik: Allegro - Mozart, Wolfgang Amadeus
Piano Concerto In A Major, K 488: Adagio - Mozart, Wolfgang Amadeus
Flute Concerto In D Major, K 314: Allegro - Mozart, Wolfgang Amadeus
Symphony No. 40 in G minor: Molto allegro - Mozart, Wolfgang Amadeus
Clarinet Concerto KV 622: Adagio - Mozart, Wolfgang Amadeus
Serenade, K 375: Menuetto - Mozart, Wolfgang Amadeus
Turkish March - Mozart, Wolfgang Amadeus
Violin Concerto, K 216: Allegro - Mozart, Wolfgang Amadeus
Divertimento, K 334: Menuetto - Mozart, Wolfgang Amadeus
Horn Concerto, K 447: Allegro - Mozart, Wolfgang Amadeus
Cassation, K 99: Allegro - Mozart, Wolfgang Amadeus

Tracks:

Overture No. 4 In Major: Rejouissance - J.S.Bach
Overture No. 3 In D Major: Air - J.S.Bach
Brandenburg Concerto No. 2 In F Major: I. Allegro - J.S.Bach
Jesu, Joy Of Man's Desiring - J.S.Bach
Overture No. 2 In B Minor: Menuet & Badinerie - J.S.Bach
Prelude In C Major - J.S.Bach
Toccata And Fugue In D Minor - J.S.Bach
Prelude In C Minor - J.S.Bach
Overture No. 1 In C Major: Passepied - J.S.Bach
Brandenburg Concerto No. 1 In F Major: II. Adagio - J.S.Bach
Kommst du nun, Jesu vom Himmel herunter, Chorale - J.S.Bach
Brandenburg Concerto No. 3 In G Major: II. Allegro - J.S.Bach
Violin Concerto In E Major: I. Adagio - J.S.Bach
St. Matthew Passion: Finale Chorus: 'Wir setzen uns mit Tranen nieder' - J.S.Bach

Tracks:

Symphony No. 5: Allegro con brio - Ludwig Van Beethoven
Fur Elise - Ludwig Van Beethoven
Violin Romance No. 2 - Ludwig Van Beethoven
'Moonlight' Sonata: Adagio sostenuto - Ludwig Van Beethoven
Minuet - Ludwig Van Beethoven
Symphony No. 8 In F Major: Allegretto scherzando - Ludwig Van Beethoven
Coriolan: Overture - Ludwig Van Beethoven
Piano Concerto No. 2: Adagio - Ludwig Van Beethoven
Symphony No. 5 In C Minor: Allegro - Ludwig Van Beethoven
Egmont: Overture - Ludwig Van Beethoven

Tracks:

Die Fledermaus: Die Fledermaus (Excerpts) - Johann Strauss
Wine, Woman And Song - Johann Strauss
Tritsch Tratsch Polka - Johann Strauss
The Blue Danube - Johann Strauss
The Gypsy Baron: Introduction - Johann Strauss
Annen Polka - Johann Strauss
Vienna Blood - Johann Strauss
The Gypsy Baron: Einzugsmarsch - Johann Strauss

Tracks:

Tannhauser: Overture - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Dance Of The Prentices - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Prelude Act 3 - MASTERS OF CLASSICAL MUSIC
Die Meistersinger von Nurnberg: Aufzug der Meistersinger - MASTERS OF CLASSICAL MUSIC
Der fliegende Hollander: Overture - MASTERS OF CLASSICAL MUSIC
Lohengrin: Prelude - MASTERS OF CLASSICAL MUSIC
Tristan und Isolde: Prelude And Liebestod - MASTERS OF CLASSICAL MUSIC
Tannhauser: Arrival Of The Guests At Wartburg - MASTERS OF CLASSICAL MUSIC

Tracks:

Piano Concerto No. 1: Allegro non troppo - Peter Tchaikovsky
String Serenade: Waltz - Peter Tchaikovsky
Violin Concerto: Andante - Peter Tchaikovsky
The Sleeping Beauty: Introduction - Peter Tchaikovsky
The Sleeping Beauty: Pas d'action - Adagio - Peter Tchaikovsky
The Sleeping Beauty: Waltz - Peter Tchaikovsky
Capriccio italien Op. 45 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Scene No. 10 - Peter Tchaikovsky
Swan Lake: Ballet Suite: Waltz - Peter Tchaikovsky
Eugene Onegin: Polonaise - Peter Tchaikovsky

Tracks:

The 4 Seasons: Concerto No. 1 In E Major: Spring - VIVALDI, Antonio
Siciliano - VIVALDI, Antonio
Concerto In D Minor:: (Allegro Assai) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 2 In G Minor: Summer - VIVALDI, Antonio
Oboe Sonata In B Flat Major, RV 34: Adagio - Allegro - Largo - Allegro - VIVALDI, Antonio
The 4 Seasons: Concerto No. 3 In F Major: Autumn - VIVALDI, Antonio
Oboe Concerto: Allegro non tasto - Largo - Allegro non molto - VIVALDI, Antonio
Concerto In D Minor: (Largo e spiccato) Cologne Concerto - VIVALDI, Antonio
The 4 Seasons: Concerto No. 4 In F Minor: Winter - VIVALDI, Antonio

Tracks:

Scherzo No 1 In B Minor, Op. 20 - Frederic Chopin_
Three Nocturnes, Op. 9: No 3 In B Major - Frederic Chopin_
Twelve Etudes, Op. 10: No 5 In G Flat Major - Frederic Chopin_
Twelve Etudes, Op. 25: No 10 In B Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 13 In F Sharp Major - Frederic Chopin_
24 Preludes, Op. 28: No. 14 In E Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 15 In D Flat Major 'Raindrops' - Frederic Chopin_
24 Preludes, Op. 28: No. 16 In B Flat Minor - Frederic Chopin_
24 Preludes, Op. 28: No. 17 In A Flat Major - Frederic Chopin_
24 Preludes, Op. 28: No. 18 In F Minor - Frederic Chopin_
Scherzo No. 2 In B Flat Minor, Op. 31 - Frederic Chopin_
Waltz In E Flat Major, Op. 18 - Frederic Chopin_
Nocturne In C Sharp Minor, Op. Posth. - Frederic Chopin_
Four Mazurkas, Op. 24: No. 3 In A Flat Major - Frederic Chopin_
Four Mazurkas, Op. 24: No. 4 In B Flat Minor - Frederic Chopin_

Tracks:

Ave Maria - Franz Schubert
Impromptu In E Flat Major - Franz Schubert
Standchen - Franz Schubert
Trout Quintet: Tema con variazioni - Franz Schubert
'Rosamunde': Entr'acte No. 1 - Franz Schubert
Moment Musical In A Flat Major - Franz Schubert
'Rosamunde': Entr'acte No. 2 - Franz Schubert
Moment Musical No. 3 In F Minor - Franz Schubert
'Rosamunde': Ballet Music No.2 - Franz Schubert
Symphony No. 8 In B Minor 'Unfinished': Allegro moderato - Franz Schubert

Tracks:

Nabucco: Overture - Verdi, Giuseppe
Nabucco: Va pensiero, sull'ali dorate - Verdi, Giuseppe
Aida: Prelude - Verdi, Giuseppe
II Trovatore: Verdi! le fosche notturne (Gypsies' Chorus) - Verdi, Giuseppe
II Trovatore: Or co' daddi, ma fra poco (Soldiers' Chorus) - Verdi, Giuseppe
Aroldo: Overture - Verdi, Giuseppe
La Traviata: Prelude - Verdi, Giuseppe
La Traviata: Noi siamo zingarelle - Verdi, Giuseppe
La Traviata:: Libiamo ne' lieti calici - Verdi, Giuseppe
La Traviata: Di Madride noi siam mattadori - Verdi, Giuseppe
La forza del destino: Overture - Verdi, Giuseppe

Customer Reviews:

masters of classical music.......2007-03-26

A nice collection for the classical listener. Great variety of composers and the music quality of the cds are very good.

A good basic collection.......2006-11-10

With selections from numerous composers, it is an easy way to familiarize oneself with some of the most popular classical works and excerpts. A pleasant listen for the initiated too.

An excellent introduction to classical music.......2006-10-18

This is an excellent introduction to classical music. Well performed and presented.

Very Beautiful!!!!!1.......2006-10-05

If you are a fan of classical music then you better get this set. Not only is it very cheap, 10 Discs for about 2$ per disk. Now where are you gonna find a deal like this. I actually found mine chaper, $20.00 even and the music is outstanding. If you had a very bad day and very stressed out, just put in one of these cds, lay down, dim down the lights and just relax. It really helped me out.

Still Stuck on Beethoven.......2006-08-22

I just recently started listening to classical music so I'm certainly not one to compare or critique the quality of this set. However, I do have a few comments...

My interest started in this genre of music because I'm researching my ancestry in Prussia and this is the music of those times. Never mind my ancestors were poor peasants who probably never got the chance to hear such wonderful music... when listening to these CDs, I'm taken back in time... to a royal court in Europe... to another place in time. The music is inspiring, relaxing, invigorating.

I have yet to listen to all the CD's in the set. I'm stuck on Beethoven! Wasn't he AWESOME!?!

I think this set is a wonderful introduction to classical music!!!!!

Little Night Music - Ultimate Mozart Collection [20 CD Set]

Average customer rating:

A Wonderful Collection
Celebrate Mozart's 250th at a Budget Price

Little Night Music - Ultimate Mozart Collection [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

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Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Box Sets at 30% Off | Blowout Music | Stores | Music

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ASIN: B00012QLTG
Release Date: 2003-12-09

Tracks:

Eine Kleine Nachtmusik, K.525: Allegro - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Romance. Andante - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Menuetto. Allegretto - Herbert Kraus, Vienna Mozart Ensemble
Eine Kleine Nachtmusik, K.525: Rondo. Allegro - Herbert Kraus, Vienna Mozart Ensemble
Divertimento in D, K.136: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.136: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.136: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Allegro Di Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in B Flat, K.137: Allegro Assai - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in F, K.138: Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Andante - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in E Flat, K.113: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Serenata Notturna in D, K.239: Marcia. Maestoso - The Berlin Chamber Orchestra, Peter Wohlert
Serenata Notturna in D, K.239: Menuetto - The Berlin Chamber Orchestra, Peter Wohlert
Serenata Notturna in D, K.239: Rondeau. Allegretto - The Berlin Chamber Orchestra, Peter Wohlert
Divertimento in D, K.131: Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Allegretto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.131: Adagio- Allegro Molto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Largo-Allegro - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Adagio - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Menuetto - Camerata Academica of the Salzburg Mozarteum, Sandor V
Divertimento in D, K.205: Finale. Presto - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Symphony No. 34 in C, K.388: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 34 in C, K.388: Andante Di Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 34 in C, K.388: Finale. Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Allegro Con Spirito - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 35 in D, K.285, Haffner: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Adagio/Allegro Spiritoso - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Poco Adagio - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 36 in C, K.425, Linz: Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 38 in D, K.504, Prague: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 38 in D, K.504, Prague: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 38 in D, K.504, Prague: Finale. Presto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Adagio/Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Andante Con Moto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 39 in E Flat, K.543: Finale. Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 40 in G Minor, K.550: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 40 in G Minor, K.550: Allegro Assai - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Allegro Vivace - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Andante Cantabile - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Menuetto. Allegretto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 41 in C, K.551, Jupiter: Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Symphony No. 9 in C, K. 73 (75a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 9 in C, K. 73 (75a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in G, K.74: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 10 in D, K. 81 (73l): Allegreo Molto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony No. 11 in D, K. 84 (73g): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in D, K. 95 (73a): Molto Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Menuetto - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Andante - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Symphony in F, K.75: Allegro - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Piano Concerto No. 12 in A, K.414: Allegro - Capella Coloniensis, Marian Migdal
Piano Concerto No. 12 in A, K.414: Andante - Capella Coloniensis, Marian Migdal
Piano Concerto No. 12 in A, K.414: Allegretto - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Allegro Maestoso - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Andante - Capella Coloniensis, Marian Migdal
Piano Concerto No. 25 in C, K.503: Allegretto - Capella Coloniensis, Marian Migdal

Tracks:

Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 13 in C, K.415: Andante - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 13 in C, K.415: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Allegro - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Adagio - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson
Piano Concerto No. 23 in A, K.488: Allegro Assai - Capella Coloniensis, Nicholas Kraemer, Linda Nicholson

Tracks:

Flute Concerto in G Major, K.313: Allegro Maestoso - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in G Major, K.313: Adagio Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in G Major, K.313: Rondo: Tempo Di Minuetto - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Allegro Aperto - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Andante Ma Non Troppo - Hungarian State Orchestra, , Ervin Lukacs
Flute Concerto in D Major, K.314: Rondo. Allegro - Hungarian State Orchestra, , Ervin Lukacs
Concerto for Flute and Harp in C, K.299: Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Concerto for Flute and Harp in C, K.299: Andantino - Cologne Concerto, Saskia Kwast, Martin Sandhoff
Concerto for Flute and Harp in C, K.299: Rondo. Allegro - Cologne Concerto, Saskia Kwast, Martin Sandhoff

Tracks:

Clarinet Concerto in A, K.622: Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
Clarinet Concerto in A, K.622: Adagio - English Chamber Orchestra, David Glasser, Geoffrey Simon
Clarinet Concerto in A, K.622: Rondo. Allegro - English Chamber Orchestra, David Glasser, Geoffrey Simon
Oboe Concerto in C, K.314: Allegro Aperto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Oboe Concerto in C, K.314: Adagio Non Troppo - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Oboe Concerto in C, K.314: Rondo, Allegretto - C.P.E. Bach Chamber Orchestra, Burkhard Glaetzner, Hartmut Haenchen
Bassoon Concerto in B Flat, K.191: Allegro - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Bassoon Concerto in B Flat, K.191: Andante Ma Adagio - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble
Bassoon Concerto in B Flat, K.191: Rondeau, Tempo Di Minuetto - Klaus Hellman, Herbert Kraus, Vienna Mozart Ensemble

Tracks:

String Quartet in a Major K.464: Allegro - Petersen Quartett
String Quartet in a Major K.464: Menuetto - Petersen Quartett
String Quartet in a Major K.464: Andante - Petersen Quartett
String Quartet in a Major K.464: Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Adagio, Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Andante Cantabile - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Menuetto. Allegro - Petersen Quartett
String Quartet in C Major K.465 Dissonant: Allegro - Petersen Quartett

Tracks:

Vioin Concerto No. 3 in G, K.216: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 3 in G, K.216: Adagio - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 3 in G, K.216: Rondo. Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Allegro - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Andante Cantabile - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Vioin Concerto No. 4 in D, K.218: Rondeau. Andante Grazioso - Christian Altenburger, German Bach Soloists, Helmut Winschermann
Fantasy in F Minor, K.608 - Camerata Academica of the Salzburg Mozarteum, Sandor V

Tracks:

Violin Concerto No. 5 in A, K.219: Allegro Aperto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Violin Concerto No. 5 in A, K.219: Adagio - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Violin Concerto No. 5 in A, K.219: Rondeau, Tempo Di Minuetto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: ... - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: Andante - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann
Sinfonia Concertante in E Flat for Violin and Viola, K.364: Presto - Christian Altenburger, Wolfram Christ, German Bach Soloists, Helmut Winschermann

Tracks:

Requiem, K.626: Requiem - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Dies Irae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Tuba Mirum - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Rex Tremendae - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Recordare - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Confutatis - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Lacrimosa - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Domine Jesu - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Hostias - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Sanctus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Benedictus - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Agnus Dei - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Requiem, K.626: Lux Aeterna - Aldo Baldin, Berlin Radio Symphony Orchestra, Gerhard Faulstich, Rias Chamber Chorus, Gabriele Schreckenbach, Edith Wiens
Laudate Dominum - Budapest Philharmonic Orchestra, Ivan Fischer, Jeunesses Musicales Chorus, Maria Zadori

Tracks:

Missa Solembis in C Minor, K.139: Kyrie - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Gloria - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Credo - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Sanctus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Benedictus - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Missa Solembis in C Minor, K.139: Agnus Dei - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Misericordias Domini, K.222 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Inter Natos Mulierum, K.72 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Sancta Maria, Mater Dei, K.273 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach
Venite Populi, K.260 - Berlin Radio Symphony Orchestra, , Werner Hollweg, Celina Lindsley, Rias Chamber Chorus, Gabriele Schreckenbach

Tracks:

Ave Verum Corpus [From Lorenzo's Oil] - Berlin Radio Symphony Orchestra, Marcus Creed, Rias Chamber Chorus
Exsultate, Jubilate, K.165 - Gabrielle Fuchs
Church Sonata in C, K.328 - Robert Kuppelwieser
Laudate Dominum - Camerata Academica of the Salzburg Mozarteum, Gabrielle Fuchs, Ernst Hinreiner
Fantasy in F Minor, K.608
Ah, Lo Previdi...Ah, T'Invola Agl'occhi Miei, K.272 - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass

Tracks:

Magic Flute, K.620 - Staatskapelle Dresden, Hans Vonk
Marriage of Figaro, K.492 - Staatskapelle Dresden, Hans Vonk
Ascanio in Alba, K.111 - Staatskapelle Dresden, Hans Vonk
Idomeneo, K.366 - Staatskapelle Dresden, Hans Vonk
Impresario, K.486 - Staatskapelle Dresden, Hans Vonk
Cosi Fan Tutte, K.588 - Staatskapelle Dresden, Hans Vonk
Abduction from the Seraglio, K.384 - Staatskapelle Dresden, Hans Vonk
Finta Giardiniera, K.196 - Staatskapelle Dresden, Hans Vonk
Lucio Silla, K.135 - Staatskapelle Dresden, Hans Vonk
Clemenza Di Tito, K.621 - Staatskapelle Dresden, Hans Vonk
Don Giovanni, K.527 - Staatskapelle Dresden, Hans Vonk

Tracks:

Five Minuets, K.461: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 3 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 4 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Five Minuets, K.461: No. 5 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 2 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 4 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 5 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six Contredances, K.462: No. 6 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Quadriles, K.463: No. 1 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Quadriles, K.463: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.509 - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.534, Das Donnerwetter - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.535 la Bataille - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Contredanse, K.587 Der Sieg Vom Helden Koburg - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 1 in C - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 2 in F - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 3 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 4 in E Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 5 in G, The Canary - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Six German Dances, K.600: No. 6 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Contredanses, K.603: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Two Contredanses, K.603: No. 2 in B Flat - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 1 in D - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 2 in G - Hans Graf, Salzburg Mozarteum Orchestra & Chorus
Three German Dances, K.605: No. 3 in C, The Sleighride - Hans Graf, Salzburg Mozarteum Orchestra & Chorus

Tracks:

Magic Flute, K.620 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
Magic Flute, K.620 Highlights: Der Vogelfer Bin Ich Ja, ... - Bratislava Philharmonic, Hermann Prey
Magic Flute, K.620 Highlights: O Isis and Osiris, The Priest's Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
Magic Flute, K.620 Highlights: Der H Rache, Queen of the ... - Berlin Radio Symphony Orchestra, Sumi Jo, Roberto Paternostro
Magic Flute, K.620 Highlights: Ies Bildnis Ist Bezaubernd Sch... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Magic Flute, K.620 Highlights: Ein Mhen Oder Weibchen, ... - Bratislava Philharmonic, Hermann Prey,
Magic Flute, K.620 Highlights: Heil Sei Euch Geweihten, Final Chorus - Bulgarian National Choir, Sofia Philharmonic Orchestra, Svetoslav Obretenov Bulgarian Choir
Idomeneo, K.366 Highlights: Vedrommi Intorno, Idomeneo's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: Ballet Music - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: Il Padre Adorato, Idamente's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Idomeneo, K.366 Highlights: d'Oreste, d'Ajace, Electra's Aria - Hungarian State Opera Orchestra, Ervin Lukacs, Sylvia Sass
Idomeneo, K.366 Highlights: Torna la Pace, Idomenco's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka

Tracks:

Don Giovanni, K.527 Highlights: Overture - Staatskapelle Dresden, Hans Vonk
Don Giovanni, K.527 Highlights: Madamina, Il Catalogo Questo, ... - Renato Bruson, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Li Darem la Mano, Duet ... - Renato Bruson, Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Dalla Sua Pace, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Don Giovanni, K.527 Highlights: Mi Traduell'alma Ingrata, ... - Sona Ghazarian, NHK Chamber Soloists, Roberto Paternostro
Don Giovanni, K.527 Highlights: Il Mio Tesoro, Don Ottavio's Aria - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Abduction from the Seraglio, K.384: Ich Baue Ganz Auf Deine ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Abduction from the Seraglio, K.384: Singt Dem Gron Bassa Lieder, ... - Berlin Radio Symphony Orchestra, Rias Chamber Chorus, Hanns Martin Schneidt
Abduction from the Seraglio, K.384: Wenn Der Freude Trn ... - Kurt Eichhorn, Munich Radio Orchestra, Josef Protschka
Cosan Tutte, K. 588: Come Scoglio, Fiordiligi's Aria - Bulgarian Radio Symphony Orchestra, Vassil Stefanov, Anna Tomowa Sintow
Cosan Tutte, K. 588: Un'aura Amorosa, Ferrando's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini
Clemenza Di Tito, K.621: Ah Se Fosse Intorno Al Trono, Tito's Aria - NHK Chamber Soloists, Roberto Paternostro, Giuseppe Sabbatini

Album Description

Enjoy a little night music with Mozart and this ultimate collection of his music. This incredible 20-CD set presents the listener with all of Mozart's most famous works, from Symphonies and Concertos, to highlights of his best operas The Magic Flute and Don Giovanni. Take in his Missa Solemnis, Ave Verum and Requiem and don't forget Eine Kleine Nachtmusik...this set truly is the most definitive Mozart collection ever assembled!

Customer Reviews:

A Wonderful Collection.......2007-04-11

As a selection, this is highly representative of Mozart's music. Just seeing the volume of work makes one marvel at Mozart's genius. Hear everything from piano to woodwinds, symphonies to concertos as well as religious pieces and operas. On my cd player, which is not a very expensive model, I get fine tonal quality and dynamics. I would highly recommend this box set to any fan of Mozart's work.

Celebrate Mozart's 250th at a Budget Price.......2006-01-11

This month will mark the 250th anniversary of the birth of one of the giants of the classical music world. While I am certainly not a classical music snob (the only Mozart piece I can identify is "Eine Kleine Nachtmusik," and what little I know of his life came from the 1984 movie "Amadeus"), I recognize his genius and the significance of his music.

This 20-CD box set gathers all of his major symphonies, concertos and operas into one massive collection. All of the selections are performed by European musicians (eg. the Budapest Philharmonic Orchestra, the Berliner Kammerorchester, etc.). While not household names, the music is uniformly excellent.

If you're looking for an inexpensive purchase (I got mine at a national retailer that rhymes with "Clam's Tub" for under $20!) to kick off your "Rock Me Amadeus" party, this is a great choice. RECOMMENDED

Artists Of The Century - Jussi Bjorling, The Ultimate Collection

Average customer rating:

Excellent older music
A Golden Voice!
Heaven
The Ultimate Tenor Anthology
The biggest hype I've ever seen or heard

Artists Of The Century - Jussi Bjorling, The Ultimate Collection

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Italian | Languages | Opera & Vocal | Styles | Music

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Similar Items:

Jussi Björling Rediscovered
The "Pearl Fishers" Duet
The Very Best of Beniamino Gigli
The Very Best of Franco Corelli
Jussi Bjorling: Opera Arias

ASIN: B00000J911
Release Date: 1999-05-25

Tracks:

Aida: Se quel guerriero io fossi; Celete Aida
Manon Lescaut - Donna non vida mai
Rigoletto - La Donna ? mobile
Rigoletto - Ella mi fu rapita; Parmi veder le lagrime
Cavalleria Rusticana - Siciliana: O Lola - Frederick Schauwecker
Faust - Salut, demeure chaste et pure - Robert Merrill
Pagliacci - Vesti la guibba
La Boh?me - Che gelida manini - Licia Albanese
Prince Igor - Vladimir's Recitative and Cavatina
Andrea Cher - Come un bel di di maggio
Martha - M'apparutt'amor
L'elisir d'amore - Una furtiva lagrima
Eugene Onegin - F, f (Lensky's aria)
Turandot - Nessun Dorma
Tosca - Recondita armonia
Tosca - E lucevan le stelle
Tosca - O dolci mani
The Trout (Die Forelle)
An Silvia: Was ist Silvia?
Stchen D. 957/4

Tracks:

The Pearl Fishers - Au fond du temple saint
Tosca - Mario, Mario, Mario!
Don Carlo - lo l'ho perduta!; Dio, che nell'alma infondere
Manon Lescaut - Oh, sar pila!; Tu, tu, amore? Tu?
La Boh - In un coup Mimtu pitorni
La Forza Del Destina - Solenne in quest'ora
Aida - La fatal pietra; O terra addio
Turandot - Signore, escaolta!; Non piangere, Li
Otello - Oh! monstruosa colpa!; Si, pel ciel marmorea giuro!
A Dream
Turandot - Nessun Dorma
Zeignung, Op 10, No. 1/Dedica

Amazon.com

Surely Björling was one of the greatest tenors of his or any other time, not only for the clarion ring, the purity, and the melting lyricism of his voice, but for his effortless lightness, impeccable intonation, endless breath control, and natural phrasing and line, enhanced by old-fashioned but wonderfully expressive scoops and slides. On this generous two-disc set, he is heard in a huge selection of arias and some duets with distinguished colleagues; most of them were recorded separately, and a few are excerpted from complete opera recordings--unfortunately not very skillfully, stopping abruptly in mid-phrase if not mid-note. No matter; the miraculous thing is that Björling, whether singing an entire role or a single aria, can instantly create a character and bring him to vibrant life. He sings everything in the original keys--his high B-flats, B's, and C's are thrilling--and almost everything in the original language, including a few songs by Schubert, Strauss, and Grieg. Recorded live in recital, they are delightful--only one is too operatic. Among his partners, soprano Zinka Milanov and baritone Robert Merrill stand out. This recording presents an incomparable artist at his incomparable best. --Edith Eisler

Customer Reviews:

Excellent older music.......2007-04-05

He is obviously one of the best of his time and puts to shame some of the newer singers. You get alot for your money on this CD too. I highly recommend it for a Sunday morning to enjoy your coffee, newspaper, and scones :}

A Golden Voice!.......2006-07-31

In opera circles everyone knows about Jussi Bjorling. But, I am writing this for the many people who never heard of him. He died in 1960 at the age of 49 so he hasn't been around for 46 years. Thus, the younger generation have only heard of Pavarotti, Domingo, Correras and some newer fellows. Believe me, the sweet, honeyed, golden voice of Bjorling will impress you. His voice..his "instrument".....is...is....what can I say, it's "beautiful". If you haven't heard him before you have an enormous treat ahead of you! If you love the beautiful sound of a "trained" voice, you'll love this guy! Enjoy!
(Some guy below is comparing Bjorling to DeStefano and Corelli and some others and was critical of Bjorling. The guy who wrote that must be suffering from hearing loss! ALL the tenors he mentioned are/were great artists. DON'T BELIEVE HIM...BELIEVE ME! :o) Email:boland7214@aol.

Heaven.......2004-12-13

I used to buy two separate CDs for people I was introducing to Bjoerling - the Pearl Fishers one, and the one with the Nessun dorma on it... So I was delighted when this 2 CD set came out.

To me, NO other tenor I've ever heard matches Bjoerling. His voice is one of the few that reduce me to tears just trying to EXPLAIN it to people. I've loved classical music since childhood but was never able to get into opera until I heard Jussi ... all the tenors alive today - feh, sorry, but to me they just sound like guys taking deep breaths and singing loud, not like "the voice of God" ...

The Ultimate Tenor Anthology.......2003-10-26

For anyone who has for some reason fallen in love with some other tenor voice, the discovery of Jussi Bjoerlings voice may be heartbreaking. This is not a tenor who can only sing superbly in lyric opera or only in dramatic opera, or only in song and lieder. This singer can sing whatever he wants and more; he does it equally brilliant whatever to the vocal demands may be. That, more than anything makes him absolutely unique in the record history.
In the opening selection of this compilation; "Celeste Aida", this essentially lyric voice demonstrates for every heroic and dramatic tenor how to sing dramatic opera. It is a sheer singing lesson. In the strenuous recitative, he does not shout or use other non-musical effects, but shows that true dramatic expression is characterized by tonal intensiy and not by volume, although he had plenty enough of that. The beautiful and incredibly free flow of lyric tones in the Pearlfishers duet, the Faust cavatina and in the gorgeous "Che gelida manina" is absolutely exemplary. Yet, who could replicate the beauty of those effortless high C`s? I cannot think of anyone.
The only thing that could better this and give the set 5 stars in the book, is a compilation of the same selections, transferred from the original tapes and not excessively remastered as on this occasion. The sound is at times overly bright and the voice sounds thin and even sharp. But the singing is so far unmatched.

The biggest hype I've ever seen or heard.......2003-07-27

This tenor is a tiny patch if compare to Corelli or Del Monaco, not to even mention Pavarotti. His high notes are strain to the max and he sounds like he's singing in half falsetto.
A total disappointment. I recommend Gigli and Del Monaco instead.

Strauss: Four Last Songs / Karajan, Berlin Philharmonic Orchestra

Average customer rating:

The Perfect Four Last Songs
Absolutely Beautiful!
Karajan really puts a damper on things
Fantastic readings of some of Strauss's most beautiful work
Gorgeous Gundula

Strauss: Four Last Songs / Karajan, Berlin Philharmonic Orchestra

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Strauss: Also Sprach Zarathustra, Don Juan / Karajan
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Gundula Janowitz Songs: Strauss Liszt & Schubert
Strauss: Four Last Songs; Songs with Orchestra; Rosenkavalier Suite

ASIN: B000001GQF
Release Date: 1996-01-23

Tracks:

Tod Und Verklarung Op. 24
Metamophosen: Metamorphosen
Veir Letzte Leider: Fruhling
Veir Letzte Leider: September
Veir Letzte Leider: Beim Schafengehen
Veir Letzte Leider: Im Abendot

Amazon.com

Gundula Janowitz had a very beautiful voice that critics like to describe as "creamy," whatever that means. Strauss had a life-long love affair with the soprano voice. He even married one--not just the voice, the whole woman, of course. His Four Last Songs constitute his dying tribute, and they are probably the most hedonistically gorgeous vocal works in existence. Herbert vo Karajan was a Strauss specialist, as was Janowitz, and together they contrive to perform the songs about as perfectly as they ever have been. The couplings, two orchestral works from the beginning and end of Strauss's career, are quite appropriate: the last of the Four Songs quotes the "Transfiguration" theme from the tone poem. --David Hurwitz

Customer Reviews:

The Perfect Four Last Songs.......2007-04-20

Of all the Straussians who have sung the composer's autumnal pieces, I think the best of the lot is Gundula Janowitz. Her ethereal, diaphanous, and floating voice fits these songs perfectly, and her natural sense of expression conveys that aura of old age, wisdom, and reflection radiated by these songs. Although hers is the kind of voice that wouldn't have the deep, low notes for Frühling, the rest of the songs sound like pearls falling off a string. In September and Beimschlafengehen, she has no rivals, and her Im Abendrot has that reflective sense of retirement that only she can bring to this glorious music. That said, I think that in addition to Janowitz, you must hear Lisa della Casa and Soile Isokoski in these songs. Janowitz is partnered by the orchestral forces of THE Straussian conductor, Herbert von Karajan. His feeling for the poetry in these pieces is unrivaled by any other conductor except Karl Böhm, and the Berlin forces play a ravishing account of this music. The balance is just right, and Karajan caresses the orchestral forces to a soft cushion of sound for Janowitz. All the resignment and wisdom of Strauss' final masterpieces can be found in this rendition of the music. The Metamorphosen and the Tod und Verklärung that precede these are also played with the finesse and the smoothness of the Berliners. Bravo!

Absolutely Beautiful!.......2006-07-19

Gundula Janowitz did an amazing job on the Four Last Songs by Strauss. Her tone is so beautiful with clarity, and her voice is so expressive. She also does not over sing these delicate songs which I heard oversung, and it ruins each piece. Of course, Karajan and the Berlin Philharmonic are amazing and perfect for Richard Strauss. The violin solo in the "third" of the four last songs is amazing and heartbreaking. You dont even have to be a Strauss fan to love this cd. Anybody who loves music has to love Strauss's Four Last Songs which can be described as some of the most beautiful music written.

Karajan really puts a damper on things.......2006-07-14

There are fervent Herbert von Karajan fans out there and a lot of people love this album, but I just don't see what the fuss is all about. Karajan's interpretations here seem daft and un-comprehending. In the sleeve notes, the Berlin Philharmonic concertmaster is quoted to say that Karajan quickly gave the orchestra a clear idea of what he wanted in rehearsals, so that in performance he could largely "let the orchestra play itself," taking over to provide leadership and an interpretive touch "at key moments." And that's exactly the sense I get in so many passages here: that Karajan is simply letting everyone play, not guiding or directing or shaping things.

The playing of the Berlin Philharmonic---the orchestra that is, by many if not by general consensus, held to be the world's finest---is of course spectacular. In fact, the orchestra is so good that all a conductor has to do to bring things off pretty well is to start and stop them together, and frankly for a great deal of this disk that seems to be the extent of Karajan's involvement. So many expressive nuances in these scores go by without emphasis, as though Karajan isn't even aware of them.

In the Four Last Songs, I much prefer Schwarzkopf and Szell with the Berlin Radio Symphony Orchestra. There, the phrasing is astute and expressive, heightening the effect of these scores, where Karajan deflates everything and largely sabotages the effect these gorgeous orchestral songs ought to have. Furthermore Schawarzkopf is gentle and tender where Janowitz, for as much as she sings arching, elegant phrases, is often rather overblown by comparison.

The exception here, though, and the reason for a 3-star rating rather than only 2, is the Metamorphosen, Op. 142. This is a remarkable, complex work that reveals itself more and more with multiple listenings, and the reading here is a real masterpiece. Perhaps Karajan deserves the credit, or perhaps the smaller ensemble (23 strings) fosters an atmosphere of chamber playing so that the orchestral musicians themselves are primarily responsible for the interpretive contribution here... given just how much Karajan muffles the expressive content in the other two works, I tend to think the latter is probably closer to the truth.

Fantastic readings of some of Strauss's most beautiful work.......2005-10-29

What more can I say that other reviewers have not already said? Karajan's direction of the BPO remains unsurpassed for Strauss. The BPO from the 1960's through the mid-70's was at its absolute apex and it shows, especially in the electric and beautiful "Tod und Verklarung" and the reflective "Metamorphosen". These interpretations of those two major tone-poems remain the definitive recordings for me; I have heard other performances, but none have moved me in this way.
I have to be honest, I am not a huge fan of Lieder in general - vocal works are not my bag, really. Still, if you enjoy this medium, then these pieces must not be missed, as they certainly are beautiful, and Gundula Janowitz has one of the most gorgeous classical voices.
Overall, this disc is can't miss - fantastic sound and performance, affordable price and a huge runtime (77+ minutes). A must have for Straussians.

Gorgeous Gundula.......2005-10-26

This is a must have CD for Janowitz's singing alone. Recently, many overpowered Wagnerian sopranos have attempted to perform the four last songs, but they are invariably miscast for these intimate works. Janowitz's singing here is precisely on the mark for the kind of atmosphere Strauss calls for. Karajan seems to fulfill every demand a signer could have here with gorgeous coloring, balance and pacing, always allowing Janowitz to breathe. These four last songs are part of my desert island collection.

Tod und Verklaerung likewise is an excellent rendition by Karajan. Death becomes palpable in a very naturalistic reading of this very naturalistic tone poem. The Metamorphosen on the other hand are the low spot on this disc and the reason for the "only" four stars rating. It seems emotionally overwrought and unconvincing as a whole. We have here unfortunately another example of excessively lush, chocolatey string overkill so common in later Karajan recordings. It seems wholly inappropriate for what is Strauss at his most experimental and non-romantic. A bit more clarity and emotional restraint would have helped.

Average customer rating:

Late Christmas present
Mahler-iffic!!!!
Three Brilliant Mahler Works Perfectly Melded
THe Mahler Bargain of a lifetime
Why pay more?

Mahler: Symphonies Nos. 1 & 5; Lieder
Gustav Mahler , Leonard Bernstein , and Thomas Hampson
Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Mahler: Symphony No. 2 / Mehta, Vienna Philharmonic Orchestra
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Mahler - Symphony No. 8 / Popp · Auger · Minton · Harper · Kollo · Shirley-Quirk · Talvela · Chicago SO · Solti
Dvorak: 3 Great Symphonies

ASIN: B00004XT2A
Release Date: 2001-01-23

Tracks:

Sym No.1 'Titan': 1. Langsam. Schleppend - Im Anfang Sehr Gemachlich - Concg O/Leonard Bernstein
Sym No.1 'Titan': 2. Kraftig Bewegt, Doch Nicht Zu Schnell - Trio. Recht Gemachlich - Concg O/Leonard Bernstein
Sym No.1 'Titan': 3. Feierlich Und Gemessen, Ohne Zu Schleppen - Concg O/Leonard Bernstein
Sym No.1 'Titan': 4. Sturmisch Bewegt - Concg O/Leonard Bernstein
Songs Of A Wayfarer: 1. Wenn Mein Schatz Hochzeit Macht - Thomas Hampson
Songs Of A Wayfarer: 2. Ging Heut Morgen Ubers Feld - Thomas Hampson
Songs Of A Wayfarer: 3. Ich Hab Ein Gluhend Messer - Thomas Hampson
Songs Of A Wayfarer: 4. Die Zwei Blauen Augen - Thomas Hampson

Tracks:

Sym No.5: First Part: 1. Trauermarsch. In Gemessenem Schritt. Streng. Wie Ein Kondukt - VPO/Leonard Bernstein
Sym No.5: First Part: 2. Sturmisch Bewegt. Mit Grosster Vehemenz - VPO/Leonard Bernstein
Sym No.5: Second Part: 3. Scherzo. Kraftig, Nicht Zu Schnell - Friedrich Pfeiffer
Sym No.5: Third Part: 4. Adagietto. Sehr Langsam - VPO/Leonard Bernstein
Sym No.5: Third Part: 5. Rondo-Finale. Allegro - Allegro Giocoso. Frisch - VPO/Leonard Bernstein

Customer Reviews:

Late Christmas present.......2007-01-23

Thank you Amazon for this CD. It was well received from my brother in law who is a Mahler Fan. It did arrive sooner than promised from USA and he was delighted when it came in the early new year!
Thank you for the prompt reply I will use this service again.

Mahler-iffic!!!!.......2006-08-16

I have heard that Symphony 1 is considered Mahler's weakest but I find myself listening to this CD over & over.

Movements #2 & #3 are just beautiful to hear. Sound quality is good and it's a great value for the $.

Symphony 5 has been quoted as being 'overdone' (but nothing compared to Symphony 8). It's OK. A little too pretty for me.

Three Brilliant Mahler Works Perfectly Melded.......2005-11-01

Remember the days in the 1960s when we all waited for the next Mahler Symphony from Leonard Bernstein to be unveiled? As I recall that was the same time frame when the Solti recordings of Wagner's 'Ring' were slowly being released. So many music lovers 'found' Mahler through Leonard Bernstein and this splendid set of CDs reminds us why.

Here are perfect performances. The Symphony No. 1 "The Titan" with Bernstein conducting the 'Mahler orchestra' AKA the Concertgebouw Orchestra Amsterdam. The response from the orchestra to Bernstein's penetrating approach is sensitive and breathtaking - some of the finest recorded sound the orchestra ever made.

On that first CD the remainder of the disc is rounded out with the still-respected partnership of Bernstein with Thomas Hampson in a performance of 'Lieder eines fahrenden Gesellen', this time with the Vienna Philharmonic Orchestra. The communication among conductor, soloist and orchestra is on the highest level. This is the young Hampson when his approach feels not only secure but also very fresh. Listen to the way he uses his head tones for the higher notes in 'Die Zwei Blauen Augen': this is as close to Mahler's vision as a singer can get.

The second CD is devoted to a performance of the Symphony No. 5 again with the Vienna Philharmonic Orchestra. Bernstein is at the height of his powers here, able to rush into the heady movements with steady will and then bask in the Adagietto in as perfect a reading as any conductor has produced. This, too, is a perfect performance.

At Amazon.com's low price this is a recording that is easily accessible to every budget and one that is a must in the libraries of all those who love Mahler's wondrous music. Highly recommended. Grady Harp, October 05

THe Mahler Bargain of a lifetime.......2005-06-28

Bernstein in his later wisdom filled years gives us a 1st symphony bursting with edge of your seat tension and bombast.
Each movement is played with passionate articulate phrasing and sharp precision to reveal the wondrous worlds of nature,ghouls,enigma,struggle, and triumph.
Bernstein does have a tendency to extend certain passages out for maximum effect but he does it successfully without any sense of routine or premeditation.
This 1st sounds totally spontaneous as it is live and it feels like it but Mahler's soundworld is kept sharply intact.
As for Mahler's 5th, expect an over the top milk it till it bleeds interpretation.
Bernstein digs and digs deep to uncover all of the darkness of the 1st movements funeral march with plenty of phrasing that makes the tragedy all the more vivid but natural unforced phrasing.
The 2nd movement is off the chain chaotic madness with the vpo whipping up a storm of violence and destruction and the scherzo counterpoint and waltz schizophrenia is brought forth with precision and style.
Now the Adaggietto is done very expansively as it lasts over 11 minutes but Bernstein knows how to pace and phrase it well enough to where it doesn't drag and the climactic concluding full string fortissimo really hits your heart when it finally kicks in.
Now some people say that Mahler intended this movement to be done in a slightly brisk manner as Mahler's student Bruno Walter interpreted it at about 8 minutes but Bernstein chooses to caress every note which doesn't erase the romantic love letter concept of the movement as one critic had mentioned but it actually enhances that concept.
The final rondo movements triumphant jovial spirit is aplenty with the v.p.o. again providing technical and musical fireworks and sounding as if they're having a ball doing it.
So in this 5th expect highly individualistic phrasing and dynamics from Bernstein with emotions teetering on the edge resulting in a most compelling and convincing performance.
The Lieder performed by Thomas Hampson is simply icing on the cake as he sings with wonderful heartfelt musical eloquence with Bernstein as his trusty and enthusiastic partner.
Trully a Bargain to scoop up before they yank it like they do so often in classical.
Happy Listening.

O.f.

Why pay more?.......2004-10-08

Both the First and Fifth Symphonies are considered to be the gems of Bernstein's later Mahler cycle on DG. Previously, they were available separately at full price each. But now, thankfully, they have been released together, along with Songs of a Wayfarer featuring Thomas Hampson, at a 2 for 1 price. Shame on Amazon for not recommending this one instead of the 2 CDs separately. I guess it has to do more with profits than with recommendations.

Average customer rating:

Wonderful
Thanks you Decca
Exquisite music for the soul
Indeed a joy forever!
Exquisite collection & performances, unbelievable value!!!

Violin Adagios

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Cello Adagios
Piano Adagios
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ASIN: B000058BGY
Release Date: 2001-03-20

Tracks:

Thais: Meditation - Nigel Kennedy
Vn Con No.1 in g, Op.26: Adagio - Kyung Wha Chung
Con No.4 in f, RV 297 'Winter': Largo - Alan Loveday
Con in d, BWV 1043: Largo, Ma Non Tanto - Henryk Szeryng/Maurice Hasson
Adagio in E, K.261 - Henryk Szeryng
Vocalise, Op.34 No.14 - Akiko Suwanai/Philip Moll
Vn Con in D, Op.77: Adagio - Joshua Bell
Vn Con: Andante - Joshua Bell
Melodie - Arthur Grumiaux/Istvan Hajdu
Vn Son No.5 in F, Op.24 'Spring': Adagio Molto Espressivo - Itzhak Perlman/Vladimir Ashkenazy
Vn Con in D, Op.35: Canzonetta: Andante - Leila Josefowicz
Songs My Mother Taught Me, Op.55 No.4 - Arthur Grumiaux/Istvan Hajdu
None But The Lonely Heart - Josef Sakonov
The Gadfly: Romance - Alexander Kerr

Tracks:

Romance No.2 in F, Op.50 - Arthur Grumiaux
Vn Con in E, BWV 1042: Adagio - Midori
Salut D'amour - Kyung Wha Chung/Philip Moll
Ave Maria, D.839 - Arthur Grumiaux/Istvan Hajdu
Con in a, RV 522: Larghetto - Midori/Pinchas Zukerman
Son in D, Op.1 No.13: Larghetto - Iona Brown
Vn Con No.3 in G, K.216: Adagio - Arthur Grumiaux
Liebesleid - Joshua Bell/Paul Coker
Vn Con in e, Op.64: Andante - Kyung Wha Chung
Souvenir D'un Lieu Cher, Op.42: Melodie - Akiko Suwanai/Philip Moll
Vn Con in d, Op.47: Adagio Di Molto - Kyung Wha Chung
Vn Con in D, Op.35: Romance: Andante - Chantal Juillet
Standchen, D.957 No.4 - Arthur Grumiaux/Istvan Hajdu
Estrellita - Arthur Grumiaux/Istvan Hajdu
Orchestral Ste No.3 in D, BWV 1068: Air ('Air On A G String') - ASMF/Neville Marriner

Customer Reviews:

Wonderful.......2005-11-07

An excellent compilation of folk tunes and violin concerto adagios, played masterfully by some of the world's most revered musicians. Features modern pieces (Korngold, Barber), which are a personal favorite of mine.

Thanks you Decca.......2005-01-23

My daughter is a violin student of 7 years and she has played 3 or 4 of these pieces for recitals. I bought the CD's so she could become familiar with the pieces as she was learning to play them. Now I find myself listening to the CD's almost every night when I go for my end of the day drive to relax. My favorites are the Mozart Concerto in G, the Mendelssohn Concerto in E minor and Beethoven's Romance in F on disc 2, but all the songs are exquisitely beautiful. I highly recommend it.

Exquisite music for the soul.......2004-06-14

These CDs have the most incredible selections of music on them. Listening to the violins has enabled me to complete papers for my doctoral level classes without the usual neck aches. This is soothing, exquistie music for the soul! Lovely!!

Indeed a joy forever!.......2003-05-22

Before buying this 2 CD set,I've read Reviews by Chicagodreamer,
who rated it as "Highly, highly recommended." His laudatory recommentation, I must say, is found "well justified."

Exquisite collection & performances, unbelievable value!!!.......2002-01-15

"Over 2 l/2 hours of the world's most beautiful music." These words on the cover are very close to true. What an incredible value this collection is!! So many of these compilations of this sort are cheaply produced, and those "greatest hits" collections are one trite piece after another -- after a while one runs screaming to the stereo to shut it off. However, this collection is top-notch, and the performers they chose are masterful musicians at the top of their game. Every selection is lovely, each one unfolding after the other in a sublime slide show of exquisite compositions performed by legends. This is TWO CDs of sparkling performances composed and performed by masters. There is not a bad selection or a piece of inferior quality in the entire lot.

The violin is an extraordinary instrument that, when played correctly, can pluck the heartstrings and stir the soul. It is played perfectly by each puppetmaster on each one of these wonderful pieces, and the experience of listening to this collection is an exquisite journey for the heart and spirit. Looking for a fantastic collection of exquisite pieces written and performed by genius? It's here. Highly, highly recommended!!

Orff-Schulwerk Volume 1: Musica Poetica
Average customer rating:

Natural rhythm, but what is this black soul stuff..

Children Love this Music

True Musica: Orff v. Zimmer, "Badlands" v. "True Romance"

Orff-Schulwerk Vol. 1: Musica Poetica

Black Soul? I Hardly Think So...

Orff-Schulwerk Volume 1: Musica Poetica

Manufacturer: Celestial Harmonies
ProductGroup: Music
Binding: Audio CD

All Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
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Badlands

Carl Orff: Carmina Burana

ASIN: B0000007Y8
Release Date: 1995-06-30

Tracks:

Vier Stucke Fur Xylophon: Gassenhauer nach Hans Neusiedler - Gunild Keetman
Vier Stucke Fur Xylophon: Allegro - Gunild Keetman
Vier Stucke Fur Xylophon: Allegretto - Gunild Keetman
Vier Stucke Fur Xylophon: Sempre rubato - Gunild Keetman
Funf Kleine Kanons: Erster Kanon - Gunild Keetman
Funf Kleine Kanons: Zweiter Kanon - Gunild Keetman
Funf Kleine Kanons: Dritter Kanon - Gunild Keetman
Funf Kleine Kanons: Vierter Kanon - Gunild Keetman
Funf Kleine Kanons: Funfter Kanon - Gunild Keetman
Vier Tanzstucke: Tanz - Carl Orff
Vier Tanzstucke: Hirtentanz - Carl Orff
Vier Tanzstucke: Tanz - Carl Orff
Vier Tanzstucke: Tanz - Carl Orff
Lieder Und Spielstucke: Andante - Carl Orff
Lieder Und Spielstucke: Con moto - Carl Orff
Lieder Und Spielstucke: Heiia Popeia - Carl Orff
Lieder Und Spielstucke: Rondo - Carl Orff
Lieder Und Spielstucke: Tun ma gehn, Rosserl bschlagn - Carl Orff
Drei Stucke Fur Flote Und Schlagzeug: Ruhig - Gunild Keetman
Drei Stucke Fur Flote Und Schlagzeug: Lebhaft - Gunild Keetman
Drei Stucke Fur Flote Und Schlagzeug: Ruhig fliessend - Gunild Keetman
Lieder Und Tanze: Schwalbenlied - Carl Crff
Lieder Und Tanze: In kleinstem Raum - Carl Crff
Lieder Und Tanze: Tanz - Carl Crff
Lieder Und Tanze: Ruhiger Tanz - Carl Crff
Lieder Und Tanze: Der Lirendreier - Carl Crff
Lieder Und Tanze: Ekstatischer Tanz - Carl Crff
Zwei Taktwechseltanze Fur Violine Und Violoncello: Tanz 1 - Carl Orff
Zwei Taktwechseltanze Fur Violine Und Violoncello: Tanz 2 - Carl Orff
Sieben Volkstanze: Marmotte - Carl Orff
Sieben Volkstanze: Tanz 1 - Carl Orff
Sieben Volkstanze: Tanz 2 - Carl Orff
Sieben Volkstanze: Tanz 3 - Carl Orff
Sieben Volkstanze: Tanz 4 - Carl Orff
Sieben Volkstanze: Tanz 5 - Carl Orff
Sieben Volkstanze: J'ai vu le loup - Carl Orff
Musik Zur Nacht: Melodie - Gunild Keetman
Musik Zur Nacht: Abendsegen - Carl Orff
Musik Zur Nacht: Wiegenlied - Carl Orff
Musik Zur Nacht: Sizilliano - Carl Orff
Musik Zur Nacht: Das Marchen von Klein-Flohchen und Klein-Lauschen - Carl Orff
Musik Zur Nacht: Die arme Bettelfraau singt ihr Kind in Schlaf - Carl Orff

Amazon.com

Lovers of Carmina Burana, here's the flip side of Carl Orff. Similar methods--simple material repeated in intricate patterns--but an entirely different outcome. Schulwerk, a collection of teaching pieces begun in 1930 and further extended in the 1950s, is a collaboration between Orff and colleague Gunild Keetman that celebrates the primacy of rhythm and pulse in our musical makeup and shows that educational music need never be dull. This disc, the first of a series that appeared in the centennial year of Orff's birth (1995), features performers who worked with the composer during his lifetime. The renditions can be considered definitive. --Ted Libbey

Album Description

Coinciding with the 100th anniversary of Carl Orff's birth, Orff-Schulwerk Volume 1: Musica Poetica is the first release of a five-volume collection in celebration of the composer's lifetime of monumental work. Many of the works included in this series have been unavailable on recordings for decades. Furthermore, this collection marks an unprecedented addition to the worldwide music catalogue: it is the first comprehensive collection of the Orff-Schulwerk to be digitally recorded, and has been produced with the cooperation of the composer's widow, his daughter Godela Orff (who also performs on this recording), and the artistic executor of his estate, Wilfried Hiller.

Musica Poetica presents a cross-section of the great pedagogical work, Orff-Schulwerk. As prototypes for experimentation, the pieces of the Schulwerk have an openness to creativity which invites the performer to have fun while creating music. Orff believed that by speaking to a child's most natural musical instincts to clap or sing or keep a beat, these pieces would awaken the musical talent which lies in everyone.

In addition to hand-clapping and finger-snapping, Orff incorporated rattles inspired by the Indonesian gamelan tradition and by African musical cultures. Drawing on the knowledge of his friend Kurt Sachs and instrument-maker Karl Maendler, Orff developed his own set of instruments for the Schulwerk, including all sizes of xylophones, glockenspiels, kettledrums, tambourines, sleigh-bells and triangles.

Although the pieces of Orff-Schulwerk are prototypical in nature, the work reaches far beyond simple pedagogical exercise. The quality of movement, and the same scenic and pictorial elements which would later influence Orff's great stage works, are apparent in even the shortest pieces of the Schulwerk. Schulwerk runs the gamut from the fleeting, changing miniature to grand, ecstatic movement music. It encompasses parade music, folk, dance, children's songs and musical fairy tales. This collection offers a refreshing approach to music, for young and old alike.

Customer Reviews:

Natural rhythm, but what is this black soul stuff.........2006-05-31

Orff is a white man with natural rhythm. So what. The music stands on its own as what it was meant to be: Studies and practice in rhythm for young children. But it is so complex and sophisticated that one never tires of it, with new aspects of its complexity showing themselves each time.

Children Love this Music.......2005-12-12

My two boys love this cd. When my first child was a mere 8 months, I could instantly calm him down by putting this in and playing it for less than a minute.

I think it is a must for every parent's music library.

True Musica: Orff v. Zimmer, "Badlands" v. "True Romance".......2004-12-11

Carl Orff fans must read the jewel in this CD's booklet found at the bottom of the 6th page from the back in "THE RECORDING" section. It relates the "unwanted merriment on the occasion of Orff's 75th birthday" concerning a performance of the first (and most famous) song in this collection. This recording is great and commences with a rich rendition of the "Badlands" theme "Gassenhauer" ("Streetsong") on track 1. Unfortunately, there never was a soundtrack album produced for "Badlands". I can not find any of the other "Badlands" songs from Musica Poetica on this CD and none are on the companion CD "O-S Vol. 2 / Musik fur kinder". "The Best Of Carl Orff", BMG 75605 51357 2, 1999 has the original "Gassenhauer" plus one of the other "Badlands" songs from Musica Poetica - Passion (house fire music). All Badlands Orff/Keetman songs can, however, be found on the 1994 BMG release (RCA Victor Red Seal) 6-CD box set version of the original Orff/Keetman recordings done between 1963 & 1975 on 10 LPs. There are at least 4 other "Badlands" pieces on CDs 2, 3, 4 & 6!

Now for the truth: The main theme "Gassenhauer" was composed by Orff's associate Gunild Keetman BASED ON A 1536 WORK FOR LUTE BY HANS NEUSIEDLER! Keetman also did half of the other 4 mentioned above, Orff the other 2. Orff's stated goal for the Schulwerk: "Improvisations which encourage further improvisation". This is precisely what Hans Zimmer did when he PRODUCED (no writing credits on soundtrack CD) 3 pieces loosely based on "Gassenhauer" for the film "True Romance", written by Quentin Tarantino as his tribute to the movie "Badlands": "You're So Cool", "Stars At Dawn", & "Amid The Chaos Of The Day". These are a fine & fitting tribute to Malick, Keetman/Orff, and, yes, especially Nuesiedler - Zimmer did NOT "rip off Orff". Is not imitation the sincereist form of flattery?

Orff-Schulwerk Vol. 1: Musica Poetica.......2003-07-04

Most people's first taste of Carl Orff comes from his grand sweeping, 'Carmina Burana' score but few often hear some of his more delicate and simple works. Orff-Schulwerk is literally music that Orff composed for students. The compositions are broken up by the particular instrument they were written for and are simple, brief, and quite and enjoyable listen. If you are of German descent you will appreciate this even more as Orff incorporates German folk music in to some of the compositions.

Brief Trivia: The first track was used in the Terrence Malick's, "Badlands".

Black Soul? I Hardly Think So..........2003-01-21

What is this about "Black Soul" in reference to Herr Orff's masterwork? Such vile attempts to debase the pure and the immortal fail horribly above... Silence would have been a far superior review than proof of inexcusable stupidity. It is apparent that no one here has the slightest understanding of the man's life, work, and passion. For good or for ill, however, there shall always exist true creative forces in this world which are forever subject to misunderstanding and slander by the petty minds of the age. Between we the conscious, and you the unconscious, lies an ocean, deep and wide; ready and yearning to devour the unlearning-- best you stay there on your side.

Tracks:

Der Hirt Auf Dem Felsen
Seligkeit
Gretchen Am Spinnrad
Du Liebst Mich Nicht
Heimliches Lieben
Im Fruehling
Die Vogel
De Jungling An Der Quelle
Der Musensohn
Widmung
Auftrage
Sehnsucht
Frage
Mein Schonster Stern
Schneeglockchen
Erstes Grun
Er Ist's
Die Sennin
Sehnsucht Nach Der Waldgegend
Jasminenstrauch
Schmetterling
Der Nussbaum
Marienwurmchen
Kauzlein
Waldesesprach
Loreley
Die Meerfee
Der Sandmann

Customer Reviews:

One of my favorite recordings ever.......2007-06-08

Elly Ameling is in glorious voice, and Demus's instrument here is fortepiano, which suits the music exquisitely. Der Hirt auf dem Felsen alone is worth the price, but all the Schubert and Schumann songs are well chosen. I'm so happy that this 1965 performance is available on CD.

wonderful.......2007-03-21

I also owned this on vinyl and have wonderful memories of this perfect blend of voice, clarinet and piano. Truly haunting melodies and the greatest musical integrity. Can't wait to get this one next month!

Truthful & Sincere Singing.......2006-11-25

Ameling's reading of Schumann and Schubert Lieder is sincere and noble, at times even awe-inspiring. There's always something genuinely beautiful, a sense of respect for music itself, when she sings with her etherial yet warm voice.

The sublimity of "Mein schonster Stern" only makes this CD worth purchasing. Her Schumann recordings are so scarce now that it is joy to find 19 Schumann Lieder both well known and obscure gems on this disc. Accompanied by an original master piano of Schubert's days. Recorded in 1965/67.

Beautiful.......2006-11-11

What a gorgeous voice! It's a true delight to listen to this set.

More than just a pretty voice ..........2006-09-17

It is tempting to dismiss Ameling as a "pretty voice" and reach for Elisabeth Schwarzkopf instead, as a previous reviewer suggests. Ameling's interpretations place a premium on simplicity and directness - two traits that are often undervalued. To my ears, however, Ameling's self-effacing approach is ideally suited to lieder performance. Schwarzkopf's recording with Edwin Fischer on EMI, while admirable in its own way, is too fussy for my tastes. Take, for example, the rendition of "Im Fruehling" by each singer: where others find Schwarzkopf to be intense and dramatic, I find her to be mannered and melodramatic. Ameling's version strikes closer to the heart and shows greater insight and intellect, in my view. Note: on this CD, Ameling's ravishing voice is at its peak.

Music:

Music

music

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