Into the Night [CD-single] [Enhanced] [Import]

Into the Night [CD-single] [Enhanced] [Import]

Into the Night [CD-single] [Enhanced] [Import]

Track Listings
 
1. Hannu Radio Edit
2. Hannu Club Mix
3. Friday Night Posse Mix
4. Original Radio Edit
5. Video

Into the Night,Love Inc.,Bmg Int'l,Club/Dance,Dance,Dance Music,Germany,House,Pop,Techno
Floating into the Night
Average customer rating: 4.5 out of 5 stars
  • Haunting
  • The most dreamy, surreal album I've ever heard - dazzling
  • The Ultimate Dream Music CD!
  • HEAVEN
  • songbirds
 Floating into the Night
Julee Cruise
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Voice of Love
  2. Twin Peaks (TV Soundtrack)
  3. Twin Peaks: Fire Walk With Me (Soundtrack)
  4. Mulholland Drive: Original Motion Picture Score
  5. Blue Velvet: Original Motion Picture Soundtrack

ASIN: B000002LH4
Release Date: 1990-05-09

Tracks:

  1. Floating
  2. Falling
  3. I Remember
  4. Rockin' Back Inside My Heart
  5. Mysteries Of Love
  6. Into The Night
  7. I Float Alone
  8. The Nightingale
  9. The Swan
  10. The World Spins

Customer Reviews:

5 out of 5 stars Haunting.......2007-03-12

The music on this Cd is haunting, mysterious and enchanting. The qaulity is suberb and Amazon's great prices and fast shipping made it all possible.

5 out of 5 stars The most dreamy, surreal album I've ever heard - dazzling.......2006-09-27

Given that David Lynch is my favorite director, it's really no surprise that I love Julee Cruise's FLOATING INTO THE NIGHT. The world was introduced to Cruise when she sang "Mysteries of Love" at the end of Lynch's critically-acclaimed masterpiece BLUE VELVET, released in 1986. That song is on Cruise's debut; it's probably the weakest of the songs contained in the album. That's good news, though, because "Mysteries of Love" is a pretty fine song. It pales in comparison, however, to the new material Cruise recorded for FLOATING INTO THE NIGHT - 9 utterly delightful compositions that redefine the word "dreamy".

Let me attempt to describe the album to someone who's never heard any of Cruise's songs. Imagine those old laid-back jukebox tunes from the 1950s. Take those tunes and add a dash of shadiness, then inject that mixture with a narcotic. That's what Cruise's songs sound like. Despite the album cover's depiction of a naked woman floating off into the darkness, the songs on FLOATING INTO THE NIGHT glitter like a case of diamonds. True, they're dark; but they're dark in the same soothing way that sleep is dark. Indeed, the songs on FLOATING INTO THE NIGHT are like dreams converted to music. Take "I Remember", for example. The song rolls along tranquilly at its beginning, but around the midsection it suddenly circles around like a merry-go-round - an eerie surprise that only lasts long enough to throw us off guard before the song metamorphosises back into a 50's rock number. But honestly, what else would you expect from David Lynch, one of the most controversial directors in the film industry? Lynch and Angelo Badalamenti, the immensely talented composer who has worked with Lynch on nearly all of his productions, produced the album. Lynch wrote the lyrics for the songs (which are surreally beautiful and make the bold decision not to rhyme), while Badalamenti wrote the wonderful music. It's filled with tight drumming, strong bass, and anything else you'd expect from the dream pop of the late-1950s and 1960s.

Not surprisingly, most of the album's fans are also fans of David Lynch's work - in particular, TWIN PEAKS, Lynch's brilliant TV series about a mysterious town in Washington and its wacky inhabitants. Julee Cruise actually appeared on TWIN PEAKS in a few episodes to sing some of the songs on this album, namely the be-boppin' "Rockin' Back Inside My Heart", the unnervingly mysterious "Into the Night", and "The Nightingale". The song will attract the most attention from PEAKS fans is "Falling", an instrumental version of which wound up becoming the show's instantly-recognizable theme song; the album version of the song also wound up in the show's second season.

One of my favorite songs on the album is "The Swan", a song with an opening like something straight out of a nightmare. There's an eerie calm through the rest of the song as well, but it gradually becomes more upbeat; still, there's something unpredictable and unnatural about the melody, the lyrics, Cruise's singing - the whole song. It's a very unusual composition that disturbs me - and impresses me - every time I hear it.

I simply love this album. I would call it an essential album. If you don't own it, then I would most certainly recommend that you correct that error and give it a spin in your CD player of choice. David Lynch, Angelo Badalamenti, and especially the wonderful Ms. Julee Cruise really hit it big with this dazzling masterpiece. If ever there was an album more surreal or dreamy, I can't imagine what it was like. This is a gorgeous record. Purchase it and dream on.

5 out of 5 stars The Ultimate Dream Music CD!.......2006-02-19

Twin Peaks may be gone and forgotten by many but the collaboration between singer Julee Cruise composer Angelo Badlamenti and writer David Lynch will live forever as a timeless collection of surreally beautiful songs.Filled with romantic longing,Cruise's haunting voice and Badlamenti's atmospheric music and completely avoiding trip hop electronic posturing for pure 50's dream music.If you're a musiclover this is as good as it gets for romantic dream music.After owning this cd for 15 years it still hasn't lost it's ability to cast a magical spell over anyone who hears it.

5 out of 5 stars HEAVEN.......2005-10-23

JULEE'S VOICE IS LIKE BEING KISSED SOFTLY OVER & OVER BY ONE THOUSAND ANGELS WHILE LYING ON A SMOOTH BED OV SILK FLOATING ENDLESSLY THROUGH THE CLOUDS UNTIL THEE END OV TIME.. AHHHHHHHHHHHH..

4 out of 5 stars songbirds.......2005-09-24

quite simply, if you are a fan of Twin Peaks, then you need this album. it's lovely nighttime music that is spooky and serenely beautiful with flourishes of jazz and new age. Julie's vocals are sweet and tender and float right over the music. you can't help but think of scenes from the Twin Peaks television series when you play this cd at home. everytime i hear it, it makes me want to break out my old vhs box set, make some coffee and cherry pie, and watch the whole series from start to finish.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Fairy Night Songs
Average customer rating: 4.5 out of 5 stars
  • dark and beautiful
  • Something is Out There
  • Beautiful CD
  • For All Who Would Not Suffer From Reality
  • Peaceful
 Fairy Night Songs
Gary Stadler & Singh Kaur
Manufacturer: Sequoia Records
ProductGroup: Music
Binding: Audio CD

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  1. Fairy Heart Magic
  2. This Universe
  3. Deep Within a Faerie Forest
  4. Fairy of the Woods
  5. Reflections of Faerie

ASIN: B000009RB8
Release Date: 2000-03-09

Tracks:

  1. NightSong
  2. Fairy Ring
  3. In The Hollows of Trees
  4. Fly Away
  5. Darkness
  6. Midnight Myst
  7. Laura's Hill
  8. Lullaby
  9. A Spark in the Night

Album Description

Charted on Billboard's New Age Top 25.

Deep in the night forest, fairies gather by firelight and fly to the song of the wind in the trees. Composer Gary Stadler and Vocalist Singh Kaur invite you to come with them on their magical travels through the fairy veil, into the realm of Fairy NightSongs. Your heart will open to the enchanted beauty of the Farie realm, as you relax in the beautiful melodies and angelic vocals.

Album Details

Gary released this discs worth of progressive / new age / Celtic tunes in 1998; features the vocals of the late Laura Drew.

Customer Reviews:

5 out of 5 stars dark and beautiful.......2007-06-28

i had this album and lost it. i had to buy it again,it is so great.

5 out of 5 stars Something is Out There.......2007-01-12

Yes, something is out there in the dark of the night. Mystical creatures from the days of yore where such creatues might have existed among humans. Soothing music shall transport you to this charming realm. Simply place the CD in your player and dream... best if used at night while you attempt to sleep. Sweet dreams.

5 out of 5 stars Beautiful CD.......2006-11-13

This is one of my favorite CDs, both for use as a Reiki practitioner in my sessions, and for my own listening pleasure.

5 out of 5 stars For All Who Would Not Suffer From Reality.......2005-04-24

I have an automatic, knee jerk relax response to Singh Kaur's voice. This dates back to my first discovery of her series of chants done on the independent
Invincible label with Kim Robertson on harp. This Crimson collection is the closest thing to 'healing music that I have ever heard. Unfortunately, the set has to be sought out or ordered, and many people simply have never heard what is one of the most powerful voices in new age music.

So it was with some delight that I discovered this collection done under Gary Stadler's aegis. Now albums entitled anything like 'Fairy night Songs' are almost guaranteed to put me off. I'm a new age music fan, but I don't think that cute titles do the genre any favors. Fortunately, despite the title, the music on this album is serious and the magic of Singh Kaur's voice quickly brushes aside any quibbles one might have with Stadler's branding.

In short order this has become a 'reach for' album when I get home after work in that fuzzy, edgy mood which happens when I forget to leave work behind and let the day fall away on the way back. I can feel a smile start as soon as the laser hits 'Fairy Ring.' By the time I get to the closing 'Spark in the Night,' which is a recasting of 'Guru Ram Das' from the Crimson set, the spell is complete - somehow, inside, you have returned to a semblance of balance. Singh Kaur saves Marc from the padded room once again.

5 out of 5 stars Peaceful.......2004-11-11

This CD far exceeded my expectations of relaxing music. So much of the "new age" music bores you to tears after 3 songs. Gary Stadler's CDs (I own 2 & plan to purchase more) are original and sparkle with creativity and mood. Lisa G
Send in the Clowns: The Ballads of Stephen Sondheim
Average customer rating: 4 out of 5 stars
  • Wonderful songs
 Send in the Clowns: The Ballads of Stephen Sondheim

Manufacturer: RCA Victor
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Comedy Tonight: Stephen Sondheim's Funniest Songs
  2. Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
  3. Sondheim Evening: A Musical Tribute (1973 Concert Cast)
  4. The Sondheim Collection (Studio Cast Re-recordings)
  5. Sondheim: The Stephen Sondheim Album

ASIN: B00006LSQJ
Release Date: 2002-10-22

Tracks:

  1. Send In The Clowns (From 'A Little Night Music') - Cleo Laine
  2. Losing My Mind (From 'Follies') - Barbara Cook
  3. I Remember (From 'Evening Primrose') - David Korman
  4. Liasons (From 'A Little Night Music') - Hermione Gingold
  5. With So Little To Be Sure Of (From 'Anyone Can Whistle') - Jerry Hadley
  6. Not A Day Goes By (From 'Merrily We Roll Along') - Bernadette Peters
  7. Pretty Women (From 'Sweeney Todd') - Michael Rupert
  8. In Buddy's Eyes (From 'Follies') - Barbara Cook
  9. No One Is Alone (From 'Into The Woods') - Cleo Laine
  10. Johanna (From 'Sweeney Todd') - Victor Garber
  11. So Many People (From 'Saturday Night') - Suzanne Henry
  12. Sorry-Grateful (From 'Company') - Stephen Collins
  13. Too Many Mornings (From 'Follies) - Barbara Cook
  14. Finishing The Hat (From 'Sunday In The Park With George') - Mandy Patinkin
  15. Not While I'm Around (From 'Sweeney Todd') - Angela Lansbury
  16. Like It Was (From 'Merrily We Roll Along') - Julie Andrews
  17. Unworthy Of Your Love (From 'Assassins') - Annie Golden
  18. Anyone Can Whistle (From 'Anyone Can Whistle') - Cleo Laine

Customer Reviews:

4 out of 5 stars Wonderful songs.......2003-02-07

If you're a Sondheim ballad fan, this a must-have. While there are a few renditions that aren't great (Not a Day Goes By is way overdone), the selections from Follies sung by Barbara Cook are outstanding. The Cleo Laine version of "Send in the Clowns" is lovely and Stephen Collins does an amazing good job on "Sorry-Grateful" from Company. Still, it's the Follies songs that truly shine!
Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Average customer rating: 5 out of 5 stars
  • Great CD
  • Simply the Best
  • Inconsistent, but mostly excellent
  • "Celebration" is not strong enough a word
  • A maginificent evening, a magnificent album
 Sondheim - A Celebration at Carnegie Hall (1992 Concert Cast)
Stephen Sondheim , Betty Buckley , Paul Gemignani , Patti LuPone , Liza Minnelli , and Bernadette Peters
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Sondheim Evening: A Musical Tribute (1973 Concert Cast)
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  5. Sondheim, Etc.: Bernadette Peters Live at Carnegie Hall

ASIN: B000003FDW
Release Date: 1993-02-23

Tracks:

  1. Symphonic Sondheim: Sweeney Todd--orchestra, Jerry Hadley ("Johanna"), Eugene Perry,Herbert Perry ("Pretty Women")
  2. Evening Introduction--Bill Irwin
  3. Loveland/Getting Married Today--Ensemble, Jeanne Lehman, Mark Jacoby, Madeline Kahn
  4. Waiting for the Girls Upstairs--George Lee Andrews, Michael Jeter, James Naughton/Love, I Hear--Michael Jeter/Live Alone and Like It--James Naughton
  5. Someone Is Waiting--Richard Muenz/Symphonic Sondheim: Barcelona--orchestra
  6. Being Alive--Patti LuPone
  7. Good Thing Going--The Tonics
  8. Losing My Mind/You Could Drive a Person Crazy--Dorothy Loudon
  9. Our Time--Boys Choir of Harlem/Children Will Listen--Betty Buckley
  10. Anyone Can Whistle--Billy Stritch
  11. Water Under the Bridge--Liza Minnellli, Billy Stritch
  12. Back in Business--Liza Minnellli, Billy Stritch, Ensemble

Tracks:

  1. Symphonic Sondheim: Comedy Tonight--Bill Irwin, orchestra
  2. Sooner or Later--Karen Ziemba
  3. Pretty Lady--Mark Jacoby, Eugene Perry, Herbert Perry
  4. Green Finch and Linnet Bird--Harolyn Blackwell
  5. The Ballad of Booth--Patrick Cassidy, Victor Garber
  6. Broadway Baby--Daisy Eagan
  7. I Never Do Anything Twice--BETTY
  8. With So Little to Be Sure Of--Jerry Hadley, Carolann Page
  9. Not a Day Goes By--Bernadette Peters
  10. Remember?--Ron Baker, Peter Blanchet, Carol Meyer, Bronwyn Thomas, Blythe Walker (Quintet)/A Weekend in the Country--Kevin Anderson, George Lee Andrews, Mark Jacoby, Beverly Lambert, Maureen Moore, Susan Terry, Quintet
  11. Send in the Clowns--Glenn Close
  12. Old Friends--Liza Minnelli
  13. Sunday--Bernadette Peters, Broadway Chorus

Customer Reviews:

4 out of 5 stars Great CD.......2006-08-06

This is a wonderful double CD of fabulous musical numbers performed by theatre greats and directed by a legandary musical director.

5 out of 5 stars Simply the Best.......2005-06-29

First, to the person who criticizes the recording b/c of "Broadway Baby." Daisy Egan (who sings in in this recording) sounds like she's 10 becuase she IS young. She had just appeared on Braodway in Secret Garden and won a Tony for it. It's a joke...Broadway BABY...hello, it's a joke.

In a compilation of songs like this you're always going to have tracks that you prefer over others, but the majority of the renditions in this CD are great. This is simply one of the best collections of Sondheim out there. You get interpretations that span from "classical" (Green Finch), to bordering on insane (Anything Twice). This is to demonstrate how versatile this composer really is.

In my opinion, some of the best renditions are "Not a Day Goes By," "Anyone Can Whistle", "Girls Upstairs Medley," "Losing My Mind/Drive a Person Crazy," and "Weekend inthe Country." Makes me wish I had been there to witness it first hand.

If you love Sondheim and enjoy hearing Broadway performers, get this CD. A great recording.

4 out of 5 stars Inconsistent, but mostly excellent.......2004-03-21

I am sure no knowledgeable person would deny how absolutely perfect all these songs are. However, the performances on this album are extremely inconsistent. It will go from an excellent rendition (Waiting for the Girls medley, Sunday, With So Little To Be Sure Of, Sooner or Later, Green Finch, Send in the Clowns, Pretty Lady) to the weird (I never Do Anything Twice), to the bad (Broadway Baby, Our Time). I still have absolutely no idea how they managed to butcher one of the best songs ever written--Good Thing Going--and turn it into smooth jazz elevator music. Why would they give Broadway Baby to someone who sounds like she's 10? That said, Liza Minelli, Glenn Close, Karen Ziemba, Dorothy Laudon and the "Waiting for the Girls" performers are all very good. And ending with Bernadette Peters and "Sunday" ends the set on a absolutley fabulous note.

5 out of 5 stars "Celebration" is not strong enough a word.......2003-04-30

This review is by Crosley.

I have been a major Sondheim fan for quite some time, and I finally obtained a copy of this album. I was blown away by the excellent cast and phenomenal selection of music. It is obvious how much work went into this production, considering that this is the live recording of a one time show, and it's flawless. The songs cover all of his shows with the exception of "Passion," which was released 3 years after this show. Also, the shows for which he wrote only lyrics are ommited, like West Side Story, Gypsy, etc. Thus, you can find material from A Funny Thing Happened on the Way to the Forum, Anyone can Whistle, Company, Follies, A Little Night Music, Pacific Overtures, Sweeney Todd: The Demon Barber of Fleet Street, Merrily we Roll Along, Sunday in the Park with George, Into the Woods, and Assassins.

There are two striking things about this CD (besides the music and performers themselves). First of all, some of the songs are completely stylistically reworked. The most obvious are "Good Thing Going" and "I Never do Anything Twice." Both are traditionally very ballady with a piano accompaniment, but here they have been redone as jazzy tunes. The result is excellent. Such reworkings demonstrate that Sondheim writes music for virtually any style, and in these cases, across several styles. It's a great example of his variety. The other interesting thing is how many songs have overlapping melodies of songs from different shows. Case in point, "Our Time" and "No one is Alone" are sung seperately by the Harlem Boys Choir and Betty Buckley (the original Grizabella in Webber's atrocious "CATS," although Buckley was excellent) respectively, and then combined. Putting these two songs together offer different meanings to each, and the music is only enhanced. Another example, the trio of "Waiting for the Girls Upstairs," "Love, I Hear," and "Live Alone and Like It" are sung in that order, and then the latter two are combined. Again, the meanings of the songs change, this time in an almost narrative style, and offering different takes on love in the same montage. Lastly (at least for this review, there are more), Dorothy Laudon's (the original Ms. Hannigan in Annie) combination of "Losing my Mind" and "You Could Drive a Person Crazy" is brilliant. Those who are familiar with these songs will wonder how exactly they fit, but trust me, they do. She swtiches back and forth between melodies to create a number that starts poignant and beautiful, and soon moves to become uproariously funny. Both the song reworkings and overlapping melodies of unrelated songs are all for the better.

I recommend this recording to anyone wanting to get better acquainted with some of Sondheim's best work, or those already familiar who want to hear a tour de force of phenomenal music. It has been said that Sondheim is a masterful lyricist (which he is), but lacks real talent for music. This CD is the final proof that such critics are wrong. His music may take a few listenings to get into, contrary to Webber or Wildhorn, but unlike those two, he doesn't cater to the audience. He challenges them to think outside of traditional musical theater in a glorious repertoise of shows that reach for a smarter, more sophisticated form.

5 out of 5 stars A maginificent evening, a magnificent album.......2001-12-16

There's something to be said for the first concert you ever see at Carnegie Hall. I was fortunate enough to have this be my first. This entire evening was devoted to his genius and the performers did not disappoint.

This wonderful double CD shows off the best and brightest of the musical theatre composer and it is, as one person put it, "an embarassment of riches." With songs from his finest works done in amazing arrangements (listen to that harmony in "We Had a Good Thing Going"!) combined with fabulous performers this is a Sondheim lovers delight.

My favorite song is, without a doubt, Dorothy Louden and her wonderful medley of "Losing My Mind" into "You Could Drive a Person Crazy" followed very closely by the recently departed Madeline Kahn singing "Getting Married Today."
Rockin' Into the Night
Average customer rating: 4 out of 5 stars
  • Doesnt' get much better than this if you like 38 Special or Southern Rock
  • Turning Point
  • Glorious Lack Of Sophistication
  • First Rate By The Great 38
 Rockin' Into the Night
.38 Special
Manufacturer: A&M Super Budget
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002GB0
Release Date: 1994-05-03

Tracks:

  1. Rockin' Into The Night
  2. Stone Cold Believer
  3. Take Me Through The Night
  4. Money Honey
  5. The Love That I've Lost
  6. You're The Captain
  7. Robin Hood
  8. You Got The Deal
  9. Turn It On

Customer Reviews:

5 out of 5 stars Doesnt' get much better than this if you like 38 Special or Southern Rock.......2007-07-11

Absolutely one of my all-time favorite albums. Not a clunker on it, in my opinion. Play it loud and often.

4 out of 5 stars Turning Point.......2003-10-30

Southern melodic pop rocker f38 Specialfs third album in 1979 features the title track that became their first smash hit. ROCKINf INTO THE NIGHT is also the first successful hit since 70s for Jim Peterik, co-founder of Survivor. It is said that this song was originally prepared for Survivorfs debut. 38 Special guys loved it and used this for their album. Some of the tracks in this album such as Stone Cold Believer and You Got The Deal are really rocking hard sounding closer to Foreigner. Yet this album also has good old southern rock vibe as seen in Money Honey. This album might have been a turning point not only for 38 Special but also for Survivor that made their music more melodic and hard as shown in Premonition.

Recommended for late 70s rock fans, Survivor, Allman Brothers, and Lynard Skynard fans.

1 out of 5 stars Glorious Lack Of Sophistication.......2003-04-10

Deep Lyrics man, I'm getting a lot out of this... But just wait for the next record when you'll get "Hold On Loosely!"

5 out of 5 stars First Rate By The Great 38.......2002-09-23

ROCKIN' INTO THE NIGHT is the second-best album by the great .38 Special. The title track is great, as is almost everything else, but by far the best song here is the keep-your-head-and-health number, "You're The Captain", which today's kids could learn a bundle from. A couple of cuts are second-rate, but this album gets 5 stars for all the rest.
Ultimate Broadway II: The Very Best of Broadway Now
Average customer rating: 2.5 out of 5 stars
  • redux
  • Moderate Quality
  • POOR EXCUSE FOR SOME GOOD THEATER MUSIC
 Ultimate Broadway II: The Very Best of Broadway Now
Various Artists
Manufacturer: RCA Victor Broadway
ProductGroup: Music
Binding: Audio CD

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ASIN: B000092Q7E
Release Date: 2003-05-20

Tracks:

  1. Overture (from Gypsy) - London Cast Recording
  2. Man of La Mancha (I, Don Quixote) - Brian Stokes Mitchell, Ernie Sabella
  3. Run, Freedom, Run! - Hunter Foster
  4. Your Daddy's Son - Ted Sperling, Ragtime Orchestra
  5. Music Of The Night (From The Phantom Of The Opera) - Colm Wilkinson
  6. All That Jazz (from "Chicago") - Bebe Neuwirth
  7. Gimme Gimme - Michael Rafter
  8. La boh; Act I; O soave fanciulla - Placido Domingo, Sherrill Milnes, Montserrat Caball
  9. Next Best Thing To Love - Randy Graff
  10. Cabaret - Natasha Richardson
  11. Springtime For Hitler (From "The Producers") - John Morris, Mel Brooks
  12. Losing My Mind - Barbara Cook
  13. Time Warp - Raparza
  14. Oklahoma!; Oklahoma - Finale: Oh, What a Beautiful Mornin' (Reprise) - Musical Cast Recording
  15. Breeze Off the River - Patrick Wilson
  16. Big Spender - Jane Lanier, Valarie Pettiford, Shannon Lewis, Kim Greene, Kim Morgan, Dana Moore, Rachelle Rak, Elizbeth Parkinson, Dede LaBarre, Mary Ann Lamb, Mary McLeod
  17. Gee Officer Krupke - Cast
  18. Agony - Paul Gemignani
  19. Bring Him Home (from Les Miserables) - Colm Wilkinson, Colm
  20. Lullaby of Broadway (from "42nd Street") - John Lesko, Jerry Orbach

Customer Reviews:

2 out of 5 stars redux.......2007-07-06

Four of the songs on this CD (Oklahoma, Music of the Night, Cabaret, and All That Jazz) were on the earlier Ultimate Broadway. Of all the shows that have been on Broadway over the past 70+ years, including the ones that are currently running, there is no excuse for repeats!

3 out of 5 stars Moderate Quality.......2003-06-20

I believe that the show selection for this CD was excellent. However the song selection and song order were not. Why pick "Your Daddy's Son" from Ragtime when you can have the amazing and fantastic "Prologue" from the same show. Also I believe that a mistake was made by slecting "I Don Quixote" from Man of La Mancha instead of the much more listenable "Impossible Dream." Also the overture from Gypsy is not the proper song to start out a CD. Perhaps the "Overture" from The Phantom of the Opera.

This is however an excellent example of showtunes for inexperienced members of the theatrical world.

2 out of 5 stars POOR EXCUSE FOR SOME GOOD THEATER MUSIC.......2003-05-20

The best of Broadway? Sure, if you consider the best of Broadway only those songs taken only from RCA Victor cast recordings. Expect the expected: Tracks from "Ragtime," "Chicago," "42nd Street" and "Man of La Mancha," sung by the likes of Audra
McDonald, Bebe Neuwirth, Jerry Orbach and Brian Stokes Mitchell. Including a live recording of Barbara Cook warbling "Losing My Mind" from her "Mostly Sondheim" CD isn't exactly kosher. But then again, neither is this gimmick-riddled release. Curtain up?
Half-way, maybe. Light the lights? Dim them, please.
The Impossible Dream
Average customer rating: 4.5 out of 5 stars
  • Simply Wonderful
  • Music like this could make me a convert
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  • Tenor terrific
  • oh molly oh
 The Impossible Dream
Bobby Scott , Shay Healy , Frank Wildhorn , Irish Traditional , Stanislao Gastaldon , Stephen Sondheim , Rolf Lovland , Joni Mitchell , Charlie Chaplin , Brian / U2 Kennedy , Sarah McLachlan , and Proinnsias O Duinn
Manufacturer: Jive
ProductGroup: Music
Binding: Audio CD

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  1. Ronan
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ASIN: B000078JM7
Release Date: 2002-11-12

Tracks:

  1. The Impossible Dream (from Man of La Mancha)
  2. Night and Day
  3. (My Grandfather's) Immigrant Eyes
  4. Isle of Hope Isle of Tears
  5. He Ain't Heavy He's My Brother
  6. What's Another Year
  7. When I Look At You
  8. My Irish Molly '0
  9. Musica Prohibita
  10. No One Is Alone
  11. You Raise Me Up
  12. Danny Boy
  13. Both Sides Now
  14. Smile
  15. Life, Love & Happiness/I Still Haven't Found What I'm Looking For
  16. Angel

Amazon.com

The term Irish tenor may be fraught with as many wrong-headed, anachronistic characterizations as any phrase in music. But Ronan Tynan not only returns here to the PBS airwaves that helped spread his fame as a member of the Irish Tenors trio, but he overturns a few clichés while delivering a live concert (recorded at the Royal Dublin Society in June 2002) that encompasses everything from Broadway and pop chestnuts to Italian operatic repertoire. Tynan rewards Irish traditions old and new (a medley of Brian Kennedy's and U2's "Life, Love & Happiness"/"I Still Haven't Found What I'm Looking For") and even makes left turns into folkie songstress territory (Joni Mitchell's "Both Sides Now," Sarah McLachlan's "Angel"). Backed by RTE Orchestra, the unlikely international star invests himself completely in all of it, his strong, crystalline voice playing off the traditions, while forging strong new bonds with the contemporary. --Jerry McCulley

Customer Reviews:

3 out of 5 stars Simply Wonderful.......2005-08-29

This CD is just as great as the more recent "Ronan" CD. I clicked on 3 stars in error. This is a 5++ star album! His voice is sheer perfection, and the songs are wonderful. I also highly recommend the DVD of "The Impossible Dream," even though I didn't care at all for the London Community Choir who sing four songs. Note: The American version of the DVD doesn't have the 25-minute "Dr. Courageous" extra on it that the Irish version does. I saw him in concert last month, and besides having a voice that soars to the rafters, he is warm, funny and endearing.

4 out of 5 stars Music like this could make me a convert.......2005-08-17

I've always been a rock and roll fan since back in the 60's. Listening to this cd could easily convert me into a classical music fan as well. Wow what a voice.

5 out of 5 stars Powerful!.......2003-01-22

Having seen Ronan in person recently in the U.S., I was impressed first and foremost by his singing ability, and second by his stage presence and warmth. He is a special performer and human being. I am proud to be a Ronan Tynan fan.

4 out of 5 stars Tenor terrific.......2003-01-18

I am not a fan of this kind of music, but I bought this after hearing a few sound snippets at amazon and WoW! what a find. Excellent song selection, powerful singing, fine music quality for a live recording. Expand your horizons and enjoy. (get this wayno)

5 out of 5 stars oh molly oh.......2002-12-15

ronan tynan is a great role model for adults and children alike. he was born with a deformity and made a decision he would make something of himself, he had a goal and he surpassed it. no one puts as much of their heart into as he. he puts the audience into his songs, he makes us feel he is singing to each one of us individually. HE IS THE GREATEST IRISH TENOR I HAVE EVER HEARD, INCLUDING JOHN MC CORMAC the great irish tenor of the 30's
The Greatest Hits of the Beatles: Classical Style
Average customer rating: Not rated
    		The Greatest Hits of the Beatles: Classical Style

    Manufacturer: Compendia
    ProductGroup: Music
    Binding: Audio CD

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    ASIN: B0007LPM82
    Release Date: 2005-03-22

    Tracks:

    1. Eleanor Rigby
    2. Yellow Submarine
    3. Please Please Me/Hard Days Night
    4. Got To Get You Into My Life
    5. And I Love Her
    6. Michelle
    7. Yesterday
    8. Here, There, And Everywhere
    9. The Long And Winding Road
    10. Hey Jude

    Album Description

    Revisit Abbey Road with THE BEATLES GREATEST HITS: CLASSICAL STYLE, an unbelievable collection of your favorite Fab Four songs performed in the distinctive style of revered classical composers such as Johann Sebastian Bach. With hits such as "Yellow Submarine", "Yesterday", and "Hey Jude", THE BEATLES GREATEST CLASSICAL STYLE will become a favorite of Beatles fans and classical music aficionados everywhere.
    Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)
    Average customer rating: 4.5 out of 5 stars
    • Wow!
    • Everyone Should Whistle
    • An amazing intro to the body of work of a true master
    • Beautiful, moving concert
    • ... and I love Barbara Cook
    		 Barbara Cook Sings Mostly Sondheim (Live at Carnegie Hall 2001)

    Manufacturer: Drg
    ProductGroup: Music
    Binding: Audio CD

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    5. The Champion Season: Live at the Cafe Carlyle

    ASIN: B000059LFF
    Release Date: 2001-05-08

    Tracks:

    1. Everybody Says Don't
    2. I Wonder What Became of Me?
    3. The Eagle and Me
    4. I Had Myself a True Love
    5. Into the Woods / Giants in the Sky (Malcolm Gets)
    6. Another Hundred People / So Many People (Malcolm Gets)
    7. Let's Face the Music and Dance / The Song Is You (duet with Malcolm Gets)
    8. Happiness
    9. Loving You
    10. You Could Drive a Person Crazy
    11. Not A Day Goes By / Losing My Mind

    Tracks:

    1. Buds Won't Bud
    2. I Got Lost in His Arms
    3. West Side Story Segment: Something's Coming / Tonight (Malcolm Gets)
    4. Move On (duet with Malcolm Gets)
    5. Medley: Hard Hearted Hannah / Waiting for the Robert E. Lee / San Francisco
    6. Ice Cream
    7. Send in the Clowns
    8. The Trolley Song
    9. Not While I'm Around (duet with Malcolm Gets)
    10. Anyone Can Whistle

    Amazon.com's Best of 2001

    Barbara Cook is one of today's most accomplished song stylists, and if you don't believe us, just listen to this live album. It's a master class in the art of singing. It documents an evening at Carnegie Hall during which Cook proved that she can dissect and extract the substance out of the simplest of lyrics. One of the best surprises is "You Could Drive a Person Crazy" (from Company), which is taken at an amiable trot and allows the singer to display its humor. Cook is not a swinging singer and uptempo is not her pace; give her a ballad, though, and she'll wring the last drop of emotion out of it. Her version of "Losing My Mind" (here paired with "Not a Day Goes By") is simply astonishing. The singer also performs songs that Sondheim has said he wished he had written, an awful lot of them by Harold Arlen. No complaints here. Guest Malcolm Gets solos on a few songs and duets with Cook on others, including "Let's Face the Music and Dance." This is classic material done masterfully by a classic singer. --Elisabeth Vincentelli

    Customer Reviews:

    5 out of 5 stars Wow!.......2004-02-20

    Having read the other reviews there is little more for me to add. I have been a Barbara Cook fan for a longtime and for me, this is one of her best concerts ever. I do, however, prefer the DVD. As with some other reviewers, I do not want to hear Malcolm Gets (as much as I like him) when I want to listen to Barbara. Her flawless interpretation of music is a hard act to follow for any singer! I managed to see this concert 4 times over a year and a half. Each time I saw her the voice was stronger and more assured (I would not have thought that possible). I can't help but think we will have the pleasure of hearing Ms Cook for many years to come. For those people who enjoyed his CD I strongly recommend purchasing the DVD. Barabara's rendition of So Many People is breathtaking (literally, I don't think I breathed once during the entire song). If you ever have opportunity to see her live - go! She has an ability to make you feel as if every song she sings and every word she speaks is directed to you alone. She can take a large venue and make it feel as intimate as your own living room. Having had the pleasure of meeting her I can say she is as youthful and pleasurable in person as she is in her performance.

    5 out of 5 stars Everyone Should Whistle.......2003-10-11

    After being privileged to attend this concert, I had to own the CD. Once a lyric coloratura and the original Cunegonde in Bernstein's Candide, Ms. Cook has become (in her 70s) a true diva, blessed with a velvety, warm sound. Every note has meaning. Her high B-flat on "Ice Cream" is still the envy of any soprano today. Everyone should whistle after hearing the superb performances on this CD. Even better, though, is the experience of having been in the concert hall for the live performance. Brava, Ms. Cook!

    5 out of 5 stars An amazing intro to the body of work of a true master.......2003-06-16

    When I first bought tickets for the 'Mostly Sondheim' show on tour (in San Francisco) I figured it couldn't be too bad. Besides, I had only been exposed to a few of his songs (Anyone Can Whistle, Losing My Mind...) and had only seen "A Little Night Music". On the way out of the theater I immediately picked up this recording of the program. It is truly amazing. I immediately began listening to it and have barely put it down in the last few months. Furthermore, my Sondheim CD collection increased in size from an unflattering zero to five (and it's still growing)! This is an amazing introduction to the works of Stephen Sondheim, who is now my favorite modern musical composer). Buy this now if you don't already have it!

    4 out of 5 stars Beautiful, moving concert.......2003-04-13

    This is a wonderful CD set with a great selection of songs. I do want to express a slight reservation, however. Barbara Cook has been one of my favorite singers for a number of years and the way her voice defies time is extraordinary -- for her to be singing with such bright, beautiful tone in her mid-70s with no wobble or beat in the voice is an amazing achievment.

    I do have to say that by 2001, when this concert was recorded, Cook seemed to have a lost a little bit of power and intensity in her singing. This is only natural for someone of her age. Her voice is still lovely, but you can sense her keeping it in reserve a bit. She's as expressive as ever, but compare the rendition of "I got lost in his arms" on this album to the one on her previous album recorded in 1999, "The Champion Season", and there's less urgency and vocal depth in her singing here. That said, the high B at the end of "Ice Cream" is sensational.

    So, despite that caveat, this is, again, a wonderful album, a must for Cook fans, especially for the gorgeous renditions of songs I'd never thought I'd get to hear her perform: "Not a Day Goes By", "Happiness/Loving You", "San Francisco", etc. Buy it!

    1 out of 5 stars ... and I love Barbara Cook.......2003-02-11

    This recording is a disappointment for me. It is not her best work, and Malcolm Gets is uninspired. My biggest complaint however is the engineering of the recording. Throughout the speaking was to soft, the singing volumes uneven, and the applause deafening. I will be passing this CD on to friends, and will later donate it to my local library.

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