Fantastic [Import]

Fantastic [Import]

Editorial Reviews
Product Description
Taken from the cool pop duo's 2004 album 'Perfect Colors'. Three non-LP tracks, 'Fantastic' (Radio Edit), 'So Much Fun', & 'In The Meantime' (Flairs Remix). Atmospheriques.

Fantastic,Mellow,5" CD Singles

Drastic Fantastic
Average customer rating:
Drastic Fantastic
KT Tunstall
Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Rock | Styles | Music
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ASIN: B000RLIYZA
Release Date: 2007-09-18

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Scottish singer-songwriter KT Tunstall burst onto the public consciousness last year with her gritty debut album Eye to the Telescope, a provocative sonic mesh of heartfelt pop, rootsy, electric blues, and left-field alt-rock. Eye spawned three hit singles — the Grammy-Award nominated "Black Horse and the Cherry Tree," "Suddenly I See," and "Other Side of the World" — all of which became omnipresent on radio, television, movies, and the Internet. Thanks to the multi-media exposure, Eye is certified platinum in the U.S., with worldwide sales exceeding 3.5 million copies.

Now Tunstall is readying her follow-up, entitled Drastic Fantastic, which will be released by Virgin Records on September 18th, 2007. It showcases the 31-year-old's growth as both a songwriter and musician on songs like the thumping "Hold On," the rollicking "Saving My Face," the jazz-inflected "Someday Soon," and the frisky pop gem "I Don't Want You Now." "I wanted to be braver," Tunstall says of the album. "I wanted to push the musicality. You can't let previous success scare you away from moving on."

KT Tunstall Photos

Tracks:

Captain Fantastic And The Brown Dirt Cowboy
Tower Of Babel
Bitter Fingers
Tell Me When The Whistle Blows
Someone Saved My Life Tonight
(Gotta Get A) Meal Ticket
Better Off Dead
Writing
We All Fall In Love Sometimes
Curtains
Lucy In The Sky With Diamonds
One Day At A Time
Philadelphia Freedom

Amazon.com essential recording

Elton John has always liked having it both ways. He's flamboyant and vain, yet empathetic and sincere. He sits at his piano playing sentimental melodies, but the words come not from inside his soul but from friend Bernie Taupin. For Captain Fantastic, he and Taupin wrote a concept album which sketches their career together. "Someone Saved My Life Tonight" is easily the strongest song outside of the concept. The addition of several songs "Lucy in the Sky with Diamonds" featuring John Lennon, "Philadelphia Freedom," and "One Day at a Time" blow the concept but up the entertainment value considerably. --Rob O'Connor

Customer Reviews:

The Story of their lives in song.......2007-06-18

Elton John and Bernie Taupin closed the chapter of their peak years by writing a song cycle about how they got there. "Captain Fantastic and The Brown Dirt Cowboy" put away the glitter and the costumes and painted an austere portrait of the artists in their hungry years. By reigning in the excess and making many of the songs modest and sincere, "Captain Fantastic" gave fans of Elton the best of both worlds. The simpler storytelling of the earlier part of Elton's career was matched to the increasing confidence of his and Bernie's songwriting. While there was no glammy-hit with catchy chorus to be found on this album, it is easily the most consistent work of their glory days. It even made history by becoming the very first album to enter the charts at number one.

It is also the most sentimental of Elton's albums. The humble beginnings are underscored by the title track, and the orchestrated original closer of "Curtains/We All Fall In Love Sometimes" is beautifully done. The late Producer Gus Dudgeon made this album glow rather than flash - he may be one of the most underrated participants in Elton's career. (He passed away in 2002.) This was such a departure for Elton stylistically that only one song became a hit single, the song of love lost without regrets "Someone Saved My Life Tonight," in which Long John Baldry and Bernie talked Elton out of going through with a marriage that would have seen him ending his musical career. It is a powerful ballad and fits in even better when positioned in the "Captain Fantastic" storyline.

Because the album is a concept album, it is best listened to as a piece. The angry "Meal Ticket" is a great rock song, as is "Bitter Fingers." But it is the way all the pieces fit that brings out the brilliance of this album. Even though two of the three bonus tracks are number one hits, they are actually a distraction here. Even the liner notes concede that point, claiming that Elton and Bernie were really trying to stay true to form, and had no issues with recording singles as items not album specific. Even so, how many albums can have bonus material as terrific as Elton's cover of "Lucy In The Sky With Diamonds" or concert classic "Philadelphia Freedom?" Anyway you look at it, bonus tracks or no, "Captain Fantastic and The Brown Dirt Cowboy" is a classic, the moment that captures all parties at the pinnacle of their powers at a time when they were also at their most commercially successful.

After-note: I received this album for a gift on my 15th birthday, and met Elton John in Philadelphia in 1989. When I told him how I got the album (and the poster), he laughed and said "you're making me feel f'n old." That poster - also signed by Bernie - is framed and hanging in a treasured spot on my office wall.

Are there more stars..........2007-05-08

Of all of the dozens of CD's you could get with this guy, you can't beat "Fantastic". The best of Elton John and Bernie Taupin is RIGHT HERE. You don't have to look no more!!! Gif.

Brown Dirt Cowboy~ Elton John.......2007-05-06

Bought this in vinyl but lost all my albums so
I bought it again when cassettes were the fad.
Just had to have it on CD..... bought it again!
Now I have in on my computer forever.
Love it!

Ending An Era In Style.......2006-12-02

Elton was just a singles machine, when this album came out. But he used all those singles to guarantee an audience for this brilliant, very uncommercial masterpiece. The album debuted at number one, but people expecting more "Daniel" or "The Bitch Is Back" were undoubtedly shocked, but hopefully not disppointed. This album has it all. It rewards the true Elton John fans who waited through numerous commercial hits for an album worthy of his earlier work. As if inspired by the story line, his early career with Bernie Taupin, Elton and Bernie seemingly go back in time and come up with just an incredible album as good as anything he had ever done to that point, and miles better than anything he would ever do again.

The bonus tracks include two number one monster singles. Not bad for bonus tracks.

Absolutely one of the greatest albums of all time!.......2006-11-05

Elton John was a 70s version of the fab four
rolled up in one... he's on full display here..
his band sounds amazing...

Fantastic Four: Rise of the Silver Surfer

Average customer rating:

Norrin Radd

Fantastic Four: Rise of the Silver Surfer

Manufacturer: Sony Classical
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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ASIN: B000Q66IC2
Release Date: 2007-06-19

Tracks:

Silver Surfer Theme
Galactus Destroys/Opening
Pursuing Doom
Wedding Day Jitters
Chasing the Surfer
Camp Testosterone/Meeting the
A Little Persuasion
Botched Heroics
Someone I Once Knew
The Future/Doom's Deal
Sibling Switch
Outside Help
Springing the Surfer
Doom's Double Cross
Mr. Sherman/Under the Radar
Four in One
Silver Savior/Aftermath
Gunshot Wedding
Noren Radd

Amazon.com

The past couple of years have been, er, super-busy for composer John Ottman: He wrote super-heroic scores for movies such as Superman Returns, X2: X-Men United and two Fantastic Four installments, including this one. Being a sequel, Rise of the Silver Surfer reintroduces some themes from its predecessor (as on "Botched Heroics"). The main new development, of course, is associated with the titular hero, and it starts off the CD. Appropriately, considering Silver Surfer's conflicted nature, a moody undercurrent courses through the track, even when it finally gets to soar. New villain Galactus is a big ol' cosmic cloud of evil; appropriately again, his theme ("Galactus Destroys/Opening") is distinguished by a certain synthetic, low-end fuzziness. Overall, the CD is relatively low key for a big summer action movie. The suspense/action cues don't pummel your eardrums; a track like "Sibling Switch" brings to mind the classicism of Bernard Herrman circa Psycho, while the use of the choir of "Four in One" isn't that different from what you could hear in 1960s sword-and-sandals epics. This relative restraint may frustrate those who enjoy contemporary bombast, but it will be a pleasant surprise for fans of a more restrained approach. --Elisabeth Vincentelli

Customer Reviews:

Norrin Radd.......2007-06-20

-The album opens magnificently with an almost 5 minute suite dedicated to fleshing out the fantastic Silver Surfer theme which is nothing short of orgasmic. The theme is by far the best thing the album has to offer and it's a shame that no other thing on the album quite lives up to the fantastic theme. Since the Surfer is from outer space Ottman employs some very nice synths to give it an other worldly feel and he pulls it off quite nicely.

-The album does have a lot of skittering action writing which I'm not really a huge fan of. Elfman and Powell can pull that kind of stuff of well but here it just sounds so generic. "Chasing the Surfer" and "Pursuing Doom" are great examples of that kind of writing, but luckily the whole album is jam packed with that and does have a lot of nice melodic writing that provides some great musical moments.

-Tracks like "Someone I Once Knew" are a delight to listen to and once again shows Ottman using the weird little synths very nicely. I love how he blends the synths with this mysterious choir around the 45 sec. mark on that track. Makes it sound so mysterious and creepy. I haven't seen the movie yet but hopefully that great cue won't be ruined by loud sound effects or dialog. We get to see Ottman's romantic side with beautiful cues like "Wedding Day Jitters" and "Gunshot Wedding". Wish we could have gotten more stuff like that but the small ones we get here are nice enough. "Silver Savior/Aftermath" contains some great action and moments where the Surfer theme gets to shine. I'm guessing it accompanies the big, loud CGI battle that we should except at the end of the movie.

-The album finally closes with "Norrin Radd" which contains a choral rendition of the Surfer theme. Really wish it were longer and wish Ottman had done more grand choral writing like that because that was a treat to listen to and easily my favorite track on the album.

-I was never a huge fan of the first FF score and this one isn't perfect either but it is a huge improvement over the first one. It's no match for Ottma's stronger outings like "X2" or "House of Wax" but I still really did enjoy this an awful lot.

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Trip the Light Fantastic
Sophie Ellis-Bextor
ProductGroup: Music
Binding: Audio CD

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ASIN: B000PC1PQQ
Release Date: 2007-05-22

Album Description

International 12 track pressing of this 2007 album from the former vocalist for '90s hopefuls The Audience. Sophie's long-awaited third solo album arrives after a life-changing break during which she married Richard Jones, bassist with The Feeling and gave birth to her son, Sonny. Trip The Light Fantastic' sees her on sparkling form Having worked with some of Pop's finest names on the album (Cathy Dennis, Fred Schnieder from The B52s, Dan Gillespie Sells from The Feeling and Xenomania), Trip The Light Fantastic includes the classic-in-the-making single, 'Catch You'. Universal. 2007.

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Drastic Fantastic (CD/DVD)
KT Tunstall
ProductGroup: Music
Binding: Audio CD

Pop Rock | Pop | Styles | Music
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ASIN: B000RMQG3G
Release Date: 2007-09-18

Amazon.com

KT Tunstall Photos

More from KT Tunstall

Eye to the Telescope
KT Tunstall's Acoustic Extravaganza

Album Description

2007 special edition of her sophomore album Includes a bonus DVD (PAL/Region 0). EMI. 2007.

Average customer rating:

Power chord heaven
Amazing to say the least!
Daylight won't find us here...
Concert Sound
A Dream Within A Nightmare

Fantastic Planet
Failure
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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Magnified
Year of the Rabbit
You'd Prefer an Astronaut
Secrets of the Lost Satellite
Downward Is Heavenward

ASIN: B000002N89
Release Date: 1996-08-13

Tracks:

Saturday Saviour
Sergeant Politeness
Segue 1
Smoking Umbrellas
Pillowhead
Blank
Segue 2
Dirty Blue Balloons
Solaris
Pitiful
Leo
Segue 3
The Nurse Who Loved Me
Another Space Song
Stuck On You
Heliotropic
Daylight

Customer Reviews:

Power chord heaven.......2007-05-14

Great hard rock album with engaging power chord sequences. Reportedly,
Failure was Tool's favorite band back in the mid 90s. Some songs build in a dreamy, hard rock way; others kick a** all of the way.

Largely unknown masterpiece. One of the 10 best albums of the last 15
years.

Amazing to say the least!.......2007-04-09

Completely overshadowed by the multidue of grunge/alternative rock etc. bands when this was released. Ken Andrews has an outstanding voice for this genre and the rythms are out of this world. tight drumming and great chord structures to boot. Theee most UNDERRATED cd in my opinion. I mean melodies from beginning to end that makes the listener want to sing along.
Why his team didnt advertise this more is puzzling because it really stands out as a solid effort. I just got my 2nd copy cuz i lost the first. Its THAT good!

Daylight won't find us here..........2007-04-03

I first heard this cd in 2001 from a friend's suggestion, or rather, he kept playing it & I ended up listening to it a lot as a result... & I STILL feel like I missed out on hearing it from '96-2000!! However, this wasn't one of those albums I casually listened to a few times, thought "oh, this is cool, I'll hear it again someday", & then barely touched it again. This cd still manages to creep its way back into my rotation for unknown reasons. I say unknown because there really isn't just that one song you want to listen to because it gets stuck in your head, & then put on something else. Once I pop it in, I almost always feel compelled to listen to the entire thing, even if I have to break it up (like a normal car trip that takes 30 minutes in either direction), which is exactly why I love to save this for road trips... it deserves to be listened to in its entirety every freaking time, & it also deserves to have the word "Fantastic" in its title. To say this album is underrated is an understatement... it's been downright neglected. I will say it prolly hasn't caught on to mainstream listeners cuz of its length (think of The Cure - Disintegration, as far as epic length), & even though it has some catchy songs, they're not generic sing-along catchy. The chord changes can be very interesting, the bass lines move (esp. in your car speakers!), & the drums can be really powerful. As for the vocals, he can whisper at times, & then really come out, but never forcefully. His voice reminds me of Gavin Rossdale of Bush the closest... but even better. It's hard to even compare this band to others, or even make a "if you like {insert band here}, you'll like this" kind of statement. In general, if you like good interesting rock music, just listen for yourself... you'll be glad you did.... & you'll also be dumbfounded as to what to put on next.

Typical song synopsis, influenced from driving while I listen to this most of the time:
1 - excellent mid-tempo moody opener
2 - more "alterna-rock" feeling, & a good early evening song when the sun's fading away
3 - don't skip the segues, they're exactly that, but very cool
4 - mid-tempo w/ a cool bass line
5 - if you're driving, watch the foot pedal... this will make you want to speed... & bop your head too
6 - cool slow song; i love the spirally flange guitar effect
7 - slower segue
8 - another mid-tempo song; i love when the dynamic picks up
9 - more up-tempo; one of my favorites
10 - another of my favorites; i LOVE the sliding bass
11 - ok, this is my least favorite, & I think it's a lot of people's least favorite; it's not bad by any means though
12 - very mysterious segue; my favorite of the 3
13 - i LOVE this one; it seems to be the 1st song of the rest of the album
14 - this is the song that initially got me into the rest of this; the creepy, slightly out of tune harmonic-y guitar part is just way cool; my 2nd favorite
15 - i realized in 2001 that i remember seeing this single vaguely on eMpTV back in '97... but it wasn't rotated very much, & like i said, i missed out on the rest of this album for a few years too long
16 - words can NOT express this song... it's AMAZING!! no doubt my favorite here. it's so creepy & good, & it STILL gives me chills. don't even hear a clip, just buy this cd, crank it up, turn off the lights, & sit back, it's that good
17 - excellent closing track w/ more cool creepy effects from an out of tune piano; never has out-of-tune sounded this cool, & the dynamic change is, well, dynamic

Concert Sound.......2006-10-23

Enjoyable album. Great sound. At times it reminds me of seeing Abandoned Pools and Garbage at The Hard Rock's The Joint. That's a big compliment. Beginning at the song right before Stuck on You and continuing until the end, I think Fantastic Planet is as masterful as alt rock & roll pretty much gets.

A Dream Within A Nightmare.......2006-07-12

I am surprised by how many people do not know what this album is about. It is, as stated by the band themselves, an album about heroin abuse, specifically its pitfalls. Saturday Savior is not a song about sexual politics. It is a song that Ken Andrews sings in character. The character that he takes on is heroin personified. As the drug "speaks" to the listener, the premise for the whole album is set up. The user is hopelessly in love with the drug and wants something from it that it can never give. The drug is cold and will never give itself to the user. It will only tease, as it has no heart to give. The user is being used and tossed aside like so much trash. The rest of the album chronicles a day in the life of the user and the drug's parasitic "relationship" with him. The album begins and ends with clock-like sounds, bookending the beginning and end of the user's day and offering an eerie reminder of the user's lost and perhaps, very limited, time. "Stuck on You," while not so subtle in its title, subtly compares heroin to a tune that slowly but surely creeps up on you and becomes ingrained in your consciousness. "The Nurse Who Loved Me" is the user deluding himself into thinking that the girl with "pharmacy keys" (heroin) actually cares for him. He insists that the girl "acts just like a nurse with all the other guys," but the song begins and ends with the user lying by himself face-down on the ground. This is the moment on the album where we realize just how pathetic the drug has made the user and to what extent he has been degraded and demoralized by his addiction. The pounding horror of "Daylight" ends the album. The user tries to assure himself that "daylight won't find us here," but there is, of course, no escape from reality, and this is confirmed by the aforementioned clock sounds. This is an album that is practically overflowing with symbolism both in its lyrics and in its music. Failure sound like no other band, but it would not be inaccurate to characterize them as a combination of Nirvana and My Bloody Valentine. They can create massive soundscapes and love their feedback, but they also understand their way around a pop song, albeit really heavy pop songs. This is a landmark in space rock. Enjoy.

Average customer rating:

Pitiful,Mtv,Hip Hop,Clubb'in SHITE
some great songs- overall good
Three stars for Ten out of Twenty Tracks that were pleasing
Eh....it's so-so.
hi

Fantastic Four - The Album
Various Artists
Manufacturer: Wind-Up
ProductGroup: Music
Binding: Audio CD

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Elektra: The Album
Stealth
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Spider-Man: Music From And Inspired By

ASIN: B0009OPO12
Release Date: 2005-07-05

Tracks:

Come In, Come On- Velvet Revolver
Error Operator- Taking Back Sunday
Relax- Chingy
Whatever Happened To The Heroes- Joss Stone
Waiting (Save Your Life)- Omnisoul
Always Come Back To You- Ryan Cabrera
Everything Burns- Anastacia; Ben Moody
New World Symphony- Miri Ben-Ari featuring Pharoahe Monch
Die For You- Megan McCauley
Noots- Sum 41
Surrender- Simple Plan
I'll Take You Down- T.F.F. featuring Chris Cestor (from JET), Brody Dalle (from The Distillers), Dolf de Datsun (from The Datsuns) & Nick Zinner (from the Yeah Yeah Yeahs)
On Fire- Lloyd Banks
Reverie- Megan McCauley
Goodbye To You- Breaking Point
Shed My Skin- Alter Bridge
In Due Time- Submersed
Disposable Sunshine- Loser
Now You Know- Miss Eighty 6 featuring Classic
Kirikirimai- Orange Range

Amazon.com

There are four good reasons to pick up the Fantastic Four soundtrack. The first three are kinda buried in the middle of the CD--and they all happen to be new songs. First, there's "I'll Take You Down," a nifty rocker by a combo called T.F.F. Never heard of them? They're an ad hoc supergroup featuring the Distillers' banshee Brody Dalle, Yeah Yeah Yeahs' guitarist Nick Zinner, the Datsuns' singer-bassist Dolf de Datsun, and Jet's drummer Chris Cester. Second, Joss Stone's "Whatever Happened to the Heroes" is a lot better than its obvious title suggests; it's a rollicking, old-school rock-soul track namedropping Joe DiMaggio (a hero in Stone's native Devon?) and Marilyn Monroe. Finally, there's "Everything Burns," which sees former Evanescence guitarist Ben Moody collaborating with Anastacia on his first solo outing. It looks like an odd-couple combination but somehow it works--probably because Moody knows how to write bombastic power ballads. (It's certainly less icky than "Hero" from Spiderman.) The fourth good reason is the very last track: "Kirikirimai" is a hyperactive rock/hip-hop hybrid that introduces Japanese band Orange Range to the American market. The rest of the CD, which mixes new tunes and recycled ones, is surprisingly solid with muscular but melodic contributions from Velvet Revolver, Sum 41, Simple Plan, and Lloyd Banks's infectious "On Fire." Just try to get its organ riff out of your head. --Elisabeth Vincentelli

Album Description

Featuring new music from Platinum and Gold recording artists Velvet Revolver, Joss Stone, Ben Moody featuring Anastacia, Sum 41, Taking Back Sunday, Chingy, and much more.

Customer Reviews:

Pitiful,Mtv,Hip Hop,Clubb'in SHITE.......2006-09-25

This is one of those thrown together soundtracks.All the cookie cutter,whoever is on the "popular music chart" crap music.There was only one cool song in the entire film and it's not even on the soundtrack.I hope the band sues.Don't waste your money on this garbage.There is nothing remotely interesting about anything on this soundtrack,but if you are a gullable sheep who doesn't mind being led to the slaughter,by all means buy the C.D,we need stupid consumers like you out there,you help the economy.

some great songs- overall good.......2006-05-17

not all of the songs are great, but the 1 by simple plan is pretty good & Error Operator was sweet (in my oppinion error operator gave ths ablum 2 of its 4 stars!)

Three stars for Ten out of Twenty Tracks that were pleasing.......2006-03-13

As many have said before more this is not the "greatest Superhero themed soundtrack" to indeed purchase and their words could not speak a louder truth. But as long as your Radio has PROGRAM installed within its system then your days should be a whole lot better when listening to this SOUNDTRACK for the 2005 "Fantastic Four" film. MARVEL and WIND-UP RECORDS have probably released some decent soundtracks for the MARVEL movies that didn't make that big-buck in the theaters that made up for it in DVD sales. The following being, DAREDEVIL, ELEKTRA, THE PUNISHER, and now this one. While the two before the latter do not stand up to the original SPIDER-MAN soundtrack (2002) which also had its fair share of hits and misses, The Punisher soundtrack should've been able to please any hard rock/metal fan with the presence of Drowning Pool's "Stand Up" and Seether's "Broken" featuring Amy Lee (shudders) of Evanescence (glare). Getting back on track, the FANTASTIC FOUR soundtrack indeed reflects the mixed feeling and light atmosphere your most likely to receive when watching the film itself. However, unlike the movie, this soundtrack (or wind-up for that matter) feels as though it doesn't try hard enough to select some actual music worth listening to all the way through. Instead they throw a lot tone-deaf artists that probably have the lesser of the PR and reviews from the masses and attempts to advertise them on the soundtracks for films. A good example would be the little piece of paper that comes fluttering out of the CD case of the soundtrack egging you to buy Megan McCauley's "new" CD, a shameless advertising trick to blunt.

Seriously, I picked up on this long ago and while I knew this was just the case with this soundtrack, there are some redeeming points with this soundtrack. There's a little bit of something for everyone on "FF," the case being that the music genres span from Hard Rock --- the main reason I purchased this CD--, POP/POP-ROCK, SOFT ROCK, and HIP-HOP of the edited kind. You won't find any explicit lyrics on the four tracks featured on the CD. I'm not fan of HIP-HOP in general, but the tracks here like Chingy's "Relax" (here I thought movie/tv theme songs were limited children's television and movies!) ---which isn't a bad theme song for the film, the rapping is bearable---, and Miri Ben-Ari's "New World Symphony," which is also easy listen to, but at the same time corny to the point where you don't want anyone know your even listening to it. Other HIP-HOP songs like Loyd Banks' "On Fire" - had potential to be catchy like "Relax," but fails miserably with droll lyrics, delivery of vocal performance and musical overall. Missy Eight's "Now You Know," reminded me why I don't like HIP-HOP to begin with.

The POP-ROCK and HARD ROCK is a mixed bag to frank. Some of its good, the good spanning from Velvet Revolver's "Come on, Come In" to Submerged's "In Due Time," in truth isn't as good compelling as "Hollow" on the Elektra soundtrack but just as good. Megan McCauley's two tracks, "Die for you" and "Reverie" don't show off her vocal talents like "Wonder" had (also on the Elektra soundtrack). Nonetheless, "Die for you" is indeed the better of the two. Breaking Point's "Good-bye to you" is a bit lame and isn't as good as their first slow songs from COMING OF AGE, "Live for today" or "Phoenix," it isn't horrible, but lacks the convincing lyrics of their earlier CD. The bad spanning from Taking back Sunday to the Japanese Rock band Orange Range, which sounds like something that would've been stuck on the APPLESEED soundtrack if it were the better band. Boom Boom Satellites is the better of the invading J-Rock bands anyhow.

Anastacia's "Everything Burns" still isn't my favorite song, it doesn't utilize her vocals that well, but after listening a couple times more it isn't horrible. It could do without Ben Moody's vocals though. Its no "Hero" killer, I can tell you that; Quite far from it. By far the best song on the FF soundtrack is probably Sum 41's "Noots" which a good time, high energy rock ballad worthy of the repeat button. I honestly hadn't liked a song from them since "Rock (is what we're all about)." But all in all Its pretty clear to anyone that not this soundtrack isn't bad. The problem it suffers from clearly is that WIND-UP Records doesn't choose wisely in terms of entertaining and talented tracks from various artists. They just wanted to make a quick buck off an over hyped movie.

[THE GOOD]

(HARD ROCK):

15. Good-bye To You - Breaking Point - 3/5

9. Die For You - Megan McCauley - 3/5

1. Come In, Come On - Velvet Revolver - 4/5

10. Noots - Sum 41 - 5/5

18. Disposable Sunshine - Loser - 5/5

17. In Due Time - Submersed - 5/5

(SOFT ROCK)

7. Everything Burns - Anastacia/Ben Moody - 4/5

(HIP-HOP):

3. Relax - Chingy - 4/5

8. New World Symphony - Miri Ben-Ari featuring Pharoahe Monch - 3/5

[THE BAD]

(POP-ROCK)

2. Error Operator - Taking Back Sunday - 1/5

11. Surrender - Simple Plan - 1/5

12. I'll Take You Down - T.F.F - 1/5

(POP)

4. Whatever Happened To The Heroes - Joss Stone - 2/5

5. Waiting (Save Your Life) - Omnisoul - 2/5

6. Always Come Back To You - Ryan Cabrera - 1/5

(HIP-HOP)

19. Now You Know - Miss Eighty 6 featuring Classic - 1/5

13. On Fire - Lloyd Banks - 2/5

(HARD ROCK)

14. Reverie - Megan McCauley - 2/5

16. Shed My Skin - Alter Bridge - 1/5

(JAPANESE-ROCK)

20. Kirikirimai - Orange Range - 1/5 -------- [a 3 out of 5]

Eh....it's so-so........2006-02-17

I am not gonna say but the album, but again, it actually doesn't suck. If you compare it to the queen of the damned album, then it comes nowhere near it. It does have some pretty good voice talent in the way of ben moody, anastacia, lloyd banks, chingy, and others. You aren't doing yourself a favor by buying it, but it isn't worth skipping over. Look into it only if you liked the movie OR you like the artists. 'Nuff said.

hi.......2006-01-23

hi, I'm billy and i'm 8.
thid aoundtrsck is swesome!!!
i loove it!
my moom won't lemme wattxh FF...y not?
Grrr

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
What to Listen for in Music
Study of Orchestration, Third Edition
The Life and Works of Ludwig van Beethoven
The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Fantastic Playroom
Average customer rating:
Fantastic Playroom
New Young Pony Club
Manufacturer: Umvd Import
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music
General | Dance & DJ | Styles | Music
General | Rock | Styles | Music
Pop Rock | Pop | Styles | Music
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Bomb

Myths of the Near Future

ASIN: B000ROAB6C
Release Date: 2007-07-31

Tracks:

Get Lucky
Hiding on the Staircase
Ice Cream
Bomb
Jerk Me
Get Go
Talking, Talking
Grey
Fan
Tight Fit

From Amazon.co.uk Review

New Young Pony Club: new rave or new disco? Answer: who cares when their music sounds this good? The London quintet might be a new phenomenon to some, but others will know them well, as they've been working hard behind the scenes for a good three years or so, building up a solid fan base to accommodate the release of this debut album. And what a debut it is. Fantastic Playroom ticks all the right "influence" boxes--Bowie, Blondie, New Order--to make it suitably zeitgeist-capturing, yet their tunes are infused with an extra savvy and edginess, putting them slightly ahead of the new whatever game. Singles like "Ice Cream" and "The Bomb" illustrate the band's way with a sexy rhythm; songs like the percussive "Hiding on the Staircase" keep the party going, while the band's 80s style synth-pop indulgences come unashamedly to the fore on "The Get Go" and "The Jerk." A large part of the band's appeal is vocalist Tahita Bulmer, whose slightly detached vocal delivery sits well on the band's songs. True, Fantastic Playroom can feel more like a collection of singles than a coherent album at times, but that's just what this band do best. We should love them for it. --Paul Sullivan

Album Description

Debut album from the London five piece, fresh from the NME Nu-Rave tour having played with the likes of Klaxons and CSS. This electro pop album includes indie dancefloor hits 'The Bomb' and 'Get Lucky' as well as the insanely sexy and catchy 'Ice Cream', recognisable from Intel's recent TV campaign

Album Details

Following on the Back of the Release of "Ice Cream" (Live Favorite and Intel Advert Soundtrack), New Young Pony Club Release their Debut Album, Fantastic Playroom, which Promises to Be One of the Most Exciting Records of 2007. The Demand for New Young Pony Club is Fever Pitch and the Three Girls and Two Boys, (Including the Nme Cool List Lead Singer and Provocateur, Tahita) Are Setting the World Alight with their Brand of Disco-embellished Pop, Picking Up Diverse Fans Such as David Bowie, Tiga, Klaxons, Lily Allen and Lcd Soundsystem Along the Way.

The Utterly Fantastic and Totally Unbelievable Sound of los Straitjackets

Average customer rating:

Loco!
My #1 Instrumental Surf Album!!!
Utterly Essential
A collectors item!!
A review from France

The Utterly Fantastic and Totally Unbelievable Sound of los Straitjackets
Los Straitjackets
Manufacturer: Upstart / Umgd
ProductGroup: Music
Binding: Audio CD

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Indie Rock | Indie & Lo-Fi | Alternative Rock | Styles | Music

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¡Viva!
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ASIN: B000003NP3
Release Date: 1995-03-21

Tracks:

Fury
G-Man
Straitjacket
Jetty Motel
Carhop
Caveman
Tailspin
University Blvd.
Gatecrusher
Itchy Chicken
Della Street
Colhoun Surf
Rampage
Lynxtail

Customer Reviews:

Loco!.......2005-04-01

Los Straitjackets is one of the top dogs in the surf rock scene, and if you pop this disc into your cd player, you'll see why. This is some top notch surf/instrumental rock done by folks who obviously love this kind of music. It's very apparent that these guys are having alot of fun playing this music. Fun is something missing from alot of groups anymore. When I wanna take a break from my progressive rock snobbery and just have fun, these guys are great way to do it. If you ask me, you really can't go wrong with any Los Straitjackets material, but their debut is hard to top, and I would suggest it as your first one if you decide to get any. Slipknot can stick it where the sun don't shine.

My #1 Instrumental Surf Album!!!.......2001-08-26

Mention "surfing music" to most and they'll think you mean The Beach Boys. So did I, until a friend introduced me to these guys at Philly's Khyber Pass. WHOA!!! I had my mind completely blown that night. It's LOUD! It's EXCITING! It's MOODY! It's MELODIC as all get-out. And most importantly-- it's FUN! When you have 4 guys onstage playing entirely instrumental guitar music while wearing Mexican wrestling masks, how could it NOT be? Starting out with the explosive "Fury", the power and quality of this debut CD never lets up. Through slow & mysterious ("G-Man"), quirky ("Straitjacket"), cool ("Jetty Motel"), powerful & awesome ("Caveman"-- this contains the only lyric-- yes, singular-- on the disc, a much-improved remake of an Eddie Angel song from '93) you're taken on a wild roller-coaster ride you don't want to end. High-speed powerhouses like "Tailspin" (a single in Finland!) are breathtaking and hypnotic at the same time. The outrageous fun of "Itchy Chicken" shows a sense of humor all too lacking in most of today's so-called "popular" artists! And listen to the sheer clarity and beauty of "Calhoun Surf"-- can 95% of the rock guitarists out there play anywhere NEAR this good? LOS STRAITJACKETS quickly became my #1 album of 1995, and led me to discover several hundred other bands playing variations of the surf / instro genre. But-- incredibly-- NOBODY's topped them yet! With Danny Amis & Eddie Angel, LS boasts my picks for the 2 most EXCITING guitarists anywhere, and I rank drummer Jimmy Lester (who's always UP FRONT onstage!) as THE #1 most exciting drummer I've ever seen! These guys are SO GOOD onstage and off I sometimes wonder if producer Ben Vaughn has nothing more to do when he works with them than point a microphone and roll tape. (Hey-- they're HIS #1 fave surf band, too!)

Utterly Essential.......2001-05-01

When I gave their sophomore album a listen, I was expecting it to sound a lot like the follow up album, THE VELVET TOUCH, but I was sorely mistaken, which is a good thing! The bands that have staying power are the ones that can reinvent their sound, Los Straightjackets are no exception. The twangy guitar and hyper-kinetic drum beats don't fail to satisfy...

Track 1. FURY The perfect tune to open the album and show you exactly what you're in for. Straight up surf rock that sounds the best when it's turned up real loud.

Track 3. STRIGHTJACKET This is a full on Link Wray-ish groove. Danny Amis and Eddie Angel burn through low down blues riffs while incorporating their signature surf sound. one of my favorite songs on the record.

Track 10. ITCHY CHICKEN As hilarious as it is cool, the title of the song hits the nail on the head. Somehow, the Straightjackets figured out how to make their axes cluck like chickens. In the tradition of Run Chicken Run, this one is equal parts Surfari's and Colonel Sanders. One of the numerous arguments that Los Straightjackets are one of the most talented (and original) bands of all time.

Track 13. RAMPAGE Smokin' rock & roll. Since the Jackets don't have lyrics, they rely on the name of the song to convey the idea and feelings of the tune. Once again, they came up with a title that fits the song like a glove (or a wrestling mask). RAMPAGE is a four way assault from all the instruments. These dude's rock hard and have a blast doing it.

In conclusion, this album gets an "A" from Peterbiltman for originality, fun and complexity. Los Straightjackets are proof that there still are a few good rock & roll bands out there.

A collectors item!!.......1999-06-05

Well I met in 1992 for the first time The Planet Rockers from the USA in Holland, with guitarplayer Eddie Angel. He's also the guitarplayer from Los Straitjackets and The Neanderthals. And he has also a cd on his own name: "Eddie Angel Guitar Party". And I can say this cd's are very good for the lovers of the sound of garage/surf-rock music. The sound of the Los Straitjackets is great! For the lovers of Dick Dale and Link Wray, you must buy this one!

A review from France.......1998-12-17

Three years years ago I had hit a musical brick wall. After previously listening to everything and being stuck in the midst of the grundge years I was forced to listen to National Public Radio. During an intermissions they played Los Straightjackets "Calhoun Surf". I immediately drove to Garage d'Or in Minneapolis and bought the first CD. Surf may not be everybody. But I love !!! this album. I have since seen the band on three occasions prior to moving to France and talked to Danny Amis a couple of times. You can keep Alanis Morrisette and the rest of the overproduced poser crap that comes from industry music. I'll stick with the music that makes you happy to be alive. Buy this album it's the greatest!!! And to be produced by Ben Vaughn, well that in itself should be enough to at least try this album.

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