N.A.O.M.B. (Nugatti All Ova Me Butty) [Import]

N.A.O.M.B. (Nugatti All Ova Me Butty) [Import]

N.A.O.M.B. (Nugatti All Ova Me Butty) [Import]

Track Listings
 
1. Hasjbox
2. Elektromotor
3. Smal Sak
4. Crocket & Me
5. Fluffy the Vampire
6. You-Level
7. Gul Goss
8. Vidrar
9. Ein, Zwei, Drei, Fitteboy
10. N.A.O.M.B. (Nugatti All Ova Me Butty)
11. Ansatt I Kommunen

N.A.O.M.B. (Nugatti All Ova Me Butty),Olav Brekke Mathisen,Discfunction,Dance,House,Jazz,Pop,World Music
Instruments of the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Handel: The Masterworks (Box Set)
Average customer rating: Not rated
    Handel: The Masterworks (Box Set)

    Manufacturer: Brilliant Classics
    ProductGroup: Music
    Binding: Audio CD

    TriosTrios | Chamber Music | Classical | Styles | Music
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    1. Vivaldi: The Masterworks (Box Set)
    2. Haydn: The Masterworks [Box Set]
    3. Mendelssohn: The Masterworks [Box Set]
    4. Dvorák: The Masterworks [Box Set]
    5. Schubert: The Masterworks [Box Set]

    ASIN: B00062FLI8
    Release Date: 2004-11-30
    Land of My Fathers: 100 Great Welsh Choir Favourites
    Average customer rating: Not rated
      Land of My Fathers: 100 Great Welsh Choir Favourites

      Manufacturer: Castle Pulse
      ProductGroup: Music
      Binding: Audio CD

      All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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      Similar Items:
      1. Favourite Welsh Choirs
      2. Land of Song Welsh Choral Classics
      3. Welsh Choirs: Wonderful Welsh Choirs
      4. Bryn Terfel - We'll Keep a Welcome
      5. Traditional Songs of Wales

      ASIN: B0009SOFXG
      Release Date: 2005-08-01

      Tracks:

      1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
      2. Land of My Fathers - Caerphilly Make Voice Choir
      3. Dies Irae
      4. Men of Harlech
      5. You'll Never Walk Alone
      6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
      7. Old Folks at Home
      8. Il Liza Jane
      9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
      10. Vergine Degli Angeli
      11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
      12. My Hero
      13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
      14. German Mass/Gloria
      15. German Mass/Sanctus
      16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
      17. All Through the Night - Caerphilly Make Voice Choir
      18. Arwelfa
      19. Invictus
      20. Softly as I Leave You

      Tracks:

      1. Diolch l'R L
      2. Hine E Hine (Maori Lullaby)
      3. Pererin Wyf (Amazing Grace)
      4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
      5. Memories of Martha
      6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
      7. Myfanwy - Treorchy Male Choir
      8. Tales of Hoffman/Barcarolle
      9. Creation's Hymn
      10. In the Spirit!
      11. Shall We Gather at the River
      12. Nos a Bore
      13. Very Best Time of Year
      14. Soon Ah Will Be Done
      15. Thanks Be to God
      16. Flower That Shattered the Stone
      17. Rhys - Treorchy Male Choir
      18. Where Shall I Be?
      19. Bywyd y Bugail
      20. Lord's Prayer

      Tracks:

      1. Ave Maria
      2. Pearl Fishers/Divine Brahma
      3. She Was Beautiful (Cavatina) - Treorchy Male Choir
      4. Cymru Fach
      5. Nidaros
      6. Jacob's Ladder - Treorchy Male Choir
      7. Watching the Wheat
      8. Pan Ddaw y Saint (When the Saints Go Marching In)
      9. Misbles/Stars
      10. Rachie
      11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
      12. There Is a Balm in Gilead
      13. Rise Up Shepherd and Foller
      14. My Lord, What a Mornin'
      15. Bryn Myrddin
      16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
      17. Finnish Forest (Suomen Salossa)
      18. Nabucco/The Glory of Israel
      19. Ride the Chariot
      20. Tydi a Roddaist - Treorchy Male Choir

      Tracks:

      1. Y Nefoedd
      2. Phantom of the Opera/Think of Me
      3. Morte Christe (When I Survey the Wondrous Cross)
      4. By Babylon's Wave
      5. I'm Gonna Sing
      6. Where Could I Go But to the Lord?
      7. Holy City - Treorchy Male Choir
      8. Mefistofele: Ave Signor, Degli Angeli
      9. Senzenina (Zulu Chant)
      10. That's All I Want from You
      11. Deep Harmony - Treorchy Male Choir
      12. Give Me Jesus
      13. Just a Closer Walk with Thee
      14. My Wish for You
      15. Jeptha/Waft Her Angels
      16. Mose in Egitto/Prayer
      17. Be Still My Soul (Finlandia Hymn)
      18. God's Choir in the Sky
      19. Floral Dance - Treorchy Male Choir
      20. Smilin' Through

      Tracks:

      1. Calon Lan
      2. True Love
      3. Mor Fawr Wyt Ti (How Great Thou Art)
      4. Aberystwyth
      5. Comrades in Arms
      6. Cats/Memory
      7. They Led My Lord Away
      8. State Fair/It's a Grand Night for Singing
      9. When I Fall in Love
      10. Let's Face the Music and Dance
      11. Windmills of Your Mind
      12. How Soon
      13. Non Nobis Domine
      14. Rhythm of Life
      15. Kalinka
      16. Sound an Alarm
      17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
      18. Turandot/Nessun Dorma
      19. Christus Redemptor
      20. Ann Evening's Pastorale

      Album Details

      Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
      DRG 25th Anniversary Show Stopping Performances
      Average customer rating: 2.5 out of 5 stars
      • Great compilation
      • A disappointment
      DRG 25th Anniversary Show Stopping Performances

      Manufacturer: Drg
      ProductGroup: Music
      Binding: Audio CD

      All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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      1. Barbara Cook at the Met with Special Guests
      2. Curtains (2007 Original Broadway Cast)
      3. 110 in the Shade (2007 Broadway Revival Cast)
      4. ABC (Adler, Bock, Coleman)
      5. Company (2006 Broadway Revival Cast)

      ASIN: B00005Q6IN
      Release Date: 2001-10-23

      Tracks:

      1. A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
      2. Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
      3. Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
      4. Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
      5. Nunsense: I Just Want To Be A Star - Christine Anderson
      6. Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
      7. Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
      8. Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
      9. Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
      10. The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
      11. Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
      12. Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
      13. A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
      14. The Madwoman Of Central Park: Better - Phyllis Newman
      15. Greenwillow: Never Will I Marry - Anthony Perkins
      16. Song Of Singapore: I Can't Remember - Loretta Swit & Company
      17. Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
      18. I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
      19. The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
      20. Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
      21. Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble

      Tracks:

      1. 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
      2. Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
      3. Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
      4. High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
      5. Tenderloin: Artificial Flowers - Patrick Wilson
      6. State Fair: Driving At Night/Our State Fair - Company
      7. Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
      8. Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
      9. The Green Bird: O Foolish Heart - Company
      10. Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
      11. The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
      12. Snoopy!!!: Poor Sweet Baby - Pamela Myers
      13. SeesawNobody Does It Like Me - Michele Lee
      14. March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
      15. Lunch: Perfectly Alone - Carol Burnett
      16. 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
      17. Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
      18. Godspell: All Good Gifts - Sal Sabella & Company
      19. The Act: Walking Papers - Liza Minnelli & Company

      Customer Reviews:

      4 out of 5 stars Great compilation.......2002-05-10

      I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
      The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.

      1 out of 5 stars A disappointment.......2001-12-15

      There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
      Joseph Canteloube: Songs Of the Auvergne
      Average customer rating: 5 out of 5 stars
      • This is the real verison of the songs you should have
      Joseph Canteloube: Songs Of the Auvergne

      Manufacturer: Vanguard Classics
      ProductGroup: Music
      Binding: Audio CD

      Canteloube, JosephCanteloube, Joseph | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
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      4. Canteloube: Chants d'Auvergne
      5. Mozart: Concerto Nos. 21 & 24

      ASIN: B0000ADXFP
      Release Date: 2003-08-12

      Tracks:

      1. La Pastoura Als Camps
      2. Bailero
      3. Trois Bourrees: A. L'aio De Rotso, B. Ound' Onoren Gorda?, C. Obal, Din Lou Limouzi
      4. Pastourello
      5. L'Antoueno
      6. La Pastrouletta E Lou Chibalie
      7. La Delaissado
      8. Deux Bourrees: A. N'aipas Jeu De Mio, B. Lo Cahle
      9. Lo Fiolaire
      10. Passo Pel Prat
      11. Lou Boussu
      12. Brezairola
      13. Malurpus Qu' O Uno Fennol
      14. Jou L'Pount D'o Mirabel
      15. Oi, Ayai
      16. Pour L'enfant
      17. Chut, Chut
      18. Pastorale
      19. Lou Coucut

      Tracks:

      1. Obal, Din Lo Coumbelo
      2. Quand Z'Eyro Petitoune
      3. Le-haut, Sur Le Rocher
      4. He! Beyla-z-y D'au Fe!
      5. Postouro, Se Tu Me'aymo
      6. Te, L'co, Te!
      7. Uno, Jjonto Postour
      8. Lou Diziou Be'
      9. La Mere Antoine
      10. Oh! Madelon, Je Dois Partir
      11. Rossignolet Qui Chants
      12. La Fille D'un Paysan
      13. Comment Donc Savoir
      14. Mon Pere M'a Plasee
      15. Lorsque Le Meunier
      16. O Up!
      17. Le Premier De Tous Les Oiseux
      18. Mo J'ai Un Homme
      19. J'ai Un Douce Amie
      20. Dans Le Tombeau
      21. Allons, Beau Rossignol
      22. Quand Marion Va Au Moulin
      23. Reveillez-Vous, Belle Endormie

      Customer Reviews:

      5 out of 5 stars This is the real verison of the songs you should have.......2005-07-03

      I had the opportunity to hear Miss Davrath sing a collection of these songs when I was young and that experience has stayed with me for 40 years. The late Miss Davrath pioneered these songs before anyone else discovered these delightful classics. She is the only singer that does them with the correct dialect so they just might sound a little different then the incomplete versions by superstar divas. Get these, you won't be sorry even if you have other versions.
      Leontyne Price (The Prima Donna Collection)
      Average customer rating: 5 out of 5 stars
      • A brilliant collection from a great soprano
      • If I could have only one collection......
      • Yes this is great!
      • The Grandest Collection of Leontyne Price Arias
      • The Greatest Soprano Ever Recorded
      Leontyne Price (The Prima Donna Collection)

      Manufacturer: RCA
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Opera Arias
      2. Ed Sullivan Show 2: Great Moments in Opera
      3. Voices of Firestone: The Great Sopranos / Steber, Price, Tebaldi, Sayao, Nilsson, Moffo, Albanese, Peters, Munsel, Traubel, Sutherland
      4. The Great Recordings
      5. Handel: Arias

      ASIN: B000003FAF
      Release Date: 1992-08-11

      Tracks:

      1. Dido and Aeneas: Act 3: Thy Hand, Belinda!
      2. Dido and Aeneas: Act 3: When I Am Laid In Earth
      3. Le nozze di Figaro: Act 3: E Susanna non vien!
      4. Le nozze di Figaro: Act 3: Dove sono
      5. La traviata: Act 3: Teneste la promessa
      6. La traviata: Act 3: Addio del passato
      7. L'africaine: Act 2: Sur mes genoux, fils du soleil
      8. Manon: Act 2: Allons! il le faut!
      9. Manon: Act 2: Adieu, notre petite table
      10. Otello: Act 4: Era piu calma?
      11. Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
      12. Otello: Act 4: Ave Maria
      13. Adriana Lecouvreur: Act 1: Ecco: respiro appena
      14. Adriana Lecouvreur: Act 1: Io son l'umile ancella
      15. Louise: Act 3: Depuis le jour
      16. Turandot: Act 2: In questa reggia
      17. Die tote Stadt: Act 1: Marietta's Lied
      18. Vanessa: Act 1: He Has Come, He Has Come!
      19. Vanessa: Act 1: Do Not Utter A Word

      Tracks:

      1. Atalanta: Act 1: Care Selve
      2. Don Giovanni: Act 1: Don, Ottavio, son morta!
      3. Don Giovanni: Act 1: Or sai chi l'onore
      4. Der Freischuetz: Act 2: Wie nahte mir der Schlummer
      5. Der Freischuetz: Act 2: Liese, leise
      6. Tannhaeuser: Act 2: Dich, teure Halle
      7. Macbeth: Act 2: La luce langue
      8. Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
      9. Macbeth: Act 4: Una macchia e qui tuttora
      10. Mefistofele: Act 3: L'altra notte in fondo al mare
      11. Rusalka: Act 1: Song To The Moon
      12. L'Enfant Prodigue: Air de Lia: L'annee en vain
      13. Andrea Chenier: Act 3: La mamma morta
      14. Francesca da Ramini: Act 3: Paolo, datemi pace
      15. Suor Angelica: Senza mammo, o bimbo, tu sei morto!
      16. Amelia Goes To The Ball: While I Waste These Precious Hours

      Tracks:

      1. Alceste: Act 1: Divinites du Styx
      2. Don Giovanni: Act 2: Crudele? Ah, no, mio bene
      3. Don Giovanni: Act 2: Non mi dir
      4. I lombardi: Act 2: O madre, dal cielo
      5. I lombardi: Act 2: Se vano e il pregare
      6. Martha: Act 2: The Last Rose Of Summer
      7. Simon Boccanegra: Act 1: Come in quest'ora bruna
      8. La Perichole: Act 3: Tu n'es pas beau
      9. Die Walkuere: Act 1: Du bist der Lenz
      10. Die Fledermaus: Act 2: Czardas: Klange der Heimat
      11. Carmen: Act 3: Ces des contrebandiers
      12. Carmen: Act 3: Je dis que rien ne m'epouvante
      13. Cavalleria Rusticana: Voi lo sapete
      14. Thais: Act 2: Ah! je suis seule
      15. Thais: Act 2: Dis-moi que je suis belle
      16. Gianni Schicchi: O mio babbino caro
      17. Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve

      Tracks:

      1. Semele: Act 2: Where 'er You Walk
      2. Idomeneo: Act 3: O smania! O Furie!
      3. Idomeneo: Act 3: D 'Oreste, d' Ajace!
      4. La damnation de Faust: Part 4: D'amour l'ardente flamme
      5. Oberon: Act 2: Ozean, du Ungeheuer!
      6. Norma: Act 1: Sediziose voci, voci di guerra
      7. Norma: Act 1: Casta diva
      8. Norma: Act 1: Ah! bello a me ritorna
      9. Rigoletto: Act 1: Gualtier Malde
      10. Rigoletto: Act 1: Caro Nome
      11. Tristan und Isolde: Act 3: Liebestod: Mild und leise
      12. Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
      13. Adriana Lecouvreur: Act 4: Poveri fiori
      14. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
      15. Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World

      Customer Reviews:

      5 out of 5 stars A brilliant collection from a great soprano.......2007-04-30

      Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!

      5 out of 5 stars If I could have only one collection.............2006-11-12

      ....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!

      5 out of 5 stars Yes this is great!.......2006-10-14

      But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!

      5 out of 5 stars The Grandest Collection of Leontyne Price Arias.......2005-08-08

      If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.

      This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.

      5 out of 5 stars The Greatest Soprano Ever Recorded.......2005-03-20

      O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.

      This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.
      Sacred Music Complete
      Average customer rating: 5 out of 5 stars
      • great, great!!!
      • ALL THE MUSIC YOU EVER NEED!!
      Sacred Music Complete
      Purcell , King , and Kings Consort
      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
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      Similar Items:
      1. The Complete Odes and Welcome Songs of Henry Purcell / King's Consort
      2. Complete Secular Songs (3cd)

      ASIN: B00006RHQJ
      Release Date: 2002-12-10

      Customer Reviews:

      5 out of 5 stars great, great!!!.......2006-12-05

      This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

      5 out of 5 stars ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

      This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
      The Fabulous Victoria De Los Angeles
      Average customer rating: 5 out of 5 stars
      • Awesome musicality
      • Fabulous? Yes!!!
      The Fabulous Victoria De Los Angeles

      Manufacturer: EMI Classics
      ProductGroup: Music
      Binding: Audio CD

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      Similar Items:
      1. Songs Of Spain / De Los Angeles, et al
      2. The Very Best of Victoria de los Angeles
      3. Cecilia Bartoli - If You Love Me (Se tu m'ami ), 18th-Century Italian Songs

      ASIN: B000002S5G
      Release Date: 1994-02-15

      Tracks:

      1. Sheherazade: Asie
      2. Sheherazade: La Flute enchantee
      3. Sheherazade: L'Indifferent
      4. Cinq Melodies populaires grecques: Le Reveil de la mariee
      5. Cinq Melodies populaires grecques: La-bas vers l'eglise
      6. Cinq Melodies populaires grecques: Quel galant m'est comparable
      7. Cinq Melodies populaires grecques: Chanson des cueilleuses de lentisques
      8. Cinq Melodies populaires grecques: Tout gai!
      9. Duex Melodies hebraiques: Kaddisch
      10. Duex Melodies hebraiques: L'Enigme eternelle
      11. L'Invitaiton au voyage
      12. Phidyle
      13. L'Enfant Prodigue: Recit. & Air de Lia: L'annee en vain chasse l'annee
      14. Poeme de l'amour et de la mer: La Fleur des eaux
      15. Poeme de l'amour et de la mer: Interlude
      16. Poeme de l'amour et de la mer: La Mort de l'amour

      Tracks:

      1. Cinco Canciones Negras: Cuba dentro de un piano
      2. Cinco Canciones Negras: Punto de habanera
      3. Cinco Canciones Negras: Chevere
      4. Cinco Canciones Negras: Cancion de cuna para dormir a un negrito
      5. Cinco Canciones Negras: Canto negro
      6. Coleccion de canciones amatorias: Llorad corazon
      7. Coleccion de canciones amatorias: Iban al pinar
      8. Cuatro madrigales amatorios: Con que la lavare?
      9. Cuatro madrigales amatorios: Vos me matasteis
      10. Cuatro madrigales amatorios: De donde venis, amore?
      11. Cuatro madrigales amatorios: De los alamos vengo, madre
      12. Cinco canciones playeras espanolas: Rutas
      13. Cinco canciones playeras espanolas: Pregon
      14. Cinco canciones playeras espanolas: Las 12
      15. Cinco canciones playeras espanolas: El pescador sin dinero
      16. Cinco canciones playeras espanolas: Coplilla
      17. Quatre cancons: Canco de grumet
      18. Quatre cancons: Cancon incerta
      19. Quatre cancons: Maig
      20. Quatre cancons: Anacreontica
      21. La Dama d'Arago
      22. El can dels ocells
      23. Canco de Sega
      24. El combat del somni: Damunt de tu nomes les flors
      25. El combat del somni: Aquesta nit un mateix vent
      26. El combat del somni: Jo et presentia com la mar
      27. Triptic de Mossen Cinto: L'Harpa Sagrada
      28. Triptic de Mossen Cinto: Lo violi de Sant Francesh
      29. Triptic de Mossen Cinto: Sant Fransech i la cigala

      Tracks:

      1. Chansons de Bilitis: La Flute de Pan
      2. Chansons de Bilitis: La Chevelure
      3. Chansons de Bilitis: Le Tombeau des Naiades
      4. Fetes galantes: En sourdine
      5. Fetes galantes: Fantoches
      6. Fetes galantes: Clair de lune
      7. Noel de enfants qui n'ont plus de maisons
      8. Chants populaires: Chanson espagnole
      9. Chants populaires: Chanson francaise
      10. Chants populaires: Chanson italienne
      11. Chants populaires: Chanson Herbraique
      12. Trois jours de vendange
      13. Le Rossignol des lilas
      14. Tristesse, Op. 6, No. 2
      15. Au bord de l'eau, Op. 8, No. 1
      16. Les Roses d'Ispahan, Op. 39, No. 4
      17. Troujours (No. 2 de Trois Poemes d'un jour, Op. 21)
      18. Siete Canciones populares espanolas: El pano murano
      19. Siete Canciones populares espanolas: Sequidilla murciana
      20. Siete Canciones populares espanolas: Asturiana
      21. Siete Canciones populares espanolas: Jota
      22. Siete Canciones populares espanolas: Nana
      23. Siete Canciones populares espanolas: Cancion
      24. Siete Canciones populares espanolas: Polo
      25. Doce canciones gallegas: As florinas dos toxos
      26. Triptico, Op. 45: Farruca
      27. Villancicos: Pastorcito santo
      28. Psyche
      29. Soneto a Cordoba

      Tracks:

      1. Proserpina: E dove t'aggiri
      2. Le violette
      3. Joshua: Oh! had I Jubal's lyre
      4. Der Tod und das Madchen, D. 531
      5. Die schone Mullerin, D. 795: No. 2: Wohin?
      6. D. 547: An die Musik
      7. Op. 59, No. 8: Dein blaues Auge
      8. Op. 84, No. 4: Vergebliches Standchen
      9. Op. 27, No. 1: Chanson d'amour
      10. Op. 46, No. 2: Clair de lune
      11. Let Us Wander
      12. Lost Is My Quiet
      13. Schlaf in deiner engen Kammer
      14. Ah! lamenta, oh bella Irene
      15. Irish Songs: Oh! Would I Were But That Sweet Linnet
      16. Irish Songs: He Promised Me At Parting
      17. Irish Songs: They Bid Me Slight My Dermot Dear
      18. Welsh songs: The Dream
      19. Mignon und der Harfner, D. 877: Nur wer die Sehnsucht kennt
      20. Les Fleurs des landes: Le Trebuchet
      21. Moglichkeit
      22. Der Apfel
      23. Schottische Ballade
      24. Pastorale
      25. Pleurs d'or
      26. Sapphische Ode
      27. La Partenza

      Amazon.com

      The word "fabulous" seems vulgar when applied to the Spanish diva whose delicately shaded voice encompassed music from the middle ages to the present. This four-disc compilation emphasizes her song repertoire, to which she brought warmth, intelligence, linguistic integrity and irresistible sincerity. Her dignity makes listeners want to come to her, and she rewards them with an intimate, personal experience, especially in this small-scale repertoire by Ravel, Debussy, Duparc, Fauré, lots of Spanish composers and German masters such as Schubert and Brahms. --David Patrick Stearns

      Customer Reviews:

      5 out of 5 stars Awesome musicality.......2006-07-26

      This 4-CD set is a tribute to the concert career of the great Victoria de Los Angeles. The first 3 CDs show her totally at home in the art song of France and of her native Spain. In the French art songs, her silvery, creamy tone, her legendary legato and her perfect French diction make for wonderful and unforgettable performances. These include a sensual Scheherazade, magnificient singing in the Duparc songs and a phenomenal Poeme de L'amour et de la mer of Chausson (try to keep your eyes dry by the end of La mort de l'amour). In the Chausson, while de Los Angeles does not opt for the intensely Wagnerian approach, her sensitive singing more than does justice to the poetry and the feelings of the character. The Spanish songs showcase de Los Angeles at her most natural, flamboyant and attractive singing. The tunes are catchy, full of bouncy rhythms and De Los Angeles's fabulous voice never ceases to amaze. The 4th CD shows the wonderful chemistry between de Los angeles and the great Gerald Moore. While she does not erase memories of Fischer-Dieskau and Schwarzkopf in the Schubert selections, the Brahms songs are excellent and her Faure songs here are earth shaking in their elegance and refinement. The Italian and the famous Handel aria helps to prove De Los Angeles's reputation as an excellent bel canto singer. Her duets with Fischer-Dieskau are absolutely memorable and gorgeous.
      The set comes with booklet including full words plus translations, helpful notes on De Los Angeles's concert career and a dozen of beautiful and rare black and white photos. Victoria de Los Angeles's concert career was as prolific as her legendary operatic performances and continued well after her retirement from the operatic stage. This introspective and almost encycopledic release is a real treat and is absolutely recommended. I totally agree with the editor's review who states that the word "fabulous" fails in every respect to fully capture the artistry of the Spanish soprano. Victoria de Los Angeles is definitely one of the most wonderful lyric sopranos of the 20th century and is one of the most heavenly artists to have ever graced the concert scene. A must-have for any collection.

      5 out of 5 stars Fabulous? Yes!!!.......1999-09-13

      The album is a marvelous sampling of this great singer's artistry. Her performances of the French and Spanish composers are something special. The De Falla "Seven Popular Folksongs" are powerful, passionate; the last song, "Jota," raised the hair on the back of my neck.

      I was delighted to see Faure's "Claire de lune" on the album, and equally delighted with De Los Angeles' elegant rendition of this work. The only recording of the song I've liked better is from an LP featuring Frederika Von Stade.

      As an added bonus, several duets with the great baritone Dietrich Fischer-Dieskau are featured on Disk #4. These include some charming settings of Irish songs by Beethoven, and a gorgeous arrangement of "Let Us Wander" by Henry Purcell. I remember hearing these duets years ago on an LP recording, and it was a pleasure to hear them again.
      Break Stuff: The String Quartet Tribute to Limp Bizkit
      Average customer rating: 3 out of 5 stars
      • Better listen than any of limp bizkit's albums
      • wow !!!
      • Puh-leez tell me this is a joke
      • W...T...F???
      • W......T......F....!
      Break Stuff: The String Quartet Tribute to Limp Bizkit

      Manufacturer: Vitamin Records
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      GeneralGeneral | Rock | Styles | Music
      GeneralGeneral | Compilations | Rock | Styles | Music
      Alternative MetalAlternative Metal | Hard Rock & Metal | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      TributesTributes | Pop | Styles | Music
      Similar Items:
      1. In the Chamber: The String Quartet Tribute to Linkin Park
      2. The String Quartet Tribute to P.O.D.
      3. The String Quartet Tribute to Metallica
      4. The String Quartet Tribute to Godsmack

      ASIN: B00019JQJQ
      Release Date: 2004-01-27

      Tracks:

      1. Rollin' (Air Raid Vehicle)
      2. My Way
      3. Eat You Alive
      4. Faith
      5. My Generation
      6. Build A Bridge
      7. N 2 Gether Now
      8. Counterfeit
      9. Pollution
      10. Break Stuff
      11. Nookie
      12. Ventilation Management

      Product Description

      1. Eat You Alive
      2. Nookie
      3. Counterfeit
      4. N 2 Gether Now
      5. Rollin'
      6. My Way
      7. Faith
      8. Break Stuff
      9. My Generation
      10. Build A Bridge
      11. Pollution


      Format: CD

      Customer Reviews:

      4 out of 5 stars Better listen than any of limp bizkit's albums.......2005-09-29

      yea listening to a string quartet that resembles limp bizkit's music is way better than listening to decent music thrown down my fred durst's whiny retarded vocals.

      5 out of 5 stars wow !!!.......2004-10-26

      Dang !!! This CD Got some SERIOUS Tude !!! Out of the 5 "String Quartet Tribute" CD's I own (Evanescence, 3 Doors Down, Beyonce, Linkin Park, AND THIS MASTERPIECE !!!), This is definently my favorite !!! enough said ...
      GO GET THIS CD !!!

      1 out of 5 stars Puh-leez tell me this is a joke.......2004-09-20

      I don't believe it. The world's second worst band (the absolute worst being good charlotte) gets a tribute album. That's THE gayesy idea ever!!! Since when did they deserve a tribute album?
      I really have nothing else to say.

      5 out of 5 stars W...T...F???.......2004-06-28

      You obviously are NOT a Limp Bizkit Fan if you don't have or LOVE this CD!!!! It F&*KIN RAWKS!!!! Losers, Idiots & Haters are the only people on the planet that would think for one second that this isn't a excellent CD!!! I bought it the first time, it got stolen out of my car and I'm buying it again because I will not live without it!!!!

      1 out of 5 stars W......T......F....!.......2004-06-22

      this has got to be the most retarded idea ever concieved in the entire universe.but I'm sure they figure some doofus is bound to buy it,so more power to vitamin records.as this is the first review for this cd I'm telling you-get the string tributes to tool or slayer instead of this and the other stupid idea,the system of a down string trib!you'll thank yourself in the end(unless you are braindead).
      N.A.O.M.B. (Nugatti All Ova Me Butty)
      Average customer rating: Not rated
        N.A.O.M.B. (Nugatti All Ova Me Butty)
        Olav Brekke Mathisen
        Manufacturer: Discfunction
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Dance & DJ | Styles | Music
        GeneralGeneral | Jazz | Styles | Music
        ASIN: B0000B17RJ
        Release Date: 2005-05-10

        Tracks:

        1. Hasjbox
        2. Elektromotor
        3. Smal Sak
        4. Crocket & Me
        5. Fluffy the Vampire
        6. You-Level
        7. Gul Goss
        8. Vidrar
        9. Ein, Zwei, Drei, Fitteboy
        10. N.A.O.M.B. (Nugatti All Ova Me Butty)
        11. Ansatt I Kommunen

        Music:

        1. Nordic Trax
        2. Novo Latino V.3 [Import]
        3. Ofbeat, Vol. 1
        4. Pages From the Blue Diary
        5. Pure Garage Classics: the Very Best of Pure Garage [Box set] [Import]
        6. Real Great Britain Pt. 1
        7. Real Great Britain Pt. 2
        8. Safe [Extra tracks] [Original recording remastered] [Import]
        9. Sense Fiction [Import]
        10. Septic V.4 [Import]

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