Music Is Life [CD-single] [Import]

Music Is Life [CD-single] [Import]

Track Listings

1. Radio Edit

2. Original Radio Edit

3. Original Club Mix

4. Jono Grant Vs P.O.S. Remix

5. Dirt Devils Twisted Remix

6. Video

Music Is Life,Dirt Devils,Bmg/Arista,Pop

Aman Iman: Water is Life
Average customer rating:

Atmospheric? Like a stone on your head.

Tinari"wonderful"

Great Album!

Traditional real life in 2007

Hypnotic and enthralling

Aman Iman: Water is Life
Tinariwen
Manufacturer: World Village
ProductGroup: Music
Binding: Audio CD

General | Africa | International | Styles | Music
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Amassakoul

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Savane

ASIN: B000MCICRE
Release Date: 2007-03-20

Tracks:

Cler Achel
Mano Dayak
Matadjem Yinmixan
Ahimana
Soixante Trois
Toumast
Imidiwan Winakalin
Awa Didjen
Ikyadarh Dim
Tamatant Tilay
Assouf
Izarharh Tenere

Amazon.com

When you hear this music clan -- group just doesn't seem to be the right designation for a band of nomad desert musicians/soldiers -- a listener can hear the calm of the desert night air and the serenity of the musicians who live there. The Taureg people truly seem to be of the land and never more so than here on the band's third album, Aman Iman. The loping percussion and the circular guitar lines conjure wide-open desert images evoked in the repetitive grooves. Some may grumble that the members are playing much as they did on the first and second albums, blending Arabic song structures, desert wails, and primordial blues guitar riffs, but for it to be any different would be akin to asking the people in Tinariwen to change who they are. Never have words been truer than those of the title, but this album also appends that sentiment, proving that music is life for the desert Taureg too. --Tad Hendrickson

Customer Reviews:

Atmospheric? Like a stone on your head........2007-07-04

Finding Tinariwen made me happy. This group does to rhythm what Anoushka Shankar does to the 8 note scale. These are the strongest rhythms I've ever heard. They are something alive, you want to step aside to let it pass, you want to spin it and ultimately you want to dance with it.

This in NO way fits within my definition of atmospheric music. That genre was done to perfection by Eno 15 years ago. No, this music may invoke trances, it may put you on a plane to Timbuktu it may make you inexplicably desire to wrap your entire head in a sheet. It may cause you to dance your wife out of the living room, down the hall and into the bedroom. But it will not let you ignore it.

If you find yourself thinking this is atmospheric music then you're not listening. Consider it rock music. Turn it way up until plaster falls off lathe and then you will hear what you have missed.

5 stars squared.

Tinari"wonderful".......2007-06-14

A mixture of funky guitar,traditional drums, and an array of upbeat instruments nicely compliments the seriousness and heaviness of the songs lyrics. All songs are translated for you in the "liner notes". Highly recommended.

Great Album!.......2007-05-15

Just like Amassakoul, Aman Iman is some of the best music on the entire planet. A mix of blues and northern African styles that puts you in a trance.

Traditional real life in 2007.......2007-05-14

I like the way he touches the guitar. At first I saw Tiraniwen three years ago and was not so impressed, but little by little I got the feeling for this desert rebel. He is wonderful bluesy and still totally based in his Mali culture. What I like very much is that he feels for all Mali tribes and cultures. He is a good example for harmony and peace. I want to visit the Desert Music Festival in Timbouktou in 2008.

Hypnotic and enthralling.......2007-05-12

Tinariwen has often been described as "John Lee Hooker in the Sahara." While that baseline is a decent enough introduction, it's not nearly enough to embrace this band. This album follows Amassakoul, my first Tinariwen CD, and Aman Iman surpasses Amassakoul in every way. Depending on your mood, the music is soothing, hypnotic, challenging and stirring. The variations worked on repetitive figures reward repeated listening. If you haven't heard Tinariwen, Aman Iman is a great place to start.

Average customer rating:

spiritual americana
Rich Heritage
Superb
Can't walk away from it!
Mana from Heaven

American Angels

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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The Origin of Fire: Music and Visions of Hildegard von Bingen

ASIN: B0001ADB4Q
Release Date: 2004-02-10

Tracks:

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Amazon.com

This, Anonymous 4's final recording, is a break from their usual "early music" periods and locations; it presents American music, religious in nature, from the 18th and 19th centuries. And it's absolutely beautiful from start to finish. Their normal, exquisite technique and purity here blend to sound the way we imagined the ladies' choir in church meetings in America past might have sounded: sweet, sincere, and with harmonies recognizable yet somehow fresh. Some of the songs begin with the women singing "fa, so la" exercises, which was called "shape note" singing because some places taught singing with notes as shapes--circle, rectangle, diamond, triangle. But it's the music that counts, and there are treasures here. They include two versions of "Amazing Grace," one familiar, one with an unusual melody and a piece called "Blooming Vale" which is as sophisticated as anything on their previous albums. "Shall We Gather at the River" is performed with a clarity and loveliness that makes us forget that it's normally sung as background to movies about the Great Depression. The foursome sometimes sing in rich harmonies and occasionally alone or in pairs or trios. This is glorious Americana and highly recommended. --Robert Levine

Customer Reviews:

spiritual americana.......2007-01-06

I have some of the older Anonymous 4 recordings which are more medieval
and gregorian in style (I love them!). They move on to cover spiritual
basics of the 1800s. If you like classical music, perfect harmonies
and spiritual americina, then you will be blessed!

Rich Heritage.......2006-10-11

Anonymous 4 consistently produces exquisite and authentically beautiful recordings and this one presents early American hymns in ways few groups can manage. Some tunes are highly recognizable while others are 'new' to me but a refreshing reminder of the singing heritage of religious societies in times past. For those who enjoy old hymns and authentic renderings, this is a must buy.

Superb .......2006-08-07

This collection of American Christian music is not only an enthralling musical experience but a spiritually uplifting one as well. Anonymous Four have transferred their luminous vocal quality to a new space with perfect success.

Can't walk away from it!.......2006-08-07

My only "complaint" about the CD is that I absolutely HAVE to sit and listen to the entire thing whenever I start it up! I usually have music playing in the background while doing other things, but not this one! There are no tracks that I find myself wanting to skip over as in most collections. In fact, I usually find myself going back and listening to selected tracks again (and again and...) after taking the hour+ to listen to the whole thing through once.

These four ladies produce a unique and remarkable sound. I can't recommend it enough.

Mana from Heaven.......2006-05-08

I think the title of this CD is perfect. I first heard an interview for this CD on Public Radio and fell in love. I had never heard Anonymous 4 before then but look for all I can find of their music now. The title is perfect as the women sound like Angels and the music lifts the spirit. I find myself singing the old version of Amazing Grace all the time now. Incredible and a huge blessing to all who hear it.

Average customer rating:

HOW DO YOU SAY,"WOW," IN ITALIAN?
Just buy it.
Teamo, Andrea Bocelli
A new style from Andrea.
Not happy with delivery (or non delivery) of this item

Andrea
Massimo Varini , Ensemble of Bologna , London Session Orchestra , Andy Duncan , Leo Z. , Rosario Jermano , Dave Arch , and David Arch
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Andrea Bocelli - Sacred Arias / Myung-Whun Chung

ASIN: B00063M112
Release Date: 2004-11-09

Tracks:

Dell'Amore Non Si Sa
L'Attesa
Un Nuovo Giorno
Tu Ci Sei
Sin Tu Amor
Libert
Per Noi
Le Parole Che Non Ti Ho Detto
Sempre O Mai
In Canto
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When A Child Is Born
Go Where Love Goes

Amazon.com

It's no mean feat being the world's foremost crossover artist--a task that risks alienating two disparate audiences and everyone in between--but somebody had to do it, and Andrea Bocelli again walks that artistic tightrope with impressive deftness. The title may imply a casual intimacy (indeed, the singer admits to taking a more "hands-on" approach to the album's conception and production), but it's a collection that nonetheless continues to expand on the Italian tenor's ambitious internationalism. His collaboration "Sin Tu Amor" immerses his voice in the Gipsy Kings' own rich Iberian folk-pop fusion with compelling results, while "Where Love Goes" (a musical focal point of the film Lazarus Child), his English language duet with 11-year-old prodigy Holly Stell, achieves an almost liturgical grace. "Tu Ci Sei" (You Are There) continues in the romantic vein of his familiar theme "Con Te Partiro" (Time to Say Goodbye), while the single "Dell' Amore Non Si Sa" (With Love You Never Know) features Bocelli in a signature dramatic tour de force collaboration with arranger Mauro Malavasi, the accomplished producer of the singer's Romanza and Sogno albums. Bocelli's shrewd taste and vocal prowess here not only again redeem an oft-maligned genre, but elevate it considerably in the bargain. --Jerry McCulley

Customer Reviews:

HOW DO YOU SAY,"WOW," IN ITALIAN?.......2007-06-22

BEFORE I START, LET ME SAY, THAT I AM A DANCE CLUB GUY AND THAT, ORDINARILY, THIS IS NOT MY KIND OF MUSIC. OF COURSE, I LAUGH AS I SAY THAT, AS, APPARENTLY, A NEW DOOR HAS OPENED IN MY LIFE, THANKS TO THIS MAN.
A FEW YEARS AGO I HAD HEARD ANDREA DO, "CON TE PARTIRO," ON A PBS SPECIAL AND MY EYES FILLED WITH TEARS THAT ANY HUMAN COULD MAKE SUCH SOUNDS. I WAS ASTOUNDED; MORE ASTOUNDING, STILL, WAS TO HEAR THIS ALBUM AND FIND THAT HIS VOICE HAD ACTUALLY VASTLY IMPOVED OVER TIME. HOW IS THIS POSSIBLE? " CON TE..," PALES IN COMPARISON TO THE QUALITY OF THIS WORK; THE TRACKS ON THIS CD ARE PERFECT, FULL, RICH, AND MORE MOVING THAN ANYTHING I HAVE EVER HEARD. I HAVE HAD IT A WEEK, NOW, AND I HAVE NOT BEEN ABLE TO LISTEN TO ANYTHING ELSE FOR VERY LONG, AND I PLAY IT OVER AND OVER. IT HAS BEEN MANY YEARS SINCE I HAVE BEEN AFFECTED LIKE THIS BY ANY VOCAL CD. IF HE NEVER RECORDED AGAIN HE WOULD HAVE MADE A MARK ON THE WORLD OF AUDIO NEVER TO BE ERASED OR FORGOTTEN. WHAT A VOICE! WHAT SONGS! THE CUT, "LIBERTA," ABSOLUTELY KILLS ME WITH FEELINGS OF JOY AND MARVEL. I HAVE EVEN TAKEN UP STUDYING ITALIAN BECAUSE OF IT.
TREAT YOURSELF, AND A GOOD FRIEND, TO THE SOUNDS ON THIS CD. SIT AND WATCH A SUNSET WITH IT ON... I MEAN NOW!

Just buy it........2007-05-30

If you like soft music that make's you feel up beat, just order a Andrea Bocelli CD. Listening to his CD's after being at work all day, is like having an option in life to hear and be somewhere else.

Teamo, Andrea Bocelli .......2007-03-08

One of his best. Need the lyrics translated from the Italian to the English inside the casing next time. Nonetheless, Mr. Bocelli has a beautiful voice. It made my wife and all my female co-workers swoon when they listened to it.

A new style from Andrea........2007-02-24

There were some ugly songs in here.(I absolutely hate to say that about anything Andrea.)But the good far outshone the bad.
Un Nouvo Giorno stunned me the first time I heard it.It was so unlike anything I had heard from Andrea- very pop.But it soon grew on me.
Liberta is amazing.Very catchy and upbeat.
Sempre O Mai is my favorite.It keeps its tempo up and has the best of Andrea and pop.Great song.

So this album was really a double album with pop and classical songs interspersed.A good mix from the master.

Not happy with delivery (or non delivery) of this item.......2007-01-16

When I ordered this on 12/04/2006 they said I would have it before Christmas. Then right before Christmas the delivery date was changed to mid-January. So I had to cancel my order and go, at the last minute, buy it at a store because it was a Christmas present. I wasn't happy about it and won't be buying from amazon for the holidays any longer.

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Average customer rating:

Star Wars: A Musical Journey (2005) (V)
Not one of his bests, but very close
John Williams' finest work
A Great Conclusion to the Prequel Trilogy
Williams is slumming it

Star Wars Episode III: Revenge of the Sith - Original Motion Picture Soundtrack

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B000850IS6
Release Date: 2005-05-03

Tracks:

Star Wars and The Revenge Of The Sith
Anakin's Dream
Battle Of The Heroes
Anakin's Betrayal
General Grievous
Palpatine's Teachings
Grievous and the Droids
Padme's Ruminations
Anakin vs. Obi-Wan
Anakin's Dark Deeds
Enter Lord Vader
The Immolation Scene
Grievous Speaks to Lord Sidious
The Birth Of The Twins and Padme's Destiny
A New Hope and End Credits

Amazon.com

John Williams' lovely and moving score for the sixth Star Wars film brings thirty years of collaborating on George Lucas' beyond-popular intergalactic franchise to a close. (Is this really the end of Star Wars? Can't Lucas and Williams work together on a prequel to these prequels? Let us hope so, and that Jar Jar Binks is nowhere near it.) As this music accompanies the most exciting Star Wars film in many a moon, the soundtrack itself is more fun, more evil, more nasty and bumpy. Many of the heroic, anthemic themes woven throughout Episode Three: Revenge of the Sith will necessarily be familiar to any fan of the series, from the "Imperial March" to the main theme. It's remarkable how stirring the latter can be, no matter how many times you've heard it, and even for those who do not have all their money invested in S.W. memorabilia. There is a lot of new music here, and the lush, extensive range of both Williams and the London Symphony Orchestra is on display, most notably in the menacing, percolating "General Grievous" and the rousing "New Hope" end theme. --Mike McGonigal

The Force Is Also with:

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Customer Reviews:

Star Wars: A Musical Journey (2005) (V).......2007-06-21

product: Star Wars: A Musical Journey (2005) (V), included as bonus disc in Episode III soundtrack.

The bonus dvd with this soundtrack was the reason I purchased. I enjoy film soundtracks, and science fiction, but this dvd was a real highlight for me. I got the soundtrack cd out of the local library. The cd was missing from the case, but I found this wonderful dvd instead that I went out to purchase later.

With optional segments of dialog from Ian McDiarmid, this film is a stunning visual and musical overview of the full epic story of episodes I-VI of Star Wars. For those of us who felt that eps. IV-VI fell short of our expectations, this film presents them well as parts of the whole story. The Musical Journey also stands as a summary of the entire SW opus for someone who is not familiar with the Star Wars characters and plot. Highly recommended.

Options: no subtitles or other options.

Not one of his bests, but very close.......2007-05-21

The Episode III soundtrack is very good. Not great, but very, very good. You can tell that Williams is getting old, but he still manages to weave together a very memorable score.

My favorite tracks are "Battle of the Heroes," "Anakin's Betrayal," Palpatine's teachings, "Anakin vs. Obi-Wan," and the "Immolation Scene."
The others are very good as well, but these are especially nice. "Battle of the Heroes" is Dual of the Fates for Revenge of the Sith. "Anakin's Betrayal" is a very sad track that is, in my opinion, one of William's most powerful pieces. "Palpatine's Teachings" is really, really neat. It's very dark and moody, a perfect piece for the evil emperor. The only weird thing is the end. "Anakin vs. Obi-Wan" is the action piece that plays during the battles of Anakin and Obi-Wan, and Yoda and the Emperor. Finally, "The Immolation Scene" is another sad piece, even more so than "Anakin's Betrayal."

Although I really like this CD, there are some things that are missing (as usual). First, the whole sequence where the droids are looking for Obi-Wan after he was shot. You see Obi-Wan in his ship with Senator Organa on the Hologram (or whatever it is), and Obi-Wan says that his clones turned on him. That was some pretty awesome music that OF COURSE was left out of the CD. Then there was Dual of the Fates in the movie, but completely absent from the CD. And probably the most annoying was that whole piece of music before Obi-Wan and Anakin fight. It was so touching and sad and I CAN'T BELIEVE THEY LEFT IT OUT! Absolutely amazing. Also, did anyone notice that some little bits were cut out? For example, in Anakin vs. Obi Wan, they cut out about a second or two of choir. What?! What the heck is with that? It's when Anakin is running on the long thing and jumps on the droid on the lava. Also, there was some pretty cool drumming when you see Yoda and the Emperor fighting, and you can see the whole stadium (the big room). There's also drumming in "Enter Lord Vader" that is muted in the soundtrack.

Oh well...if I'm going to collect movie scores, I'm going to have to get used to the fact that in almost all cases there's not going to be every bit of music. I've experienced this in both Pirates of the Caribbean, Jurassic Park I (there was very little left out on this score), and almost everything else. At the moment, I'm just waiting for the 22nd, for the Pirates of the Caribbean 3 soundtrack. It's gonna be amazing.

See Yu

John Williams' finest work.......2007-04-20

There is little more I can say that hasn't already been said about the soundtrack to Episode 3, especially what Amazon contributor Dan Mohr wrote in his review of the soundtrack on 2/2/2006. His review captured almost all the thoughts, feelings, and emotions I had when I first listened to the soundtrack, and was, IMO, the best review of John Williams' greatest masterpiece.

Having said that, I will say that few soundtracks have ever so perfectly captured the underlying emotional currents of their respective movie; in the case of ROTS, the contemporaneous tragedies of Anakin's fall to the Dark Side, the extermination of the Jedi, and the rise of the oppressive Empire. The listener is confronted with the depth and totality of the evil that has beset the entire galaxy to a degree that the film could not reach in only 2 hours.

Bravo, Dan Mohr, and BRAVO John Williams!

A Great Conclusion to the Prequel Trilogy.......2007-04-07

This is a great work of art. I rank it 4th among Star Wars soundtracks after A New Hope, The Empire Strikes Back and The Phantom Menace. I had a hard deciding which I thought was better, The Phantom Meance or Revenge of the Sith, but I decided that The Phantom Menace lays the foundation for so much that is in this soundtrack and is thus the more masterful work. But that doesn't mean that this score still isn't great. Every piece is a thrill to listen to and pace never lets up. "Battle of the Hereos" is an amazing piece and the rendition of the "Funeral Theme" from Episoded I captures the film's tragety magnificently. Also I do not think John Williams could have portrayed the Jedi's extinction more perfectly than he did in "Anakin's Betrayal". This is without a doubt the best score of 2005 and one of the best of the decade.

Williams is slumming it.......2007-04-01

Williams's score for Revenge of the Sith is almost entirely overbearing, lacking any emotional subtlety. The music is overcomplicated and even a bit confusing, especially in the tracks that correspond to action sequences in the movie. His overuse of choral tracks and vocals is too bombastic and irritating to be listened to without the explosions and laser blasts of the soundtrack to soften them. (Yes, this music is actually softened by the sounds of warfare.) Worst of all, much of the music has simply been lifted from earlier scores. At times his self-imitation was so blatant that I actually wondered whether the editor who had complied this score had made a mistake and I was listening to The Empire Strikes Back or A New Hope. Also suffers from not including the entire score, in some cases cutting out musical segues in obvious and awkward ways.

Average customer rating:

Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

Average customer rating:

Sublime and ridiculous
Eeeeeeeeeeewwwwwww
Better than I thought it would be
Brava Renee
Art is always new.

Haunted Heart
Paul McCartney , Gustav Mahler , Joni Mitchell , Emile Paladilhe , Arthur Schwartz , James ("Jimmy") Van Heusen , Various Composers , Heitor Villa-Lobos , Jimmy Webb , Richard A. Whiting , Stevie Wonder , Guy Wood , Bill Frisell , Fred Hersch , and Renée Fleming
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Sacred Songs
Renee Fleming - The Beautiful Voice ~ Gounod, Lehaair, Orff, Puccini, Rachmaninov, Strauss
Renée Fleming
Handel
Renee Fleming: By Request

ASIN: B0007Z9QUS
Release Date: 2005-05-10

Tracks:

Haunted Heart
River
When Did You Leave Heaven?
You've Changed
Answer Me
My Cherie Amour
In My Life
The Moon Is A Harsh Mistress
Wozzeck/The Midnight Sun
Liebst du um Schit
My One And Only Love/This Is Always
Can do Amor
Psych
Hard Times Come Again No More

Amazon.com

While countless fans flock to see soprano Renee Fleming's performances of the Countess in The Marriage of Figaro because she's got the voice and the dramatic ability to handle such meaty roles, the versatile singer throws her fans a curveball on Haunted Heart, singing popular standards and ballads as well as a few altered classical pieces. In her liner notes, Fleming calls this album a "look back at the road not taken" -- she played a weekly gig in a jazz club while in school. Nonetheless, her feel for the material here is undeniable. Interestingly, she drops her voice a full octave from her usual tessitura, and the change reveals a robust gospel-oriented approach filled with dramatic breaths and moans. The lyrical Fred Hersch (piano) and the idiosyncratic Bill Frisell (guitar) provide support, and both are adventurous jazz players who create subtle and uniquely haunting backdrops. It adds up to an interesting cross-section of ideas well carried off by the generous talents of all involved. --Tad Hendrickson

Interview with Renee Fleming
Renee Fleming speaks about recent projects, including her memoir The Inner Voice and her recent Handel CD, in our interview.

Customer Reviews:

Sublime and ridiculous.......2007-06-13

The sublime: much of the artistry of this recording is about sound, and the subtle blending/responding of voice with guitar sounds and / or piano sounds. It is in the sensitive musical interplay between the artists where this effort shines. Definitely not recommended for road trips!

The ridiculous: Fleming ended the majority of most phrases in most of the songs with a guttural of some sort which for me becomes irritating to the point of distraction. These punctuations are mostly quite awful: really tasteless, clumsy, and overused big time and I'm amazed at how this ever got released. Without these ersatz testifyin' noises this CD would be stunning.

So, if you have the ability and inclination to edit out this garbage from your perception as you listen I think you'll be glad you experienced these artists at work together. (Unfortunately I'm not up to it).

Eeeeeeeeeeewwwwwww.......2007-06-06

Ugh. Like a manufactured home vs. a stick-built house, Fleming's manufactured (aka "training and technique") blues voice compares unfavorably to other jazz/blues singers/lounge acts. Would not, COULD not, listen to this recording straight through--one big long, breathy, minor key train wreck in the making. Took the CD on a road trip and had to pull over and remove from queue--either that or drive into a wall.

Better than I thought it would be.......2007-04-10

I have to admit, Haunted Heart was a lot better than I thought it would be,especially her recordings of "River", "The Moon's a Harsh Mistress, "My Cherie Amour" and "In my life".
I think this is the most artistically successful recording of Pop/Jazz by a classical singer. I enjoyed it even better than the Anna Sophie Von Otter'/ Elvis Costello CD.
The perspective I am coming from is that of a classical singer who started out as a pop singer/songwriter. I perform and teach cross-genre but love a world class instrument such as Flemming's
I wanted to get the perspective of a friend who used to sing jingles and is also a trained singer but is usually critical of any attempts that opera singers make at crossing -over.
My friend is very familiar with Flemming's voice, but did not recognise it in this context when I played the CD for her. Her reaction was very complimentary, although she did comment that the diction was a bit strange.
She then played it for her brother a well known jazz singer and arranger who had a somewhat negative reaction.He found the singing to be overly dark and round. He prefers a cleaner more 'spoken' approach to this style of singing. I understand this perspective and therefore personally prefer Ella to Sarah as well, but let's not get too picky. Obviously, Rene Flemming is of the Sarah Vaghan School of jazz singing, which is not too shabby.

I will continue to enjoy this CD and will wait for another opera diva to top this one. But, somehow I think the next really good CD of Pop/ jazz from an opera star will also come from Rene.

To those who have been unreasonably mean and negative towards her, I can only say you are not fit to polish her shoes!

Brava Renee.......2007-04-09

This talented woman can sing anything. I really enjoyed this cd with the lights turned down and a glass of wine to relax after a very stressful day at work. Renee could definitely have another singing career outside of opera should she choose. Hearing her drop that gorgeous voice down one octave rivals the best chanteuses in the business - Cassandra Wilson, Nancy Wilson, Regina Belle, Sarah Vaughan, etc. This cd of different musical styles reminds me of Nina Simone and Cassandra Wilson, two great singers whom could interpret any song genre and make their versions special. I loved all the songs and the standouts here are "Haunted Heart", "River", "My One and Only Love", "My Cherie Amour", "Cancao do Amor", and Beatles "In My Life", and "Hard Times Come Again No More".
I hope Renee keeps recording whatever catches her fancy because I'll certainly always listen.

Art is always new. .......2007-03-10

Renee Fleming is an artist bringing us something new, and beautiful. The poor will always be with us as manifest in those who resent other's movement from their established zones. Renee Fleming is a great female voice with accomplishments her detractors will never have, but in their dreams.

I welcome Renee's elan demonstrated with her recent recordings, Love sublime with Brad Mehldau, and Haunted Heart with Fred Hersch and Bill Frissell. Bravery, fun, and talent combined by artists and for people who are listening. Hearing long time favorites Mehldau, Hersch, and Frissell is all the more sublime.

Average customer rating:

A Star Performance
Sometimes I Dream
Add this to your Andrea/Josh collection!
Good quality and service
Wonderful!

Sometimes I Dream
Mario Frangoulis
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Follow Your Heart
Alessandro Safina
Your Love, My Home
Mario Frangoulis - Sometimes I Dream (Live in Concert)
Vittorio

ASIN: B00006FRN6
Release Date: 2002-09-17

Tracks:

Vincero, Perdero
Buongiorno Principessa
Sometimes I Dream
Luna Rossa
Naturaleza Muerta
Nights in White Satin (Notte Di Lucce)
Ton Eafto Tou Paidi
Non Sara'
Hijo De La Luna
Night Wants To Forget
Canzone Arrabbiata
A La Luna De Valencia
Vincero, Perdero

Amazon.com

Forget the age of battling boy bands, the era of dueling young tenors is upon us. Hot on the heels of Josh Groban's dizzyingly successful, Ally McBeal-fueled debut comes this first international release from African-born, Greek-raised tenor Mario Frangoulis. There are some clear parallels between Groban's debut and this Frangoulis release, but some distinctive differences as well. While Groban coated his slick, David Foster-molded pop sense with a veneer of classical respectability, Frangoulis has effectively turned the formula inside out. With similar classical training--but a few crucial years of experience on his American rival--Frangoulis treats the classics reverently but not slavishly, with the title track effectively turning an aria from Puccini's Tosca into romantic Europop. Elsewhere, the international flavor is further expanded by three melody-rich songs ("Hijo de la Luna," "La Luna de Valencia," and "Naturaleza Muerta") by Spanish singer-songwriter Jose Maria Cano and a sing-along-ready take on the 1950s Neapolitan chestnut "Luna Rossa."

Like Groban, Frangoulis and producer Steve Woods also plumb the music of la cinema italiana for inspiration, turning Nicola Piovani's bittersweet Life Is Beautiful theme into the ponderous "Buongiorno Principessa," but faring better with a moody, dramatic take on Rota-Wertmuller's "Canzone Arribiata." The obligatory rock-pop cover here is the flamenco-inflected "Nights in White Satin", with Frangoulis joined in a bilingual duet with original Moody Blue Justin Hayward that's surprisingly effective. Less showy perhaps than Groban's debut, but a more nuanced and emotionally satisfying album overall. --Jerry McCulley

Customer Reviews:

A Star Performance.......2007-02-28

When I purchased Mario's DVD I had never heard of him. I was actually browsing Josh Groban items when I noticed the [...] suggested items below and had a look.
What a find. Mario Frangoulis is an outstanding performer with an incredible voice. The quality of his concert is excellent with a full orchestra and top notch audio quality. I have watched this performance 7 times and can't wait to see it again.

Sometimes I Dream.......2007-01-19

A wonderfull full tenor voice with the ability to sing, popular, ethnic and opera. You cannot go wrong with this album.

Add this to your Andrea/Josh collection!.......2007-01-16

I had borrowed this CD from a co-worker a couple of years ago and was so thrilled to find it available here. Mario is wonderful and so easy to listen to. If you like Josh Groban, Russell Watson, Andrea Boccelli than you'll love Mario Frangoulis.

Good quality and service.......2007-01-11

I received this cd in just a few days and it was in excellent condition.

Wonderful!.......2007-01-09

Spectacular! This one also I can't stop listening! The songs and the singer are fabulous; listening to him makes my moments very special!

Average customer rating:

No Fistful of Ennio
I would call some of these pieces "newage"...
Simply a 'Must Purchase' for those with a passing interest in Morricone's work
ENNIO MORRICONE - FILM MUSIC, VOL. 1
A collection of Morricone's most popular and entertaining

Ennio Morricone - Film Music, Vol.1

Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

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Film Music, Vol. 2
Very Best of Ennio Morricone
The Mission: Original Soundtrack From The Motion Picture
Ennio Morricone, Vol.3: Main Titles
Yo-Yo Ma Plays Ennio Morricone

ASIN: B00000DR51
Release Date: 1992-06-29

Tracks:

The Good, The Bad, And The Ugly: The Good, The Bad, And The Ugly
Maddalena: Come Maddalena
The Sicilian Clan: The Sicilian Clan
The Life And Times Of David Lloyd George (BBC TV): Chi Mai
Investigation Of A Citizen Above Suspicion: Investigation Of A Citizen Above Suspicion
Moscow Farewell: Moscow Farewell
Espion Leve Toi: Marcia In La
Lady Caliph: Lady Caliph
Battle Of Algiers: The Battle Of Algiers
The Infernal Trio: The Infernal Trio
La Banquiere: Dedicace
For Love One Can Die: For Love One Can Die
Sacco And Vanzetti: Sacco And Vanzetti
The Tragedy Of A Ridiculous Man: La Tragedia Di Un Uomo Ridicolo
Quartiere: Romanza Quartiere
Once Upon A Time In The West: Once Upon A Time In The West
The Mission: On Earth As It Is In Heaven (Remix)

Customer Reviews:

No Fistful of Ennio.......2007-01-31

Ennio Morricone wrote great soundtrack music, that's for certain. But no retrospective of his work is complete without the inclusion of more than one lone example from the three mid-60's "spaghetti westerns" he scored for Sergio Leone and Clint Eastwood. Anyone familiar with the UNITED ARTISTS label LPs of "Fistful Of Dollars," "For A Few Dollars More" and "The Good, The Bad And The Ugly" might agree with this.

As for what's here-- most of ENNIO MORRICONE * FILM MUSIC Volume 1 is forgettable incidental stuff. Except for "The Battle Of Algiers (Theme)," the opening and closing tracks are the best. They bookend what turns out to be a disappointing collection, lacking in both liner notes and the brilliance Morricone demonstrated over a 30 year span.

I would call some of these pieces "newage"..........2006-08-02

Moscow Farewell is definitely my pick of the lot. Sacco And Vanzetti was a pleasant surprise once I listened to it a couple of times. It is lively and could be played on a wedding dance floor for the whole family. This is great album to listen to while in bed!

Simply a 'Must Purchase' for those with a passing interest in Morricone's work.......2005-09-13

Arguably one of the greatest (if not the greatest) Film composer of the 20th Century. Not only has he scored some of the most influential and instantly recognisable pieces of film music during his roughly 50 years of composing atmospheric film scores. Whether he's providing the spooky dramatics for a spaghetti Western" or constructing the ingenious use of classical arrangements of brooding cinematic pieces, he has (in most cases) consistently delivered contemporary music that has provided the atmospheric foil for the picture in question. And with a collection of musical influences that were as far ranging as: classical, jazz, pop, rock, electronic, avant-garde, and Italian music, he is able to deliver a variety of film scores that are as diverse as they are beautifully composed.

This compilation is collection of some of the seminal, gritty, theatrical, and dramatic film music, that would go on to define his career, via reflective orchestration and memorable motifs, ingenious use of diverse arrangements and instrumentation. There is a majority of his highlights on this disc, with the magnificently brooding "The Good, The Bad, and the Ugly" opening the disk. what follows is a truly sublime collection of music that is in parts truly beautiful and utterly atmospheric, so tracks such as "Once Upon A Time In The West", benefit from the haunting melodies and stirring volins, that are possibly more in tone with orchestrated music than contemporary music. Or the quiet piano introspection and melancholic arrangements that make up "Moscow Farewell", are simply deserving of being placed amongst the finest soundtrack compositions ever. "Dedicace", contains some of the most litting melodies in recent memory, impossibly sad and affecting, it is a haunting bittersweet composition that is both organic & reflective, over which the volins provide the musical backdrop. And that's without the mention of "For Love One Can Die", the autumnal orchestrated track, that pulls from Italian sweeping gangster original film scores, and makes a hushed and dissonant recording, that feels like a sublime throwback to the mafia-related shenanigans of 60's chicago via the use of restrained piano, that really is quite lovely and adds substantial weight to the composition.

If you are looking for a Ennio Morricone compilation....short of buying a boxset, you'd be hard pressed in beating this for value for money. It's a fantastic summary of his work and covers a fair amount of material. And is the perfect introduction to his work, (especially if you just want to buy one compilation of his work). This is highly recommended to fans both old and new, and is boosted by the compilers making a great job of the selection. So if you don't want to have to splash out on an expensive disk, to hear his influential work...this really is the first place you should start.

ENNIO MORRICONE - FILM MUSIC, VOL. 1 .......2005-08-16

HAVING HEARD EXERPTS OF THE MUSIC BEFORE, IT WAS EXACTLY WHAT I
WANTED.

A collection of Morricone's most popular and entertaining.......2005-07-31

Volume I of III, of this 'best of' Morricone trilogy, is the best of the three. This volume consists of music that can be listened to alone and socially, with some of the most catchy and minimalist rhythms you'll ever hear. You'll listen to this album and wonder what movie you've heard that song from before(Morricone's canon being primarily for film scores). If you're hear because you're trying to get the song from a movie, and you've never really heard of Morricone before, then you've luckily stumbled upon some of the best music I've ever heard. Or, if you're a Morricone fan and you'er looking for a good compilation, since Morricone has done too many film scores to even possibly own them all, then this is good to have. I wouldn't really reccommend Volume II and III unless you're looking or a very comprehensive collection of Morricone, since Volume I seems to me to carry his most absolute best. Definetely buy this album, it's very good.

Average customer rating:

Yes it is.
Missing they Y from the name
more melody is needed
Korn sucks!
Overrated

Life Is Peachy
Korn
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Korn
Follow The Leader
Issues
Untouchables
Take a Look in the Mirror

ASIN: B000002BHP
Release Date: 1996-10-15

Tracks:

Twist
Chi
Lost
Swallow
Porno Creep
Good God
Mr. Rogers
K@#0%!
No Place To Hide
Wicked
A.D.I.D.A.S.
Lowrider
Ass Itch
Kill You

Customer Reviews:

Yes it is........2007-05-15

This was almost a continuation of their debut. The sound is very similar, and just like the first, there is not a dull moment. Odd song structures and insane vocals are prevalent. "ADIDAS", "Wicked", "No Place to Hide", "Twist", "Chi", "Swallow" "Mr. Rogers", etc. This album rocks and is full of killer tracks. There are a lot of Korn haters out there, so if you are just becoming familiar with them, listen and make a decision for yourselves. Don't listen to the haters. They are usually people who don't have open minds about anything, or they are insecure and bashing others makes them feel special. Korn is one of the best heavy bands in recent years and one of the most original to come out in the 90s. Are they the most talented? NO. Plenty of other bands have better guitarists, drummers, bassists, and vocalists. But they are good at what they do, and have made a successful career of it. I don't care how talented someone is with their instrument: if they can't write a hook, people will forget them. Korn knows hooks.

Missing they Y from the name.......2007-03-12

Once upon a time I use to really like Korn and this was shockingly one of my favourite albums at the time but thankfully I grew up and listening to this garbage now makes me feel embarrased. Every track on here sounds the same apart from Wicked which is a cover anyway but this record is so obviously rushed it must have been done in like 2 days.

Johnathan Davis is one of the worst singers ever all he does is whine like a bratty kid that didn't get his favourite toy for christmas, he can't sing to save his life. None of the surposed musicians in the band have any talent. The guitaists Munky and head are both lousy guitarists who play the same riff over again, while Fieldy just slaps random strings not creating any kind of melody from them just slaps which doesnt make a good bass player. Drummer David Silveria is below Mediocre he just plays the same basic drum beat over and over.

The album starts of horibly with Twist which sees Jonathan making stupid noises over a crappy riff in the background. Making stupid noises is perhaps the only thing Johnathan Davis is good at.

It surprises me Head didnt leave earlier then he did if I was in this band I would have left as soon as this appaling record came out and saved myself the embaresment. Your life certainly wont be peachy after listening to this.

more melody is needed.......2006-12-28

overall this album is ok for the most part guitar riffs werent too great but the songs still sounded good it had really no melody becouse the instruments were grindy and thrashy , but aside from the non meledic tunes the lyrics are pretty dark and creepy and give you that wierd feeling however the reason it was so grimey was not only for the lack of melody but becouse this ws a bit of a turn point for the band from general guitars(self titled korn)to electronics (untouchables)this i believe was in the middle of all of it anyway they were on a slipperly slope with this and almost messed this one up but they had some songs that kept the album alive like porno creep and a.d.i.d.a.s. and I dont think there will ever be a time were they ever mess an album up

Korn sucks! .......2006-12-15

This is the worst band I ever heard nevermind limp bizkit korn bearly has guitar riffs no guitar solos the 2 guitars and the bass sound like pure crap. I guess the drums were pretty good that's a 1 star for david but thats not enough to save the performance of this mediocre band and jonathan davis can't even sing right and his gibberish sounds annoying stupid and untalented. I use to be a big fan of korn but now I can never go back to these guys anymore.

Overrated.......2006-09-15

Okay, let's get something straight: Just because an album is loud and full of anger does not make it good!

The album starts out with Jon screaming complete gibberish while the music players of the group make various noises with their instruments, this goes on for about a minute. The rest of the songs continue in pretty much the same fashion.

Honestly, the only one who sounds halfway decent on here is David, but as a drummer he'd have to be pretty bad not to sound good compared to the squealing and sludging noise of everyone else. On this record, rather than playing their instruments, the boys seem to be "playing with" them, as a child would play with his food. The guitarists try to mask the fact that they aren't very good by incorporating all sorts of effects and tricks into their playing, like pitch-shifting pedals and feedback, but that doesn't help any.

I was surprised to learn that the song "No Place to Hide" was nominated for a grammy. Just goes to show you how bad people's judgement is nowadays.

In conclusion, Any KoRn fan will tell you this is a very good album because of it's raw anger and so-called heaviness, but don't be fooled, this is not good because it's not music it's noise. This album is essential only if you're a diehard KoRn fan and any other fan is likely to call you a poser if you don't own it. To everyone else, stay far away.

Korn on this album is:

Jonathan Davis - Lead Vocals, Bagpipes, Guitars
Reginald "Fieldy" Arvizu - Bass
James "Munky" Shaffer - Guitars
Brian "Head" Welch - Guitars, Background Vocals,
Lead Vocals (Lowrider)
David Silveria - Drums

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals

Average customer rating:

They were right--there is NO business like the show business they did way back when !!!
One of the best cds I ever bought.
Never Sounded Better
Somewhere Over The Rainbow
"Hollywood Musicals of the Golden Age are still among us"

Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Ultimate Broadway
Only Broadway CD You'll Ever Need
The Best Of Broadway (Cast Recording Anthology)
Greatest Hits: Broadway
That's Entertainment!: The Best Of The M-G-M Musicals - Motion Picture Soundtrack Anthology

ASIN: B000066RO5
Release Date: 2002-06-04

Tracks:

Singin In The Rain - Gene Kelly
Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
'S Wonderful - Gene Kelly & Georges Guetary
Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
Stranger In Paradise - Ann Blyth & Vic Damone
Easter Parade - Judy Garland & Fred Astaire
Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
Get Happy - Judy Garland
Night And Day - Fred Astaire
True Love - Bing Crosby & Grace Kelly
Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
They Cant Take That Away From Me - Fred Astaire
Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
For Me And My Gal - Gene Kelly & Judy Garland
Puttin On The Ritz - Clark Gable & Co.
Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
Bless Yore Beautiful Hide - Howard Keel
Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)

Tracks:

Over The Rainbow - Judy Garland
Its A Most Unusual Day - Jane Powell
Wunderbar - Kathryn Grayson & Howard Keel
Cant Help Lovin Dat Man - Ava Gardner
Going Hollywood - Bing Crosby
The Trolley Song - Judy Garland, The M-G-M Studio Chorus
Gigi - Louis Jourdan
I Got Rhythm - Judy Garland, Mickey Rooney & Co.
Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
The Lady Is A Tramp - Lena Horne
The Best Things In Life Are Free - June Allyson & Peter Lawford
Cheek To Cheek - Fred Astaire
A Kiss To Build A Dream On - Louis Armstrong
Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
If Swing Goes, I Go Too - Fred Astaire
Almost Like Being In Love - Gene Kelly
Lets Face The Music And Dance - Fred Astaire
Be A Clown - Gene Kelly & Judy Garland
Embraceable You - Connie Francis
On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
One For My Baby (And One More For The Road) - Fred Astaire

Amazon.com

The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley

Customer Reviews:

They were right--there is NO business like the show business they did way back when !!!.......2006-11-18

Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....

The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!

The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!

The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother

The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt

The world is a stage,
The stage is a world of entertainment!

This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."

I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.

There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.

The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.

In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.

One of the best cds I ever bought. .......2006-06-07

What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!

Never Sounded Better.......2006-03-16

Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.

Somewhere Over The Rainbow.......2006-02-24

A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!

"Hollywood Musicals of the Golden Age are still among us".......2005-07-13

Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.

The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.

On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)

On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)

It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.

This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!

Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)

Music:

Music

music

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