Just a Little More Love [CD-single] [Import]

Just a Little More Love [CD-single] [Import]

Editorial Reviews
Product Description
Two track single features two mixes of the title track, 'Just A Little More Love' (Wally Lopez Remix Edit & Elektro Edit). Virgin. 2003.

Just a Little More Love,David Guetta,EMI,5"CD Singles,Dance

Average customer rating:

A Funky Dance Album To Have

Great French House!

Dance with a soul--feel the love!!!!!

YES!!!

Interesting twists on dance/electronic

Just a Little More Love
David Guetta
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music
House | Dance & DJ | Styles | Music
General | Dance Pop | Dance & DJ | Styles | Music
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Guetta Blaster

Guetta Blaster

Fuck Me I'm Famous

Fuck Me I'm Famous, Vol. 2

Pop Life

ASIN: B0000UJK6K
Release Date: 2004-02-10

Tracks:

Just A Little More Love (Wally Lopez Remix Edit)
Love, Don't Let Me Go (Original Edit)
Give Me Something (Deep In My Heart) (Vocal Edit)
Can't U Feel The Change
It's Allright (Preaching Paris)
Sexy 17
People Come People Go
Just For One Day (Heroes) (Radio Edit)
133
Distortion (Vocal Edit Remix)
You Are The Music
Lately
Just A Little More Love (Elektro Edit)

Amazon.com

Featuring gospel singer Chris Willis, with hints of Ibiza house and deep soul, David Guetta's "Just A Little More Love" was a huge dance hit in 2001, and now it's the showpiece title track for the DJ's second full-length release. Love is filled with crackling, electro-tinged grooves, and uses an element of glitzy cheese to give the record a silly, anything-goes club vibe. Made for parties, Guetta's work is endlessly positive, ranging from the sublime, Stardust-like "People Come, People Go," to his riff on David Bowie's "Just For One Day (Heroes)." A collection of singles like this can sound thrown together, and you can hear when Guetta is coasting ("Give Me Something (Deep In My Heart)," for example). But these songs really are meant to be heard as part of a larger set, on wax just pulled out of a crate. Even the most inept DJ would have an easy time getting people dancing with this compilation in their arsenal, and depending on the dance floor's pulse, any one of these tracks could be the night's high point. --Matthew Cooke

Customer Reviews:

A Funky Dance Album To Have.......2006-09-06

David Guetta is a French Dj and Remixer that's been around for quite awhile now, but this was actually his first album, released in 2004 despite countless of singles and remixes already. The music here is more commercial then actual house music though, we got soul singers Chris Willis and Barbara Tucker and the music is a mix between diffrenet genre's like House, Soul, Electro and Pop that isn't afraid of sampling old stuff, Not surprising that Mr. Guetta scored several club hits from this album. "Just A Little More Love" was a hit in 2001 and a highlight here. "Love, Don't Let Me Go" another hit single in a simular mood 'that blends soul and dance, the exellent "Give Me Something (Deep In My Heart)" that blends 70's disco with modern house. "Just For One Day (Heroes)" a ripp-off from David Bowie's classic. "Sexy 17" that infact sound like 80's Prince singing. Towards the end of the set there are several less commercial songs, house and electro instrumentals that would have suited well on a Daft Punk or Cassius album. On this american release there are several remixes, + there are 2 versions of "Just a Little More Love" instead of the song "You" that is part of the original Euro release and "Just For One Day" instead of "Atomic Food". For all dance fans, I think this is a must have. Considering that there a few really good dance albums out there and Guetta is a very talented and original dj, you must check this one out, if you liked Modjo, Cassius or even early Roger Sanchez, you'll like David Guetta too. 4/5 stars

Great French House!.......2005-05-03

Although this CD is over 2 years old I recently bought it and I am totally loving it as it is an awesome CD. Every track one after the other is beautifully produced and laid out. There's something about French house music and electronica that I can't get enough of. From Dimitry From Paris, Daft Punk, Cassius, Bob Sinclair and a slew of others that keep producing wonderful dance music that have retro feels to them. I especially love Give Me Something (Deep In My Heart) with the great vocals of Barbara Tucker on this album as well as the title song and Just For One Day (Heroes). Anyway check out the album and go buy it.

SJ
www.bestplaylists.com

Dance with a soul--feel the love!!!!!.......2004-12-15

This is a brilliant compilation cd, whether its meant to be heard as part of a DJ club set, or just something you pop into the player when you want to hear happy, well-done, varied, and party atmosphere House. Every song is good, and some are incredible. All I had heard before getting this disc was "Just A Little More Love" via Ministry of Sound Hot 100, and I have been really impressed with it. The beat is all cub, but the lyrics are all intelligence with heart (not about drugs or sex, the two club lyric standbys that get old *quick*).

If you have doubts, chuck them and buy it!!

YES!!!.......2004-04-01

This album is hottttt!!
I especially love the songs with Barbara Tucker, such as "It's Alright" and "Give me Something." Hello, it's the story of my life. Give me something... or nothing at all.
Preach it!

Interesting twists on dance/electronic.......2004-02-12

I first heard of Parisian DJ David Guetta (a fixture in Ibiza and Paris) on the "Pioneer: The Album Vol. 3" while living in Spain (Ibiza CDs are EVERYWHERE) with his fabulous single "Love Don't Let Me Go." After a long wait, "Just A Little More Love" is being released in North America---it's ABOUT TIME!!!. His album is a pleasing blend of styles and moods, all of it intensely danceable.

The main highlight for me was not only Guetta's fantastic mixing, but the soulful, searing vocals by gospel phenom Chris Willis (backing vocalist for Amy Grant ,CeCe Winans, Twilla Paris, Garth Brooks, and Dolly Parton among others) that made the album come alive. "Just A Little More Love" sounds like a throwback to the heyday of the `80s, with elements of funk and disco scattered throughout the driving beats. The album spawned a number of singles, including Ibiza megahit "Love Don't Let Me Go."

This North American release features an altered tracklist from the European debut, adding the Just For One Day (Heroes) remix from Guetta's new album F*** Me I'm Famous (named after an Ibiza tradition), cuts several others (Chris Willis' You, Atomic Food), and substitutes edits for several (Just a Little More Love Elektro edit, Distortion vocal edit, Just a Little More Love Wally Lopez remix edit). The majority of the thirteen songs are vocal-driven, with the exception of 133 and Lately, both instrumentals. Themes range from the noble: social reform (Can't U Feel The Change), self-empowerment (It's Alright), love and desire (the campy Sexy 17, People Come, People Go, Give Me Something, the riveting Love Don't Let Me Go, You Are The Music) and just plain fun (Distortion).

This North American release is much more geared for club play with the addition of Just For One Day and the edits/remixes. A danceable feast for the ears and refreshingly original. Remember to check out Guetta's new album F*** Me I'm Famous as well.

Carmen (Sung in English)
Average customer rating:

English is an asset and a drawback

You Will Love Opera After Hearing Carmen In English

A wholly credible "Carmen" -- finally!

I love Carmen!

Carmen (Sung in English)
Bizet , Bardon , Gavin , Plazas , Magee , and Parry
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music
Operettas | Opera & Vocal | Styles | Music
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Mozart - Don Giovanni / Garry Magee · Cullagh · Banks · Plazas · Shore · Tierny · PO · David Parry

ASIN: B00007JGRN
Release Date: 2003-03-11

Tracks:

Prelude
In The Plaza
Just Look At That Delicious Morsel
Here Come Our New Soldier Boys
Jose! There Was A Girl Here Looking For You Just Now
Off With You Old Soldier Boys
Corporal! Sir!
We Have Heard The Bell Summon Us To Meet Here
Ah, Just Look!
But Why Hasn't She Come, Our Carmencita?
Love's A Bird Wild As Any Rebel
Carmen! We Will Follow You High And Low!
The Cheek Of It!
Give Me News Of My Mother!
Your Dear Mother And I Were Leaving Church This Morning
I See My Mother's Face!
Wait A Moment - I'm Going To Read The Letter
Come And Help
So, Corporal: Tell Me What Happened
Well, Carmencita: What Do You Have To Say For Yourself?
Where Are You Taking Me?
There's An Old Bar In The City
Careful - It's Lieutenant!
Entr'acte
From Far Away Mysterious Sounds
Bravo, Bravo! More! Keep Dancing!
Hurrah! Hurrah! The Torero!
Who's That? It's Escamillo, The Bullfighter From Granada
Hurrah! Hurrah! The Torero!
You're Most Kind
We'll Come With You, Senor Torero
Toreador, Be Ready!
At Last! We Got Rid Of Them As Quickly As We Could
There's A Little Job That We're Starting!
Being In Love Is Not A Reason

Tracks:

To Bid You Welcome To Our Bar
La La La La La La La La...
Back To Camp!... Go At Once!
That Flow'r You Threw To Me I Treasured
No, It's Not Love At All!
Hello! Carmen!
Lieutenant Fair, It's True
The Sky Above The Open Road
Entr'acte
Keep Going, Dear Old Friend, Kep Going!
Right! Let's Stop For A While
Shuffle! Cut Them!
In Vain You Would Avoid The Bitter Things They're Saying
You're Back!
As For That Man, It Should Be Easy!
Is This The Place?
I Say That There's Nothing To Fear
It's Him! I'm Sure It's Him Over There!
Escamillo Is My Name, And I Come From Granada
She Had A Lover Here
Hola! Hola! Jose!
You Should Take Care, Carmen
Alas! Jose, Your Mother Is Ill
Entr'acte
A Few Cuartos! A Few Cuartos!
Here They Come! Here They Come!
If You Love Me, Carmen
It's You! It's Me!
Viva! Viva! What A Corrida!

Customer Reviews:

English is an asset and a drawback.......2004-07-20

The best thing about this recording of Carmen is the libretto. Conductor David Parry penned this facile and dramatic English translation. He avoids the pitfalls of literal translation to achieve an idiomatic flow that matches the rhythm of the original lyrics. I use this as a reference libretto for any of the French Carmens.

Unfortunately, the performance suffers from being sung in English. The singers declaim their parts with such proper British diction that Carmen comes across as a school marm. The spoken dialog is delivered beat for deliberate beat and is dripping with reverb. It makes the plaza, tavern and mountain pass all sound like a sewer pipe.

This is a good first Carmen for someone trying to understand the work. The libretto itself is a good investment for further listening. For an enjoyable performance with an emphasis on character and action, I recommend Regina Resnik on the London Double Decker set.

You Will Love Opera After Hearing Carmen In English.......2004-02-09

What a perfect introduction to opera. This newly released recording will surely get you hooked into opera. Carmen, a French opera by Georges Bizet, is the most recognizable and most popular in the opera world. It's famous melodies- the overture, the Habanera, The Toreador Song have all been featured in everything from cellular phone ring tones to Superbowl Commercial (last year's Superbowl with The "Opera In English" label has been making Italian operas into English for a number of years now. Also on the market are Verdi's La Traviata in English (with soprano Valerie Masterson as Violetta) Handel's Julius Caesar with Janet Baker and even Wagner's epic Ring Of The Nibeling sung in English. This is a terrific recording and I highly recommend it if you want to get into opera. Listen to this version first and then try the real, original French version Bizet had written. Patricia Bardon is sensational, sexy and dramatic as Carmen.

The real strength of this version is the dynamic drama. With the advantage of being sung in English, we get better insight on characters' emotions and motives, and we understand the drama a lot better. Carmen is all about great drama. Bizet drew the plot from the French writer Prosper Merimee's dark short story. Carmen is the ultimate femme fatale- a devil-may-care, sexy Gypsy living in Spain, seduces the conservatively raised soldier Don Jose, stealing him away from his fiancee, the passive Micaela, living a life of underground smuggling and rowdy taverns. "Habanera" and "The Gypsy Song and Dance" are very expressive of Carmen's extraordinarily liberal lifestyle. Don Jose, however, has fallen deeply in love- as he shows us in his song/aria "The Flower Song". But Carmen soon becomes tired of his constancy. Don Jose wants a committed, monogamous relationship with Carmen. But Carmen will not submit to love, since she is first and foremost a carnal creature. Eventually, she falls for the handsome Toreador Escamillo. Don Jose, consumed by jealousy, stabs Carmen at a bullfight after Carmen declares her love for Escamillo and rejects Don Jose's love. Don Jose's crazed, obscessive personality shines through in the English version as well. This tragedy has been done in English before so don't think this is the first time. Back in the 50's, there was a film, starring black actors "Carmen Jones" which was treated the same way as this opera- more like an English Broadway musical and with the dubbed singing voice of Marilyn Horne as Carmen. All in all, this recording is excellent.

A wholly credible "Carmen" -- finally!.......2003-09-17

This recording really sells "Carmen" as a drama. Although I have two other recordings of this opera and have seen it performed several times, it never quite worked for me dramatically. But thanks to the fine performances, conducting, and translation here, I've become a "Carmen" convert. Producing a good English-language performance of a foreign opera, especially a warhorse like "Carmen," is much more difficult than it might appear. You need performers who not only can sing the parts (of course) but also can sing *English* and make it halfway intelligible and make it sound like English and make it dramatically convincing to English-speakers. The singers on this recording do an excellent job all around. Don't be put off if you don't recognize their names -- they are up to the task musically and (especially) in their acting. Admittedly, as with *all* English-language recordings, some passages are very hard to understand without reading along, but most of the time the words are clear and effective. I would recommend this recording to any opera beginner or opera lover, even those who normally turn up their noses at performances in translation.

I love Carmen!.......2003-08-15

I do. I can think of no other opera with more melodic inventiveness, and few others with so sure a dramatic pulse. Carmen is popular and it thrills me to say that it is also a very good opera - not always true of popular things.

And what of this recording? Carmen sits well in English, so it is good to hear in translation, although some of the detais in the text jar. Escamillo refers to Jose as "my dear", which sounds rather peculiar, and the guide's line to Micaela: "it's not exactly inviting, is it?" sounds distinctly Middle England rather than Rural Spain. Some of the performers, not least Carmen herself, make the words work, although there are long tracts, especially with the chorus, where the language is distinctly indistinct.

The soloists are, by and large, strong. Patricia Bardon's deep, Handel-friendly voice adapts well to Carmen and she colours the music with phenomenal detail, sounding sexy and provocative from the start with an edge of pride and anger that emerges as the show goes on. She is out of her depth above the stave, though, and some extra top notes in the second act don't show her off to her best advantage. I have previously said that Julian Gavin is poorly served by recordings, though here he sounds much more even and gives a thrilling and musical performance (but his wooden spoken lines let him down). Mary Plazas is a lovely Micaela, rich-voiced and sincere (and word-perfect), but Garry Magee sounds miscast as Escamillo, lacking the ballast at the bottom of the voice to do justice to this tricky role.

The supporting cast is good (Mary Hegarty seems to do nothing but Frasquita these days!) but the really treasurable thing is the conducting. Stepping out of Italian Ottocento, David Parry turns his hand to this French Comedie with an appropriate lightness of touch. His pacing and handling of the set pieces is exemplary and the enrtractes go with a real swing.

Tracks:

Mamma Mia!: Our Last Summer - Paul Clarkston
Hair: Good Morning Starshine - Annable Leventon
The Phantom Of The Opera: All I Ask Of You - Sarah Brightman
Sweeney Todd: Not While I'm Around - Vanessa Williams
The Best Little Whorehouse In Texas: Good Old Girl - Henderson Forsythe
The Fantasticks: Try To Remember - Jerry Orbach
Pippin: Love Song - John Rubinstein
Aspects Of Love: Love Changes Everything - Michael Ball
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The King And I: I Have Dreamed - Peabo Bryson
Les Miserables: I Dreamed A Dream - Randy Graff
Evita: High Flying Adored - Mandy Patinkin
Babes In Arms: My Funny Valentine - Julie Andrews
Kiss Of The Spider Woman: Dear One - Howard McGillin
By Jeeves: Half A Moment - Emily Loesser
Call Me Madam: You're Just In Love - Dick Haymes

Customer Reviews:

Outstanding Collection of Love Songs.......2007-06-22

I have to quickly disagree with those who are looking for more songs crammed in to what is such a breathtaking album of Broadway love songs. The rendition of the songs on this album and the Broadway singers selected for each piece, just are so beautifully recorded and make chills go through me. Whoever created this album, knew exactly what they were doing. This CD is full of nostalgia and artists who know how a song should be sung. They are certainly not making noise as on some Broadway CD's, but they have created an album that will go down in history for some of us who have longed to see such muscials come back to life in a way....that sadly has become a memory.

It is in need of 1 more musical........2005-05-29

I think they need to consider putting one more musical on this CD. This musical would have to be Wicked. What about As Long As Your Mine (from Wicked of course)? I think I would like this CD better if they could put Wicked on it. But of course this may not be true for everyone because obviously my favorite musical of all time is Wicked.

Not enough songs..........2004-10-20

Okay, so I have yet to hear this CD but already I have a quip: Why are there only 16 songs on this CD when the original Broadway's Greatest Love Songs had 20. They're cheating customers out of 4 songs! Also, why doesn't this include any songs from Aida, Triumph of Love, Beauty and the Beast, R&H's Cinderella, The Lion King, or Wicked! And please, "Our Last Summer" from Mamma Mia? Don't get me wrong, I love Mamma Mia, but that is NOT a love song.

Average customer rating:

Perfect Release of a two-fer
Finally "Alone" on CD!
Terrible sound and terrible packaging
JUDY AT HER BEST with SPECTACULAR SOUND!
Garland the Great

Judy in Love & Alone
Judy Garland
Manufacturer: S&P Records
ProductGroup: Music
Binding: Audio CD

Traditional Vocal Pop | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

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That's Entertainment!/I Could Go on Singing
The Best of the Capitol Masters: The London Sessions
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Classic Garland: Capitol Years 1955-1965

ASIN: B0000641C8
Release Date: 2002-04-23

Tracks:

Zing! Went The Strings Of My Heart
I Can't Give You Anything But Love
This Is It
More Than You Know
I Am Loved
I Hadn't Anyone Till You
I Concentrate On You
I'm Confessin' (That I Love You)
Do I Love You?
Do It Again
Day In-Day Out
By Myself
Little Girl Blue
Me And My Shadow
Among My Souvenirs
I Gotta Right To Sing The Blues
I Get The Blues When It Rains
Mean To Me
How About Me
Just A Memory
Blue Prelude
Happy New Year
Then You've Never Been Blue (bonus track)

Customer Reviews:

Perfect Release of a two-fer.......2004-11-20

The person who wrote the review below is wrong : the "Alone" album was recorded and released in mono sound, in 1957. "Judy in Love" was Garland's first album recorded and released in stereo, in 1958.

The sound on this disc is spectacular. The original session tapes were used, for the best sound possible. It is glorious sound here, folks.

Pehaps the person that wrote the review below is thinking of the previous two-fer of "Judy in Love" from England, a few years back, paired with the "Judy" album. That CD sounded very flat and dry.

Get this new and improved disc, and you'll love it.

Finally "Alone" on CD!.......2003-10-01

I just received this Judy "double bill" and I can only say it's GREAT!! "Alone" was always one of my favorite Judy albums, and I am more than pleased to have it on CD now. The sound is not stereo, as another reviewer point out, but it never was recorded in stereo. I have the old vinyl, and that's mono too, but also pretty worn, after all these years. The liner notes actually are pretty good too. The original covers are reproduced, with the original liner notes reprinted, AND some fresh liner notes about this re-issue. There, you can read that the "alone" recordings are from 1957, and that "Judy in Love" is from 1958, and was her first stereo album for Capitol.

So why is "alone" my favorite Judy album? Maybe simply because it was one of my first encounters with Judy, when I was 17 years old. I didn't realize at the time that the selection of songs is pretty unusual. It's not the repertoire she sang a lot in her live and TV shows. I love the mostly subdued pathos on this album, although she does belt it out occasionally, in her own inimitable way. The songs are about 'surviving on your own', and some times about finding your inner strength, in a bittersweet way. The album is not very cheerful, but it does make me feel good, in a sentimental way. The arrangements are very good, just right, in the 'proper' fifties style. The strings have a very warm quality, which wasn't always the case in those days. There is also a beautiful large choir singing in the background on some tracks.
Some of the songs are very unknown, which makes this album special too. Happy New Year, for instance, is a beautiful torch song, written over a very slow version of Old Lang Syne in minor key; a real gem of a song! Blue Prelude is also a great song, so don't be discouraged by the titles you may not know.
All in all, a 'must have' for any Judy fan, but also a wonderful introduction if you want to get acquainted with Judy's singing. "Judy in Love" is an excellent example of her warm joyful singing, while "Alone" gives you all those wonderful torch songs. A balanced package, with a passionate Judy in great voice!!

Terrible sound and terrible packaging.......2003-06-27

Let me rant. This CD has 2 albums on it. 1 is mono and the other stereo!? I have these albums on records and they are both stereo. I feel ripped off. Also, these albums do not sound anywhere like the records in quality. In fact, they sound very boring and lacking of any sort of life. Judy did very big, exciting production numbers and the sound on this CD makes them sound stale and dead. I returned this CD and demanded my money back. The store clerk said I wasn't the only one. Thumbs way down.

JUDY AT HER BEST with SPECTACULAR SOUND!.......2002-05-11

JUDY IN LOVE is perhaps Garland's greatest studio album. A superb collaboration with Judy in wonderful voice, and arranger Nelson Riddle at the top of his form. Inexplicably, this album is only now making its CD debut in the U.S. Capitol Records seemingly had no interest in releasing it themselves, so they've sublicensed it to S&P Records, who have done a terrific mixing and remastering job. Comparing the sound to a recent UK import is overwhelmingly impressive. The UK release sounds mediocre, and this new issue belies its having been recorded 44 years ago.
JUDY IN LOVE is paired with her monaural ballad album ALONE, which was arranged and conducted by Gordon Jenkins. The two albums together are a distinct contrast and yet only show the versatility and mastery of Garland. The highlight of the ALONE tracks is Jenkins' schmaltzy, yet irresistable I'VE GOT A RIGHT TO SING THE BLUES. ALONE was previously issued on CD by Capitol years ago, but has been long out of print, so this collection is a dream come true for Garland fans.

The 5 Star rating is for the recordings and the way they've been beautifully produced. It does not, however, represent a true rating for the package itself, which has been saddled with awful,
amateurish liner notes which are so poorly written that it's a blatant insult to Garland. What a shame the producers who took such care in creating such a great sounding album, didn't bring the same kind of excellence to the accompanying package. This should not detract anyone from buying this CD, but buyers looking for an interesting commentary on the legendary lady and these specific tracks will have to go elsewhere.

Garland the Great.......2002-05-02

A beautiful compilation of two classic, original "Judy" albums. These are two of the six studio albums she recorded for Capitol in the fifties, and these are probably the best. While Judy's vocal tone is not at its best on "Judy in Love", the song selections and her interprative genius make up for the slight vocal imperfections. "More Than You Know", "I Am Loved" and "By Myself" are absolute delights, and are clearly definitive versions of these songs. In addition, the ballads shine with passion and tenderness. "Alone" is mostly filled with similarly tender songs, and on this one Garland is in fine, full voice throughout. "Little Girl Blue" is a particular standout, and the addition of the never before released "Then You've Never Been Blue" is a special treat for fans and newcomers. Popular singing doesn't come any better than this.

Average customer rating:

Interesting twists on dance--something for everyone
One more proof of French dance music's high quality.
Great great cd

Just a Little More Love
David Guetta
Manufacturer: EMI/Virgin
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

House | Dance & DJ | Styles | Music

Dance & DJ | Imports | Stores | Music
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Guetta Blaster

ASIN: B0000683FF
Release Date: 2002-06-11

Tracks:

Just A Little More Love
Love Don't Let Me Go
Give Me Something
You
Can't U Feel the Change
It's Allright
People Come People Go
Sexy 17
Atomic Food
133
Distortion
You Are The Music
Lately

Album Details

Includes Two Tracks Not Available in the USA Version, "You" and "Atomic Food".

Customer Reviews:

Interesting twists on dance--something for everyone.......2004-01-11

I first heard of Parisian DJ David Guetta (*Les Bains Douches*) on the "Pioneer: The Album Vol. 3" while living in Spain (Ibiza CDs are EVERYWHERE) with his fabulous single "Love Don't Let Me Go." After a long wait, "Just A Little More Love" is being released in North America---it's ABOUT TIME!!!. His album is a pleasing blend of styles and moods, all of it intensely danceable.

The main highlight for me was not only Guetta's fantastic mixing, but the soulful, searing vocals by gospel phenom Chris Willis (backing vocalist for Amy Grant ,CeCe Winans, Twilla Paris, Garth Brooks, and Dolly Parton among others) that made the album come alive. "Just A Little More Love" sounds like a throwback to the heyday of the '80s, with elements of funk and disco scattered throughout the driving beats. The album spawned a number of singles, including Ibiza megahit "Love Don't Let Me Go."

The majority of the thirteen songs are vocal-driven, with the exception of 133 and Lately, both instrumentals. Themes range from the noble: social reform (Can't U Feel The Change), self-empowerment (It's Alright), love and desire (You, the campy Sexy 17, People Come, People Go, Give Me Something, the riveting Love Don't Let Me Go, You Are The Music) to just plain fun (Atomic Food, Distortion). A very danceable feast for the ears and refreshingly original. If you enjoy this album, check out Guetta's new album F**k Me I'm Famous (named after an Ibiza tradition) featuring David Bowie remixes and more.

One more proof of French dance music's high quality........2003-01-25

French dance music has always been appreciated by night club lovers & just by people who like good dance music. I would put David Guetta in one row with such celebrities as Daft Punk & Modjo. My favourite track from this CD is "Love Don't Let Me Go". This is a very easy airy dance track. I feel like flying far away from reality when I hear it. "Distortion" is a hard drum mix that makes your feet move even if you don't want them to. Such masterpieces as "People Come, People Go", "Atomic Food", "You Are The Music" are very smooth dance hits that I'm sure will be appropriate for any party. The CD finishes with a very beautiful "Lately". It's wonderful mixture of beat & peacufulness. This CD should be in every DJ's collection. Two Thumbs up!

Great great cd.......2003-01-18

my sis went to france got me this cd, but hearing it now i woulda paid the import price for it anyhow. its a great dance cd, with original beats and a great voice. buy this cd or you will never experience true dance music

Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]

Average customer rating:

A touching English Butterfly

Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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ASIN: B00005QF3K
Release Date: 2001-11-20

Tracks:

Act I: Introduction - Cheryl Barker
Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
Act I: 'My Fate I Have To Follow' - Cheryl Barker
Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
Act II Part I: 'One Fine Day' - Cheryl Barker

Tracks:

Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker

Amazon.com

This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine

Customer Reviews:

A touching English Butterfly.......2002-03-27

Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.

She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.

Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.

This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.

Collection: Say It With Music (Dlx)
Average customer rating:
Collection: Say It With Music (Dlx)
Andr Kostelanetz
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

General | Soundtracks | Styles | Music
General | Easy Listening | Pop | Styles | Music
Easy Listening | Pop | Indie Music | Stores | Music
ASIN: B00007L8X4
Release Date: 2003-02-18

Tracks:

Say It With Music Remember Blue Skies
Top Hat White Tie And Tails How Deep Is The Ocean (How High
This Is The Army Oh How I Hate To Get Up In The Morning Soft
Whatll I Do Always The Song Is Ended (But The Melody Lingers
The Piccolino Cheek To Cheek
White Christmas
The Girl That I Marry Say It Isnt So Mandy
Give Me Your Tired Your Poor God Bless America
Smoke Gets In Your Eyes Yesterdays
Ive Told Every Little Star The Song Is You
The Night Was Made For Love She Didnt Say Yes All The Things
Look For The Silver Lining They Didnt Believe Me Long Ago (A
I Dream Too Much The Jockey On The Carrousel
Why Was I Born The Way You Look Tonight Who
Make Believe Bill
Why Do I Love You You Are Love Ol Man River
Fascinatin Rhythm
Mine
The Man I Love
Embraceable You Soon
I Got Rhythm
Bess Oh Wheres My Bess
S Wonderful
Maybe
Someone To Watch Over Me Oh Lady Be Good
Embraceable You
Strike Up The Band
Begin The Beguine
All Through The Night
I Concentrate On You
I Love You
Night And Day
In The Still Of The Night
Ive Got You Under My Skin
Blow Gabriel Blow
Just One Of Those Things (Bonus Track)
Hallelujah Time On My Hands
Tea For Two
Carioca
Without A Song
More Than You Know
Orchids In The Moonlight
Sometimes Im Happy I Know That You Know
Through The Years Drums In My Heart
Malaguena
La Cumparsita
Mexicana Medley
Yours (Quiereme Mucho)
Siboney
Caminito
Adios
No Taboleiro De Bahiana
The Moon Of Manakoora
Lotus Land
Kashmiri Song
Jamaican Rhumba
Flamingo
Poinciana (Song Of The Tree)
Andalucia
Sweet Leilani (Bonus Track)
Frenesi (Cancion Tropical) (Bonus Track)
Show Boat
South Pacific
Slaughter On Tenth Avenue
An American In Paris
Porgy And Bess

Album Description

The multi-faceted Andre Kostelanetz left his mark on the music world as an acclaimed conductor/arranger/accompanist. His most notable contribution is the creation of the Easy Listening genre, done by bridging the gap between Classical and Pop music. Highlights on this 6 CD box set include Irving Berlin's 'Cheek To Cheek', George Gershwin's 'The Man I Love' and Jerome Kern's 'Smoke Gets In Your Eyes'. Includes 3 bonus tracks 'Just One Of Those Things' (Cole Porter), 'Sweet Leilani' (from Waikiki Wedding) & 'Frenesi' (Cancion Tropical). Standard jewel cases housed in a deluxe wooden box w/hinged lid (approx. 6 x 5''). Collectables. 2003.

Average customer rating:

Symphony 9: Introduction to Dvorak
Dvorak
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Instructional | Miscellaneous | Styles | Music
Similar Items:

An Introduction to Brahms' Piano Concerto No. 2
Classics Explained: Pastoral Symphony
An Introduction to Vivaldi's "The Four Seasons"
Classics Explained: Rite of Spring
Classics Explained: Brandenburg Concertos 4 & 5

ASIN: B000069HGK
Release Date: 2002-09-17

Carole Bogard: A Collection of American Songs

Average customer rating:

beautiful songs
A flawless and fascinating recital

Carole Bogard: A Collection of American Songs

Manufacturer: Parnassus
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Just-Spring: Art Songs of John Duke
But Yesterday Is Not Today-The American Art Song 1927-1972

ASIN: B00005LPYJ
Release Date: 2001-06-26

Customer Reviews:

beautiful songs.......2007-05-09

A welcome reissue in CD format from old LP's of Carpenters compositions : song cycles of very well known lyrics. Particularly fascinating are the renderings of poems from "Gitanjali", a collection of poems by Rabindranath Tagore in English translated from original Bengali; a work that got Nobel prize in 1913 (Not the Pullitzer prize as mentioned in th accompanying text). The songs on lyrics/poems by other poets, all americans are just as beautiful. Well done.

A flawless and fascinating recital.......2005-04-14

This 2-CD set by soprano Carole Bogard is an absolute must-have for lovers of American songs, song recitals in general, or great singing. Culled from three long-out-of-print LPs and some performance tapes recorded for broadcast in Europe, it includes songs by Carpenter, Flanagan, Copland, Rorem, and the little-known Richard Cumming and John Woods Duke. And yet, there is not a single weak track on the entire set. Every song is interesting (something that cannot be said for many similar recitals recorded today), and each and every song is performed with musical acuity and an attention to words.

Particularly interesting, to me, were the songs by John Alden Carpenter. Largely neglected by modern singers and scholars, Carpenter wrote what many feel is the most successful fusion of classical music with jazz, the ballet tone-poem "Skyscrapers." It had the misfortune to premiere in 1924, the same year as Gershwin's "Rhapsody in Blue"; but whereas "Rhapsody" was more of a pastiche, "Skyscrapers" blends the jazz and classical aspects flawlessly, producing an exciting and well-crafted work that deserves a wider audience.

The Carpenter songs presented here are not jazzy, but they do reveal a greater depth of feeling and originality in construction than one hears nowadays from the songs of Andre Previn or Jake Heggie. And the other pieces are equally excellent.

I highly recommend this album, especially for Sunday afternoon or summertime listening...between the excellence of the songs and the excellence of Bogard's singing, you just melt into the music and become one with the warm, intimate feeling that this recital engenders.