Liliana

Editorial Reviews
About the Artist
With vocal ability compared to that of "conveying the clarity of a bright sunny day and all the passion that life has to offer", Latin pop singer/songwriter Liliana Rokita has been captivating audiences with her compelling presence, her sensual, hypnotic vocal style and her stunning classic Hollywood beauty.

Product Description
Latin pop music at its finest, blending Liliana's extraordinary vocal capabilities with traditional instruments, guitars, keyboards, hip beats, and rap vocals; uptempo songs to ballads provides for plenty of dancing, toe-tapping, clapping and good times. Also included on the disc is the "Caminos Confusos" music video.

Liliana,Liliana Rokita,The Orchard,Latin,Latin Pop

Liliana

Tracks:

La Traviata: Prelude
La Traviata: Act 1: Dell'invito trascorsa e gia l'ora
La Traviata: Act 1: Libiamo ne' lieti calici
La Traviata: Act 1: Che e cio
La Traviata: Act 1: Un di felice eterea
La Traviata: Act 1: Ebben? Che diavol fate?
La Traviata: Act 1: Si ridesta in ciel l'aurora
La Traviata: Act 1: E strano, e strano!
La Traviata: Act 1: Follie! Follie! Delirio vano
La Traviata: Act 1: Sempre libera
La Traviata: Act 2: Scene 1: Lunge da lei
La Traviata: Act 2: Scene 1: Annina, donde vieni?
La Traviata: Act 2: Scene 1: Alfredo? - Per Parigi or or partiva
La Traviata: Act 2: Scene 1: Pura siccome un angelo
La Traviata: Act 2: Scene 1: Non sapete quale affetto
La Traviata: Act 2: Scene 1: Ah, dite alla giovine
La Traviata: Act 2: Scene 1: Morro! Morro!
La Traviata: Act 2: Scene 1: Dammi tu forza, o cielo!
La Traviata: Act 2: Scene 1: Ah, vive sol quel core all'amor mio!
La Traviata: Act 2: Scene 1: Di Provenza il mar
La Traviata: Act 2: Scene 1: Ne rispondi

Tracks:

La Traviata: Act 2: Scene 2: Avrem lieta di maschere la notte
La Traviata: Act 2: Scene 2: Noi siamo zingarelle
La Traviata: Act 2: Scene 2: Di Madride noi siam mattadori
La Traviata: Act 2: Scene 2: Alfredo! Voi?
La Traviata: Act 2: Scene 2: Invitato a qui seguirmi
La Traviata: Act 2: Scene 2: Ogni suo aver tal femmina
La Traviata: Act 2: Scene 2: Di sprezzo degno se stesso rende
La Traviata: Act 3: Prelude
La Traviata: Act 3: Annina? - Comandate?
La Traviata: Act 3: Teneste la promessa...
La Traviata: Act 3: Addo del passato
La Traviata: Act 3: Largo al quadrupede
La Traviata: Act 3: Signora - Che t'accadde
La Traviata: Act 3: Parigi, o cara
La Traviata: Act 3: Ah, non piu
La Traviata: Act 3: Ah, gran Dio, morir si giovine
La Traviata: Act 3: Ah, Viletta! - Voi, signor
La Traviata: Act 3: Prendi, quest' e l'immagine
La Traviata: Act 3: E strano!

Customer Reviews:

The Legendary Anna Moffo .......2007-02-07

First of all, I must say that I am completely biased to Anna Moffo. I absolutely adore her. She was everything that little girls dream that a soprano should be. She was born to be "Violetta" with a spectacular creamy voice, beautiful phrasing and gorgeous physical features. Like the previous viewer, I like Richard Tucker and he was immensely talented. However, due to the softness of Moffo's voice - one wonders why she was not better paired here with Carlo Bergonzi. I believe theirs would have been a perfect duo. Anyways, this is a wonderful recording with strong performances from Tucker and Merrill. It is Moffo who is the star here and she really shines! The Rome Orchestra and Chorus is a fine accompanist and well conducted. Pick up this cd as you will be very satisfied.

One of the best versions of La Traviata available.......2007-01-08

Way back in the 1960s, this was the first opera recording that I purchased (because I was a poor college student, I brought the "greatest hits" version rather than the full opera). It immediately became one of my favorite LPs (back in the days of vinyl recordings), and my dull needles on the record player (I could not afford to buy new needles so regularly) over time destroyed any recording quality. Even at that, I continued to enjoy this album for decades, even as the sound quality became degraded.

The cast here, in the end, is terrific. As others have noted, Richard Tucker's stentorian vocal qualities almost overwhelm Alfredo. On the other hand, Tucker's voice is a wonder of the 20th century, and I enjoyed listening to those vocal qualities even in roles for which he was not ideal. Robert Merrill did his usual splendid job, as Alfredo's father, Giorgio. Tucker and Merrill appeared together in a number of operas, and their voices, I think anyhow, work well together.

The young Anna Moffo is wonderful in this role. In the 1960s, she was one of my favorite sopranos. Her voice fits this part nicely. She was able to sing roles such as this as well as some coloratura roles. As many note, a lovely lyric-coloratura voice. She also portrays a character on this album. That is, one does not just get lush, pretty singing; one gets a characterization. Indeed, during her peak years, she was known as much for her acting as for her singing. In that, she combined the presentation of characters like a Maria Callas (whose vocal technique was not necessarily wonderful) with a voice that works well on the music, as a Joan Sutherland might (Sutherland, on the other hand, was hardly a quintessential operatic actress).

This recording is well done for the era. The conductor, Fernando Previtali, does a nice job of creating tension with the music, moving the action along smartly without a listener feeling that matters are rushed.

There are a number of fine renderings of Verdi's "La Traviata." From having listened to a number of these, I would say that this CD--with Moffo in her prime, Merrill providing his reliably excellent work, Tucker restraining his voice enough not to overwhelm the role, and the fine conducting of Previtalli--is one of the must buy sets of this classic opera. Well worth attending to!

The best "Traviata".......2006-07-20

I've been seeking the ideal "Traviata" for years; of course, it doesn't exist - the different voices required for each act ensure that no singer can completely encompass the demands made by the role of Violetta - but it's fun searching. So far, I have discarded several (Scotto too hard and glassy of tone, Bastianini patrician of voice but unmoving; Domingo too burly of tone in a fairly generalised performance; del los Angeles scratchy up top - it's all a question of taste, I suppose) and hung on to the other RCA recording with Caballe, Bergonzi and Milnes (who sing beautifully despite some choppy conducting from Pretre) in combination with the indispensable 1959 live Lisbon performance, sensitively conducted by Ghione. This enshrines Callas at her best - no-one is anywhere near as moving - and her co-singers, Kraus and Sereni, are almost as good, but the sound is crumbly. Callas' 1953 Cetra rcording allows us to hear her in good vocal condition but her Alfredo and Germont are inadequate and Callas is not yet the artist she became in this role (it was the contractual obligation not to re-record Violetta for three years after this that deprived us of a studio EMI set with Callas). I also love Beverly Sills and Panerai in the EMI recording conducted by Ceccato, but I'm afraid Gedda is far from ideal as Alfredo (see my review).

Now I have finally (!) discovered this 1960 recording, which seems to me the best studio version I have heard. Moffo is fleet, agile and silvery - Caballe, by comparison, as is often the case in early Verdi roles, sounds too mature, despite some lovely coloratura - and acts wonderfully with her voice, whispering the letter scene - even if she cannot rival Callas here. Merrill is much more interesting than Milnes, who simply sings nicely. (Apparently Merrill began to inject some emotion into his performances after being fixed by Toscanini's gimlet eye and being asked, "Have you ever been a father?". On being told, "No, Maestro", he harrumphed, "It sounds like it"; thereafter Merrill tried harder, and it shows in this performance.) I can understand why some prefer Bergonzi's elegance in this part to Tucker's rather stentorian manner - so do I - but Tucker's is nonetheless a skilful, finely judged assumption of the role; Tucker fines down his tone when required and he is such a good musician. True, Moffo scoops a bit too much for my taste but otherwise I love her voice; she comes as close as anyone to mastering all the notes and staying wholly in character. The "Living Stereo" sound is wonderful, the documentation full and interesting, the singing superb; this will be the one I listen to most often, always remembering to take down the Callas recording occasionally just to hear "Ah, dite alla giovine" sung to perfection.

Beautiful, Simply Beautiful.......2006-06-20

My favorite La Traviata ever. Anna Moffo's voice is clear, lyrical and beautiful. The rest of the cast is also excellent. You canno go wrong here.

A Dreamy, Golden Traviata.......2006-01-08

Violetta Valery is a much sought after role for sopranos and she is perhaps Verdi's most popular opera heroine in Verdi's most popular romantic opera. Sopranos are a matter of taste and bring a different interpretation to the role. Maria Callas sang Violetta in the 50's and was considered the finest. Her huge, dark, wobbly voice may not have always been beautiful, but she got into character as good as Sarah Bernhardt who originated the role on stage. Other equally dramatic Violettas include Teresa Stratas and today's Angela Gheorghiu- huge, dark voices and dramatic portrayals. More lyrical and softer-toned Violettas include those of Beverly Sills and Valerie Masterson. Singers like Joan Sutherland and Montserrat Caballe combined both beauty and drama. But Anna Moffo is an acquired taste. Hers is a light voice, but there is absolutely no doubt in anyone's mind the magnitude of her power. She sang with dramatic integrity and her looks and charisma heightened the credibility. Violetta was her debut at the Metropolitan Opera in the late 50's. This recording finds her in great shape. She sings with touching pathos, beautiful voice and unbeatable pianissimi and diction. Anna Moffo has a magical quality to her performance, she never borders on melodrama, retaining excess within control. She is a first-rate opera singer. She is supported by the Alfredo of Richard Tucker, whose voice is grand, elegant and masculine. While he is older and his voice shows maturity, he knows what he is doing and is a wonderful artist. However, it would have been nice if Franco Corelli, Fritz Wunderlich, Nicolai Gedda or Carlo Bergonzi were cast instead because those voices better capture the youthful spirit of Alfredo's passion. American baritone Robert Merrill sings with his usual brilliance. His is a masculine, ardent and paternal, quintessentially Verdi voice. Perfect! The sound is great since this has been beautifully remastered from the old LP. The music sings with passion, with beauty, and the romance of this touching story has never sounded greater. It's a must have for opera fans. It was the first opera that really moved me. It's the simple love story of a courtesan and her sacrifice for the man she loves. Because Alfredo's father Germont dislikes the courtesan, he makes her give him up. When she dies of tubercolosis, it's too late. I have always liked this opera more than La Boheme (Mimi also dies of TB only she's not a glamorous courtesan). A great recording. Buy it today.

Average customer rating:

Camino Latino (Latin Journey)

Manufacturer: Moston Records
ProductGroup: Music
Binding: Audio CD

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Classically Yours
Passport to Serenity
The Spanish Album
Miniatures for Guitar
Cafe Tropical

ASIN: B000065LAB
Release Date: 2005-08-23

Tracks:

Carretera Libertad (Freedom Highway)
Bajo el Sol (Under the Sun)
Las Alturas (High Places)
Torbellino (Whirlwind)
Ambos Mundos (Both Worlds)
Rumbo al Sur (Heading South)
Noche en Yucatan (Night in Yucatan)
Parranda
Frontera (Frontier)
Samba Para Dos (Samba for Two)
Zarzamora
Cafe Kastoria
Latin Lady
Mexico Mi Amor
Morenita

Product Description

Camino Latino treats us to an exciting blend of traditional and contemporary sounds labeled "Nuevo Latino". Enjoy, as one of the world's most imaginative artists leads us with beauty, grace and panache on a unique Latin Journey.

Average customer rating:

Try to be fair.
She could have done it!!!

Verdi: La Traviata (Highlights)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Opera Arias [Hybrid SACD]
Pavarotti's Opera Made Easy: My Favorite Love Songs

ASIN: B00000K2F0
Release Date: 1999-09-14

Tracks:

La Traviata: Prelude
La Traviata: Libiamo ne' lieti calici
La Traviata: Un di felice eterea
La Traviata: strano, trano! Ah, fors ui
La Traviata: Follie, follie! Delirio vano
La Traviata: Sempre libera
La Traviata: Lunga de lei, de' miei bollent spiriti
La Traviata: Pura siccome un angelo
La Traviata: Non sapete quale affetto
La Traviata: Ah, dite alla giovine
La Traviata: Morro, morro!
La Traviata: Di Provenza il mar
La Traviata: Ogni suo aver tal femmina
La Traviata: Di sprezzo degno stesso rende
La Traviata: Act III: Prelude
La Traviata: Tenesta la promessa
La Traviata: Addio del passato
La Traviata: Largo al quadrupede
La Traviata: Signora - che t'accadde?
La Traviata: Parigi, o cara

Customer Reviews:

Try to be fair........2002-03-07

The previous reviewer is such a Moffo groupie that she can't see past her prejudices. First, Anna Moffo was not robbed. She had a long and glorious career and well deserved fame. Her performances
of Violetta are among the greatest on record.However, Callas and
Sutherland do hold the palm for this role. Callas' great dramatic
interpretation and Sutherland's glorious golden voice simply cannot be bested by any other artist, no matter how great, and Moffo was great. So Joan and Maria get five stars and Anna gets four. And the remark about "the opera buffs-a bunch of queens".
THAT is a totally biased and totally uncalled for comment. SHAME ON YOU!

She could have done it!!!.......2000-09-14

She had the golden voice, the acting ability, the looks of a movie star...why did she failed? Think she was robbed. If Sutherland and Callas did not show up, she would have been the Queen of Opera, bar none. She can sing Sonnambula, Traviata, any of Puccini's heroines, and she had the voice, the most gorgeous face and figure of all opera singers, bar none, and she did have the top notes also, to F altissimo, though her voice is perhaps not as gorgeous as Sutherland's, but who does? But she never quite got there , due to the snob fans...you know how the opera buffs are, they are all a bunch of queens... You have to check out her Violetta and her Lucia although, it's is the compromise between the perfect voice of Sutherland and the heartbreak of Callas, brava, La Divina, in Violetta, Callas is Violetta, by far in this signature role I and all others think, BRAVA, BRAVA!!!!!. Why Moffo never achieved the legendary status I don't know, but maybe it is all in the press.

Average customer rating:

Great Music

Thomas Linley, Jr.: A Shakespeare Ode

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Nutmeg and Ginger: Spicy Ballads from Shakespeare's London
Shakespeare At Covent Garden / Pickett, Musicians Of The Globe
The Enchanted Island (Music for a restoration "Tempest") / Pickett, Musicians of the Globe

ASIN: B000007OTE
Release Date: 1998-06-09

Tracks:

A Shakespeare Ode On The Witches And Fairies: Overture
A Shakespeare Ode On The Witches And Fairies: Minuetto
A Shakespeare Ode On The Witches And Fairies: No. 1 Chorus: O guardian Of That Sacred Land'
A Shakespeare Ode On The Witches And Fairies: No. 2 Recitative: 'Tis Thine Alone'
A Shakespeare Ode On The Witches And Fairies: No. 3 Air: 'Come Then, O Fancy'
A Shakespeare Ode On The Witches And Fairies: No. 4 Recitative: 'At Shakespeare's Happy Birth'
A Shakespeare Ode On The Witches And Fairies: No. 5 Air: 'And Now Is Come'
A Shakespeare Ode On The Witches And Fairies: No. 6 Chorus: 'Be Shakespeare Born'
A Shakespeare Ode On The Witches And Fairies: No. 7 Recitative: 'So Spake The God'
A Shakespeare Ode On The Witches And Fairies: No. 8 Air: 'There In Old Arden's Inmost Shade'
A Shakespeare Ode On The Witches And Fairies: No. 9 Recitative: 'And As Before His Purged Eyes'
A Shakespeare Ode On The Witches And Fairies: No. 10 Air: 'Thy Hand His Youthful Footsteps Led'
A Shakespeare Ode On The Witches And Fairies: No. 11 Air: 'Some Drive The Clam'rous Owl Away'
A Shakespeare Ode On The Witches And Fairies: No. 12 Solo & Chorus: 'Some Drive The Clam'rous Owl Away'
A Shakespeare Ode On The Witches And Fairies: No. 13 Recitative: 'But Oh! What Sudden Gloom'
A Shakespeare Ode On The Witches And Fairies: No. 14 Quartet: 'By The Pale Light'
A Shakespeare Ode On The Witches And Fairies: No. 15 Recitative: 'See Through The Glimmering Darkness'
A Shakespeare Ode On The Witches And Fairies: No. 16 Chorus: 'What Howling Whirlwinds'
A Shakespeare Ode On The Witches And Fairies: No. 17 Recitative: 'For Whom, At Yonder Livid Flame'
A Shakespeare Ode On The Witches And Fairies: No. 18 Air: 'Whither Ye Beldames'
A Shakespeare Ode On The Witches And Fairies: No. 19 Quartet & Chorus: 'The Tempests Cease'
A Shakespeare Ode On The Witches And Fairies: No. 20 Recitative: 'No More The Elves'
A Shakespeare Ode On The Witches And Fairies: No. 21 Air: 'Ariel, Who See Thee Now'
A Shakespeare Ode On The Witches And Fairies: No. 22 Recitative: 'No More Shalt Thou'
A Shakespeare Ode On The Witches And Fairies: No. 23 Duet: 'For Who Can Wield'
A Shakespeare Ode On The Witches And Fairies: No. 24 Chorus: 'Yet, Fancy, Once Again'

Customer Reviews:

Great Music.......2000-06-04

Thomas Linley Jr. (1756-1778) was one of the most promising young english composers at his time. He was like Mozart a wunderkind, born into a very musical family. He was also a student of William Boyce (1711-1779). Unfortunately Thomas Linley Jr. died in a boat accident only 22 years old. The english musicologist and conductor Philip Pickett (the leader of the brilliant original instruments orchestra New London Consort) has formed the theatre-ensemble Musicians of The Globe in order to perform music written for and inspired by Shakespeare's plays. The music is beautiful, the performances are superb, and the recording is excellently balanced.

Average customer rating:

Very cool....very weird!

Trucho
Liliana Felipe
Manufacturer: Los Anos Luz Arg.
ProductGroup: Music
Binding: Audio CD

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El Habito
Materia de Pescado
Cabaret 2000 - Three Mexican Cabaret Divas
Matar O No Matar
La Cantina

ASIN: B0002IVS4W
Release Date: 2004-07-26

Tracks:

Nadies (Extracto)
Como Madame Bovary
Pobre Gente
So
Extranjera
Culpa de la Cara
Si Por el Vicio
Java (Extracto)
Curucucha
Tertuliano
Memoria
No Te lo Puedo Decir
Nadie Se Sale Con la Suya
Histcas
Mercado de Abasto
Que Vos Te Merec
Huapango de Moncayo [Versiibre]

Customer Reviews:

Very cool....very weird!.......2005-04-28

This CD is not for conventional types....this might be what "The Doors" would be doing now if they were still together (not really but you get the idea).

With that said, everything about this CD is cool. From the peculiar but beautiful accent of this Argentinian born, Mexico City indie music protagonist...to the Be-Bop version of Moncayo's "Huapango" performed with a tantric repetition of the name "Popocapetl", and from her stoic expression on urban poems to her Chabuca Granda like voice on Nuevo Tangos....this album is anything but ordinary.

(...)

Average customer rating:

The Brazilian man's beat

Brazilian Beats, Vol. 2
Sao Benitez and River Ocean India , Maw feat. Liliana Chacian , Djavan , Ronie e o central do brasil , wando , orlandivo , som tres , rosinha de valencia , os rimistas brasileiros , and luis carlos vinhas
Manufacturer: Mr Bongo
ProductGroup: Music
Binding: Audio CD

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Brazilian Beats
Brazilian Beats, Vol. 6
Brazilian Beats

ASIN: B000056AQ9
Release Date: 2001-03-27

Tracks:

Love And Happiness (sao Benitez Sunset Mix) - River Ocean
Brazilian Beat (Romatt Dub) - Maw Featuring Liliana Chachian
Serrado - Djavan
Atoa Atoa - Ronie E O Central Do Brasil
Nega De Obaluae - Wando
Zana - Toquinho
Berimbau (bongo Re-edit) - Mandrake
Coco Dub (afrociberdelia) - Chico Science
Na Biaxa Do Sapateiro - Wanda
E Samba - Orlandiva
Jungle - Som Tres
Samba No 2 Andamento 133 - Os Ritmistas Brasileiros
Summertime - Roshinha De Valencia
Tanganica - Luis Carlos Vinhas

Album Description

After the success of the first installment released in 2000comes the highly anticipated follow up. Of the first installment MUZIK gave it a 5 out of 5 calling it 'True Samba Magic', MINISTRY OF SOUND also gave it a 5 out of 5 calling it 'Massive & Mental', WAX gave it a 10 out of 10, TOUCH 5 out of 5, ECHOES also came in with a 5 out of 5 saying it 'Kicks Ass Like No Other'. 14 tracks are featured here on the second installment including the lead off single with Masters At Work featuring Liliana on 'Brazilian Beat'. Other artists featured on this eclectic CD are, River Ocean, Djavan, Wando,Som Tres and Luis Carlos Vinhas. Digi-pack. 2000 release.

Customer Reviews:

The Brazilian man's beat.......2001-11-19

Following the great success, Brazilian Beats, Brazilian Beats 2 give listeners yet another rollarcoaster ride through Brazilian Music. This haunting and tasteful compilation of samba, house, jazz and other brazilian inspired genres does not cease to amaze. It takes you to Brazil and demands you to experience every part of it. This is a great experience to own that you will never get bored of because of it's variety. The artists include, Masters at Work, River Ocean, India, Wando, Som Tres and many other great original artists.
So let Brazil move you with great speed...again.

Tracks:

Ov - Sofia Nat Opr Orch/Jerzy Semkow
Prologue: Sointsu Krasnomu Slava, Slava! - Sofia Nat Opr Chor/Jerzy Semkow
Prologue: Idyom Na Bran S Vragom Rusi! - Sofia Nat Opr Chor/Jerzy Semkow/Constantin Chekerliiksi
Prologue: Chto Eto Znachit? - Sofia Nat Opr Chor/Jerzy Semkow/Boris Christoff/Todor Todorov
Prologue: Nam Bozhie Znameny Ot Boga - Sofia Nat Opr Chor/Jerzy Semkow/Constantin Chekerliiksi
Prologue: Puskai Sebe Idut - Alexei Milkovsky/Cyril Dulguerov
Prologue: Pust Pridut Knyagini I Boyarini - Constantin Chekerliiksi
Prologue: Akh, Lada, Moya Lada! - Julia WienerConstantin Chekerliiksi/Todor Todorov/Boris Christoff
Prologue: Khrani Tebya Gospod! - Constantin Chekerliiksi
Prologue: Izvol, Usluga Za Uslugu - Boris Christoff/Constantin Chekerliiksi
Prologue: Pora Idti Nam V Put - Sofia Nat Opr Chor/Jerzy Semkow/Constantin Chekerliiksi
Prologue: Slavte Knyazei I Druzhinu! - Sofia Nat Opr Chor/Jerzy Semkow
Act One, Scene One: Goi! Slava, Slava Volodimiru! - Sofia Nat Opr Chor/Jerzy Semkow/Alexei Milkovsky/Cyril Dulguerov
Act One, Scene One: Nateshilsya Li Knyaz? - Sofia Nat Opr Chor/Jerzy Semkow/Boris Christoff
Act One, Scene One: Tolko B Mne Dozhdatsya Chesti - Boris Christoff
Act One, Scene One: Goi! Knyazyu Galitskomu Slava! - Boris Christoff
Act One, Scene One: Oi, Likhonko, Oi, Goryushko! - Sofia Nat Opr Chor/Jerzy Semkow/Boris Christoff
Act One, Scene One: Vot Te I K Batyushke - Cyril Dulguerov/Alexei Milkovsky
Act One, Scene One: Stoi, Rebyata, Slukhai! - Sofia Nat Opr Chor/Jerzy Semkow/Alexei Milkovsky
Act One, Scene One: I To, Skupa Knyginya - Cyril Dulguerov/Alexei Milkovsky
Act One, Scene One: Kak Vozgovorit Otets Nash Batyushka - Cyril Dulguerov/Alexei Milkovsky
Act One, Scene One: Da, Vot Komu Bi Knyazhit Na Putivle! - Sofia Nat Opr Chor/Jerzy Semkow/Cyril Dulguerov/Alexei Milkovsky
Act One, Scene One: Oi, Khochu K Batyushke! - Cyril Dulguerov/Alexei Milkovsky
Act One, Scene Two: Nemalo Vremeni Proshlo S Tekh Por - Cyril Dulguerov/Alexei Milkovsky
Act One, Scene Two: Akh, Gde Ti, Gde Ti - Julia Wiener
Act One, Scene Two: Tam Devushki Prishli K Tebe - Radka Gaeva/Julia Wiener
Act One, Scene Two: Mi K Tebe, Knyaginya, Mi K Tebe Rodnaya - Sofia Nat Opr Chor/Jerzy Semkow
Act One, Scene Two: A Kto Zhe Vash Obidchik? - Sofia Nat Opr Chor/Jerzy Semkow/Julia Wiener
Act One, Scene Two: Ti Pomilui Nas - Sofia Nat Opr Chor/Jerzy Semkow
Act One, Scene Two: Ai, Knyaz! Batyushki! - Sofia Nat Opr Chor/Jerzy Semkow/Boris Christoff/Julia Wiener
Act One, Scene Two: A Kto Bi Ni Bila, Tebe Kakoe Delo - Boris Christoff/Julia Wiener
Act One, Scene Two: Kogda Zh I Gde Konets - Julia Wiener
Act One, Scene Two: Da Chto Mne Igor Tvoi? - Boris Christoff
Act One, Scene Two: Ti Smeyesh Mne Grozit? - Boris Christoff/Julia Wiener
Act One, Scene Two: Da Ti Zabil, Chto Ya Knyaginya - Julia Wiener
Act One, Scene Two: Ogo! Vot Kak! Nu Chto Zh? - Boris Christoff/Julia Wiener
Act One, Scene Two: Dobro Pazhalovat, Boyare - Julia Wiener
Act One, Scene Two: Muzhaisya, Knyaginya - Julia Wiener
Act One, Scene Two: Tak Eto Pravada - Julia Wiener
Act One, Scene Two: Zvon. I Vpryam, Nabat! - Sofia Nat Opr Chor/Jerzy Semkow/Julia Wiener
Act Two: Na Bezvodii, Dnyom Na Solntse - Sofia Nat Opr Chor/Jerzy Semkow/Julia Wiener

Tracks:

Act Two: Dance Of The Polovtsian Maidens - Sofia Nat Opr Chor & Orch/Jerzy Semkow
Act Two: Merknet Svet Dnevnoi - Sofia Nat Opr Chor/Jerzy Semkow/Reni Penkova
Act Two: Sointse Za Goroi Ukhodit Na Pokoi - Sofia Nat Opr Chor/Jerzy Semkow
Act Two: Medlenno Den Ugasal - Sofia Nat Opr Chor/Jerzy Semkow
Act Two: Akh! Gde Ti, Gde? - Todor Todorov
Act Two: Ti Li, Vladimir Moi? - Reni Penkova
Act Two: Lyubish Li? - Reni Penkova
Act Two: Uidi Otsyuda, Syuda Idut - Todor Todorov/Reni Penkova
Act Two: Ni Sna, Ni Otdikha Izmuchennoi Dushe - Todor Todorov/Reni Penkova
Act Two: Ti Odna Gloubka - Constantin Chekerliiksi
Act Two: Pozvol Mne, Knyazhe - Luben Mihailov/Constantin Chekerliiksi
Act Two: Zdorov-Li, Knyaz? - Boris Christoff/Constantin Chekerliiksi
Act Two: Vsyo Plennikom Sebya Ti Zdes Schitayesh? - Boris Christoff/Constantin Chekerliiksi
Act Two: O Net, Net, Drug - Boris Christoff/Constantin Chekerliiksi
Act Two: Khochesh? Vozmi Konya Lyubovo - Boris Christoff/Constantin Chekerliiksi
Act Two: Gei! Plennits Privesti Syuda! - Boris Christoff
Act Two: Spasibo, Khan, Na Dobrom Slove - Boris Christoff/Constantin Chekerliiksi
Act Two: Net, Ne Gozhe Knyazyu Igat - Constantin Chekerliiksi
Act Two: Lyublyu! Ti Smel! - Boris Christoff
Act Two: Uletai Na Kriliyakh Vetra - Sofia Nat Opr Chor/Jerzy Semkow
Act Four: Akh, Plachu Ya, Gorko Plachu Ya - Sofia Nat Opr Chor/Jerzy Semkow
Act Four: Goi, Ti Dnepr Moy, Dnepr Shirokii - Sofia Nat Opr Chor/Jerzy Semkow
Act Four: Okh, Ti Solntse, Solntse Krasno - Julia Wiener
Act Four: Okh, Ne Buinnii Veter Zavival - Sofia Nat Opr Chor/Jerzy Semkow
Act Four: Kak Unilo Vsyo Krugom, Syola Vizheni - Julia Wiener
Act Four: On, Moi Soklo Yasni! - Julia Wiener/Constantin Chekerliiksi
Act Four: Ti Gudi, Gudi, Da Ti Gudi, Gudi - Julia Wiener/Constantin Chekerliiksi
Act Four: Glyadi! Glyadi! Glyadi-ko! - Julia Wiener/Constantin Chekerliiksi
Act Four: Nu?...Nu?...Nu? Bezhat? - Cyril Dulguerov/Alexei Milkovsky
Act Four: Narod!...Suda! Suda! - Cyril Dulguerov/Alexei Milkovsky
Act Four: Radost Nam, Radost, Pravolslavnie! - Cyril Dulguerov/Alexei Milkovsky
Act Four: Knyaz! Knyaz! Knyaz! - Cyril Dulguerov/Alexei Milkovsky
Act Four: Kto Pervii Radost Nam Povedal? - Sofia Nat Opr Chor/Jerzy Semkow/Cyril Dulguerov/Alexei Milkovsky
Act Four: Goi, Gulyai! - Cyril Dulguerov/Alexei Milkovsky
Act Four: Vsem Narodom Vstertim Knyazya - Sofia Nat Opr Chor/Jerzy Semkow

Monteverdi: L'incoronazione di Poppea [Box Set]

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Monteverdi: L'incoronazione di Poppea [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music
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ASIN: B000BLI3O8
Release Date: 2005-10-25

Cabaret 2000 - Three Mexican Cabaret Divas

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TRACK LISTINGS

Cabaret 2000 - Three Mexican Cabaret Divas

Manufacturer: Opcion
ProductGroup: Music
Binding: Audio CD
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ASIN: B000E44SBO

Customer Reviews:

TRACK LISTINGS.......2006-01-06

1 Mala - Liliana Felipe
2 Babalu - Astrid Hadad
3 Ropa Interior - Eugenia Leon
4 Sobre Una Tumba, Una Rumba - Astrid Hadad
5 Echenle Sal! - Liliana Felipe
6 Que Devuelven - Eugenia Leon
7 Virgen De Media Noche - Astrid Hadad
8 Mercado De Abasto - Liliana Felipe
9 Ana Luisa - Eugenia Leon
10 La Tequilera - Astrid Hadad
11 Elotitos Tiernos - Liliana Felipe
12 Ven, Oh Noche - Eugenia Leon
13 A Nadie - Liliana Felipe
14 Esa Fotografia - Eugenia Leon
15 Ay! - Astrid Hadad

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