16 Grandes Exitos V.2 [Import]

Track Listings

1. Blanca Flor

2. Desprecio Y Verguenza

3. Floreciendo En Chacarera

4. Hoy He Vuelto A Mi Casa

5. Ingratitud

6. Ojitos Campesinos

7. Lo Triste De Este Amor

8. Los Suenos De Aquel Ayer

9. No Pretendas Mentirte Ni Mentirme

10. Plata No Me Hace Falta

11. Para Ti Companera

12. Pasajeros De La Vida

13. Podemos Ser Felices

14. Se Que Te Vas A Morir

15. Te Sigo Amando

16. Veinte Anos Compartidos

16 Grandes Exitos V.2,Carlos Infante,Epsa,Latin

Tracks:

Fantasie Impromptu in C-sharp minor, OP.66
Waltz No.15 in A-flat, Op.39
Rondo all turca from Sonata in A, K.331
Minuet in G
Traumerei Op.15 No.7 (from Kinderzenen)
Un sospiro
Etude in C-sharp minor, Op.10 No.4
Etude in G-flat, Op.10 No.5
Humoresque, Op.101 No.7
'Fur Elise' (Bagatelle Wo0.59)
Claire de lune (Suite Bergamasque, No.3)
Golliwog's Cakewalk (Coin des enfants, No.6)
Prelude in C-sharp minor, Op.3 No.2
Melody in F, Op.3 No.1
The Cuckoo
La fille aux cheveux de lin (from Preludes Book I)
Waltz in C-sharp minor, Op.64 No.2
Waltz in G-flat, Op.70 No.1
Jeux d'eau
Gymnopedie No.1 (Lent et douloureux)

Customer Reviews:

Elegance at the piano.......2007-06-16

I grew up listening to Moura Lympany's playing, especially Litolff's Scherzo. Never could understand how a person could play with absolute control at high speed. In this recording, most (though not all - the Etude in C# minor an obvious exception)of the music is more laid back, and played with great grace and with the controlled touch of a pianist at the peak of her career.
The ambience of the recording is a wide open one, giving us the full clear sound that makes listening to a grand piano to enjoyable.
If you enjoy listening to good piano music, this is a recording that you will enjoy a great deal.

VALUE FOR MONEY.......2006-08-24

Dame Moura is my favourite pianist. Her great style and sublety of expression comes out in all her recordings. this CD is the best value for money ever!!

Good bang for the buck........2005-12-07

I was killing some time in the store the other day and was in the mood for a cheap CD for the car for the ride home. I ran across this and saw a few recognizable titles so for about $5 I figured I'd take a chance. I'm fairly impressed, I wasn't crazy about some of her dynamics in Un Sospiro plus her little added frill in there but still enjoyed it...I'd learned that piece myself years back, still can't play it and probably never will! Another piece I've known for years is the infamous Rachmaninov Prelude in C#m. Again, I wasn't crazy about some of the dynamics of her style but she still nails it without a hitch. Then I got to some other interesting pieces, I love the Debussy Golliwog's Cakewalk...really sticks in your head. Sort of a classisized (?) ragtime and it's cool enough that I'm going to dig through my music and see if I don't have it somewhere. I thought the Chopin Etude in C#m was absolutely fabulous, she just cooks through it from beginning to end. I probably have the music for that too...I'm not even going to attempt it! ;-) In fact, I liked all the Chopin she plays here, it seems she had a real flair for his music. Without going on forever here I'll just say that there are several tracks I listen to extensively on here and I'm fairly impressed. For a lousy $5 how can you go wrong? Just buy the thing! I'd never heard of her before so I just did a little 'net searching and I'm saddened to find that she just passed away about 8 months ago at age 88, truly a loss to the classical music world. In any case, even at twice the price I doubt anyone would be disappointed with this CD.

Really good price........2002-06-15

This is a great CD and you can't beat the price. These piano compositions are great for restful backgroud music after a hard day. I want to get a second one for when this one wears out.

Average customer rating:

Sometimes the old ways are the best
The Love of Schubert
Great, but Prefer the Schiff
Elegance, accuracy and expressiveness!
Heavenly Length and Breadth

Schubert: The Piano Sonatas

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SA8A
Release Date: 2000-10-10

Tracks:

Sonata In B Flat Major D 960: 1. Molto Moderato
Sonata In B Flat Major D 960: 2. Andante Sostenuto
Sonata In B Flat Major D 960: 3. Scherzo. Allegro Vivace
Sonata In B Flat Major D 960: 4. Allegro Ma Non Troppo
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 1. Allegro Moderato
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 2. Allegro
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 3. Adagio
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 4. Scherzo. Allegro
Five Piano Pieces D 459 & D 459A ('Sonata In E Major'): 5. Allegro Patetico

Tracks:

Sonata In C Minor D 958: 1. Allegro
Sonata In C Minor D 958: 2. Adagio
Sonata In C Minor D 958: 3. Menuetto. Allegro
Sonata In C Minor D 958: 4. Allegro
Sonata In A Major D 959: 1. Allegro
Sonata In A Major D 959: 2. Andantino
Sonata In A Major D 959: 3. Scherzo. Allegro Vivace
Sonata In A Major D 959: 4. Rondo. Allegro

Tracks:

Sonata In G Major D 894(Op. 78): 1. Molto Moderato E Cantabile
Sonata In G Major D 894(Op. 78): 2. Andante
Sonata In G Major D 894(Op. 78): 3. Menuetto. Allegro Moderato
Sonata In G Major D 894(Op. 78): 4. Allegretto
Sonata In D Major D 850 (Op. 53): 1. Allegro Vivace
Sonata In D Major D 850 (Op. 53): 2. Con Motto
Sonata In D Major D 850 (Op. 53): 3. Scherzo. Alegro Vivace
Sonata In D Major D 850 (Op. 53): 4. Rondo. Allegro Moderato

Tracks:

Sonata In A Minor D 845 (Op. 42): 1. Moderato
Sonata In A Minor D 845 (Op. 42): 2. Andante Poco Mosso
Sonata In A Minor D 845 (Op. 42): 3. Scherzo. Allegro Vivace - Trio. Un Poco Piu Lento
Sonata In A Minor D 845 (Op. 42): 4. Rondo. Allegro Vivace
Sonata In C Major 840 ('Reliquie' - Fragment): 1. Moderato
Sonata In C Major 840 ('Reliquie' - Fragment): 2. Andante
Sonate In A Minor D 784 (Op. 143): 1. Allegro Giusto
Sonate In A Minor D 784 (Op. 143): 2. Amdante
Sonate In A Minor D 784 (Op. 143): 3. Allegro Vivace

Tracks:

Sonata In a Major D 664 (Op. 120): 1. Allegro Moderato
Sonata In a Major D 664 (Op. 120): 2. Andante
Sonata In a Major D 664 (Op. 120): 3. Allegro
Sonata In F Minor D 625: 4. Allegro
Sonata In F Minor D 625: 2. Scherzo. Allegretto
Sonata In F Minor D 625: 3. Allegro
Sonata In B Major D 575 (Op. 147): 1. Allegro Ma Non Troppo
Sonata In B Major D 575 (Op. 147): 2. Andante
Sonata In B Major D 575 (Op. 147): 3. Scherzo. Allegretto
Sonata In B Major D 575 (Op. 147): 4. Allegro Giusto

Tracks:

Sonata In E Flat Major D 568 (Op. 122): 1. Allegro Moderato
Sonata In E Flat Major D 568 (Op. 122): 2. Andante Molto
Sonata In E Flat Major D 568 (Op. 122): 3. Menuetto. Allegretto
Sonata In E Flat Major D 568 (Op. 122): 4. Allegro Moderato
Sonata In A Major D 557: 1. Allegro Moderato
Sonata In A Major D 557: 2. Andante
Sonata In A Major D 557: 3. Allegro
Sonata In E Minor D 556 (First And Second Movements): 1. Moderato
Sonata In E Minor D 556 (First And Second Movements): 2. Allegretto

Tracks:

Sonata In A Minor D 537 (Op. 164): 1. Allegro Ma Non Troppo
Sonata In A Minor D 537 (Op. 164): 2. Allegretto Quasi Andantino
Sonata In A Minor D 537 (Op. 164): 3. Allegro Vivace
Sonata In C Major D 279 (Fragment): 1. Allegro Moderato
Sonata In C Major D 279 (Fragment): 2. Andante
Sonata In C Major D 279 (Fragment): 3. Menuetto. Allegro Vivace
Sonata In E Major D 157(Fragment): 1. Allegro Ma Non Troppo
Sonata In E Major D 157(Fragment): 2. Andante
Sonata In E Major D 157(Fragment): 3. Menuetto. Allegro Vivace

Amazon.com

Wilhelm Kempff was a master of poetic lyricism, with a wondrous keyboard touch and a breathtaking command of subtle dynamics and tonal colorations--all invaluable attributes of any Schubert interpreter. He also had the knack of holding together large structures that can often seem aimless, thus avoiding another trap many pianists fall into, that of lavishing so much attention on passing detail that Schubert's "heavenly lengths" can seem wayward wanderings. The one criticism often heard is that Kempff emphasizes poetry at the expense of drama. This magnificent set leaves that claim unsubstantiated.

Few pianists have been so successful, for example, in what may be Schubert's wildest single movement, the nightmarish Andantino of the A major Sonata, D. 959. Here, Kempff captures the tortured mood of the piece to perfection without breaking its Classical frame. Tempos are generally expansive, but Kempff's tonal luster and unerring sense of natural phrasing never make you want him to step on the accelerator. A special treat is the inclusion of rarely heard early works. Some of these were left unfinished; others reflect a composer still mastering his craft. But most are of more than passing interest, and some have an enchanting, aching beauty. Kempff's Schubert set has been a recording classic since its release on LP; its availability in a space-saving CD box at a budget price is cause for celebration. --Dan Davis

Customer Reviews:

Sometimes the old ways are the best.......2007-04-27

Kempff himself wrote the liner notes to this highly satisfying set and states the following: "The deeper we penetrate into the world of Schubert, however, the greater is our surprise at discovering that the 'heavenly length' for which he is reproached is to be regarded relatively. If the length becomes evident as longueurs, the fault lies with the interpreter (I speak from my own experience...)." Indeed, in listening to Kempff play the Schubert sonata canon the thoughts of "overly long" or "needlessly repetitive" never entered my head. Barring some extraordinary performances of individual sonatas over the years, such as Richter's old Russian recording of the c minor (D 958) on Melodiya or Serkin's equally old recording of the B-flat (D 960), this is the best playing of the Schubert sonatas I know.

I used to think of some of the earlier sonatas as practice or training pieces for the later masterworks (which of course by definition they are, but they need not be viewed retrospectively from the vantage point of the late works). Unfortunately, they often sound boring and immature. This is due to defects in players and the playing, not a problem with Schubert. Kempff makes all the sonatas here, including the early ones, glow with the utmost musicality so they stand on their own as beautiful works. Just one example: In the earlier of the a minor sonatas he handles little secondary figures that are intercalated within major theme phrases in an amazingly musical and beautiful way. As a pianist myself, I could never figure out how to make them unobtrusive, let alone desirable. Under Kempff's fingers they fit sublimely into the fabric of the work. The playing is clearly layered, every note and phrase has its place and purpose, his internal logic is such that nothing Schubert wrote sounds less than as it should. One more example: The first movement of the G major sonata ("Fantasy" sonata, D 894) floats in its ethereal haze but goes fast, not slow. Kempff can produce the effect of suspended animation without suspending the actual motion. This is no doubt what Schubert intended but it is very difficult to pull off as a performer. Kempff's treatment of the last 5 sonatas (D, G, A, c minor, and B flat) is breathtaking.

This set is a revelation. What a magnificent panorama of Schubert's development as a composer! Also, the origins of later composers' styles can be traced to Schubert's writing for piano. The roots of Bruckner's iterated and protracted symphonies can be heard, for example, in the way the finale of the a minor sonata begins. (I don't think this is apparent from other players, who lack Kempff's lyricism and mysticism.) Included beside the actual titled sonatas are various fragments of incomplete sonatas and collections of piano pieces that in effect are untitled sonatas (such as D 459/459A).

The recordings are from around 1965-1970 and the piano sound is singing, glowing, radiant. I recommend this set wholeheartedly to anyone interested in great musicianship, masterly piano playing, Schubert's piano music, and Schubert's evolution as a composer. Kempff makes you realize that the magic didn't all happen in the last year of Schubert's life, and I can't think of another pianist who does that for me. (There are few, if any, major players of Schubert with whom I'm not familiar.) Kempff was the leading German pianist of the immediate post-WW II era, but I think he has largely been forgotten. His Schubert, Beethoven, and Brahms are wonderful. Modern players, despite their steel fingers and elephantine endurance and machine-like (sometimes machine-gun-like) techniques, stand to learn a lot from this old master's art.

The Love of Schubert.......2007-03-30

Absolutely must have for true music lover and particularly the music of Schubert. This is already an old recording but still stands up the comparison with later, newer CD's ( Brendel, Schiff,Lupu, Perahia). Kempff, the old master, now deceased, left a memorable,moving and romantic in spirit rendition of Schubert Piano Sonatas (the first complete set). I heard Kempff performed in live, and always thought of him as the greatest German Romantic Pianist.
This set is the work of true love.

Great, but Prefer the Schiff.......2006-08-06

How can it be that the Schiff cycle is out of print? How does that concept even make sense in 2006?

The one review on the late sonatas by Schiff holds some clues as to why they are so special.

I know that years of listening produces version biases, but I really did try and look past that here, but the C minor 958 is so much less dramatic and compelling in this version. The Schiff version is very hypnotic. Kempff's tempos are totally different. It is interesting, during the runs, there is a tremendous sense of fluidity in Kempff's sound, but in the rest of the piece, it sounds too mechanical. The same holds for some of the others, though in some of the pieces, for instance, 568, the results are less pronounced.

Ironically, I usually like the less embellished versions of pieces, especially when a composer like Beethoven is involved and performers reinterpret him as a romantic, but in this case, the opposite is true. 958 in Schiff's version sounds like one of the towering achievements of solo piano. Here, the elements are all there, but the overall effect is lost.

Elegance, accuracy and expressiveness!.......2006-01-24

These gems recordings are authentic milestones performances. Because there has not been any other pianist capable of making sing the piano like Wilhelm Kempff. His fingering is precise and crystalline, the cantabiles are sumptuous and the arpeggios are phrased with such clarity and expression, that hardly you will be able to forget it.

Go for these performances. They are part of the legend.

Heavenly Length and Breadth.......2006-01-11

There are a number of classical pianists who perform Schubert's piano sonatas extremely well (Brendel, Uchida, Schiff, and Richter come immediately to mind), all of whom bring their own individual brilliance to this music. Given that it is probably impossible to render the "best" performance of each of these pieces, the question arises as to why anyone would want to invest in one musician's complete recordings of these sonatas.

My analysis of this question takes into account several factors. The first of these is economic. The Kempff set is budget price and a significant savings over the acquisition of the sonatas by other artists. Even if economics are not a factor, it may be valuable to compare Kempff's way with these pieces with other pianists and this set will allow the collector to at least have one complete set for comparison purposes.

The basis for investing in these recordings is, however, far from solely economic. There seem to be two components a successful Schubertian must bring to the sonatas: an ability to properly convey the various dynamic markings found in each piece and the ability to understand and convey the complete architecture of each piece, instead of being caught up in the various eddies that so many of the movements contain with them. Kempff is able to satisfy both of these components brilliantly. These albums contain what may be the most beautiful pianissimo I have ever heard. Kempff also seems to have a sure conception of each complete work and does not lose the listener in various musical cul de sacs.

In short, performances this beautiful are bargains at any cost.

Average customer rating:

Baroque Masterpieces
Great short Baroque piece collection
Excellent Baroque Collection

Baroque Masterpieces

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YQL6
Release Date: 2002-01-29

Tracks:

Canon In D Major - Johann Pachelbel
Suites De Symphonies No. 1: I. Rondeau - Jean-Joseph Mouret
Adagio In G Minor - Tomaso Albinoni
Little Suite From The 'Anna Megdalena Notebook': I. Menuett In G Major, BWV Anh. 114 - Johann Sebastian Bach
Little Suite From The 'Anna Megdalena Notebook': II. Musette In D Major, BWV Anh. 126 - Johann Sebastian Bach
Little Suite From The 'Anna Megdalena Notebook': III. 'Bist Du Bei Mir', BWV 508 - Johann Sebastian Bach
Little Suite From The 'Anna Megdalena Notebook': IV. Marche In D Major, BWV Anh. 122 - Johann Sebastian Bach
Orfeo Ed Euridice: Dance Of The Blessed Spirits - Christoph Willibald Gluck
Trumpet Voluntary - Jeremiah Clarke
Solomon: The Arrival Of The Queen Of Sheba - George Frideric Handel
Concerto Grosso In G Minor, Op. 6 No. 8: Pastorale Ad Libitum - Arcangelo Corelli
Berenice: Overture - George Frideric Handel
Abdelazer: Rondeau - Henry Purcell
Xerxes: Largo - George Frideric Handel
Belshazzar: Martial Symphony - George Frideric Handel
Saul: Dead March - George Frideric Handel
Cantana BWV 147 Herz Und Mund Und Tat Und Leben: Jesu, Joy Of Man's Desiring - Johann Sebastian Bach
Judas Maccabaeus: See, The Conquering Hero Comes - George Frideric Handel
Samson: Let The Bright Seraphim - George Frideric Handel
Suite For Strings: I. Sarabanda. Largo - Arcangelo Corelli
Suite For Strings: II. Giga, Allegro - Arcangelo Corelli
Suite For Strings: III. Badinerie. Vivace - Arcangelo Corelli

Customer Reviews:

Baroque Masterpieces.......2007-07-07

The music was very good but wish they had more to listen too. Not enough bang.

Great short Baroque piece collection.......2005-02-05

This CD has 17 pieces on 22 tracks including 7 by Handel, 2 each by Bach & Corelli, and 1 each by Pachelbel, Mouret, Albinoni, Gluck, Clarke, & Purcell. They are frequently the best known piece by the composer--and easily recognizable: Pachelbel's Canon, Mouret's Rondeau (theme from PBS' Masterpiece Theater), Albinoni's Adagio, etc. If you like high quality short pieces/excerpts, this CD is for you. My only qualification is: no Telemann, but it's just too good for a 4-star rating.

Excellent Baroque Collection.......2003-07-22

As I have stated in many of my previous reviews, I am a huge fan of the Sony Essential Classics (SEC) budget series. Most of the recordings feature classic and often definitive performances featuring the likes of George Szell, Leonard Bernstein, Robert Casadesus, Isaac Stern and Rudolf Serkin among others. Here we get a variety of orchestras and conductors including big names like Jean-Claude Malgoire, Raymond Leppard, Pierre Boulez, Sir Charles Groves and the great Eugene Ormandy. This disc features excellent performances of what is arguably the most popular Baroque music ever written. I am not usually one to give five-star ratings to greatest-hits style collections (particularly in classical), but the half-dozen performances by Ormandy make this disc a great purchase for both novices and serious collectors.

Average customer rating:

inspired performance !!!

The Story of Schubert

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

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ASIN: B000001KCT
Release Date: 1994-02-28

Tracks:

Rosamunde, D. 797: Overture
Mozart: String Quartet In B-Flat Major, K. 172
Marche Militaire, D. 733, No. 1
Hark, Hark, The Lark!, D. 889
Mass No. 5 In A-Flat Major, D. 678: Credo
Symphony No. 5 In B-Flat Major, D. 485: Allegro
Symphony No. 4 In C Minor, D. 417 'Tragic': Finale: Allegro
Moment Musicaux No. 3 In F Minor, D. 780
Piano Sonata In A Minor, D. 845: Moderato
The Erl King, D. 328
Symphony No. 2 In B-Flat Major, D. 125: Allegro
Symphony No. 6 In C Major, D. 589 'Little': Andante
Symphony No. 6 In C Major, D. 589 'Little': Scherzo
To Music, D. 547
The Trout, D. 550
Piano Quintet In A Major, D. 667 'Trout': Theme And Variations
Octet In F Major, D. 803: Finale
Impromptu In B-Flat Major, D. 935 No. 3
String Quintet In C Major, D. 956: Allegro ma non troppo
Wanderer Fantasy In C Major, D. 760
Symphony No. 8 In B Minor, D. 759 'Unfinished': Allegro moderato
Symphony No. 9 In C Major, D. 944 'Great': Andante-Allegro ma non troppo
Mass No. 6 IN E-Flat Major, D. 950: Gloria
String Quartet No. 14 In D Minor, D. 810 'Death And The Maiden': Andante con moto
Symphony No. 8 In B Minor, D. 759 'Unfinished': Andante
Ave Maria, D. 839
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Andante con moto
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Menuetto: Allegro molto
Symphony No. 5 In B-Flat Major, D. 485 (Complete): Allegro vivace

Customer Reviews:

inspired performance !!!.......2001-09-02

this collection deserves more than 5 stars.peter maag and the philharmonica hungarica are in top form.this is the best ever of schubert's fifth and eigth i have ever listened to.it is not karl bohm or leonard bernstein or george szell or lorin maazel.
truly the hungarians inspired by maag easily beat all the other top orchestras.
the orchestral texture is transparent with a perfect balance among the string sections ,the woodwind and the brass sections.peter maag obviously loves this music and brings out the heavenly beauty ,the pathos and the monumental dramatic quality of these works.
just listen to schubert's fifth second movement which ends with a heart rending cello phrase.
it is a shame that the well established record companies have not thought it fit to record more of peter maag.in my opinion he is one of the greatest ever conductors.
i will not exchange these performances for any other!

Average customer rating:

I am in a Box with Berlioz Box Sets
A superb set, well worth the price!
all the overtures *NOT*
A wonderful collection of Berlioz

Berlioz: Complete Orchestral Works

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

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Liszt: Works for Piano and Orchestra
Strauss: Orchestral Works
Bruckner: The Complete Symphonies
Grieg: Complete Music with Orchestra
Debussy, Ravel: Orchestral Works

ASIN: B0000041MZ
Release Date: 1997-09-16

Tracks:

Symphony Fantastique, Op. 14: 1. Rries, Passions (Largo - Allegro agitato ed appassinonato assai)
Symphony Fantastique, Op. 14: 2. Un bal (Valse: Allegro non troppo)
Symphony Fantastique, Op. 14: 3. Sc aux champs (Adagio)
Symphony Fantastique, Op. 14: 4. Marche au supplice (Allegretto non troppo)
Symphony Fantastique, Op. 14: 5. Songe d'une nuit du Sabbat (Larghetto - Allegro- Ronde du Sabbat: Poco menu mosso)
Tristia, Op 18 (excerpts): 3. Marche fune pour la derni sc d'Hamlet (Allegretto moderato)
La Damnation De Faust, Op. 24 (excerpts): Menuet des follets
La Damnation De Faust, Op. 24 (excerpts): Marche hongroise

Tracks:

Lo ou Le retour a vie, Op. 14b: 1. Le peur (Goethe, Duboys)
Lo ou Le retour a vie, Op. 14b: 2. Choeur d'ombres (Berlioz)
Lo ou Le retour a vie, Op. 14b: 3. Chanson de brigands (Berlioz)
Lo ou Le retour a vie, Op. 14b: 4. Chant de bonheur (Berlioz)
Lo ou Le retour a vie, Op. 14b: 5. La harpe ienne - Souvenirs
Lo ou Le retour a vie, Op. 14b: 6. Fantasie sur la Temp de Shakespeare (Berlioz)
Grande Symphonie fune et triomphale, Op. 15: 1. Marche fune (Moderato un poco lento)
Grande Symphonie fune et triomphale, Op. 15: 2. Oraison fune (Adagio non tanto - Andantino un poco lento e sostenuto)
Grande Symphonie fune et triomphale, Op. 15: 3. Apothe (Allegro non troppo e pomposo)

Tracks:

Harold en Italie, Op.16: 1a. Harold aux montagnes (Adagio)
Harold en Italie, Op.16: 1b. Harold aux montagnes (Allegro)
Harold en Italie, Op.16: 2. Marche des prins (Allegretto)
Harold en Italie, Op.16: 3. Snade (Allegro assai - Allegretto)
Harold en Italie, Op.16: 4. Orgie de brigands (Allegro frenetico - Adagio - Allegro, Tempo I)
Les Troyens arthage: Prelude From: Les Troyens arthage: Part II, Act III
Les Troyens (Act IV): No. 29: Chasse royale et orage - Pantomime
Les Troyens (Act IV): No. 32: Marche pour l'entrde la reine; No. 33: Ballets
Les Troyens (Act IV): -A: Pas des Alm
Les Troyens (Act IV): -B: Danse des esclaves
Les Troyens (Act IV): - C: Pas d'esclaves nubiennes
Rrie et Caprice, Op.8

Tracks:

Romeo et Juliette, Op. 17: Part I, Introduction
Romeo et Juliette, Op. 17: Part I, Prologue: 'D'anciennes haines endormies'
Romeo et Juliette, Op. 17: Part I, Strophe 1: 'Premiers transports que nul n' oublie'
Romeo et Juliette, Op. 17: Part I, Strophe 2: 'Heureux enfants aux coers de flamme'
Romeo et Juliette, Op. 17: Part I, Rtatif et Scherzetto: 'Bientot de Romeo' - 'Mab! la messagere' - Bientot la mort est souveraine'
Romeo et Juliette, Op. 17: Part II, Romseul - Tristesse - Concert eet bal
Romeo et Juliette, Op. 17: Part II, Grande f chez les Capulets
Romeo et Juliette, Op. 17: Part III, 'Ohe! Capulets! Bonsoir, bonsoir!'
Romeo et Juliette, Op. 17: Part III, Sc d'amour

Tracks:

Romeo et Juliette, Op. 17: Part IV, Scherzo: La reine Mab ou la fdes songes
Romeo et Juliette, Op. 17: Part IV, Convoi fune de Juliette: 'Jetez des fleurs pour la vierge expiree!'
Romeo et Juliette, Op. 17: Part IV, Romau tombeau des Capulets
Romeo et Juliette, Op. 17: Part IV, Finale. Choeurs et Rtatif du P Laurence: 'Quo! Romeo de retour!'
Romeo et Juliette, Op. 17: Part IV, Finale. Air du P Laurence: 'Pauvres enfants que je pleure' - 'Mais notre sang rougit leur glaive'
Romeo et Juliette, Op. 17: Part IV, Finale. Serment de rnciliation: 'Jurez donc'

Tracks:

Beatrice et Benedict
Benvenuto Cellini
Overtures: Le roi Lear, Op. 4
Les Francs - juges, Op. 3
Waverley, Op. 1
Le corsaire, Op. 21
Carnaval romain, Op. 9

Amazon.com

Berlioz was the first Romantic master of the orchestra. His music hasn't been surpassed in terms of sheer brilliance and accuracy of effect. This set includes all of the overtures, the Symphonie fantastique, Harold in Italy, the Royal Hunt and Storm from Les Troyens, orchestral music from The Damnation of Faust and Romeo and Juliet, and the completely insane Grande Symphonie funebre et triumphale. Davis achieved his reputation as a conductor as a Berlioz specialist, and he proves an expert advocate on behalf of this stimulating, bizarre, and totally original genius. The recording quality, so critical in such colorful music, is also very good. --David Hurwitz

Customer Reviews:

I am in a Box with Berlioz Box Sets.......2004-02-22

First I ordered Hector Berlioz Complete Orchestral Works (Box Set) in a 6-CD set by Sir Colin Davis because orchestral is what I like best. That was in 2002. Now I have ordered The Berlioz Edition (Box Set)in a 24-CD Box Set by Sir Colin Davis because I like what I have heard of Berlioz by Davis. I will put this up for sale, and if it doesn't go I will consider putting The Berlioz Edition up for sale after I have heard it. As I said I am in a Box with Berlioz Box Sets and can't afford both.

A superb set, well worth the price!.......2002-08-16

For those of us who grew up in the 1950s and '60s, the music of Berlioz means Munch and Toscanini: Munch for his incendiary performances of "Symphonie Fantastique," "Romeo et Juliette," "Damnation of Faust," the Requiem and the overtures (among others), Toscanini primarily for his gorgeous reading of "Harold in Italy" but also for his versions of the Roman Carnival Overture and (for those who could find it) the "Romeo" with Gladys Swarthout. These readings had one thing going for them, which was a rhythmic impetus that made even the slow movements exciting. Unfortunately, for those of us who read scores, when we checked these versions against the music we found that Toscanini and Munch had fiddled a bit with tempi and bowing accents in an attempt to make the music more exciting. Is this so bad? Not necessarily, because these conductors had this music in their blood, they were presenting Berlioz as they had processed him over a lifetime of love, and so their fast tempi had little in common with the rattly, jangly readings often turned out by John Eliot Gardiner.

Sir Colin Davis was, and of this reading remains, the greatest Berlioz interpreter of the stereo/digital era. This is no mean feat when one realizes that he now has several competitors in the field, among them James Levine and Charles Dutoit, but in my view only the wonderful John Nelson (whose recordings of the Te Deum and "Nuits d'Ete" with Susan Graham are so wonderful) really comes close. And what makes Davis so great is that, like those legendary conductors of old, he really gets under the skin of Berlioz and makes him exciting while maintaining score tempi. Listen, for instance, to his "Symphonie Fantastique," still the benchmark modern recording after nearly 30 years. Davis also excels in his readings of the Overtures, music from "Les Troyens," and the Symphonie Funebre et Triomphale which grabs the listener and pulls him/her into its vortex of sound.

In the other two symphonies, "Harold in Italy" and "Romeo et Juliette," I sense a lapse of sorts: the slow music is conducted not necessarily too slowly, but with a certain Romantic mushiness bordering on easy listening. This, for me, robs the "Romeo alone" and "Scene d'amour" of its passion, though of course it is wonderful to hear the score in modern stereo instead of Munch's cramped mono, and for me Toscanini's second movement of "Harold," with its peculiar yet engaging walking gait, shall never be surpassed--and, unlike Munch, Toscanini somewhat transcended his mono sound because of the wonderful clarity and transparency of his orchestra. Nevertheless, if I were forced to I would live with this Davis set over my Munch and Toscanini recordings because of their overall warmth and excellent sound.

Other highlights include excerpts from "Lelio" sung superbly by pre-leukemia Jose Carreras (listen to him ascend fearlessly to those high notes--he hasn't done that in nearly a quarter-century!), dramatically astute singing by Patricia Kerns and John Shirley-Quirk in "Romeo," and marvelous interpretations of the Overtures (oh, and you can forget "Rob Roy"...Berlioz decided after one performance that he would never publish it or even bother revising it, hence it is not here). I do question the omission of the Requiem and Te Deum (after all, they ARE "orchestral works"), but with so many riches at such a low price, who cares? Liner notes are sparse, and this is a slimline box which means paper sleeves and no jewel boxes, but so what? For this much Berlioz, so beautifully sung and conducted, the composer himself would gladly have plunked down ...

all the overtures *NOT*.......2001-05-04

This isn't a "complete" recording of Berlioz' orchestral music - what about the 'Rob Roy' overture? Granted it recycles some of Harold in Italy, but still...

A wonderful collection of Berlioz.......2000-08-15

This incredible six CD set features all of Hector Berlioz's purely orchestral music conducted by the great Sir Colin Davis, widely regarded as one of the greatest living Berlioz interpreters. In addition to favorites such as Symphonie fantastique, Harold en Italie and Romeo et Juliette, the set also includes the lesser known Lelio and several other works. The works were recorded between 1965 and 1980, and the sound is wonderful and rich. His interpretations are also lively and full of energy, especially in the overtures.

Customer Reviews:

Awesome.......2007-05-15

Schubert was a phenomenal composer. This set of CD's is now one of my most treasured possessions. His last sonata is almost 45 min long, an epic peice. Not for one second does Uchida's playing slow; she holds you completely engrossed in music so beautiful.

The sound quality is superb, the playing dense in personality and detail. As the previous reviewer mentioned, anyone interested in the piano, Uchida or Schubert this is a must have masterpeice.

Days and Evenings with Schubert and Uchida.......2006-01-31

Mitsuko Uchida is one of the major stars of the piano keyboard today and while her repertoire is wide, her interpretation of Franz Schubert's piano music is among the finest both on the concert stage and on recording. The two seem to be from the same soul: Uchida somehow finds the spiritual core of Schubert and traverses the hurdles of his Olympian pieces with complete ease and assurance.

This 8 CD set includes three sets of Impromptus (D899, 935, 946), Moments musicaux D780, German Dances D 820 an D790, and the Piano Sonatas numbers 4, 7, 9, 13, 14, 15, 16, 17, 18, 19, 20, and 21. The placing of these works on the individual CDs creates a series of eight recitals and each disc is rich and satisfying. Playing all eight CDs in one day makes for one of the most rewarding musical experiences available.

The recorded sound is superb and Uchida is in top form for each selection. This is fine as Schubert gets and the entire set is more than well worth the relatively modest price. For lovers of the piano, of Mitsuko Uchida, and of Schubert this is zenith release. Highly recommended. Grady Harp, January 06

Average customer rating:

Story Of Berlioz In Words And Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

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ASIN: B000001KDH
Release Date: 1995-04-16

Tracks:

Benvenuto Cellini, Op. 23: Overture
Symphonie Fantastique, Op. 14: Scene In The Country
Gabrieli: Sacerdos et Pontifex
L'Enfance du Christ, Op. 25: Flight Into Egypt: Overture
Symphonie Fantastique, Op. 14: A Ball
Harold In Italy, Op. 16: Scenes Of Joy And Sadness
Benvenuto Cellini, Op. 23: Overture
Harold In Italy, Op. 16: Serenade
Les Troyens: Trojan March (Complete)
Reverie And Caprice, Op. 8
Symphonie Fantastique, Op. 14: Dreams, Passions
Lelio, Or The Return To Life, Op. 14b
Harold In Italy, Op. 16: Scenes Of Joy
Roman Carnival Overture, Op. 9
Reverie And Caprice, Op. 8
Damnation Of Faust, Op. 24: Hungarian March
L'Enfance du Christ, Op. 25: Rest Of The Holy Family
L'Enfance du Christ, Op. 25: Flight Into Egypt, Dance
Symphonie Fantastique, Op. 14: March To The Scaffold
Symphonie Fantastique, Op. 14: I. Dreams, Passions
Symphonie Fantastique, Op. 14: II. A Ball
Symphonie Fantastique, Op. 14: IV. March To The Scaffold
Symphonie Fantastique, Op. 14: V. Dream Of A Witches' Sabbath

Average customer rating:

One of the best of the Masterworks series
Will not buy this
Worth it!
Great way to jumpstart a schubert collection
Better to Pick a Few First-rate Performances

Schubert: The Masterworks [Box Set]

Manufacturer: Brilliant Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B00062FLJC
Release Date: 2004-11-30

Customer Reviews:

One of the best of the Masterworks series.......2007-07-06

Brilliant Classics' "Masterworks" series, if you can get them cheaply (and currently they go for about $1/CD from Amazon's France Web site), are a great way to amass a significant library of the works of several great computers. The production values and the performances themselves are uneven, and the interpretations are not always historically-informed (unlike the bulk of Brilliant's "Complete Editions" of the works of Bach and Mozart). But there are numerous gems in the rough in The Masterworks, and the economic value is unsurpassed, even if you were to throw away half of the CDs in each set.

You're unlikely to throw away much of this Schubert collection though. This seems to be the finest of the Masterworks sets, with a succession of solid, often first-rate performances of most of the major Schubert works. Here's what you get:

- The symphonies, performed by The Hanover Band in a historically-informed style. Very interesting performances perhaps marred by an odd recording balance that makes the woodwinds sound distant. Takes up four CDs
- The six Latin masses. Also the Deutsche Messe in the version with wind instruments. Five CDs in all
- Edison Denisov's completion of Schubert's unfinished dramatic work Lazarus (2 CDs, Helmuth Rilling's premier recording)
- The last four string quartets (including the Quartettsatz) with #9 thrown in. Also the octet, piano quintet ("The Trout"), string quintet and both piano trios. In short all the canonical chamber works. Performances are strong, and well recorded
- Two CDs of violin/piano duets, including Op. 137 and Op. 162
- 19 of the 21 "canonical" piano sonatas (missing #7 and #12) as well as the Moments Musicaux, Impromptus, German Dances, Wanderer Fantasy and several other piano works, 11 CDs in all. As with the chamber music, the performances and recordings are strong, often stunning
- Two CDs of piano duets, including the Divertissements and D. 617
- Song cycles: Die Schöne Müllerin, Winterreise, Schwanengesang, and four CDs of standalone songs, including such "standards" as Erlkönig and Gretchen am Spinnrade. The singers are a bit uneven here, ranging from standouts Robert Holl, Deitrich Fischer-Dieskau and John Shirley-Quirk to the somewhat shrill Arleen Augér

Missing from the collection is Rosamunde, and a number of famous songs: Die Forelle (The Trout), Death and the Maiden, Ellens Gesang III (the so-called Ave Maria, D. 839), Der Hirt auf dem Felsen and Der Wanderer. But you do have almost all the important instrumental works, and most of the vocal works generally considered to be essential, with some padding added in the form of minor works such as the parochial Deutsche Messe, the German Dances, and the modernist-informed completion of Lazarus by the 20th Century Russian composer Denisov.

As with the other Masterworks sets, there are no program notes. You'll need to do your own research. Answers.com is a good starting point for Schubert compositions. There are also no song texts or translations provided, so again you'll need to track down your own. Try "The Lied and Art Song Texts Page" for lieder lyrics and translations. Hunt down a good price on this collection, browsing one of Amazon's European sites if necessary, and treat yourself to many hours of lovely music for the cost of a modest night out.

Will not buy this.......2007-03-16

I can't see D965 or D945 on this 40 disks worth of Schubert. Bizarre! There are so many great songs missing it scares me.

Worth it!.......2006-12-19

One of the best in "The Masterpices" series. Many of the discs (the symphonies in particular) were licensed from Nimbus and other full-line labels. Not all that long ago these discs would have set you back $18 to $20 a piece. That said, I still wouldn't part with my Hyperion collection. 40 CD's at this price... you can't go wrong.

Great way to jumpstart a schubert collection.......2006-12-19

Hartmut Holl, Dietrich Fischer-Dieskau, Stephanie Brown, and Jaime Laredo as well as the Stuttgart Bach Collegium performing Schubert are hardly "left-behind artists and ensembles" as the previous naysayer states. These are licensed from major label releases and from the original masters issued at a bargain price, especially for the number of discs you get. Sound quality ranges from good to excellent. Good for all Schubertians and anyone who wants to jumpstart a Schubert collection.

Better to Pick a Few First-rate Performances.......2006-11-14

This is a bargain in dollar/listening time ratio, but who cares? There are many second-rate performances by left-behind artists and ensembles. Obviously the economics of resurrecting disks that don't require royalties has been the driving factor of selection. (On the other hand, the complete edition boxed sets of Bach and Mozart, which you'll find if you look, are stupendous successes artistically.)

Average customer rating:

The Very Best of Chopin

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000B6N64K
Release Date: 2005-10-18

Tracks:

Barcarolle In F Sharp Major
Etude Op.10 No.3 'Tristesse'
Nocturne In E Flat Major
Largo
Minute Waltz
Nocturne In D Flat Major
Scherzo No.2
Nocturne In C Sharp Minor
Larghetto
Nocturne In F Sharp Major
Mazurka In A Minor
Marche Funebre

Tracks:

Etude Op.10 No.12 'Revolutionary'
Ballade No.3 In A Flat Major
Nocturne In E Minor
Grande Valse Brillante In E Flat Major
Grand Polonaise Brillante
Prelude In D Flat Major
Mazurka In D Major
Fantaisie-Impromptu In C Sharp Minor
Waltz In C Sharp Minor
Polonaise In A Flat Major 'Heroic'
Berceuse In D Flat Major
Romanza-Larghetto

Average customer rating:

WE'RE ONLY IN IT FOR THE MONEY
Exploitation
Brilliantissimo my ass!!
Touching, but nowhere near standard.
Brilliant Is The Operative Word Here. ***** 5 Star Rating!

David Helfgott: Brilliantissimo

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Brave New World
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Shine: Original Motion Picture Soundtrack
Shine: The Complete Classics

ASIN: B000003EU2
Release Date: 1997-05-20

Tracks:

Hungarian Rhapsody
Etude De Concert No.3 (Un Sospiro)
Souvenirs D'Andalousie
Prelude In D Flat (Raindrop)
Prelude In C Major
Impromptu In G Flat
Prelude In G Sharp Minor
Etude In C Sharp Minor
Etude No.3 (La Campanella)
Andante & Rondo Capriccioso
Schmetterling (Butterfly)
Rustle Of Spring
Ritual Fire Dance
Etude In E
Pasquinade
Flight Of The Bumblebee

Customer Reviews:

WE'RE ONLY IN IT FOR THE MONEY.......2007-02-18

With Kenny G being the best selling saxophonist ever, you can't blame those folks who are falling all over for poor Mr. Helfgott's "pianism". As for the major music labels- who told you they're there to promote good music or good taste. They are corporations and set out to make money.

Exploitation .......2006-10-13

If you were moved by the film, and have no prior experience with classical music, you may enjoy this. Otherwise, forget about it. Especially if you are a conservatory graduate with a big chip on your shoulder (because nobody wants to hear YOUR versions of these pieces).

Brilliantissimo my ass!!.......2006-02-17

I'm sick of all those "Music Lover's ***** star" rating for this piece of crap.
If you bought this, try to get the same works by REAL pianists, you'll note the difference, or please do me a favor and don't say you like classical music. You just loved Shine and wanted to hear David playing. Look at the reviews os his recording of Rachmaninoff's third Concerto and you'll see.
I'm sorry for Mr. Helfgott, because he doesn't know what he's doing or what's going on around him, he's just an innocent soul. Shame on Gillian Helfgott !
Sorry Mr. Hicks but I think you picked the wrong idea for a movie, but I still think that Geoffrey Rush made a wonderful job.
If you want to know more about David, buy her sister's book. It reveals some interesting stuff about his life and specially his satanized father.

Touching, but nowhere near standard........2005-01-06

David Helfgott for all his charm and warmth is, whilst not a person certainly a pianist well and truly past his prime. (awkard expression I know!) I own all but his latest offering being his cd's Brave New World, Rach 3 and of course this recording. Why I bought more than one is even to me a mystery, perhaps as a fellow australian I wanted to beleive that David was at least on a par with the best the world had to offer, but sadly, after seeing him live twice and the three aberrations in my cd collection I can no longer keep the dream alive.

David is a thoroughly wonderful person so full of life after one so hard. The two live performances I attended were energetic and provided two wonderful evenings. However musically it's just plain awful. There are of course shades of former brilliance, in the Hungarian Rhapsody and the Mendelsohnn Rondo Cappricioso but these only serve to highlight the embarrasingly substandard playing elsewhere. Embarrassing is definately the word which comes to mind. You know that feeling when you see someone performing - worse when its someone you know - and they make a mistake which you know everyone has noticed and said nothing - but you know what they're thinking. Your heart goes out to them and your stomach wrenches, well these performances are just like that.

Admittedly though, this is the best of the three cd's of his I own - the rach 3 recording providing the most displeasure. So if after shine your dead set on getting a Helfgott recording, this is probably the one for you.

However, on a possibly more sour note, I must agree with the reviewer who feels this has gone on long enough. With a fourth cd released only recently to no greater acclaim, the whole thing is starting to reek of a franchise and the exploitation of a wonderful person by those around him.

Brilliant Is The Operative Word Here. ***** 5 Star Rating!.......2003-03-01

I ran out and grabbed this right after I viewed the movie, Shine. I was sad that I had not gotten into David Helfgott earlier than seeing the movie. Brilliantissimo is an understatement in this recording of piano classics. I found that his playing of any (and all of) List is miraculous. Chopin and Rachmaninoff also. His dazzling wizardry on the keys in, Flight of The Bumblebee, is mesmerizing. I would tell anyone who is reading this, looking for a Helfgott CD to try out, to make this one they're first introduction to this brilliant mind, that makes the piano shine. ***** 5 Star Rating: essential must-own. Enjoy!

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