Flecha de Amor

Track Listings

1. Pistoleros Famosos

2. Se Me Va de las Manos

3. Flecha de Amor

4. Ya Te Olvide

5. Fuereno

6. Chiquita Consentida

7. Rara Despedida

8. Gaviota

9. Paloma Negra

10. Tu Mentira

Flecha de Amor,Ramón Ayala,Freddie Records,Latin,Latin Music,Mexican,Norteño,Regional Mexican

Flecha de Amor

Tracks:

Amor Vittorioso
Lirum Bililirum
Il Bianco E Dolce Cigno
La Bella Franceschina
Ultima Mei Sospiri
Alla Cazza
Or Si Rallegri Il Cielo
Fine Knacks For Ladies
Who Made Thee, Hob, Forsake The Plough
Of All The Birds That I Do Know
Too Much I Once Lamented
Fair Phyllis I Saw
The Silver Swan
Now Is The Month Of Maying
La Guerre
La, La, La, Je Ne L'ose Dire
Bon Jour: Et Puis, Quelles Nouvelles
Mignonne, Allons Voir Si La Rose
Il Est Bel Et Bon
Margot Labourez Les Vignes
Un Gentil Armoureux
Faulte D'Argent
La Tricotea Samartin La Vea
Triste Estaba El Rey David
Cucu, Cucu!
Tres Morillas M'enamoran
Fatal La Parte
La Bomba
Tanzen Und Springen
Vitrum Nostrum Gloriosum
Ach Elsein, Liebes Elselein
Ach, Weh Des Leiden
Das G'Laut Zu Speyer
Herzliebstes Bild

Customer Reviews:

Ever wondered what was before Bach, Lully, or Palestrina?.......2007-04-29

During the days of the Renaissance, the madrigal was one
of the most popular musical forms and outputs. The King's Singers, a modern-day all male vocal group, demonstrate the authentic sound of which these 34 chosen madrigals may have been performed. In the Renaissance, in place of sopranos and altos, there were countertenors (men who sang falsetto in a feminine range). That's what these guys do; just listen to the first few and you'll automatically be transported back to this magical and sort of other-worldly time. If you've been to Renaissance fairs, it will make you think of those, too.

The King's Singers offer 34 well-chosen madrigals from composers like John Dowland, Hans Leo Hassler, Clement Jannequin and some composers who wished to remain anonymous. They are grouped by the different languages to show that the madrigal wasn't just the rage in Italy where it had originated but at various other places all over Europe, the hub of the music world. The Italian ones come first, then in English, French, Spanish and German. The best one in the set is "La Guerre" which runs 6 minutes, and is an incredible vocal showpiece. It's even very funny at times.

If you want to hear exactly how Renaissance madrigals sound, this is the real deal.

Average customer rating:

Perfect Performances
Mucho me pesa la cabeza
Just Get it!
This is such a great recording
ýCreoleý Songs and Dances from Old Spain to the New World

Villancicos y Danzas Criollas

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Classical | Imports | Stores | Music
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La Folia, 1490-1701
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Elizabethan Consort Music

ASIN: B0000E64U4
Release Date: 2004-03-09

Tracks:

Chacona: A La Vida Bona
Danza Del Hacha - Hesperion XXI
Moresca: Di Perra Mora
Negrilla A 4: San Sabeya Gugurumbe
Ritual Formulario: Hanacpachap Cussicuinin
Joto
Tono Humano: Ay Que Me Rio De Amor
Mestizo E Indio: Tleycantimo Choquiliya
Negra A 5: Antonya Flaciquia Gasipa
Cachua - Hesperion XXI
Rorro: Desvelado Dueno Mio
Negrilla: A Siolo Flasiquiyo
Juguete: Un Juguetico De Fuego
Juguete A 4: Convidando Esta La Noche
Guaracha: Ay Que Me Abraso
Villancico A 8: Serafin Que Con Dulce

Customer Reviews:

Perfect Performances.......2007-07-11

Villancicos y Danzas Criollas is a homage to the cultural traditions of Iberia and Ibero-America, showing the influence of European traditions in the Americas. The Villancico (also called Chanzoneta) is a form of poetry that was adopted for use in secular songs and, in the 17th century, for Christmas carols (the modern usage of the word denotes a carol). The secular songs were gradually replaced by the Romance while the Christmas carol form became more popular. The typical lyrics of villancicos have two or three stanzas followed by a refrain. The most religious-oriented villancico of this collection is Hanacpachap Cussicuinin (from Lima) where the author asks for their prayer to be answered.

The transmission of musical culture is a favorite (and fascinating) subject for Jordi Savall and this CD includes some beautiful and rousing music. The CD begins with four selections reflecting Iberian music that sets the stage of presenting a song (usually) followed by a dance. Following this introduction we are off the Americas and music from Peru, Guatemala and Mexico.

As pointed out in the booklet, the colonial expansion that took place during the 15th and 16th centuries widen cultural connections to include Africa, Asia and the Americas, which is reflected in this collection of music. One will discover a mixing of African dance rhythms and percussion with European polyphony. This is nicely demonstrated by the first selection with its strong use of drums and bold brass playing combined with a fast-paced dance melody and mixed voices. The second work, by an anonymous composer, is quite a contrast with its more restrained and courtly rhythms played by string instruments without the percussion or brass. The Hanacpachap Cussicuinin is scored for percussion, brass and voices sounding like a solemn funeral procession and is followed by a beautifully played piece for harp and percussion from Mexico. The incomparable Montserrat Figueras sings with peerless passion and beauty, particularly in the short Tono Hidalgo of Juan Hidalgo. One could go on and on extolling the wonderful music of this CD, suffice it to say that among my collection of early music discs this one is at the top.

As with all of Jordi Savall's recordings the performance is excellent and beautifully balanced with voices and instruments receiving equal emphasis. If you do not have this disc and love early music get it without hesitation.

Mucho me pesa la cabeza.......2007-07-02

Again and again we hear "Mucho me pesa la cabeza"..... "Much it pains my head."

This music is so ephemeral... so unique.... so mind massaging..... I love reading while it softly plays in the background in the room!

The massage is quite expansive!

Not a painful massage at all, but it does get inside your head!

Just Get it!.......2006-08-20

It's hard to pick out anything special on this disk... everything is top-notch. The opening 'La Chacona' is a delight and it just gets better and better and better. The second piece definitely is having some fun setting the listener up for 'something.' The ritual piece is majestic while the tone changes again with the harp solo... Hesprion XX/XXI are treasures in the ocean of music.
Gracias, Senores!

This is such a great recording.......2006-01-10

This recording is so great and so
breath taking that leaves me with
only this to say: since the day it
arrived to my doorstep back in mid
December, I have listen to it daily,
not just few tracks, but the whole
CD several times a day.....One
of the best works of Savall and
Hesperion XXI.....

ýCreoleý Songs and Dances from Old Spain to the New World.......2004-05-16

An astonishing collection of vocal polyphony and dance music, largely from Guatemala, Peru, and Mexico. Performed with flair and feeling by the preeminent Spanish early-music ensemble of our time. Not to be missed!

My translation of the album title, given above, is not exact. "Criolla" can refer to anything Latin American, and a "villancico" is first and foremost a Spanish poetic genre from the 15th and 16th centuries. The Norton/Grove Concise Encyclopedia tells us that it was "originally derived from a medieval dance lyric and associated with rustic or popular themes." Certainly the rustic and popular loom large in this lively selection of Renaissance music. Hesperion XXI and its director Jordi Savall have often sampled folk styles in their imaginative reconstitutions of early performance tradition. So most of these selections get percussion accompaniment accentuating the dance element, while strumming guitars, castanets, maracas, and more are employed discreetly but effectively. Lusty and characterful vocal contributions come courtesy of La Capella Reial de Catalunya and soprano Montserrat Figueras, who takes a couple of fine solo turns. It's all recorded in a warm, resonant church acoustic.

In his liner notes, Prof. Rui Vieira Neri introduces the Spanish part of this collection by noting a long tradition of mixing high and low culture, not to mention Christian, Jewish, and Muslim cultural elements in the art and music of the Iberian peninsula. And right away we get to hear a vocal chaconne (a dance imported from the Indies "by mail" according to Lope de Vega) and a Moresca "Di Perra Mora," with strong Arabic flavor and hints of 5/2 meter.

Of the New World selections, some of the most engaging combine indigenous languages with Netherlands musical style. The solemn processional hymn "Hancpachap cussicuinin," written by a native composer in the Quechua language of Peru, was also the first example of polyphony printed in the Americas. Gaspar Fernandes (1570-1629), chapel master at the Puebla cathedral, wrote a number of villancicos that mix Castilian with Nahuatl, the Aztec tongue, including "Tleycantimo choquiliua" on this recording. It is based on a local Indian dance, as is another Christmas villancico included here, "Ay que me abraso," which moves to the beat of the Mexican guaracha.

Bantu and Yoruba phrases crop up frequently in the refrains of the African-influenced numbers, so numerous in their day that they were customarily referred to in the old manuscripts as Negro, Negrilla, or Guineo. Savall includes three such pieces on this recording; they abound in the sort of rhythmic intricacies and call-and-response effects that Europeans already associated with Africa. Among the most infectious is "Antonya, Flasiquiya, Gasipá," in which the song's characters wake up after a long night of drinking and dancing in order to go to Bethlehem to pay homage to baby Jesus, where more carousing will be called for. Each refrain ends with the words "Mucho me pesa la cabeza": "Oh, my aching head."

Tracks:

Fortuna Desperata: Nasci, Pati, Mori
Dit Le Bourguygnon - Hesperion XXI/Jordi Savall
Quand Je Bois Du Vin Clairet (Tourdion)
Amor Con Fortuna (Villancico)
Vive Le Roy - Hesperion XXI/Jordi Savall
Todos Los Bienes Del Mundo (Villancico)
La Spagna - Hesperion XXI/Jordi Savall
Harto De Tanta Porfia (Villancico)
Pavana 'La Battaglia' - Hesperion XXI/Jordi Savall
Belle Qui Tiens Ma Vie (Chanson)
Diferencias Sobre 'Belle Qui Tiens Ma Vie'
Vecchie Letrose (Villanesca Alla Napolitana)
Fanfarria
Sanctus De La Missa 'Mille Regretz'
Da Pacem Domine (Ricercare XIV)
Jubilate Deo Omnis Terra (Motete)
Mille Regretz (Chanson)
Todos Los Buenos Soldados (La Guerra)
Agnus Dei De La Missa 'Mille Regretz'
Mille Regretz 'Cancion Del Emperador'
Circumdederunt Me Gemitus Mortis (Motete)

Customer Reviews:

Musical Profile of a King's Life? Sure. Why not?.......2006-11-21

That is essentially the 'theme' of the CD. Thus it is not all 'Spanish' music per se but a collection including some old chestnuts from other lands. All that said, it is a superb collection and even the old chestnuts have new life breathed into them given the masterful treatment dished out here. The theme of 'Mille Regretz' appears over and over and we learn, read the notes!, that is is connected personally with Carlos V. Almost a personal theme from a 16th C. soundtrack as it were. A delightful recording.

The life of an emperor in music.......2006-07-23

This is a wonderful pot-pourri of European music from the first half of the sixteenth century - reflecting the pan-European origins of Charles V, Holy Roman Emperor and King of Spain. One of the chief delights of the disc is the consort singing of the male voices of La Capella Real. Savall now uses male altos in the vocal pieces by Enzina (and others) in the upper registers, rather than female sopranos (principally that of his wife, Montserrat Figueras) as he did in his 90's recordings with Astree. The results are perfect; altos Carlos Mena and Pascal Bertain make an abiding impression here, with Capella regular Danile Carnovich holding up the bass clef. Figueras takes the cantus in the monophonic 'ballad' pieces, and is still matchless in this kind of music. The winds of La Capella are a joy to hear - listen to the Susato Battaglia, and the Anonymous La Spagna.
In short, this is an echanting survey of the secular and religious music of 16th century Europe, imaginatively presented and beautifuly performed and recorded. A must - and a fine companion to Savall's life of Isablle I of Spain, also from Alia Vox.

Can't go wrong.......2005-08-04

Hesperion XXIs recordings for ALIA VOX are generally even better than the ones they made for EMI, and this one is no exception. Great artistic care has been taken with the arrangements to make this music really accessible to a wide audience. Add to this a first rate realistic recording and you get a divinely beautiful and evocative sound.

The performances are of course faultless. The ensemble playing is extremely precise, the singing is strong and engaging and the individual instrumentalists are all able to creatively express themselves within the mix. Andrew Lawrence King on harp is captivating as always, and Jordi Savall's rich and creamy viol, well, simply the best.

A luxurious and mesmerising production.

¡Vive el musica de Carlos V!.......2003-02-07

I purchased this CD without any information whatsoever after returning from a trip to Spain. I am generally a fan of "early music" (which is basically, according to CD store categorizations, almost everything written before 1600), so I'm used to buying CDs that I know nothing about. Sometimes I'm disappointed, but "Carlos V" is one of the most serendipitous purchases I have ever made. The first track is a haunting, beautiful and forlorn song about life's travails. The string arrangement almost sounds modern and the singing is astounding. It's a song that will stay with you, and you'll want to put it on again and again. The CD also has some festive party music on it that's more upbeat, but the CD and La Capella Reial de Catalunya shine brightest on the slow vocal songs. It's a difficult CD to describe, but if you're at all a fan of classical, early or renaissance music, you're likely to love this CD. My only regret is that I didn't look to see if La Capella Reial de Catalunya was playing anywhere when I was in Spain (Catalonia, to be precise). Maybe next time.

Lastly, there is a follow-up to this CD: "Alfons V El Magnamin" - it's a double CD and pricey, but well worth it.

Masterpiece of Renaissance.......2002-12-19

This is an excelent demonstration of how beautiful and modern is the music of Renaissance. I think it will be a nice surprise for undevoted. I advise this CD for everyone, it's really superb!!!

Average customer rating:

Piva
Duo Live Oak
Manufacturer: Gyre
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

Classical | Indie Music | Stores | Music
ASIN: B000068MGV
Release Date: 2002-06-01

Tracks:

Llaman a Teresica anonymous 1:37
Teresica hermana Flecha/Fuenllana 1:57
Tan buen ganadico del Encina 1:28
Como estola mi vida Ponce 1:46
Si damor pena sentanonymous 4:25
Fantasia 84 Francesco da Milano 1:09
De la vida deste mundo anonymous 2:29
Ricercar 11 Francesco 1:45
Tous les regrets de la Rue 8:39
Tastar de corde Dalza 1:31
Per dolor Tromboncino 4:36
Tastar de corde Dalza 1:17
Se me grato Lupus 2:39
Recercar dietro/Quasi sempre/Piva 4:44
Ostinato vo seguire Tromboncino 2:30
Tastar de corde Dalza 0:36
Si liet e grata morte Verdelot 2:56
Tastar de corde Dalza 0:49
Vita della mia vita Verdelot 2:01
Il bianco e dolce cigno Arcadeldt 2:00
Fantasia 81/Gloriar mi possio 2:57Francesco/Verdelot
Fantasia 17 Francesco 2:25
Madonna qual certezza Verdelot 2:19
Benchel misero cor Verdelot 1:36
Recercar 8 Francesco 2:29Total time: 63:37

Album Description

A kaleidescope of voices and lute and vihuela - this recording presents passionate songs of the Italian and Spanish Renaissance. LiveOak has a longstanding reputation for its vibrant performances of this repertoire. The grace with which solo song flows into lute solo into soaring duo of voices with lute accompaniment, constantly shifting focus, color and mood, is captivating.

The King's Singers' Madrigal History Tour

Average customer rating:

THE introduction to secular renaissance music
A fun introduction to European madrigal styles!
A great recording
A Terrific European Madrigal Sampling
A masterpiece of Madrigals

The King's Singers' Madrigal History Tour
John Dowland , William Byrd , Giaches de Wert , Anonymous , Philippe Verdelot , Jacques Arcadelt , Giovanni Giacomo Gastoldi , Rossino Mantovano , John Bartlet , Thomas Tomkins , John Farmer , Orlando Gibbons , Thomas Morley , Clement Janequin , Pierre Certon , Orlando de Lassus , Pierre Passereau , Claude Le Jeune , Adrian Willaert , Alonso de Mudarra , Juan del Encina , Mateo Flecha , Hans Leo Hassler , Ludwig Senfl , Paul Hofhaimer , Erin Headley , and Anthony Rooley
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Chansons | Vocal Non-Opera | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Easy Listening | Pop | Styles | Music

General | Vocal Pop | Pop | Styles | Music

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A Cappella | Folk | Styles | Music
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The Kings Singers - New Day

ASIN: B000002SGT
Release Date: 1989-06-06

Tracks:

Italian: Amor vittorioso
Italian: Lirum bililirum
Italian: Il bianco e dolce cigno
Italian: La bella Franceschina
Italian: Ultimi mei sospiri
Italian: Alla cazza
Italian: Or si rallegri il cielo
English: Fine Knacks For Ladies
English: Who Made Thee, Hob, Forsake The Plough?
English: Of All The Birds That I Do Know
English: Too Much I Once Lamented
English: Fair Phyllis
English: The Silver Swan
English: Now Is The Month Of Maying
French: La Guerre
French: La, la, la, la je ne l'ose dire
French: Bon jour: et puis, quelles nouvelles?
French: Mignonne, allons voir si la rose
French: Il est bel et bon
French: Margot labourez les vignes
French: Un gentil amoureux
French: Faulte d'argent
Spanish: La tricotea
Spanish: Triste estaba el rey David
Spanish: Cucu, cucu
Spanish: Tres morillas m'enamoran
Fatal la parte
La bomba
German: Tanzen und Springen
German: Vitrum nostrum gloriosum
German: Ach Elslein
German: Ach weh des Leiden
German: Das G'laut zu Speyer
German: Herzliebstes Bild

Customer Reviews:

THE introduction to secular renaissance music.......2005-03-09

There is not a global survey of secular music in Renaissance: every trend and national nuance is here. This CD compete for "The most varied musical program in history" prize!!!. King's singers produces a nice sound. Surely I like more the hilliard ensemble sonic landscape: they are more "hooty" and proyect more clearly the sound (with less vibrato) but never produced a more varied set like King's singers. If you have space for only 1 Renaissance CD, it MUST be this. You must purchase this cd: it is a reward for such an intelligent programme!!!!

A fun introduction to European madrigal styles!.......2002-11-28

Joined on about a third of the numbers by instrumentalists billed as the "Consort of Musicke", the King's Singers offer a variety of compositions from each country they "visit", some upbeat and others gently reflective. The vocalists are countertenors Jeremy Jackman and Alastair Hume, tenor Bill Ives, baritones Anthony Holt and Simon Carrington, and bass Colin Mason. Their presence and theatricality in interpreting the material are delightful, and these men blend together impeccably, with a clear, straight tone and flawless enunciation. You can actually understanding the words without reading along in the insert booklet (provided, of course, that you're familiar with the language being sung!) Favorites of mine from the thirty four tracks include the Italian "Lirum bililirum" and "Il bianco e dolce cigni"; the English "Of all the birds that I do know" and "Now is the month of Maying"; "La, la, la, je ne l'ose dire" and "Il est bel et bon" from France, "Tres morillas m'enamoran" from Spain; and the German "Tanzen und Springen". In addition to this release, this fine group has an extensive discography. Check out their other recordings too!

A great recording.......2002-07-25

All male voice with perfect technique. Some madrigals are sung a capella, though most of them with accompaniment. The accompaniment, on renaissance instruments, is perfect, just like the singing. Excellent renditions of Mateo Flecha's La Bomba and Gastoldi's Amor vittorioso. Highly recommended

A Terrific European Madrigal Sampling.......2002-03-23

Most madrigals one hears tend to be either in Italian or English. Not so on this album, perhaps one of the best European madrigal samplers (if not the only one)in existence. Some well known English and Italian madrigals can be found, of course. But the true treasure of this album is its inclusion of French, German -- and most rarely, Spanish -- madrigal offerings. Combine this repertoire, then, with the accurate sonorities of the King's Singers and one finds treasure unbounded. An album that is infinitely enjoyable. Liner notes and translations are included.

A masterpiece of Madrigals.......2001-09-02

I am a university student and a vocal performance major, and this album represents exactly what madrigal singing was at the time. It also contains a diverse array of languages from Italian to Englis to Spainish. Having worked with Simon Carrington personally i know that the styles of the madrigals on this album are accurate. Also, its just really fun to listen too! As an even bigger plus, its cheap for poor students! I highly recommend buying this.

Average customer rating:

World Classics: Spain

Manufacturer: Columbia River Ent.
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

Toccatas | Forms & Genres | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | International | Styles | Music

Latin Pop | Latin Music | Styles | Music

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Soundtracks | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Six Spanish Dances: No.1 - Rena Kyriakou
Six Spanish Dances: No.2 - Rena Kyriakou
Six Spanish Dances: No.3 - Rena Kyriakou
Six Spanish Dances: No.4 - Rena Kyriakou
Six Spanish Dances: No.5 - Rena Kyriakou
Six Spanish Dances: No.6 - Rena Kyriakou
Ste Espanola Op.47: Granada (Allegretto) - Rena Kyriakou
Ste Espanola Op.47: Cataluna (Allegro) - Rena Kyriakou
Ste Espanola Op.47: Sevilla (Allegro Moderato) - Rena Kyriakou
Ste Espanola Op.47: Cadiz (Allegretto Ma Non Troppo) - Rena Kyriakou
Ste Espanola Op.47: Aragon (Allegro) - Rena Kyriakou
Ste Espanola Op.47: Cuba (Allegro) - Rena Kyriakou
Four Seasons: Spring - Rena Kyriakou
Four Seasons: Summer - Rena Kyriakou
Four Seasons: Autumn - Rena Kyriakou
Four Seasons: Winter - Rena Kyriakou
Spanish Souvenirs: Prld - Rena Kyriakou
Spanish Souvenirs: Asturias - Rena Kyriakou

Tracks:

Espana: Feuilles D'Album - Rena Kyriakou
Cataluna - Irina Kircher
Rhap Cubana Op.66 - Rena Kyriakou
Ste Espanola: Sevilla - Irina Kircher
Amalia: Mazurka Op.95 - Rena Kyriakou
Cantos De Espana: Cordoba - Irina Kircher
Rhap Espanola - Rena Kyriakou
Ste Espanola: Granada - Irina Kircher
Tango Espanol - Rena Kyriakou
Espanola: Tango No.2 - Irina Kircher
Soleta - Collegium Vocale Coloniensis/Wolfgang Fromme
Danza - Anna Barbara Speckner
Chevelier Mult Estez Quariz - Otto Pingel
Toccata De Ma Esquerra - Helmuth Rilling
Pavane - Helmuth Rilling
Tiento in D - Helmuth Rilling

Tracks:

La Justa - Collegium Vocale Coloniensis/Wolfgang Fromme
The Marriage Of Luis Alonso: Intermedio - Wurttemberg PO/Salvador Mas-Conde
Goyescas, No.1: Los Requiebros - Marylene Dosse
Goyescas, No.2: Coloquio En La Reja - Marylene Dosse
Goyescas, No.3: El Fandango De Candil - Marylene Dosse
Goyescas, No.4: Que Jas Om La Maja Y El Ruisenor - Marylene Dosse
Goyescas, No.5: El Amor Y La Muerte - Marylene Dosse
Goyescas, No.6: Epilogo (Ser Del Espectro) - Marylene Dosse
Allegro De Con - Marylene Dosse

Tracks:

Danzas Espanola Op.37: Minuetto - Marylene Dosse
Danzas Espanola Op.37: Oriental - Marylene Dosse
Danzas Espanola Op.37: Zarabanda - Marylene Dosse
Danzas Espanola Op.37: Villanesca in G - Marylene Dosse
Danzas Espanola Op.37: Andaluza in e - Marylene Dosse
Danzas Espanola Op.37: Melancolica (Rondella Aragonesa) - Marylene Dosse
Danzas Espanola Op.37: Valenciana O Calesera - Marylene Dosse
Danzas Espanola Op.37: Asturiana in C - Marylene Dosse
Danzas Espanola Op.37: El Rocio - Marylene Dosse
Danzas Espanola Op.37: Danse Triste in G - Marylene Dosse
Danzas Espanola Op.37: Zambra in g - Marylene Dosse
Danzas Espanola Op.37: Arabesca - Marylene Dosse
Estudios Expresivos: No.1: in C - Marylene Dosse
Estudios Expresivos: No.2: in C - Marylene Dosse
Estudios Expresivos: No.3: in E/El Fandango De Candil - Marylene Dosse
Estudios Expresivos: No.4: in G/Quejas O La Maya - Marylene Dosse
Estudios Expresivos: No.5: in a - Marylene Dosse
Estudios Expresivos: No.6: in F/Epilogo - Marylene Dosse
Danza Lenta - Marylene Dosse
Nino Dios D'Amor Herido - Collegium Vocale Coloniensis/Wolfgang Fromme

Tracks:

Gypsy Melodies, Op.20 - Hans Kalafusz
Vars On 'Marlborough' - Irina Kircher
Andante - Artur Faihs/Frida Faihs
Allegretto - Artur Faihs/Frida Faihs
Gran Jota - Pedro Ibanez
Empuries: Sardana - Wurttemberg CO/Salvador Mas-Conde
O Cuam Dulce/Aire De Danza - Otto Pingel
Aire De Danza/Fantastic Dances: Exhaltation - Collegium Musicum Krefeld/Robert Haass/Wurttemberg Phil/Salvador Mas-Conde
Fantastic Dances: Ensueno - Wurttemberg Phil/Salvador Mas-Conde
Fantastic Dances: Orgia - Wurttemberg Phil/Salvador Mas-Conde
Garrotin - Irina Kircher
Soleares - Irina Kircher
Ay, Ay, Ay, Ay, Que Ravio Y Meuro - Collegium Vocale Coloniensis/Wolfgang Fromme
Kyrie - Chor Of The Stiftskirche Einsiedeln/Magister Pater Roman Bannwart

Average customer rating:

Excellent!

In Musica Vivarte

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music

Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B00000296K
Release Date: 1993-11-16

Tracks:

Codex Las Huelgas: From Codex Las Huelgas: Ex illustri
Solage: Solage: Fumeux fume
La Dissection d'un Homme arme (15th century): From La Dissection d'un Homme arme (15th century): Mass II: Credo - Patrem omnipotentem - Crucifixus - Et unam, sanctam
Missa 'Et ecce terrae motus': Kyrie (from Missa 'Et ecce terrae motus')
Fortuna desperata
Je prens congie
'La Justa': Oyd, oyd los viventes!
Calami sonum ferentes
Amor, i'ho molti e molt'anni pianto
Venite exultemus Domino
Lamentations for Maundy Thursday: Ghimel. Migravit Judas - Daleth. Viae Sion