Miserables [Import]

Track Listings

1. Skada Vez Peor

2. No Transar

3. Lorenzo

4. Progreso

5. Leo Catan

6. Que Pasa En El Jaguar

7. Preparo Mi Voz

8. Por Favor

9. El Pueblo Unido

10. El Origen De La Violencia

11. Renovado

12. Un Cielo Azul

13. En Todas Partes

14. La Otra Guerra

15. Esto Si Es Punk Rock

16. El Otro Lado Del Sol

Editorial Reviews
Product Description
The Chilean Punk Rock Band Formed in the Early '90s was Strongly Influenced by Acts Such as the Clash, Dead Kennedys and Rage Against the Machine. In the Beginning, their Lyrics were Mainly Focused on Controversial and Political Issues, Later Getting Less Delicate Subjects Without Compromising their Music Style. The Band is Included on the Tribute Album to Los Prisioneros Where They Cover 'paramar'.

Miserables,Los Miserables,Wea/Warner,Latin

Miserables [Import]

Miserables [Import]

Les Miserables (1987 Original Broadway Cast)
Average customer rating:

Les Miserables

An average review for the average listener

BEST BROADWAY MUSICAL EVER

An AMAZING Broadway hit -- Would make Hugo proud, I believe

A Musical So Good It Deserves More Than 5 Stars...

Les Miserables (1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , Frances Rufelle , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000OQI
Release Date: 1990-10-25

Tracks:

Overture/Work Song
Valjean Arrested/Valjean Forgiven
What Have I Done?
At the End of the Day
I Dreamed a Dream
Lovely Ladies
Who Am I?
Come to Me (Fantine's Death)
Confrontation
Castle on a Cloud
Master of the House
The Thenardier Waltz of Treachery
Look Down
Stars
Red and Black
Do You Hear the People Sing

Tracks:

In My Life
A Heart Full of Love
Plumet Attack
One Day More
Upon These Stones (Building the Barricade)
On My Own
Upon These Stones (At the Barricade)
Javert at the Barricade/Little People
The First Attack
A Little Fall of Rain
Drink with Me
Bring Him Home - Valjean
Dog Eats Dog
Javert's Suicide
Turning
Empty Chairs at Empty Tables - Marius
Wedding Chorale/Beggars at the Feast
Finale

Amazon.com

After Les Misérables became a huge hit in London, it moved to Broadway, bringing along two stars from the London production, Colm Wilkinson as the heroic Valjean and Frances Ruffelle as the despondent Eponine. Filling out this 1987 cast are Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers). Whether you prefer the London cast or this one just might depend on which one you heard first, though minor revisions to the show since its London debut make the Broadway version more familiar to current audiences. In fact, the 10th anniversary concert might have the best overall cast of the lot, while the three-disc symphonic recording is a must for completists.

Regardless of cast, Les Misérables has become a sensation. Alain Boublil and Claude-Michel Schönberg's score is filled with beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?"), and Victor Hugo's classic novel of a student uprising in early-19th-century France provides a compelling story line that continues to thrill audiences all over the world. --David Horiuchi

Customer Reviews:

Les Miserables.......2007-07-17

I saw a wonderful production of 'Les Mis' in London in 2007, and thoroughly enjoyed it. I was so pleased to find the original Broadway CD on Amazon. I relive the show every time I play it.

An average review for the average listener.......2007-05-08

Looking for a Les Mis album but don't want to get caught up in a debate over so and so being better on London or Broadway or some other show?

I read the book, saw the play, bought this album. Those are my qualifications. As such..

I loved this CD. The sound quality was great, every song was worthwhile, and there was no major problem that would prevent anyone from enjoying their listening experience (despite what you might read on some of these other hyperventilating reviews).

In short: Like the book? Haven't seen the play? Or maybe you have. Either way - Get this CD. You won't regret it.

BEST BROADWAY MUSICAL EVER.......2007-03-25

I HAVE SEEN LES MIZ 6 TIMES, INCLUDING ONCE IN LONDON, AND AS RECENT AS LAST MONTH ON BROADWAY. NOTHING COMPARES TO THIS ORIGINAL CAST ALBUM. THE VOICES ARE RICH AND THE LYRICS CLEAR. THE INSTUMENTALS ARE DYNAMIC AND IT IS EASY TO FOLLOW THE WHOLE STORY LINE AND PICTURE EACH SCENE AS YOU LISTEN.

An AMAZING Broadway hit -- Would make Hugo proud, I believe.......2007-01-08

I began with the abridged version, then listened to the rest on free listings. This musical gives you the story in not only detail but atmoshpere. The songs are heartbreaking, uplifting, terrifying, inspiring, everything the novel was and more. Having read Hugo's long masterpiece is not a pre-requisite to enjoying this fine piece of music, though it does give the listener a feeling of having shared an inside joke.

A Musical So Good It Deserves More Than 5 Stars..........2006-12-31

Okay, so I'm not a "kid" persay, but seeing how I first saw Les Miz when I was 14, am 15 now, and so I figured it would do.
This musical was probably the best thing that I have ever seen. This CD puts together all the wonders and beauty of the musical through the amazingly brilliant (and talented) cast. I have encountered many people who have started out with saying that Broadway is for the weak, but I can safely say that I have shown them the light by playing them this CD. I fall asleep to it, and wake up to it nearly everyday, I listen to it on my iPod while reading the book by Victor Hugo and watch the movies, and while my family think it's a little obsessive of me, I can't help but get it out of my head. Frances Ruffelle (Eponine)'s voice seems to spark something in all those who listen. The best tracks by far have to be:

On My Own
In My Life
A Heart Full of Love
Drink With Me
Lovely Ladies
I Dreamed A Dream
At The End Of The Day
Empty Chairs at Empty Tables

And that's only the first songs I have on first of many iTunes playlists. Among the other CDs of Les Miz that appear, I must recemmend as well the Complete Symphonic Recording. Although it is more expensive, it has all the songs that appear in the musical. This CD has the main bulk, but does not have those little songs that bring each character into more detail. Also, if you feel daring, I recemmend the French Albums. It gives the story more of a feeling of home, since it is France (The Country that speaks French) that the tragically beautiful tale takes place. All in all, this was my first CD of it I got, and I have to say that the music and cast leave a lasting impression. Buy it, and see for yourself.

Les Miserables (Highlights from the 1987 Original Broadway Cast)

Average customer rating:

BEST OPERA MUSIC EVER
Time well spent.
Great Score, But Highlights Missing Critical Songs
Buy the full version, please
Argh Matey!

Les Miserables (Highlights from the 1987 Original Broadway Cast)
Alain Boublil , Claude-Michel Schonberg , and Colm Wilkinson
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000084TRM
Release Date: 2003-01-28

Tracks:

Overture/Work Song
I Dreamed a Dream
Who Am I?
Castle on a Cloud
Master of the House
Stars
Do You Hear the People Sing?
A Heart Full of Love
One Day More
On My Own
A Little Fall of Rain
Drink with Me
Bring Him Home
Javert's Suicide
Empty Chairs at Empty Tables
Wedding Chorale/Beggars at the Feast
Finale

Amazon.com

While not overly generous at 55 minutes, the highlights album of the 1987 original Broadway cast recording of Les Miserables is intelligently selected and likely to prove satisfying to most fans. It includes the best-loved numbers of Alain Boublil and Claude-Michel Schönberg's score, beautiful ballads ("Bring Him Home," "I Dreamed a Dream") and rousing anthems ("One Day More," "Do You Hear the People Sing?") alike, but eliminates some choral numbers ("Lovely Ladies"), redundancies ("Red and Black"), and connective tissue that propels the plot along ("Valjean Arrested," "Come to Me (Fantine's Death)"). Sure, a more perfect selection could have lasted longer than half of the two-disc set's 104 minutes by adding "At the End of the Day" and "In My Life," among others, but it's still a good representation on a convenient single disc. Of course, those who always want to re-create the theatrical experience will never be satisfied with a highlights album.

Re-creating their roles from the London production, Colm Wilkinson plays the heroic Valjean and Frances Ruffelle is the despondent Eponine. Randy Graff (Fantine), Terrence Mann (Javert), David Bryant (Marius), Judy Kuhn (Cosette), Michael Maguire (Enjolras), and Leo Burmester and Jennifer Butt (the Thénardiers) fill out the cast. --David Horiuchi

Customer Reviews:

BEST OPERA MUSIC EVER.......2006-11-03

This is the BEST!! I would highly recommend this to anyone who likes this kind of music!

Time well spent........2005-09-14

Each member of the Les Miserables cast stands to deliver this musical to its audience. Within moments we are transported to France during their Restoration. We experience sadness, laughter and, indeed, want to join in their crusade. The music and deliverance, in my opinion, is excellent.

Great Score, But Highlights Missing Critical Songs.......2005-08-05

Composers Alain Boublil and Claude-Michel Schönberg's score for "Les Miserables" is simply brilliant and the spectacular Broadway cast, led by Colm Wilkinson, Randy Graff, Terrence Mann, and Frances Ruffelle, help bring this incredible music to life!

While I normally enjoy "highlight" cds, this one clocks in at a mere 55 minutes and could have easily included a couple of additional tunes (thus losing one star). Most notably missing: "At The End Of The Day", "Come To Me", "Red And Black", and "In My Life". The show's most memorable songs, however, are included.

Best tracks:

I Dreamed A Dream
Master Of The House
Stars
Do You Hear The People Sing
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

Great cast, great score ... even a good buy. But I would suggest the full double-disc score instead.

Buy the full version, please.......2005-01-20

Highlights are never worth it. You will never get the little in-between songs which make a show complete, montages will be cut together badly instead of being full songs as they should be...so much is left out. This is a fantastic show and deserves to be heard in full.

Argh Matey!.......2004-11-22

"Highlights" albums are not the full show, blah blah blah... THIS TAKES UP ONLY ONE SPACE IN YOUR CD RACK INSTEAD OF TWO LIKE THE FULL RECORDING. I rest my case.

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
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Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
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Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

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Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Average customer rating:

Absolutely Amazing
Superior to the Broadway Cast -- sort of.
One of the greatest versions of Les Mis
THIS IS THE SECOND BEST!
Great for what they had to work with

Les Miserables Original London Cast
Various Artists
Manufacturer: Red Ink
ProductGroup: Music
Binding: Audio CD

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Les Miserables Complete Symphonic Recording

ASIN: B0002E5L5S
Release Date: 2004-06-01

Tracks:

Prologue: Work Song
Prologue: Valijean Arrested/Valijean Forgiven
Prologue: What Have I Done?
At The End Of The Day
I Dreamed A Dream
Lovely Ladies
Who Am I?
Fantine's Death: Come To Me
Fantine's Death: Confrontation
Castle On A Cloud
Master Of The House
Thenardier Waltz
Stars
Look Down
Little People
Red & Black
Do You Hear The People Sing?

Tracks:

Love Montage: I Saw Him Once/In My Life/A Heart Full Of Love
Plumet Attack
One Day More!
On My Own
The Attack
A Little Fall Of Rain
Drink With Me
Bring Him Home
Dog Eat Dog
Soliloquy
Turning
Empty Chairs At Empty Tables
Beggar At The Feast
Finale

Customer Reviews:

Absolutely Amazing.......2007-04-12

This great soundtrack does well to one of the best musicals of all time. The recording is clean and vibrant and the original London cast shines. Any fan of Les Mis will do well to own this and anyone who wants a touch of class should get it too. It offers up love songs, songs of rebellion, drama, comedy, and runs the gamut of emotions. A fantastic piece. If I had one small problem it is that track 1 (Work Song) cuts out about 1/2 second early, though I believe this is do to the transitioning and closeness of recording of tracks 1 and 2. It's a small grievance that most probably will not notice.

Superior to the Broadway Cast -- sort of........2006-09-07

I'd owned the Original Broadway Cast of Les Miserables for over a year before I bought the London Cast. What finally convinced me to buy the London Cast was the casting -- many of Broadway and the West End's top stars are on this recording (though this musical is what most of them owe their success to).

We can look back in hindsight to the early 80's and see the spectacular cast: Patti LuPone (Eva in Evita, Mrs. Lovett in Sweeney Todd), Colm Wilkinson (Phantom in Phantom of the Opera), Michael Ball (Count Fosco in Woman in White, Alex in Aspects of Love), and Rebecca Caine (Christine in Phantom of the Opera) all stand out. There is nothing like hearing Caine's lush, effortless, crystalline soprano on the song only found on the London recording, "I Saw Him Once." For no other reason than for that additional song, this recording is worth purcashing, even if you already own the Broadway Cast. Not that all of the cast is superior to the Broadway version -- the definitive performances of some of the supporting roles (Enroljas, the Thenardiers, and I also prefer Terrence Mann's Javert) come from that recording. The main supporting roles, however, truly outshine their alternate cast on this one (although Judy Kuhn as Cosette is fantastic!).

The orchestrations are definitely inferior to the Broadway version, however. Many are taken at a slower tempo and played with less gusto. This is particularly evident in "Red and Black," if my memory serves me correctly. Some of the lyrics are sung in an odd way by the man playing Enroljas, as if he's overdramatizing, but that's only one track of thirty-odd tracks. Another minor irritation: Cosette's songs are cut short and placed into a five minute "love montage" which can be found in their full versions on the Broadway cast with the also-great Judy Kuhn.

This is the show that skyrocketed some of these performers to stardom -- Ball, Caine, Wilkinson -- and cemented others' places: LuPone, for example. It's a superb cast recording of one of the greatest musicals in history.

Buy it.

One of the greatest versions of Les Mis.......2006-03-05

I love this version of Les Mis. I am a real fan. I have played it dozens of times. The energy and the music are just wonderful. You'll love it. Performances are terrific. Musical clarity is excellent.

THIS IS THE SECOND BEST!.......2005-10-21

I have reviewd the symponic and 10th anniversary.So.............THIS CD IS THE SECOND BEST ! THE 1rst BEST IS THE 10th ANNIVERSARY! ALUN ARMSTRONG IS THE BEST THENAIRDIER ACTOR EVER!
BUY THIS AND THE 10th ANNIVERSARY!

Great for what they had to work with.......2005-09-10

After the anniversary edition, the begins to pale, but I love it nonetheless. Everyone should listen to it, and preferable listen to it first, before all the other versions. Learn to love the original, and go from there.

Average customer rating:

The best one I've heard
Great musical! Best singers!
if you like les miz you can't go wrong
My 1st "Les Mis"
Best Les Miz Recording Out There

Les Miserables 10th Anniversary Concert
Various Artists
Manufacturer: Red Ink
ProductGroup: Music
Binding: Audio CD

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Les Miserables (1987 Original Broadway Cast)

ASIN: B0002E5O9G
Release Date: 2004-06-01

Tracks:

Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables
Miserables

Amazon.com

To celebrate 10 years as the world's most popular musical, the cast of Les Misérables threw a phenomenal birthday party at London's Royal Albert Hall in 1995. A decade after Trevor Nunn directed its premiere at the Barbican Centre, and the subsequent move into what became a permanent home at the West End Palace Theatre, producer Cameron Macintosh felt the time had come for a little outing for "the miserables." Conductor David Charles Abell, having climbed out of the cluttered Palace pit, for one glorious night has the entire Royal Philharmonic Orchestra at his disposal and there are appearances from over 150 singers--birthday celebs from Les Mis stagings worldwide--who flocked to the grandiose venue. Hosts for the night are the 1995 London cast: Colm Wilkinson's Valjean has power and beauty in "Who Am I?" and "Bring Him Home," and Michael Ball is a charming Marius. Miss Saigon herself, Lea Salonga, gets the crowd-pleasing favorite "On My Own." The Albert Hall sounds filled to the brim with an appreciative audience that contributes to the festive atmosphere. The result is a real treat for fans and lovers of Boubil and Schönberg's greatest musical--this double CD is an obligatory item in every collection of Les Mis memorabilia. --Yngvil V.G.

Customer Reviews:

The best one I've heard.......2007-04-10

The first time I ever heard Les Miserables, it was on the Original Broadway cast CD. That CD had great vocals, but I didn't realize how much I was missing until I saw the show in NYC. What sets this recording apart from many others, including the OBC version, is the fact that, like the musical, it is through-sung. The complete symphonic recording is also this way, and has all of the music. Although this CD is lacking a few parts, most noticibly a shortend Lovely Ladies, missing a section with Javert, and Gavroche's death, when looked at in terms of the completeness and vocal abilities, this is the best.

Regarding the cast, Colm Wilkinson is THE Valjean. I love his vocals and the expression he puts into the character. Armstrong, as Therniere, is great, as is Jenny Galloway (Mme Therniere). They are both great actors and convey the comedic nature of the parts well. Hannah Chick, as young Cosette is splendid, especially in the fact that she sings right through the accidental gun shot noise in the middle of her song. Gavroche is priceless. The best I've ever heard. Ruthie Henshall does an absolutely brilliant Fantine, incredibly moving. Michael Ball (Marius) also has the supberb vocal ability and expression so prevolent in this cast.

Now, my two favorite characters, Javert and Eponine...Phillip Quast (Javert) is practically flawless. I personally don't like his interpretation of the prologue, but that's just me. Other than that, perfect. He more than makes up for that with his rendition of Stars, and his soliliquy in which he dies. You can visualize him going mad and jumping from the bridge just from his voice...amazing. Lea Salonga's vocal ability is unmatched. Her rendition of A Little Fall of Rain is tearjerking, and you can fell Eponine's pain and anguish throughout the entire CD. Anything with her in it is worth buying.

Finally, this CD has a recording of One Day More sung by the Valjeans from all over the world...amazing to hear.

To conclude, this is the best recording of Les Miserables you can buy.

Great musical! Best singers!.......2007-03-13

This is my favorite collection because the performers are amazing. I don't like the exploding balloon during little Cosette's song, but the lead singers in this CD couldn't be any better.

if you like les miz you can't go wrong.......2007-03-09

personally I am a sucker for a good musical...and music in general...This however is exceptional. I love it, it is one of my favorite versions of the musical, and I have been eyeing this cd for sometime now, i am so happy to finally have it in my collection. the quality is good, the music great, and the voices are fantastic!

My 1st "Les Mis".......2006-10-27

It took some time for this musical to sink in for me but when I sat down to watch this broadcast the characters, plot, motivation(s) and all the nuances of minor characters fell into place -- it was exquisite. Granted some of the voices might not be up to par for more experienced ears and there are technical glitches here and there but this is my favorite. I still admire Hannah Chick for continuing with Castle on a Cloud in spite of the distraction -- that's an actor. I also find the extended applause at the end of some songs annoying but that doesn't negate the 99.99% pure magic previous.

My main beef is that discography is NOT IN ORDER on the second disc, and that works my nerves. I hate having to go in and edit the list.

What worries me NOW is that when it comes to the time to making a film of the musical it might suffer the same fate that Sweeny Todd seems to have looming in the wings. The Broadway musical (ST) was cast with actors, some happened to be stars. I hate it when something as fine as Sweeny Todd, or Les Miserables, would be filmed with stars (OK, JD is both but the director and leading lady have to go) and not actors.

Filming of Les Miserables -- in my life time please. Would it be asking to much to have someone do a remake of 'The Wiz' with spending a zillion dollars on junk? Ok, ok, ok, I'm going to go listen to Philip Quast who is simply amazing and blows my socks off.

Best Les Miz Recording Out There.......2006-09-23

Now don't you disregard this because it says I'm a kid. I am very experienced in theatre and know exactly what I am talking about.
Colm Wilkinson(Jean Valjean): His enunciation is annoying and he tends to rasp and whispers. Great false but not my favorite Valjean.
Phillip Quast(Javert): Brilliant performance. This Aussie is the perfect Javert, his voice is clear and strong, wrapped in emotion.
Ruthie Henshall(Fantine): In my opinion, the best in the entire cast. Her throaty, crystal voice is absolutely exquisite. My favorite singer. That reviewer who said she has an awful voice seriously needs help! She is breathtaking!
Michael Ball(Marius): What can I say? Wonderful as always. Fantastic actor and very powerful singer. I get chills hearing "Empty Chairs at Empty Tables".
Judy Kuhn(Cosette): Nice voice, I do like her better as Pocahontas or Florence (Chess) though. Her accent is extremely blatant. All in all, Rebecca Caine should have been cast but Judy Kuhn is still very good.
Lea Salonga(Eponine): Wow. That's all I can say. She took my breath away as Kim in Miss Saigon and now in Les Miz, she impresses me once again. A magical rendition of "On My Own" and moves me to tears everytime I listen to her death scene with Michael Ball, "A Little Fall of Rain".
Alun Armstrong and Jenny Galloway(M. and Mme. Thenardier): Hysterical performances by both! Such talents! Jenny Galloway is returning for the Broadway revival in November, too.
Michael Maguire(Enjolras): Annoying accent again. Can't they all just sound English? Still, wonderful voice and great delivery. Very satisfying.
Over all, I highly recommend this recording. It is the best I have heard so far. The Original Broadway one was horrid and the London was okay. But this one is thrilling and moving. Les Miz at its best.

Average customer rating:

Instruments of the Orchestra - Great Reference Material!
Beginner or Expert
Very Informative and Enjoyable
Frank's view
Excellent Intro for Those Not Familiar with the Orchestra

Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Renee and Bryn: Under the Stars
Average customer rating:

Delightful

A Master Class in Singing

Bryn is swell, but the bombast is annoying

Surprisingly Fine Crossover from Fleming and Terfel

BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!

Renee and Bryn: Under the Stars
John Harold Kander , Andrew Lloyd Webber , Claude-Michel Schoenberg , Richard Rodgers , Gerard Presgurvic , Jason Robert Brown , Meredith Willson , Lucy Simon , Cole Porter , Stephen Flaherty , Ralph Salmins , and David Hartley
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Bryn Terfel - Something Wonderful (Bryn Terfel sings Rodgers & Hammerstein)

Bryn Terfel - If Ever I Would Leave You (Songs from My Fair Lady, On a Clear Day, Camelot, The Little Prince, Brigadoon)

Bryn Terfel - Simple Gifts

Bryn Terfel Sings Favorites

Silent Noon

ASIN: B000088E7D
Release Date: 2003-02-11

Tracks:

"Not While I'm Around" (from Sweeney Todd by Stephen Sondheim)
"Moonfall" (from The Mystery of Edwin Drood by R. Holmes)
"I Don't Remember You The Happy Tim" and "Sometimes a Day Goes By" (from Woman of the Year by Kander & Ebb)
"All the Love I Have" (from The Beautiful Game by Ben Elton & Andrew Lloyd Webber)
"I Wish I Could Forget You / Loving You" (from Passion by Stephen Sondheim)
"Stars" (from Les Misirables by Boublil & Schvnberg)
"All I Ask of You" (from The Phantom of the Opera by Andrew Lloyd Webber)
"Hello, Young Lovers" (from The King and I by Rodgers & Hammerstein)
"Pretty Women" (from Sweeney Todd by Stephen Sondheim)
"Aimer" (from Romio et Juliette by Presgurvic)
"All the Wasted Time" (from Parade by J. Brown)
"Seventy-Six Trombones" (from The Music Man by Willson)
"How Could I Ever Know" (from The Secret Garden by Simon and Norman)
"So In Love" (from Kiss Me Kate by Cole Porter)
"Wheels Of a Dream" (from Ragtime by Ahrens & Flaherty)

Amazon.com

In these days of the crossover, it is hardly surprising to find two great opera singers making a foray into numbers from Broadway musicals by such composers as Cole Porter, Stephen Sondheim, and Andrew Lloyd Webber. What's remarkable is that they seem completely at home in this music. Both say they grew up listening to it, and indeed they approach these songs with no less care and seriousness than they'd give the most demanding operatic arias, and without a trace of condescension. However, their vocal, expressive, and interpretive styles are very different, both in the solos and the duets. Terfel projects assertive manliness, tender, intimate affection, and rollicking humor without external effects, using only his incomparably sonorous voice and powerful personality. His diction is impeccably clear, and though he has sometimes let his theatrical flair spill over into Schubert songs, he is the soul of simplicity here. This is in stark contrast to Fleming's tendency to exaggerate colors and dynamics and to turn sentiment into sentimentality. Moreover, though she claims a background as a jazz singer, her "crooning" sounds artificial and unnatural. However, her top notes, culminating in a triumphant high C at the end of the final number, ring gloriously. Her voice glows and shimmers with irresistible luster, soaring from seductive whispers to thrilling climaxes. The program features a great variety of love songs, and includes an antiwar protest (from Beautiful Game), a celebration of the American dream (from Ragtime), and a rousing fun piece (from The Music Man). Unfortunately, even the best songs are marred by thoroughly corny arrangements. Listeners will find their own favorites, but the real "stars" on this record are the two singers. --Edith Eisler

Customer Reviews:

Delightful .......2006-07-24

I truly enjoy Terfel's vocal talent and found it to be well suited for this genre. Fleming's impeccable soprano voice is a bit overpowering for this style of music. (I own this CD)

A Master Class in Singing.......2006-06-20

This CD is a must-have for any person interested in the singing art. Ms. Fleming and Mr. Terfel gives new light to these Musical Theatre classics. Their fine vocalism in the musical theatre genre coupled with the depth of musicality and dramatic phrasing in each of the selections is truly a breath of fresh air. This recording is indeed a Master Class!

Bryn is swell, but the bombast is annoying.......2006-05-03

Love Bryn Terfel, the finest bass-baritone in Opera. Love Renee Fleming's luscious soprano. But the arrangements! Kettle drums and bombast and bang, bang, bang! Once Renee starts swooping, things go downhill, with little redemption.

It starts out beautifully. "Not While I'm Around" has never sounded more intimate to me than Terfel's caressing pianissimo. Fleming's "Moonglow" is stunningly good. Terfel makes a medley out of "I Don't Remember You and Sometimes a Day Goes By" that makes you want to cheer, and Fleming does a lovely Sondheim medley as well. Bryn sings "Stars" and makes me long for him in Les Mis. And then...things tend to go downhill. The bombast takes over and gets to you - it overwhelms two of the biggest voices now recording. Then Fleming begins to swoop and scoop, over-coloring and often coming off as simply self-indulgent, reminding one of a kid who makes a point of putting his face in a camera shot.

I don't mind Bryn as Prof. Harold Hill - I frankly think the Welsh accent is kinda cute - and it doesn't bother me on "Wheels of Dream," either, but Fleming seems to have lost her mind on that great song, and rather than indulging her, it would have simply been better left off the album. Ditto "All that Wasted Time" which is pretty much unlistenable. Ms. Fleming needs to stop thinking she is a jazz singer.

The four stars are because this album does contain some truly GLORIOUS moments, particularly in the duets, and in Terfel's solo's which are warm and memorable. Without him, the kettle drums and Fleming's self-indulgence would have made the whole endeavor unbearable.

Surprisingly Fine Crossover from Fleming and Terfel.......2006-04-18

Bryn Terfel and Renee Fleming are two of the most acclaimed opera singers of our day. But the musical theatre fan who puts on their Broadway CD, RENEE AND BRYN: UNDER THE STARS, expecting to hear a carelessly compiled hodgepodge of songs sung by voices ill-suited to them is in for a big surprise, beginning with the first phrases of the duo's warmly sung "Not While I'm Around" from SWEENEY TODD. True, these singers' beautiful voices have greater power and range than even the best of the Broadway stars', but this is an asset in these songs, most of which are either semi-operatic in nature or call (like THE MUSIC MAN's "Seventy-Six Trombones") for such an outsize personality as Terfel's. Fleming's sensuous and tonally gorgeous rendition of "Moonfall" from THE MYSTERY OF EDWIN DROOD can be placed among her very finest recordings, operatic and otherwise. And Terfel is ideally suited to both "Pretty Women" from SWEENEY TODD and "Stars" from LES MISERABLES; few if any Broadway Javerts could match the impact of his "This I swear by the stars!" Kander and Ebb's "I Don't Remember You" and "Sometimes a Day Goes By" make a perfect medley here, as do Sondheim's "I Wish I Could Forget You" and "Loving You" from PASSION. And though I don't care for the Andrew Lloyd Webber selections (ersatz Puccini) or the Jason Robert Brown one (which sounds too much like a pop song), Terfel and Fleming's singing of them is beyond reproach. The program ends with a bang: a rendition of "Wheels of a Dream" worthy to stand beside the now-classic one by Brian Stokes Mitchell and Audra McDonald on the original cast album of RAGTIME. Welshman Terfel's natural accent is noticeable here; but if one imagines him as, say, an Irish immigrant married to an African-American woman (as Fleming here sounds uncannily like McDonald or like Leontyne Price) his accent is appropriate and his voicing of the "bridge" section ("Oh Sarah, it's more than promises/Sarah, it must be true...") especially moving. Fleming's ecstatic final high note makes one want to applaud and cheer, both for the song and for the successful "crossover" effort.

BREATHTAKING VOCAL MAGNIFICENCE~BRAVO!!!.......2004-10-11

So captivating are these incredible singers in the glorious live concert "Under The Stars" creating an unforgettable musical masterpiece of epic proportions that is so moving and great to watch that I ran out and purchased this studio recorded Compact Disc the next day!! The brilliance of the live broadcast carried over into the recording studio capturing Renee and Bryn at the peak of their incredible powers emotionally and vocally making them the most effective crossover artists since the great Barbara Cook who like Miss Cook sing with emotion that is accurate for this type of material which is usually not the case with classical voices. Renee Fleming sings with genuine passion and stirring emotions and her timing is absolutely flawless and this lady has alot of soul and the Torrie Zito arranged "Moonfall" is a stunning masterpiece that clearly illustrates this. A dazzling medley each show both singers in glorious peak form with Bryn splendid in the enchanting "I Don't Remember You/Sometimes A Day Goes By" and Renee spellbinding and haunting in the gorgeous "I Wish I Could Forget You/Loving You" which will make anyone who loves a great voice fall in love with this amazingly gifted singer. "Stars" features a commanding performance from Bryn that raises the roof and this is so refreshing and inspired in these musically tired times!!! This superb showcase is full of wonderfully exciting performances which are capable of making people feel again and this is what is sorely needed in music today and BRAVO to Bryn Terfel and the gorgeous Renee Fleming for achieving this with complete artistic brilliance. Captivating duets fill this wonderous collection and never have classics such as "Not While I'm Around" or "All I Ask Of You" been sung more brilliantly than here. Renee is magical with "Hello, Young Lovers" while Bryn is commanding and winning with "Pretty Women". Renee's stunning "All The Wasted Time" is a vocal and emotional tour-de-force that is like a wild roller-coaster ride that you won't want to end as this is one of the most riveting songs that I have ever heard from a Broadway score and this certainly must be the definitive performance of this great song. This lady can really really sing and this is some deeply serious singing~WOW!!! Gorgeous together again in the beautiful "How Could I Ever Know" which is hair-raising and wonderfully soulful and sophisicated together in Cole Porter's "So In Love". A grand finale by these two awesome vocal wonders lives up to expectations being a complete blowout vocal festival and they definitely do not disappoint here!!! "Wheels Of A Dream" is mesmerizing and soars to magnificent heights with Bryn and Renee in peak form singing to the skies and hitting notes that I swear I have never heard before~BRAVO!!!!!!! You are both magically inspired and simply put as good as it gets!!!! Highly recommended if you love two awesome vocal wonders at their absolute peak in a magnificent beautifully orchestrated setting!!! Thank you Bryn & Renee...

Les Miserables (1985 Original London Cast)

Average customer rating:

Not the Best
This is the original for me
One Of The Best !
Worst of 4 versions
Some problems... but overall, a good album

Les Miserables (1985 Original London Cast)
Alain Boublil , Claude-Michel Schonberg , Patti LuPone , Rebecca Caine , Colm Wilkinson , and Frances Ruffelle
Manufacturer: Relativity
ProductGroup: Music
Binding: Audio CD

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Les Miserables (1987 Original Broadway Cast)
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Les Miserables - The Musical That Swept the World (10th Anniversary Concert at the Royal Albert Hall)
Cats (1981 Original London Cast)

ASIN: B000006ONF
Release Date: 1998-05-19

Tracks:

Prologue: Work Song
Prologue: Valijean Arrested/Valijean Forgiven
Prologue: What Have I Done?
At The End Of The Day
I Dreamed A Dream
Lovely Ladies
Who Am I?
Fantine's Death: Come To Me
Fantine's Death: Confrontation
Castle On A Cloud
Master Of The House
Thenardier Waltz
Stars
Look Down
Little People
Red & Black
Do You Hear The People Sing?

Tracks:

Love Montage: I Saw Him Once/In My Life/A Heart Full Of Love
Plumet Attack
One Day More!
On My Own
The Attack
A Little Fall Of Rain
Drink With Me
Bring Him Home
Dog Eat Dog
Soliloquy
Turning
Empty Chairs At Empty Tables
Beggar At The Feast
Finale

Amazon.com

This recording captures the 1985 London cast that transformed an obscure French musical based on Victor Hugo's gargantuan novel of pre-Revolutionary France into a worldwide phenomenon throughout the late-'80s and '90s and became one of the best examples of the era's trend of blockbuster musical spectacles. Yes, Alain Boublil and Claude-Michel Schoenberg's score tends to recycle its themes, but the beautiful melodies and stirring anthems rarely fail to captivate and touch its audience. Colm Wilkinson is the heroic Valjean, Patti LuPone is the tragic Fantine, Michael Ball is the love-struck Marius, and Frances Ruffelle is the despondent Eponine, with Roger Allam (Javert), Alun Armstrong and Sue Jane Tanner (the Thénardiers), Rebecca Caine (older Cosette), and David Burt (Enjolras) filling out the excellent cast. Fans will want to take note that this recording includes some material that was revised when the show crossed the pond to Broadway--"Little People" was lost altogether, while the "Love Montage" was significantly rewritten. Les Misérables sounds especially vivid in its 1998 remastering, and a synopsis and full lyrics are included. --David Horiuchi

Customer Reviews:

Not the Best.......2007-06-29

I agree with many of the comments made by others. But let me give some of my own. The London production is an early production of the Les Mis and like all early productions, composers and producers improve the product as it goes to new locations. The New York album is for me infinitely better than the London album. The slowness of the songs in the London production are incredably annoying. The singing is at times pedestrian. Many voices are smaller or less interesting than those in the New York production. The orchestration was enlarged and improved in the New York production. For some songs the orchestration is totally changed. In all there is no comparison. I also love the anniversary production and as a recording would prefer that none. I have not heard the complete ORchestral recording and can not comment on it.

Let me also agree with most of what was said about Ms. Ruffelle as Eponine. She is a disaster and almost distroys the New York album. Strangely she is less annoying in the London album because her singing softer and therefore less annoying. I disagree with those who say she can not annunciate. I also disagree that she has a horrible voice. I think she has a decent pop voice. It just Does not BELONG in this musical. It sounds like a pop singer thrown into the 18th century. She is miscast and totally out of place. I did not know she was a pop singer until I read the comments below. But you could guess it by her style and phrasing. I can not think of any album almost destroyed by a miscasting since I heard the Deutche Gramaphone version of West Side Story with the strange casting of Jose Cararas as Tony. It killed the entire albmu. Luckily, Eponine is a smaller part and it does not totally destroy the LOndon or New York version. I just want to know WHY SHE GOT THIS PART....and then why she further got the part in New York. If someone has the story, PLEASE tell it.

This is the original for me.......2006-10-07

Having seen Les Mis in London twice as a kid, the OLC version is simply the only worthwile version for me. While you could argue that some of the later versions are technically better, they just sound wrong and off-tempo to me.

One Of The Best !.......2006-07-31

Simply put, Les Miserables is one of the greatest musicals ever written for the stage. Both the London and Broadway versions of this classic best each other in terms of superiority, but you can't really go wrong with either.

The marvelous London cast includes Colm Wilkinson as Jean Valjean, Roger Allam as Javert, Patti LuPone as Fantine, Michael Ball as Marius, and Frances Ruffelle as Eponine.

Best Songs include:

At The End Of The Day
I Dreamed A Dream
Come To Me
Master Of The House
Stars
On My Own
A Little Fall Of Rain
Bring Him Home
Empty Chairs At Empty Tables

If I had to choose between the two, I'd lean towards the Broadway version ... though it's hard to pass up anything Ms. LuPone does.

Worst of 4 versions.......2006-07-18

Les Miserables is definitely one of the better musicals out there. Among the four (Original London, Original Broadway, Complete Recording, and 10th Anniversary) most popular versions, however, this is the least appealing. The tempo is slow, providing for some boring listening, plus the casting of some actors is questionable. Among the most annoying cast members is Frances Ruffelle, who should not be in musical theater at all. She has a bad voice, she can't enunciate well (major speech problems there), and worse, she has bad singing technique (cannot sustain long lines and high notes -- incorrect breathing). She doesn't even deserve to be compared to Lea Salonga (who is a million times superior over her Ruffelle). I'd second the thought that if Salonga were old enough to audition for this role in the early 80s, Ruffelle would not even been remotely considered. And no, Ruffelle was NOT invited to join the Dream Cast, even though the concert was going to be held in London; Cameron's asistant, in fact, had to persuade Lea Salonga to give up recording the Miss Saigon Complete Recording just to be a part of this once-in-a-lifetime 10th Anniversary event.

As some reviewers have mentioned, this album is a good buy if one wants to trace the evolution of this mega-musical. If you want the best buck for your money, however, get the 10th Anniversary version (it's live -- it has the dream cast, plus excitement in the air just fills the entire recording). An excellent second choice would be the Complete Symphonic Recording.

Some problems... but overall, a good album.......2006-07-16

The London Cast has issues, it's been criticised as "too slow", and it is the next step up from the French concept album, so the show was still being sorted out. Some of the performers are unremarkable, but the majority are amazing. It is a nice album, but the best overall cast is the Tenth Anniversary Cast. I'd recommend this as a CD to see how the show evolved. I'd also take it over the Broadway and International cast recordings.

However, one thing I noticed when I was reading through the reviews was that if Lea Salonga had been old enough to audition, she would have won the role of Eponine. Uh... NO. Frances Ruffelle was the first choice for the Dream Cast and couldn't make it so Lea was the second choice. Frances is simply amazing and the bucketload of awards Lea won for 'Miss Saigon'? That was Frances back in 1989 for Les Mis.

Average customer rating:

Beautiful
God Bless Daniel Rodriquez
Music From and For the Heart
Daniel Rodriguez
Some definite winners on this album

The Spirit of America
Daniel Rodriguez
Manufacturer: Manhattan Records
ProductGroup: Music
Binding: Audio CD

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In The Presence
From My Heart
God Bless America
The Impossible Dream
Ronan

ASIN: B00005Y1YC
Release Date: 2002-02-12

Tracks:

God Bless America
We Will Go On
Ave Maria
This Is The Moment
Danny Boy
Bring Him Home
Shenandoah
America The Beautiful
The Lord's Prayer
Into The Fire
You'll Never Walk Alone
The House I Live In

Amazon.com

It's said politics makes strange bedfellows. But it's got nothing on the peculiar marriage of art and history inspired by the tragic events of 9/11/01. Before that day, Daniel Rodriguez was a member of New York's finest, working as an NYPD security officer at the Manhattan South precinct. If it seemed an odd calling for a gifted, operatically trained tenor, it was employment many a journeyman artist could relate to: the proverbial "day job." As it turns out, no police academy in the world could have trained Rodriguez for the crucial role his city's darkest hour thrust upon him. While his colleagues mourned their staggering losses and toiled around the clock in rescue efforts, Rodriguez delivered renditions of "God Bless America" that rallied both his city and his country, much as Kate Smith's version of the Irving Berlin patriotic standard had done at the dawn of WWII.

Contemporary jazz great-producer Tom Scott took it from there, showcasing Rodriguez's powerful voice in this deftly arranged album focused sharply on personal and national inspiration. Taking his cue from his own hero, Mario Lanza, Rodriguez instills no small amount of drama in his performances, and it serves him well on tracks like the American folk classic "Shenandoah," a rousing take on Scarlet Pimpernel's "Into the Fire," and the relative Sinatra rarity "The House I Live In." The "God Bless America" here varies from the original single release, with Rodriguez reading the spoken intro once delivered by Mayor Rudolph Giuliani. Is Rodriguez the greatest tenor of modern times? No. But it's hard to imagine a talent better suited to the challenge history has thrust upon him; we're lucky--make that blessed--to have him. --Jerry McCulley

Customer Reviews:

Beautiful.......2007-07-21

This cd will bring tears to your eyes. His voice is so clear and lovely. I bought this cd for my mother for her birthday in September. It is so sad that the events of September 11 had to occur for this man to be discovered.

God Bless Daniel Rodriquez.......2007-07-16

This alblum is a treasure to own and listen to. He really captures the spirit of patriotism. I have played his songs at a local fireworks show that I DJ at and his songs are up there with the other songs by artists by Mr. Lee "God Bless The U.S.A." Greenwood and other great artists. New York City and the nation needed him at a time when we were trying to recover from the worst tragedy in the history of the U.S.A. and he was there for us.

Music From and For the Heart.......2006-11-25

Daniel's album is music to be shared with family and with friends to help further ensure warmth, strong family ties, and love of our beautiful country. His voice is magical, skilled, rich and so memorable that it can take one on a journey from yesterday to promise for a bright tomorrow. This is a superb rendering of past unforgettable music. His solemn rendition of the peace song "God Bless America" is the album's centerpiece and truly unforgettable....

Daniel Rodriguez.......2006-11-11

I first heard of Daniel Rodriguez a couple of months ago when he sang on Jay Leno's show. He was/is WONDERFUL! His voice is beautiful, but he sings from the heart, and that makes him exceptional.

Some definite winners on this album.......2005-12-14

My favorites are "Ave Maria" and "The Lord's Prayer" where Daniel truly shows off his vocal talents. I could have done without the choir backup on "Ave Maria" but nonetheless a great rendition.

The ending that he has for the "The Lord's Prayer" almost brings a tear to my eye each time I hear it. Well done Daniel.

Les Miserables Complete Symphonic Recording

Average customer rating:

Brilliant -Powerful
not the best
Awesome Tribute to the Greatest Musical of All Time
For a real review...
Best musical ever

Les Miserables Complete Symphonic Recording
Various Artists
Manufacturer: Red Ink
ProductGroup: Music
Binding: Audio CD

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Les Miserables Original London Cast
Les Miserables - The Musical That Swept the World (10th Anniversary Concert at the Royal Albert Hall)
Les Miserables - The Dream Cast in Concert
Les Miserables (1987 Original Broadway Cast)
Jekyll & Hyde - The Musical (1997 Original Broadway Cast)

ASIN: B0002E5L62
Release Date: 2004-06-01

Tracks:

Prologue
Valjean's Soliloquy (What Have I Done?)
At the End of the Day
I Dreamed a Dream
Lovely Ladies
Fantine's Arrest
Runaway Cart
Who Am I?/The Trial
Fantine's Death
Confrontation
Castle on a Cloud
Master of the House
Bargain-The Waltz of Treachery
Look Down
Robbery-Javert's Intervention (Another Brawl)
Stars

Tracks:

Eponine's Errand
ABC Cafe/Red and Black
Do You Hear the People Sing?
Rue Plumet-In My Life
Heart Full of Love
Attack on Rue Plumet
One More Day
At the Barricade (Upon These Stones)
On My Own
Building the Barricade
Javert's Arrival
Little People
Little Fall of Rain
Night of Anguish
First Attack
Drink With Me
Bring Him Home
Dawn of Anguish
Second Attack (Death of Gavrobe)
Final Battle
Sewers - Dog Eats Dog
Javert's Suicide
Turning

Tracks:

Empty Chairs at Empty Tables
Every Day (Marius and Cosette)
Valjean's Confession
Wedding Chorale/Beggars at the Feast
Epilogue (Finale)

Customer Reviews:

Brilliant -Powerful.......2006-07-14

If you like musicals this is the one for you. Brilliant songs, powerful voices.

not the best.......2006-02-26

maybe it's because i have got the dream cast version first. i didn't find this one so much atractive, because the cast is not the best, and the whole symphonic thing doesn't quite touch me either. i'm sorry to find this.

Awesome Tribute to the Greatest Musical of All Time.......2005-12-25

I love this recording of my all-time favorite musical. The orchestra really makes this recording soar, as I saw the show on tour with a smaller one. The entire recording, for the most part, sounds terrific. Gary Morris is not my favorite Valjean, but he makes "Bring Him Home" his own in a wonderful way. Philip Quast is unbeatable as Javert, as are Michael Ball and Anthony Warlow in their roles as Marius and Enjorlas (Michael Ball is so my hero!!!). My only complaint with this recording is the version of "A Little Fall of Rain". Eponine's voice, which is awesome throughout the whole recording, is AWFUL during this song, and it really ruins the song. Other than that, a wonderful recording!