Duos [Import]

Track Listings
 
1. Me Faltas Tu
2. La Nina Esta Triste
3. Querido Amigo
4. Si Quieres Dejarme
5. Era Solo Un Chiquillo
6. El Amor No Tiene Olvido
7. Te Perdi
8. El Yerberito
9. Lo Se
10. Con Mi Bombo Y Mi Chin Chin
11. Cantando

Editorial Reviews
Product Description
The Chilean Singer and RADIO/TV Host Shares Duets with Valeria Lynch, Leo Dan, Gondwana, Dyango, Olga Tanon, Jose Jose, Alberto Plaza and More.

Duos,Jose Alfredo Fuentes,Wea/Warner,Latin

Duos [Import]

Duos [Import]
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
Moscow Philharmonic OrchestraMoscow Philharmonic Orchestra | ( M ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Rap & Hip-Hop | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Instructional | Miscellaneous | Styles | Music
Blowout Box SetsBlowout Box Sets | Classical Music Blowout | Stores | Music
More Titles at Least 20% OffMore Titles at Least 20% Off | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Hungarian National Philharmonic OrchestraHungarian National Philharmonic Orchestra | ( H ) | Performers, A-Z | Classical Music Blowout | Stores | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Performers, A-Z | Classical Music Blowout | Stores | Music
Moscow Philharmonic OrchestraMoscow Philharmonic Orchestra | ( M ) | Performers, A-Z | Classical Music Blowout | Stores | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Performers, A-Z | Classical Music Blowout | Stores | Music
InstrumentalInstrumental | Classical Music Blowout | Stores | Music
Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Mozart: Complete String Trios & Duos
Average customer rating: 4.5 out of 5 stars
  • forgotten masterpieces
  • Eclipsed
  • A style made for Mozart
  • A nice pair
  • Nobody like Artur Grumiaux for Mozart violin music!
 Mozart: Complete String Trios & Duos

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
TriosTrios | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
FuguesFugues | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Mozart: The Complete Piano Trios
  2. Mozart: Violin Concertos
  3. Mozart: The Six String Quintets
  4. Mozart: The Violin Sonatas
  5. Complete String Quintets

ASIN: B0000041EK
Release Date: 1996-06-11

Tracks:

  1. Divertimento (String Trio) In E Flat, KV 563: Allegro
  2. Divertimento (String Trio) In E Flat, KV 563: Adagio
  3. Divertimento (String Trio) In E Flat, KV 563: Menuetto. Allegretto - Trio
  4. Divertimento (String Trio) In E Flat, KV 563: Andante
  5. Divertimento (String Trio) In E Flat, KV 563: Menuetto. Allegretto - Trio I - II
  6. Allegro
  7. Duo For Violin And Viola In G, KV 423: 1. Allegro
  8. Duo For Violin And Viola In G, KV 423: Adagio
  9. Duo For Violin And Viola In G, KV 423: Rondeau, Allegro
  10. Duo For Violin And Viola In B Flat, KV 424: Adagio - Allegro
  11. Duo For Violin And Viola In B Flat, KV 424: Andante cantabile
  12. Duo For Violin And Viola In B Flat, KV 424: Tema con variazioni. Andante grazioso - Allegretto - Allegro

Tracks:

  1. Sonate (Trio) In B Flat, KV 266: Adagio
  2. Sonate (Trio) In B Flat, KV 266: Menuetto, Allegretto
  3. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 1 In D Minor: Adagio
  4. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 1 In D Minor: Fuga
  5. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No.2 In G Minor: Adagio
  6. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No.2 In G Minor: Fuga
  7. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 3 In F: Adagio
  8. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 3 In F: Fuga
  9. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 4 In F: Adagio
  10. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 4 In F: Fuga
  11. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 5 In E Flat: Largo
  12. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 5 In E Flat: Fuga
  13. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 6 In F Minor: Adagio
  14. Six Preludes And Fugues For Violin, Viola And Cello, KV 404a No. 6 In F Minor: Fuga

Customer Reviews:

5 out of 5 stars forgotten masterpieces.......2007-02-22

I was a little surprised to see so many reviews for this CD, most of them are full of praise. As I, too, am full of praise I can be brief.
First I must confess that, after listening to Mozart for well over 40 years, it is only very recently that I came accross any of the works on these CDs. I heard the last movement of the string trio and went straight to the computer to get it. As last year was Mozart's 250th birthday and we were deluged with his music this is incredble.
The string trio K563 is a late work by a mature Mozart, it is a very fine work, beautifully played by Arthur Grumiaux and friends. The two duos for violin and viola is another great find for me, more superb Mozart. These do not have a bass line, the composition is so good that they don't need one, indeed I was well into them before I noticed that there wasn't one. In all of these works all the instruments are equals, there is lots of work for the viola and the cello too has an important role. The six preludes and fugues again were new to me, but I am getting to know them and love them.
This is another excellent recording of Mozart's chamber music from Philips Duo, and well worth full marks. I recommend it highly, especially for Mozart lovers. If you are not well versed in Mozart I might suggest that you start with his concertos and instrumental works before you buy these Cds.

3 out of 5 stars Eclipsed.......2006-08-04

For me the point here is the K.563, and while I have loved Grumiaux's playing for decades, and this is a nice older [1967] recording, it is completely blown away by the recent recording by Yo Yo Ma, Gidon Kremer, and Kim Kashkashian. On the other hand, the latter recording is defective in that the technicians managed to make the violin sound shrill and harsh -- the usual suspects are of course recording engineers who've spent much of their careers blowing out their high-end hearing listening to and working with "rock and roll" recordings, and thus needing to boost the highs in order to hear them; at the same time, it was miked much too closely. At least the Philips recordings were done in an era when the engineers were older folks who had spent their careers listening to and recording music. My choice: the Ma / Kremer / Kashkashian CD, but with my treble control cranked down....

5 out of 5 stars A style made for Mozart.......2005-08-26

Here is yet another great Mozart Philips recording featuring the elegant playing of Arthur Grumiaux. The String Quintets and Violin Concertos are other ones. When you hear Grumiaux play Mozart like this, you think, "Now, how can one top that?" Such a dignified, galante and poised style as his is perfect for Mozart's music. These two CD's provide a cournacopia of Mozart delights played magnificantly by Arthur Grumiaux and friends: three string duos, the one and only great string trio (K.563) and a rather unique collection of preludes and fugues mostly transcribed from Bach's "Well Tempered Clavier" for violin and viola. Each work also has an interesting story behind it as does most of Mozart's music.

Two of the late duos Mozart wrote were "ghost written" for a terribly ill Michael Haydn - a comtemporary and great friend of Mozart. As history goes, Haydn had promised a series of six duos for the impatient Archbishop Colloredo and was two short. Mozart's continual visiting the ill Haydn and lightening-fast composing of these two duos reveal the compassionate, warm-hearted side of Mozart. In each you can hear both Haydn and Mozart by the various musical mannerisms, but they eventually passed off as Haydn's works just fine.

The trio is a late work (K563/626) that was written in 1788 - the year that Mozart's popularity with the fickle Vieneese dwindled and life strarted to fall apart. But, one would never know this from the skill and stature of the great work. Having a full six movements lasting a full 45 minutes, the string trio is a work of grand scale and rich diversity that does not once become bogged down, repetitive or dull. The equality of the part writing is especially notable as much as is the complex sonorities, intelligent design and lyrical charm. It ranks right up there with his quintets as Mozart's most accomplished chamber works.

Perhaps the surprize delight of the set are the six preludes and fugues, most of which are transcribed from JS Bach (and one each from JC Bach and Mozart). It is said that Mozart's wife Constanze adored the fugues of Bach and Handel upon first hearing them in 1782 and supposedly begged her husband to compose such music - which apparently he obliged with these works here. Of course they sound like Bach as they mostly are Bach. The Grumiaux Trio makes them sound glorious from their rich and nuanced playing and the fine Philip's sound quality. Overall, a rich, rewarding listening experience.

If you are new to Mozart's chamber music, these Philips DUO sets are excellent CD's to collect. The most recommended Philips Mozart CD's are: The Great Piano Concertos Vol I, II, the Violin Concertos, Great Quintets Vol. I and II, the Piano Trios and String Trios/Duos here. Then, the Great Seranades, the six 'Haydn' String Quartets, the two Piano Quartets and Great Violin Sonatas Vol. I, II are also fine music.

5 out of 5 stars A nice pair.......2005-06-22

Not much to add here: 1st CD: The string trio K. 563 is a peer to Mozart's greatest quartets and quintets. Period! The string duos K. 423 and 424 are simple in sound, but rich in texture; the simplicity of means calls for advanced composing and Mozart doesn't dissappoint. 2nd CD: The trio K. 266 is less interesting, but the six preludes and fugues are really great, fusions of Mozart and Bach. All the playing is excellent.

5 out of 5 stars Nobody like Artur Grumiaux for Mozart violin music!.......2004-07-19

Joseph Szigetti gave a towering surprise with the ten violin sonatas , but Grumiaux was a real fighter for this Mozart music so plenty of lyricism.

The vibrato and musicality given for Grumiaux is out of this world. His playing is kindness enjoyable extremely cantabile and above all deeply idomatic , loaded with majesty and charm and intimacy.

This belgium violinist was a pupil of Georges Enesco . Pleas acquire also the trio Kv 563 . I've never a recording that rivalizes with that.
Certainly Grumiaux was a champion master in this field!

If you take a look around about the most remarkable string Trios, you will find out that these are not so many. Before that immense Mozart's Divertimento in E flat Kv. 563, written in 1788, we just find a dozen of Trios by Bocherini and after, Beethoven Piano Trios, Schubert, Tchaikovsky, Brahms. Dvorak Dohnayi, Webern, Roussel and Schoenberg. In this sense and taking into account the brief set it's obvious to state we are in presence of the most significant, pyramidal and complete string Trio ever written, not only because it was a true milestone in what concerns to structural complexity, lyrical density and enjoyable mood.

Surprisingly, it does not use to appear among the most extraordinary musical achievements ion the enormous musical legacy of the beloved son of Salzburg. But measure by measure, I wouldn't hesitate just for a second in what respects to include it among the ten best works of Mozart throughout his opulent and extraordinary production.

And particularly this version possesses that touch of genius and dazzling luminosity, filled of kind spirits, cheerful energy and rhythmic vitality.

This masterpiece by itself justifies plainly your inversion in this double CD, but additionally you will find out another treasures of highest level as both Duos for violin and viola, The Kv. 266 The six preludes and fugues for violin, viola and cello written as a profound and heartfelt homage in Bach's memory are astonishing and notable compositions by themselves.

So I think not to sin of exaggerate when I recommend you this extraordinary set, one of my most beloved albums of my personal collection and wishing for you to have. You will agree with me once you have acquired and enjoyed over and over.

It's almost useless to talk about the purity of spirit of Artur Grumiaux, one of the most distinguished, refined and honest violinists ever born as well as one of the maxim exponents of Mozart's repertoire for violin, and I don't think to sound exaggerate to affirm this record was one of his highest artistic peaks as musician.
Bartok: Violin Concertos, Viola Concerto, 6 Duo for 2 Violins, Violin Rhapsodies; Yehudi Menuhin
Average customer rating: 5 out of 5 stars
  • As good as it gets
 Bartok: Violin Concertos, Viola Concerto, 6 Duo for 2 Violins, Violin Rhapsodies; Yehudi Menuhin
Yehudi Menuhin , Bela Bartok , Pierre Boulez , Antal Dorati , New Philharmonia Orchestra , and BBC Symphony Orchestra
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
DuetsDuets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
ViolaViola | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
$7.99 and Under$7.99 and Under | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Bartók, BélaBartók, Béla | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
InstrumentalInstrumental | Classical Music Blowout | Stores | Music
Similar Items:
  1. Bartok: Viola Concertos
  2. Beethoven: Piano Trios, Vol. 2; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell
  3. Beethoven: Piano Trios, Vol. 1; Itzhak Perlman; Vladimir Ashkenazy; Lynn Harrell
  4. Bartok: Complete Solo Piano Music
  5. Berg: Violin Concerto; Schoenberg: Piano Concerto; Violin Concerto

ASIN: B0000CE7FG
Release Date: 2004-06-01

Tracks:

  1. I: Andante Sostenuto
  2. II: Allegro Giocoso
  3. I: Moderato
  4. II: Adagio Religioso
  5. III: Allegro Vivace
  6. I: Lassu: Moderato/II: Friss: Allegretto Moderato
  7. I: Lassu: Moderato/II: Friss: Allegretto Moderato

Tracks:

  1. I: Allegro Non Troppo
  2. II: Andante Tranquillo
  3. III: Allegro Molto
  4. 28. Sorrow
  5. 31. New Year's Greeting 4
  6. 33. Harvest Song
  7. 36. Bagpipes
  8. 41. Scherzo
  9. 42. Arabian Song
  10. I: Tempo Di Ciaccona
  11. II: Fuga: Risoluto, Non Troppo Vivo
  12. III: Melodia: Adagio
  13. IV: Presto

Customer Reviews:

5 out of 5 stars As good as it gets.......2007-02-07

First you have to like Bartok. Not everyone enjoys the 20th century extention of classical music. If you do like Bartok and want to hear his violin compositions - then buy this CD and hear a true master at work.
Duos II
Average customer rating: 4.5 out of 5 stars
  • Mesmerizing!
  • Nice
  • Catch Luciana at the Ojai Music Festival this June 2006
  • A wonderful cd
  • It Does Not Disappoint
 Duos II
Luciana Souza
Manufacturer: Sunny Side
ProductGroup: Music
Binding: Audio CD

BrazilBrazil | South & Central America | International | Styles | Music
Brazilian JazzBrazilian Jazz | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Vocal Jazz GeneralVocal Jazz General | Vocal Jazz | Jazz | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
Similar Items:
  1. Brazilian Duos
  2. Neruda
  3. Rive Gauche Rio
  4. Amorosa
  5. Norte E Sul (North And South)

ASIN: B00096S3E0
Release Date: 2005-05-24

Tracks:

  1. Sai Dessa
  2. Nos Horizontes Do Mundo
  3. A Flor E O Espinho/Juizo Final
  4. Muita Bobeira
  5. Modinha
  6. No Carnaval/Vento
  7. Sambadalu (Para Luciana Souza)
  8. Aparecida
  9. Trocando Em Miudos
  10. Chorinho Pra Ele
  11. Atras Da Porta
  12. Voce

Amazon.com

Over the course of six albums filled with her beautiful voice and thoughtful interpretations, singer Luciana Souza has landed two Grammy nominations and grabbed the attention of knowledgeable jazz and Brazilian music fans. Here she follows up her breakthrough album Duos with a second installment, this time again in intimate duo settings with different guitarists. Souza dwells in her voice's mid-range, seldom going particularly high or low, yet her inflections are as rich as a well-aged cabernet wine. While these nuances take a little time to pick up, Souza's technical facility is easily recognizable and impressive - her lightning fast scat on the new choro "Sambadalu (Para Luciana Souza)" is dazzling; her timing on the ballad "Modinha" is impeccable. Generally regarded a jazz singer because of her chops, Souza is really "beyond category" (to use an old Duke Ellington quote) for bringing Brazilian folk idioms into the jazz genre, and she doesn't do it any better than on Duos II. --Tad Hendrickson

Customer Reviews:

5 out of 5 stars Mesmerizing!.......2007-05-29

This is such a beautiful work; it has the power to open and heal the soul. It is drawn from a deep tradition yet feels so fresh, a new exploration. Luciana sings straight from the heart so directly, so honestly, nothing is wasted; her interplay with the varied guitarists is so intimate, playful, and deep. Their contribution of course is equally astounding. Luciana incorporates her vocal jazz improvisation tastefully, elegantly, with no excess, and gives you just enough to satisfy. I must admit I preferred Duos II considerably to her first Duos disc, though there are equally beautiful places on that recording, but as a whole, this offering feels deeper, more whole and complete...Thank you Luciana and friends!

3 out of 5 stars Nice .......2007-05-05

I prefer Rosa Passos. Luciana's voice has an uneven tone throughout most of this collection. She has a nice ability to do brief scats, but to my ear they do not add much musically, sounding more like technical agility than musical expression. Somehow the album lacks soulfulness.

5 out of 5 stars Catch Luciana at the Ojai Music Festival this June 2006.......2006-03-21

I don't understand a Word of Portuguese but can listen to this recording over and again. L Souza is an extremely gifted artist who has yet to be more widely recognized in the US.

5 out of 5 stars A wonderful cd.......2005-06-08

This is a lovely collection by Luciana Souza. To me she is like Monica Salmaso, a curator of wonderful songs. Every song is elegantly presented and the liner notes are helpful in conveying the meaning to those of us who are linguistically challenged. Luciana Souza's intelligence and the beauty of her work is the antidote to the "American Idol" style of singing that sells so well, but means so little. It is music for grown-ups.

5 out of 5 stars It Does Not Disappoint.......2005-06-03

"Neruda" was one of the most creative and interesting albums released in 2004. Among other questions, it raised this one: What can Luciana Souza possibly do for an encore?

The same question was raised in 1969 by The Who's "Tommy", the first popular "rock opera." That encore, of course, consisted of the Who going back to its roots with one of the greatest rock albums ever recorded, "Who's Next." And, in the same way, Luciana Souza has gone back to her roots with this, her second album of Brazilian duets with various Brazilian guitarists. And like "Who's Next", this one does not disappoint.

This album is recorded with Ms. Souza (sans percussion, voice only) and four guitarists: Romero Lubambo, Marco Pereira, Swami, Jr. (yep, that's his name, fellow Americans) and Guilherme Monteiro. Every cut sounds heavenly. This album will remind you of Laurindo Almeida and Astrud Gilberto, only it's better--basically because Ms. Souza is a far superior singer, IMO.

Special note to four tracks. "Trocando en Mudos" has that same sense of longing and desire that permeated the "Neruda" disc. But lest you think Ms. Souza only does "moody", listen to how she clips along with the guitarists on "Sambadalu (para Luciana Souza)" and "Chorino Pra Ele." (In fact, a great vocal exercise for a vocal jazz ensemble would be to have all of the singers double and try to keep up with Ms. Souza on the latter!)

And then there's the last track, "Voce." Rather than acoustic, Mr. Monteiro swithces to electric guitar and, with the pedals, creates this vast, open sound similar to creations of Bill Frisell or Ben Monder. The vocalization with it is tremendous. A terrific end to a terrific album. Highly recommended. RC
Brazilian Duos
Average customer rating: 4.5 out of 5 stars
  • Luciana Souza Soars
  • Underwhelming
  • Nuclear Bosa Nova
  • Smooth bossa
  • Oh My God!
 Brazilian Duos
Luciana Souza
Manufacturer: Sunny Side
ProductGroup: Music
Binding: Audio CD

BrazilBrazil | South & Central America | International | Styles | Music
GeneralGeneral | International | Styles | Music
GeneralGeneral | Latin Music | Styles | Music
Brazilian JazzBrazilian Jazz | Jazz | Styles | Music
GeneralGeneral | Jazz | Styles | Music
Vocal Jazz GeneralVocal Jazz General | Vocal Jazz | Jazz | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Jazz | Indie Music | Stores | Music
Vocal JazzVocal Jazz | Jazz | Indie Music | Stores | Music
Similar Items:
  1. Duos II
  2. Neruda
  3. Norte E Sul (North And South)
  4. Entre Amigos/Among Friends
  5. The Poems of Elizabeth Bishop and Other Songs

ASIN: B00005NTQG
Release Date: 2002-05-14

Tracks:

  1. Baiao Medley
  2. Suas Maos
  3. Pra Que Discutir com Madame
  4. Pa Dizer Adeus
  5. Amanha
  6. Eu Nao Existo Sem Voce
  7. Doce de Coco
  8. As Praias Desertas
  9. Docemente
  10. O Bolo
  11. Viver de Amor
  12. Saudade da Bahia

Amazon.com

The lovely Brazilian vocalist Luciana Souza is the daughter of songwriters Walter Santos and Teresa Souza. She's best known to American jazz lovers through her thrilling work with pianist Danilo Perez and for her critically acclaimed recording The Poems of Elizabeth Bishop and Other Songs. On this CD, Souza's fluid and floral vocals, which swing on every Portuguese-language phrase, are backed by three alternating Brazil-born guitarists--Romero Lubambo, her father, and Marco Pereira on eight-string guitar--performing compositions by Luis Gonzaga, Edú Lobo, Jacó do Banbolim, Antonio Carlos Jobim, and Souza's parents. The combination of the plaintive and percussive guitar playing and Souza's sinewy voice is hard to beat. From the peppery "Baião Medley" and the bossa-nova-like "Doce de Coco" to the Afro syncopations of "Saudade da Bahia," Luciana Souza shows that when it comes to Brazilian music, less is more. --Eugene Holley, Jr.

Album Description

2001 album from the summery, sophisticated Brazilian jazz vocalist and Grammy Nominee. Digipak. Sunnyside Music.

Customer Reviews:

5 out of 5 stars Luciana Souza Soars.......2007-01-17

What a voice! What great guitar accompaniment. The combination of voice and guitar cannot be any better than when you place her voice in harmony with either of the guitarists who back her up on this album. Superb to put it lightly

1 out of 5 stars Underwhelming.......2005-12-22

I don't even remember why Brazilian Duos was recommended to me here on amazon. Perhaps it is because I enjoy Bonfa, Deodato, Gilberto, Gismonti, Nogueira and some other Brazilian musicians that amazon's computer decided I would probably like this as well. I don't.
I bought this several years ago and listened three or four times before deciding to shelve it. Then recently, I listened again hoping to find something I missed. I didn't. It remains underwhelming. There is nothing special in her voice, in the music, or in the arrangements. Despite that I am more than willing to try something new, I just can't find anything on this CD that inspires me. I'm not saying its bad music, I'd rather listen to this than a lot of other music that's out there. All I am saying is that it doesn't speak to me!
Perhaps there are other Luciana Souza albums that I would like more, but after my experience with Brazilian Duos, I would have to hear them before buying.

5 out of 5 stars Nuclear Bosa Nova.......2004-01-26

Ms. Souza sings with a great deal of panache.
She has amazing technique and style. She can be
percussive or lyrical which ever is needed. She
has a wide color palette from which to choose and
her choices are always musical. In short, she is
a fantastic musician. The song selection is super
and the guitarists are dynamite.

1 out of 5 stars Smooth bossa.......2003-10-30

This album seems to aim for a smooth jazz audience. Better, for a smooth bossa audience. But Souza is no charming Astrud Gilberto, sorry. The arrangements are so poor...One of the guitarists (Romero Lubambo) sounds nice, but Mr. Walter Santos is not in good shape, and a third one has no swing. People interested in first-class vocal/guitar duos by Brazilian artists should look for the Eliezeth Cardoso/Raphael Rabello, and Paulo Belinatti/Monica Salsamaso collaborations.

5 out of 5 stars Oh My God!.......2003-01-03

this is one awesome CD! I can't get over the guitar playing, while her voice and presence are simply superb... amazing indeed!
Bartok: Complete Solo Piano Music
Average customer rating: 4.5 out of 5 stars
  • Microcosmos
  • Great value with a few flaws
  • eeh, I guess I don't like Bartok that much
  • Best classical value out there
  • 5 Stars for the music and performance
 Bartok: Complete Solo Piano Music

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
ImprovisationImprovisation | Forms & Genres | Classical | Styles | Music
ElegiesElegies | Requiems, Elegies & Tombeau | Forms & Genres | Classical | Styles | Music
RondosRondos | Forms & Genres | Classical | Styles | Music
BagatellesBagatelles | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SonatasSonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
Similar Items:
  1. Bartok: The Piano Concertos
  2. Béla Bartók: The 6 String Quartets - Takács Quartet
  3. Complete Piano Works of Scriabin
  4. Bartok: Violin Concertos, Viola Concerto, 6 Duo for 2 Violins, Violin Rhapsodies; Yehudi Menuhin
  5. Brahms: Works for Solo Piano

ASIN: B00008X5AY
Release Date: 2003-05-27

Amazon.com

Sàndor, still active at 90 as this reissue appears, was a student of Bartók and a preferred interpreter of his music. Since this set appeared on nine LPs in the early 1960s, it has been the standard for Bartók's piano music; in this fine-sounding reissue, it still is. Sàndor can hit hard enough for such virtuoso pieces as the Piano Sonata and "Out of Doors," but he also retains the romantic element heard in the composer's own playing which tempers the harsher qualities of the music. While this collection isn't quite as complete as advertised (some early, insignificant piano music by Bartók is omitted), it includes all of Bartók's significant piano music, including such relatively obscure gems as the Bagatelles, eight Improvisations, and many delectable folk arrangements which will appeal even to listeners who think Bartók is too challenging for them. Vox's recorded sound, superbly remastered, resists obsolescence as effectively as Sàndor's performances. Even with the inclusion of the early books of "Mikrokosmos," which will appeal mostly to piano students, this set is worth several times the asking price. --Leslie Gerber

Customer Reviews:

4 out of 5 stars Microcosmos.......2007-03-08

Sándor was a champion not only of Bartók's music but also of Bartók's style of playing. He often complained that people were too quick to see Bartók as ultra-modern, and to fail to appreciate the rich seam of lyricism that also runs through his music.

The piano music is dominated by short pieces, many of them written for piano students, notably the collections "Microcosmos" and "For Children". These, together with suites of folk dance arrangements, make up the bulk of the solo piano output.

Sandór plays these short, and often simple pieces, with neither too much nor too little art. As a gifted teacher, he knew unerringly how much music each of these small vessels held. The result is beguiling - but be warned: no-one can listen to the 153 short pieces of Microcosmos end-to-end. This is an anthology to be dipped into, not swallowed whole.

The remastering is pretty successful (fortunately - some of Vox's CD reissues are plagued by severe deterioration of the original tapes). And it's for half nothing-what's not to like?

4 out of 5 stars Great value with a few flaws.......2006-07-28

I am not a Bartok expert by any scale, but I do like the way these pieces, without exception, are played. There are, however, a couple of other problems.

As mentioned by an earlier reviewer, very few of the works are split into tracks - Mikrokosmos is divided into 7 for each of its six volumes, and to accomodate for a full CD. In these seven tracks there are 121 songs. I would have much preferred if the songs had been split into tracks. Almost the entire CD set is this way - Fifteen Hungarian Songs is one track, Fourteen Bagatelles, etc. It is very annoying when one wants to hear a particular song in those tracks and not the others.

Another detriment to the collection is the recording quality. It is decent most of the time, but in loud sections the piano buzzes. One might be able to ignore it, but I think that it detracts from the passion of the forte quite a bit.

Overall, for $18 it is pretty decent, but if you are like me and like to keep your music library neatly organized (and aren't extremely cheap), I would not recommend this set.

3 out of 5 stars eeh, I guess I don't like Bartok that much.......2006-07-25

I like the fact that Bartok is into the folk tradition and all, but he just tends to forget the fact that melody has to be SOMEWHERE in the music. I'm all for creative expression when you're sitting alone at the piano, but abstract music should be reserved for performance art. I like playing some of your stuff Bela, but I just don't want to listen to you.

5 out of 5 stars Best classical value out there.......2005-10-05

To put this set in perspective, for months I would go to my local Tower Records fishing for worthwhile classical CDs at least once a week. One of the discs that sat in the bins the longest was a single CD of Bartok piano music, played by Zoltan Kocsis. It was Volume 7 of a complete series. This CD listed for $17.99, and as long as I went to that Tower Records, it did not budge an inch, nor was its price amended.

Now, Kocsis is one of the greatest pianists alive, and if anyone is worthy of commanding a premium, it is him. And to be fair, that CD is going to be re-released on October 11 as part of a Collector's Edition - eight CDs, $63.97 MSRP. But it's already going up against this little gem, which contains five CDs with all of the truly great solo-piano works by an internationally recognized Bartok specialist for $21 - not much more than the cost of one CD from the other set. This kind of value is not to be taken lightly.

I came to this set with my impression of Sandor informed by his complete Prokofiev - ultra-hard, sometimes rhythmically slack, always melodically lacking in some way or another. But he held a very special feeling for Bartok, and saved his best playing for the great Hungarian. In passages like the first of the Three Csik Dances, the opening of the Improvisations Op. 20, or in the Ten Easy Pieces, there is a simplicity, charm and wistful homesickness that is quite touching. In pieces like the Out of Doors suite, the Sonata, or the Burlesques, there is a vicious, impulsive energy, a wicked sense of humor and an overabundance of overtones. It is never mindless, inappropriate or even overly harsh - it's just very, very loud.

In this set I like best the endless landscape of the Sonatina, the unusual colors and fragrances in the Etudes, the brilliantly conceived Bear Dance (the last of the Ten Easy Pieces), and the multifaceted, complex, gorgeous Improvisations. Any fan of Bartok should hear these.

4 out of 5 stars 5 Stars for the music and performance.......2005-04-04

This is a fantastic deal, but the problem with this Collection stems from the fact that the pieces are often not separated by tracks. This is especially annoying for the Children's Pieces and Mikrokosmos. There are so many pieces, one wears out the fast forward button and still may miss the particular piece one is looking for. The booklet is fairly insightful, and the performer is widely hailed as the supreme interpreter of Bartok's piano music. So aside from this slightly annoying at times and ridiculously annoying at other times flaw, this is one of the best deals in Classical music. Don't hesitate. Add it to the cart.
Bartók Album
Average customer rating: 5 out of 5 stars
  • Nagyszeru!! (Excellent!)
  • The Real Deal
  • Re-living the past
 Bartók Album

Manufacturer: Hannibal
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Folk | Styles | Music
KlezmerKlezmer | Folk | Styles | Music
HungaryHungary | Eastern Europe | Europe | International | Styles | Music
GypsyGypsy | Eastern Europe | Europe | International | Styles | Music
GeneralGeneral | Continental Europe | Europe | International | Styles | Music
GeneralGeneral | International | Styles | Music
Hannibal RecordsHannibal Records | Amazon.com Label Stores | Stores | Music
GeneralGeneral | International | Indie Music | Stores | Music
Similar Items:
  1. Maramaros: The Lost Jewish Music of Transylvania
  2. Morning Star
  3. Csardas Hungarian Gypsy Music
  4. Music from Hungary
  5. The Best of Marta Sebestyen: Voice of "The English Patient"

ASIN: B00000JZ15
Release Date: 1999-09-21

Tracks:

  1. Dunantuli Friss Csardasok
  2. Jocul Barbatesc
  3. Violin Duo No.32, 'Dance Of Maramaros'
  4. Maramaros Dances
  5. On The River Bank
  6. Swineherds' Dance
  7. Dunantuli Ugrosok
  8. Shepherd's Flute Song
  9. Forgacskuit Lads' Dance
  10. My Horse's Shoe
  11. Violin Duo No.28, 'Sorrow'
  12. Bonchida: Slow Lads' Dance
  13. Magyarbecei Oreges Csardasok
  14. Pe Loc
  15. Bota Dance
  16. Torontal Dances
  17. Ardeleana
  18. Vioiln Duo No.44, 'Transylvanian Dance'
  19. Fuzes: Lads' Dance
  20. The Churchyard Gate
  21. Kalotaszeg Dances
  22. I Left My Homeland

Amazon.com

Hungarian composers were among the world's most diligent in using folk resources to inform their classical compositions, and no composer was more involved in his nation's folk music than Bela Bartók. His recording expeditions into the Hungarian countryside in the early years of the 20th century preserved a musical heritage that might have otherwise been lost. While his main interest was finding inspiration for radical new music, his recordings lived on to inspire generations of modern folk revivalists. This album is a tribute to Bartók's work. The songs he recorded are born anew in the strings of Muzsikás and singer Márta Sebestyén. They play and sing these old songs in a traditional style but never fail to stamp a strong personal mark on the material. In addition to Muzsikás's own renditions, the CD includes a few special tracks of the original Bartók recordings that let you hear the old style of playing and singing in the purest form. There are also a few Bartók compositions, performed by Muzsikás fiddler Mihaly Sipos and Romanian classical violinist Alexander Balanescu. The old recordings and the Bartók works add a unique perspective to the folk songs, offering us a timeline from the oldest sources to the most modern interpretations. --Louis Gibson

Customer Reviews:

5 out of 5 stars Nagyszeru!! (Excellent!).......2003-04-05

An absolutely stellar recording! It simply doesn't get any better than this in terms of musicianship, vocals, performance quality or ethnomusicological value.

A sort of concept album, Muzsikas and Marta Sebestyen perform some serious musical detective work in The Bartok Album, juxtaposing original phonograph field recordings from a century ago by Bartok himself alongside excerpts from his works which clearly reflect these folkloric influences. Finally, we are treated with Muzsikas' own renditions of these classic folk pieces, executed with the perfect mix of flawless technique and earthy exuberance, not to mention the magnificent haunting vocals of Sebestyen.

Particularly intriguing are the swineherd and shepherd songs, among the most ancient styles in the Carpathian Basin. The long flute on the Shepherd's Flute Song, beautifully played by Zoltan Juhasz, has an ethereal otherworldly quality and contrasts most favourably with the spirited ugros dances that precede it. The carefully chosen clips from Bartok's musical archives clearly show the link between his field recordings and subsequent compositions, such that the listener gets an idea of just how influential folkloric elements were in Bartok's work. Fascinating for anyone with even a casual interest in Bartok, ethnomusicology, or the unique musical styles found in Transdanubia and Transylvania, or just for anyone who needs a frenetic folk-dancing workout.

All in all, an absolutely top-notch album in every sense of the word, and highly recommended to any fan of great music!

5 out of 5 stars The Real Deal.......2002-06-28

One day, in adventurous mood and tired of RAWK, I decided it was time to investigate Gypsy fiddle music and stumbled onto this CD (who says you can't judge a CD by the cover art?). It became my happiest discovery in years. There's nothing hokey about the performance of these re-worked folk tunes; the album is passionate and exhuberant and visceral, and the violin work often soars into the stratosphere.

I've seen other reviewers express disappointment that the ensemble didn't perform/arrange the work in the fashion Bartok himself would have, ie, classical mode, but that would have diluted the whole point: the people who performed the songs for the Bartok's microphone (clips of the original field recordings Bartok made are presented inbetween the modern renditions) didn't make music for upper-crust performance halls and Sony Classical, they played it in the intimacy of their everyday lives and communities. By presenting the songs in this context, the album reminds us of a time and place when popular music had real communal value not measured in units sold.

5 out of 5 stars Re-living the past.......2000-06-20

This newest Muzsikas album includes 4 excelent elements:

- Bela Bartok's genius for documenting folk melodies

- Muzsikas orchestra whish reproduces traditional music with passion

- guest star Marta Sebastian, passionate voice to reveale sadness from Transilvania

- and last but not least - Alexander Balanescu, precious performer and great experimentator.

I was lucky enough to see the concert in Budapest. May 2000, where many songs from "The Bartok Album" were introduced. On the recording it is possible to hear only the echo of the stomping dance that gives the rythm to the music, and you can only imagine antiend and rude instruments that, played together with virtuose violine, compose timeless tunes that Bartok saved from extintion.

Still, the advantage that CD has over the live performance are recordings from the museum archives, valuable historical docuemntation of traditional music from Hungary and Romania, as well as very well equiped booklet with descritions and translations of many songs.

Highly recomended album, that offers diverse types of joy - to listen, to read and to dance along :-)
Imperial Fanfares
Average customer rating: 4 out of 5 stars
  • A little too much and poor sound quality
  • And now, honored ladies and gentlemen, may we present...!
 Imperial Fanfares

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
DuetsDuets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by BiberAll Works by Biber | Biber, Heinrich Ignaz | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CharpentierAll Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LullyAll Works by Lully | Lully, Jean-Baptiste | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MonteverdiAll Works by Monteverdi | Monteverdi, Claudio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SalieriAll Works by Salieri | Salieri, Antonio | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SchmelzerAll Works by Schmelzer | Schmelzer, Johann H. | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ZelenkaAll Works by Zelenka | Zelenka, Jan Dismas | ( Z ) | Featured Composers, A-Z | Classical | Styles | Music
Ballets & DancesBallets & Dances | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Brass | Instruments | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
$6.99 and Under$6.99 and Under | Classical Music Blowout | Stores | Music
All Classical Music BlowoutAll Classical Music Blowout | Classical Music Blowout | Stores | Music
Biber, Heinrich IgnazBiber, Heinrich Ignaz | ( B ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Charpentier, Marc-AntoineCharpentier, Marc-Antoine | ( C ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Lully, Jean-BaptisteLully, Jean-Baptiste | ( L ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Monteverdi, ClaudioMonteverdi, Claudio | ( M ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Salieri, AntonioSalieri, Antonio | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Schmelzer, Johann H.Schmelzer, Johann H. | ( S ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Zelenka, Jan DismasZelenka, Jan Dismas | ( Z ) | Composers, A-Z | Classical Music Blowout | Stores | Music
Opera & VocalOpera & Vocal | Classical Music Blowout | Stores | Music
Similar Items:
  1. Fanfare, British Music for Symphonic Brass Ensemble
  2. Music from the Royal Court
  3. Ceremonial Music for Trumpet & Symphonic Organ
  4. Lully: Les Divertissements de Versailles
  5. Music for Organ, Brass & Percussion

ASIN: B00008MLVK
Release Date: 2003-07-15

Tracks:

  1. Imperial Fanfare
  2. Royal Entry
  3. Ceremonial Procession
  4. Heroic Procession
  5. Festive Procession
  6. Elector's Procession
  7. Elector's Procession
  8. Majestic Procession
  9. Priere Du Matin
  10. Intrada
  11. Largo - Allegretto
  12. Intrada
  13. Festive Overture
  14. Toccata (Prelude To Orfeo)
  15. Courante For The Entry Of His Imperial Majesty And All The Cavalry
  16. Follia For New Entry Of The Sprinter And Other Equestrian Manoeuvres
  17. Sarabande For The End Of The Ballet
  18. Trumpet Duet
  19. Intrada For The Trombet Und Musicalischen Tafeldienst
  20. Menuet (Trumpet Duet No. 82)
  21. Trumpet Duet No. 8
  22. 1812 Overture, Op. 49
  23. Festive Table Music No. 1
  24. Festive Table Music No. 2
  25. Procession At The Imperial Court
  26. Procession No. 3
  27. Festive Procession: The Entry Of The Emperor, 1631
  28. Intrada From Bruck An Der Mur
  29. Procession No. 4
  30. Procession No. 1
  31. Procession (Brilliant, Bright)
  32. Marche Des Nations De Flore
  33. 2e Air Du Combat De Lance D?Amadis
  34. La Descente De Mars
  35. La Marche Italienne
  36. Prelude Des Divertissements
  37. Chaconne Du Palais Royal
  38. Menuet Royal
  39. Marche Pour Les Trompettes Seules
  40. Bruit De Trompettes
  41. L?Etendard
  42. Fanfare A Deux Trompettes
  43. Bruit De Guerre
  44. Allemande
  45. Molto Moderato
  46. Signature Tune Of The Old Town Of Bratislava
  47. Fanfara 1
  48. Fanfara 2
  49. Marcia Per La Cavalleria, No. 1
  50. Entree Fanfare
  51. Modern Fanfare
  52. Signature Fanfare
  53. Convention
  54. Fanfare Solo I
  55. Fanfare Solo II
  56. Fanfare Solo III
  57. Fanfare Solo IV
  58. Fanfare Solo V
  59. Fanfare Solo VI
  60. Opening Fanfare
  61. New Palace Fanfare
  62. Welcome Fanfare
  63. Excitement
  64. Short and Concise
  65. Short Fanfare No. 1
  66. Short Fanfare No. 2
  67. Short Fanfare No. 3
  68. Short Fanfare No. 4
  69. Flourish
  70. Il Giorno Del Silenzio
  71. Fanfare For Solo Trumpet And Drum - V
  72. Fanfare For Solo Trumpet And Drum - II
  73. Wrapped In Mystery
  74. Marcia Maestoso
  75. Imperial Procession In Vienna
  76. Procession No. 8: Allegretto

Customer Reviews:

3 out of 5 stars A little too much and poor sound quality.......2006-11-10

Even though this was recorded just a couple of years ago the sound quality is not that good. It sounds like it was recorded in the 70s and outside with the microphones far away. There is nothing too deep here and all the fanfares are fairly short, just lasting a few seconds it seems. I got tired of this pretty quickly and it doesn't stand up to repeated listenings and to be honest a lot of the stuff on here sounds the same. The performances are ok, but nothing special, they sound kind of flat, and they don't really do anything to make this sound exciting like it should. Maybe if the performance and sound was better I would of enjoyed this more.

5 out of 5 stars And now, honored ladies and gentlemen, may we present...!.......2003-07-17

This is what you'd have to call a specialty CD. It consists entirely of fanfares--nothing but fanfares--some of them as short as 10 seconds long. An interesting idea for a CD, perhaps, but I would guess it is primarily for directors of costume dramas, period pieces, and ceremonies of various sorts.

There are 76 fanfares on the disc covering composers ranging from Monteverdi to a trio of modern composers, all of the latter associated with the CD itself. They are played by an outfit called 'The Art of the Trumpet,' a coalescence of 24 Austrian trumpeters and a couple of timpanists (and on occasion a single trombone). Some of the fanfares use the whole group, there are others for solo trumpet, and for all combinations in between. They are led by a trumpeter from Vienna named Leonhard Leeb who is not only one of the trumpeters but also one of the composers--the other two modern composers are Leon Bolten and Joel Modart (I almost typed 'Mozart' but no!...).

Other composers include Salieri, Lully, Biber, J.H. Schmelzer, Pezel (often spelled Petzel here in America), Philidor (yes, the chess master of that name), Marc-Antoine Charpentier, and the multi-talented A. Nony Mous.

The performances are appropriately stirring, ceremonial, attention-grabbing, even mournful (one, Bolten's 'Wrapped in Mystery,' was dedicated to the victims of the World Trade Center tragedy of September 11, 2001). I would strongly suggest you not listen to the whole CD at one sitting--actually, it's hard to imagine anyone would--because too much B flat can fry your brain unless you yourself are a brass player or bagpiper.

For what it is, though, this CD is excellent.

Review by Scott Morrison
Zoltán Kocsis plays Bartók
Average customer rating: 5 out of 5 stars
  • Masterful interpretation of Bartok's piano works
 Zoltán Kocsis plays Bartók

Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

DancesDances | Ballets & Dances | Classical | Styles | Music
GeneralGeneral | Bartók, Béla | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
EtudesEtudes | Forms & Genres | Classical | Styles | Music
ImprovisationImprovisation | Forms & Genres | Classical | Styles | Music
ElegiesElegies | Requiems, Elegies & Tombeau | Forms & Genres | Classical | Styles | Music
RondosRondos | Forms & Genres | Classical | Styles | Music
BagatellesBagatelles | Short Forms | Forms & Genres | Classical | Styles | Music
ImpromptusImpromptus | Short Forms | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SonatasSonatas | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:
  1. Debussy: Solo Piano Music; Fantaisie; Ravel: Piano Concertos
  2. Works for Solo Piano
  3. Liszt: Works for Piano and Orchestra
  4. Historic Russian Archives Emil Gilels Edition [Box Set]
  5. Plays Schubert

ASIN: B0009A41VA
Release Date: 2005-10-11

Customer Reviews:

5 out of 5 stars Masterful interpretation of Bartok's piano works.......2005-10-21

Without a doubt Bartok is one of the most influential composers of the 20th century. Combining a deep understanding of the possibilities of eastern European folk music - particularly Hungarian and Romanian - with an extremely advanced harmonic and rhythmic vocabulary, Bartok composed some of the greatest works of the last century.

Although Bartok wrote some sublime orchestral music (The Music for strings, percussion and celeste comes instantly to mind), it is in the realms of string quartet and solo piano music that Bartok reigns supreme among 20th century composers in the humble opinion of this reviewer.

So. Here is an 8 CD set of all of Bartok's solo piano music by (argueably) the pre-eminent interpreter of his piano music. These are insightful, passionate performances beautifully recorded.

I for one am thrilled to have this set - particularly since many of these CDs were unavailable up till now. The box is also very reasonably priced compared to the separate CDs.

Highly recommended - modern music begins here.
Face à face: Duos for Violin & Cello
Average customer rating: 5 out of 5 stars
  • A smile in the mind...
  • Magnificent music making!
 Face à face: Duos for Violin & Cello

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by HalvorsenAll Works by Halvorsen | Halvorsen, Johan | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Kodály, Zoltán | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
Similar Items:
  1. Inventions
  2. Brahms: Piano Trios
  3. Haydn: Cello Concertos
  4. Ravel: Sonatas & Trio
  5. Franck: Violin Sonata; Rachmaninov: Cello Sonata

ASIN: B00008ODZJ
Release Date: 2003-07-08

Tracks:

  1. Passacaille After Handel
  2. Duo Op. 7
  3. Duo Op. 7
  4. Duo Op. 7
  5. Sonate Pour Violon & Violoncelle
  6. Sonate Pour Violon & Violoncelle
  7. Sonate Pour Violon & Violoncelle
  8. Duo
  9. Duo
  10. Duo
  11. Duo
  12. God Save The King Op. 38

Amazon.com

This is a recording to induce smiles of incredulity, admiration, and delight. The Capuçon brothers are dazzling virtuosos who revel in their technical prowess with unabashed, sometimes mischievous relish; their tone is simply gorgeous: rich, vibrant, and intense, and they have the impetuosity, exuberance and abandon that befits their youth. (Renaud was born in 1976, Gautier in 1981, in Chambery, France.) The recording is designed to display every aspect of their matchless virtuosity, but equally astonishing are their uncanny rapport and unanimity and the homogeneity of their tone: they trade phrases and take over lines literally imperceptibly, and at times, especially when the cellist plays high up on the A and the violinist on the G-string, one cannot tell which instrument is playing what. The program includes a world premiere: Eric Tanguy's Sonata, written for the brothers and tailored to their strengths: two marathon run-around movements flanking a dark, passionate, slow one, all full of close interplay between the instruments. Kodály's familiar, very difficult Duo, played with great idiomatic empathy, unbridled temperament and mournful lamentation, exploits all the instruments' resources of colors and sound effects. The less familiar Duo by Erwin Schulhoff is equally difficult; with its wildly contrasting moods, abrupt changes of character and improvisatory freedom it has a powerful emotional impact. The program begins and ends with brilliant fireworks: Handel-Halvorsen's "Passacaglia," tossed off with playful nonchalance, and "Variations brillantes sur God Save the King," by two virtuosos: violinist Joseph Ghys and cellist Adrien Servais. (It is tempting to imagine that each wrote his own part.) Prefaced by a solemn, operatic Introduction, the five variations are the last word in acrobatics; the pyrotechnics are so incredible that the piece sounds like a parody of its own genre. Naturally, the playing is absolutely stunning. --Edith Eisler

Customer Reviews:

5 out of 5 stars A smile in the mind..........2003-09-12

Refreshingly interesting programming combined with virtuosic music-making makes this one of the few "must-have" classical albums of the year (2003). No re-hashes here...it's all new to the ear (well, my ear). and the sense of ensemble between these two brothers is uncanny and breathtaking, underscored throughout by a sly sense of wit...merry, witty and just plain fun! BUY THIS CD...you'll love it and you'll be supporting some darned interesting upcoming new talent! P.S. The liner notes and photos are subtley hilarious...very well put-together package.

5 out of 5 stars Magnificent music making!.......2003-07-18

The playing and music making on this disc are magnificent. The Capuçon brothers are virtuosos of the first rank, but more importantly they are incapable of playing an unmusical or uninteresting note. They speak with one voice when called upon, but are perfectly willing to engage one another in heated musical dialogue in the Kodaly and Tanguy. The performance of the Kodaly is especially wonderful. Technical perfection, panache, an infinite pallete of colors and amazing musicianship: what more could you want in a cd? I urge you to buy this cd and all others by these remarkable young brothers, especially their Ravel disc.

Latin Music:

  1. El Baul De Los Recuerdos [Import]
  2. El Huizache
  3. El Mundo No Es Un Mar De Rosas [Import]
  4. Em 3,14 [Import]
  5. En Ginebra [Import]
  6. Fusion De Estilos [Import]
  7. Gata Loca [Import]
  8. Gritos De La Calle [Import]
  9. Historia Musical de Mexico, Vol. 1
  10. Historia Musical de Mexico, Vol. 2

Latin Music

latin music

Recommended Music:

No Space for Dogma [Import]

Souvenirs of Vienna

Street of Dreams

Very Best of [Import]

Very Eavy Very Umble [Import]

The Master [Import]

The Lord Reigns

The Very Best of Soft Cell [Import]

Sokoni Aru Uta [Import]

Sviatoslav Richter in the 1950's, Vol. 3

Sunday Shoes

Stupid is as Stupid Does: The Stupids Collection [Import]

The Youngsters [Explicit Lyrics]

The Best of Yarbrough & Peoples

Howlin' Wolf: His Best (Chess 50th Anniversary Collection)