Rock and Roll [Import]

Track Listings

1. Sucia Mujer

2. El Ataud

3. Me Da Pena

4. Cosas Viejas

5. Sucio Sheriff

6. Ya Todo Paso

7. Bienvenido

8. Pidan Lo Que Quieran

9. Ella

10. Vicios Y Rock And Roll

11. 25

12. Viaje De Vida

Rock and Roll,La 25,Tocka,Latin

Tracks:

Handle With Care
Dirty World
Rattled
Last Night
Not Alone Any More
Congratulations
Heading For the Light
Margarita
Tweeter And the Monkey Man
End Of the Line
Maxine - (previously unreleased, Bonus Track)
Like A Ship - (alternate take, Bonus Track)

Tracks:

She's My Baby
Inside Out
If You Belonged To Me
Devil's Been Busy, The
7 Deadly Sins
Poor House
Where Were You Last Night?
Cool Dry Place
New Blue Moon
You Took My Breath Away
Wilbury Twist
Nobody's Child - (Bonus Track)
Runaway - (Bonus Track)

Amazon.com

The Traveling Wilburys were one of the few supergroups that lived up to their promise, because they didn't try to. Things started inauspiciously when George Harrison, needing a B-side for a 1988 single, called in friends Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison for assistance. Two albums later--the second without Orbison, who had passed away shortly after the first was released--the loose-knit collective had recorded material that was as durable, and occasionally eclipsed, the participants' legendary solo work. The Wilburys succeeded due to a genial and contagious camaraderie that permeates both discs. What could have been a train wreck of ego clashes instead resulted in a frothy meeting of the minds. These guys are having a blast, trading lead vocals and harmonies on energetic folk-rock, quirky rockabilly, and Beatlesque pop that shimmers with the respect and esteem the members clearly hold for each other. Harrison and Lynne's rather slick production polishes off edges that might better have been left unvarnished, but there's no denying the loosey-goosey craftsmanship at work in tunes such as "Handle with Care," "End of the Line," and a striking Orbison performance on "Not Alone Anymore" that ranks with any of his finest. Both albums were million-sellers, but oddly went out of print for about a decade until Rhino resurrected them, adding two rare tracks per disc as well as a DVD of music videos and a band documentary. The resulting package is a comprehensive overview of a once--well, twice--in-a-lifetime project that, especially after Harrison's passing, will never be repeated. --Hal Horowitz

Album Description

Featuring classics like "Handle With Care," "End Of The Line," and "Heading For The Light," super-group Traveling Wilbury's Collection highlights all of the band's music and previously unreleased bonus tracks through this re-mastered double album. The DVD features behind the scenes footage of the band writing and recording, along with their 5 video clips.

Customer Reviews:

Don't listen to the naysayers.......2007-07-24

Wow, I can't believe how many reviews are negative on Vol. 3. It rocks! Maybe it's because I'm more of a Tom Petty and Jeff Lynne fan but it has all of their trademarks--strong rhythm section, great production, rock steady drumming (and just okay lyrics). I would stack Vol. 3 up against Petty's Full Moon Fever (produced by J. Lynne)--if you love that album, you'll love Vol. 3. If your feet aren't tapping to this music you just don't love rock'n'roll.

Just good music.......2007-07-23

I always loved George Harrison and seeing him in the DVD that came with this compilation was awesome. How can you go wrong with Jeff Lynne, Bob Dylan, Tom Petty and Roy Orbison? They are having such fun and enjoyed playing together - it comes across in the music.

Traveling Wilburys.......2007-07-23

This was an excellent purchase. Enjoyed every song on the 2 CDs. Also enjoyed watching the DVD. Was worth every penny.

Finally available after being out of print for way too long.......2007-07-21

Three years ago I snapped up "Traveling Wilburys, Volume 3" from a used CD bin, and I couldn't believe my luck, as both Traveling Wilburys CDs had been out of print for many years, for some incomprehensive reason, as those albums are a treasure of American music. Now finally comes the long-overdue restauration of that.

"The Traveling Wilburys Collection" brings the 2 albums, with bonus tracks, and a DVD. "Traveling Wilburys, Volume 1" (10 tracks, plus 2 bonus tracks, 42 min.) brings the beginning olf this super-star band, starting off with the irresitable "Handle With Care", originally contemplated as a George Harrison B-side for one of his "Cloud Nine" album singles. There is hardly a bad track on here: "Last Night", "Tweeter and the Monkey Man", and my all-time favorite "End of the Line" are among the highlights. "Margarita" is the only weak track. The (previously unreleased) bonus tracks, "Maxime" and "Like a Ship" are outstanding. "Traveling Wilburys, Volume 3" (11 tracks, plus 2 bonus tracks, 42 min.) even goes one better, in my book. From the stellar opener "She's My Baby", to "Inside Out", "Where Were You Last Night" to the rousing and irresistable "Wilbury Twist", it is just magic. The bonus tracks "Nobody's Child" and a cover of "Runaway" are quite nice, but not as good as the regular album tracks. I know that many music fans are not as fond of "Volume 3" due to Roy Orbinson not being part of it, but for me, it is the better, tighter, sounding album of the two. I absolutely love "Volume 3".

The DVD starts with a fascinating 40 min. documentary of the band's early days, bringing a blow-by-blow visual account of how most of the first album's tracks came about. What strikes is how great all those super-stars got along, egos were clearly checked at the door. It also brings the 5 videos the band did for the 2 albums, nice but not as good as the documentary. The liner notes are not that great, primarily a fictional history of the Wilburys, but no lyrics of the songs or detailed recording details. But that is a minor quible. This collection is a terrific slice of Americana, whose reissue was LONG overdue. Essential in every way.

A Great Set.......2007-07-19

This is a must have for any Traveling Wilburys fan.
The DVD is great shows some really nice home movies, about the making of the albums.

grannysue
Waller,TX

Average customer rating:

A 5-Star Album That's Substantially Overrated
One of many Beatles' masterpieces
Sgt. Pepper Turns Forty
what can I say?
Ridiculously overrated

Sgt. Pepper's Lonely Hearts Club Band
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Abbey Road
The Beatles (The White Album)
Magical Mystery Tour
Rubber Soul
Revolver [UK]

ASIN: B000002UAU
Release Date: 2002-07-15

Tracks:

Sgt. Pepper's Lonely Hearts Club Band
With A Little Help From My Friends
Lucy In The Sky With Diamonds
Getting Better
Fixing A Hole
She's Leaving Home
Being For The Benefit Of Mr. Kite!
Within You Without You
When I'm Sixty-Four
Lovely Rita
Good Morning Good Morning
Sgt. Pepper's Lonely Hearts Club Band (Reprise)
A Day In The Life

Amazon.com essential recording

Before Sgt. Pepper, no one seriously thought of rock music as actual art. That all changed in 1967, though, when John, Paul, George and Ringo (with "A Little Help" from their friend, producer George Martin) created an undeniable work of art which remains, after 30-plus years, one of the most influential albums of all time. From Lennon's evocative word/sound pictures (the trippy "Lucy in the Sky With Diamonds," the carnival-like "Being for the Benefit of Mr. Kite") and McCartney's music hall-styled "When I'm 64," to Harrison's Eastern-leaning "Within You Without You," and the avant-garde mini-suite, "A Day in the Life," Sgt. Pepper was a milestone for both '60s music and popular culture. --Billy Altman

Customer Reviews:

A 5-Star Album That's Substantially Overrated.......2007-07-24

SGT. PEPPER'S LONELY HEARTS CLUB BAND stands at the pinnacle of 1960s record-making, credited for ushering in the psychedelic era, opening up new production techniques, and giving rock musicians the freedom to follow their muses. Hailed upon its release as a breakthrough, an experience over an album, SGT. PEPPER spent the next twenty years ranking as the "Greatest Album Ever," and it still maintains its heavyweight status.

One of the most interesting facets of the SGT. PEPPER experience is that for a record hailed as a psychedelic landmark, it isn't all that psychedelic, at least not when compared to 1967s other flagship albums: SURREALISTIC PILLOW (Jefferson Airplane), ARE YOU EXPERIENCED (Jimi Hendrix), FOREVER CHANGES (Love), THE DOORS (self-explanatory), and THE PIPER AT THE GATES OF DAWN (Pink Floyd). SGT. PEPPER is largely the manifestation of Paul McCartney's pop inclinations matched with peerless production, its an old-fashioned entertainer's album for the rock era. Even among the more production-oriented records of the era, PET SOUNDS (The Beach Boys) and DAYS OF FUTURE PASSED (The Moody Blues), it still sounds straight forward.

One of many Beatles' masterpieces.......2007-07-23

Not my favorite Beatles album, but undoubtedly a masterpiece and one of the most influential albums of all time.

Sgt. Pepper Turns Forty.......2007-07-23

It is impossible to adequately explain to someone not around forty years ago when this album was released its importance and what it meant to so many of us. The Beatles were at their height. In the U. S., it was before the assassinations of Malcolm X, Robert Kennedy and Martin Luther King when all the world seemed young and everything was possible. It was more than just world class music, it was a social and cultural phenomenon. There had never been anything just quite like it before. It helped define the 1960's.

The music of course is of one cloth as each song seques into the next one. No song stands out above another although my favorite has always been "When I'm Sixy-four." It now has a poignancy that we never dreamed of in those our salad days since neither George Harrison or John Lennon lived to see sixty-four. Then there was a whole generation of men, many who grew up with the Beatles, who perished in the first wave of AIDS.

Besides the marvelous music, there is of course the artwork for the album/CD. According to the liner notes by Peter Blake, he asked the Beatles for a list of people they would want at an imaginary concert. John initially wanted to include Jesus, Ghandi and Hitler but eventually left all three off the list because of the controversy in the U. S. over his recent comment about Jesus. Some of the people who made the list were Marlene Dietrich, Shirley Temple, Marlon Brando, Bob Dylan, Dylan Thomas, Edgar Allen Poe, Tony Curtis, William Burroughs, Karl Marx, Oscar Wilde, Johnny Weismuller, Stephen Crane, Albert Einstein, and Mae West (who refused at first but eventually agreed to be included in the life-size collage.)

It is impossible to write about either popular music or the popular culture of the last half of the twentieth century without a discussion of this CD. It should be placed in a time capsule.

what can I say?.......2007-07-16

There's not much to say really, except: this is music history and anyone who claims to know anything about popular music needs to own this album.

Ridiculously overrated.......2007-07-16

Sgt. Pepper is a good, border-line great album, but it is NOWHERE NEAR Revolver (the greatest album of all time IMO), Rubber Soul, or The White Album, let alone even close to it's billing as the greatest album of all time. While Sgt. Pepper is an enjoyable album, with many good tunes, it only has one great song ("A day in The Life"), along with two average songs by The Beatles' standards ("When I'm 64" and "Within You Without You") and IMO, the two worst Beatles songs ("Good Morning Good Morning" and "Being for the Benefit of Mr. Kite!"), which The Beatles definatley should of not included. They should have put "Penny Lane" and "Strawberry Fields Forever" in their place. That would of made this a great album.

Don't get me wrong, each and every one of the songs I haven't already talked about on Sgt. Pepper are very good, but none of them are good enough to help "A Day in the Life" make this album live up to the hype.

Oh, and for the record, I'm not excpecting very many people to say I have a helpful review, I'm just saying what I believe.

Average customer rating:

Top 3 beatles albums.
the greatest rock album on the planet...
I am buying a new copy
Great songwriting and production of Romantic Pop Rock
If I could pick only one Beatles CD to play this would be it

Abbey Road
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Sgt. Pepper's Lonely Hearts Club Band
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Let It Be

ASIN: B000002UB3
Release Date: 1990-10-25

Tracks:

Come Together
Something
Maxwell's Silver Hammer
Oh! Darling
Octopus's Garden
I Want You (She's So Heavy)
Here Comes the Sun
Because
You Never Give Me Your Money
Sun King
Mean Mr. Mustard
Polythene Pam
She Came in Through the Bathroom Window
Golden Slumbers
Carry That Weight
End
Her Majesty

Amazon.com essential recording

The Beatles' last days as a band were as productive as any major pop phenomenon that was about to split. After recording the ragged-but-right Let It Be, the group held on for this ambitious effort, an album that was to become their best-selling. Though all four contribute to the first side's writing, John Lennon's hard-rocking, "Come Together" and "I Want You (She's So Heavy)" make the strongest impression. A series of song fragments edited together in suite form dominates side two; its portentous, touching, official close ("Golden Slumbers"/"Carry That Weight"/"The End") is nicely undercut, in typical Beatles fashion, by Paul McCartney's cheeky "Her Majesty," which follows. --Rickey Wright

Customer Reviews:

Top 3 beatles albums........2007-07-23

This is a very great, very influential album by the beatles, and in my opinion it is one of their best, along with sgt. pepper and the white album of course.

the greatest rock album on the planet..........2007-07-23

this is the greatest rock album on the planet and of all time as far as i am concerned... It is bursting with mind boggling originality, brilliance in composition, singing, and musicianship. Both sides offer tremendous rock songs, from John's always fresh and brilliant 'Come together', to beautiful ballads like 'Something', to pure childlike pleasure of 'Octopuss's garden' and 'Maxwell's silver hammer'(somewhat silly, but so well-sung and playful!) to the unbelievably effective 'I want you(she's so heavy)' which ushers in the hard rock era with more gravity than any song had ever done before...'Maxwell's silver hammer' is a comedy-horror-pop song really, a new term(self-coined) that describes it better since Maxwells' silver hammer does come down on someone's head in the song!! Side B is full of awesome songs, the eversunny and phenomenal 'Here comes the sun', a Harrison masterpiece essentially, followed by the near-monastic and philosophical vocal jewel 'Because', with magnificent vocal harmonies by John, Paul, and George(just listen to it!!), and the long medley of brilliant short songs, and controlled rock improvisations of great beauty, power and subtlety, all at the same time. 'You never give me your money and the rest of that song with the enigmatically enchanting guitar riffs by John (presumably) till it fades away to 'Sunking' is one of their most original and greatest musical excursions...It ends with the four chorusing: " one two three four five six seven, all the children go to heaven"... truly mindboggling in its power and beauty, and deeply engaging rock... they are all instrumental virtuosos here, make no mistake about it!!! Abbey road shines with a maturity that goes beyond the ordinary test of time... Decades later it can still surpass all new albums that come out and create waves of recognition...What's the weakness of Abbey road? Mccartney's 'Oh! darling' and/or 'Maxwell's silver hammer(though both somehow fitted in so well(!!)) probably if any...'Oh darling' is an enchanting piece nevertheless with very Un-mcartniyish vocal presentation and appears to be an attempt to rise above Lennon's hardrock tour-de-force 'i want you(she's so heavy)'... but it is neatly sandwiched between maxwell's silver hammer, and octopuss's garden before the side a mindstopper 'i want you'. it really fits in with more poppy and agitated vocal type all at the same time in a strange and wondrous fit indeed!! The medley of songs on side b are the best concocted rock lineage that exists...What a fantastic gift to the world before the band dissolved!!!!...

I am buying a new copy.......2007-07-13

This is my favorite album (well, one of them), so I have wrecked mine by listening to it on the beach.... Number 10 to the end are totally WRECKED. So here I am, buying a new copy. I haven't heard the second half of the album in a loooong time!

Great songwriting and production of Romantic Pop Rock.......2007-07-12

If you are a fan of angry music, this ain't for you (sorry). In the context of the times it had a certain charm and still retains much of the original charm. If you are not a romantic, don't try to understand this album or band. Because the Beatles were, if nothing else, hopeless romantics who used music to find love. On that level Abbey Road works quite well. For the segment of the population that enjoys romantic rock you will find this collection of songs rewarding.

If I could pick only one Beatles CD to play this would be it.......2007-07-08

The Fab Four were at the top of their form and their work was varied and adventurous on "Abbey Road". While murder wasn't a totally unknown topic in rock, "Maxwell's Silver Hammer" with its bright instrumentation blew our minds back in the day.

Odd and sad that "Come Together" opens this CD and it was the last of their big hits together. I've rearranged this one on my iPod so that "Golden Slumbers" and is the last of this offering. Just seemed fitting to me.

Average customer rating:

A perennial classic
Breaking the Barriers
Some of the Beatles Best Work
It's Four Solo Albums & Still Great
The Beatles (The White Album)

The Beatles (The White Album)
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Abbey Road
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Let It Be

ASIN: B000002UAX
Release Date: 1990-10-25

Tracks:

Back in the U.S.S.R.
Dear Prudence
Glass Onion
Ob-La-Di, Ob-La-Da
Wild Honey Pie
Continuing Story of Bungalow Bill
While My Guitar Gently Weeps
Happiness Is a Warm Gun
Martha My Dear
I'm So Tired
Blackbird
Piggies
Rocky Raccoon
Don't Pass Me By
Why Don't We Do It in the Road?
I Will
Julia

Tracks:

Birthday
Yer Blues
Mother Nature's Son
Everybody's Got Something To Hide Except Me And My Monkey
Sexy Sadie
Helter Skelter
Long, Long, Long
Revolution 1
Honey Pie
Savoy Truffle
Cry Baby Cry
Revolution 9
Good Night

Amazon.com essential recording

Better known as the "White Album," this was meant to be the record that brought them back to earth after three years of studio experimentation. Instead, it took them all over the place, continuing to burst the envelope of pop music. Lennon and McCartney were still at the height of their powers, with Lennon in particular growing into one of rock's towering figures. But even McCartney could still rock, and the amazement on "Helter Skelter" was that he had vocal cords at the end. From Beach Boys knock-offs to reggae and to the unknown ("Revolution #9"), this has it all. Some records have legend written all over them; this is one. --Chris Nickson

Customer Reviews:

A perennial classic.......2007-07-23

As good today as it was back in the 1980s when I first bought it.

Breaking the Barriers.......2007-06-29

This was the album where the Beatles grew up and moved into a more mature and less organised sound. That road had begun with "A Day In a Life" and "Within You Without You" and "Good Morning" in Sgt Peppers - but the Beatles were still a smart pop rock band then.

In the White Album, there is a wonderful sense of a loss of control - and yet this is still the Beatles at their creative peak. Not caring what people think, they're just playing to the maximum of their abilities. And shattering barriers.

The power of their varied personalities comes through. And different sides of their personality. Who cares about anything except the music I'm feeling now? seems to be the prevalent thought here. The White Album is the Beatles Matured - who would have imagined that the Beatles would create "Helter Skelter"? or "While My Guitar Gently Weeps"...Epic stuff that certified that the Beatles could rock. "Dear Prudence" and "Sexy Sadie" and "Blackbird" are eminently listenable. In fact - apart from some ditties and departures - the album is strikingly distinctive as a playground of sounds - it is dynamic from one end to the other and still eminently listenable and deep.

How do you define genius? This is one hard album to ignore.

Some of the Beatles Best Work.......2007-06-27

Wow...this brings back great memories. The songs are so diverse and unusual, showing their true talent and creative song writing abilities. The songs are fun and strange all at the same time. It is one of my favorites of the Beatles. When you can have "While My Guitar Gently Weeps" and "Rocky Raccoon" and "Blackbird" in one package....what more can you ask!

It's Four Solo Albums & Still Great.......2007-06-23

This was on sale way Back in November 1968, for $5.00. That was the best five Bucks I ever spent. By 1968 after Eight years Together, The Beatles had just about seen it all, and they were very close to imploding. But, Lucky for all of us John, Paul, George & Ringo were on top of their Game and with the "White Album" they Presented their Best Songwriting and their greatest Playing over the Span of the 30 Tracks Here.
From: "Back in the USSR" all the way thro' to "Goodnight" and my favorite Track in reverse: "Revolution #9" you get a Beatle Album So Different & so Bold in it's Scope and Range from anything else they Gave us. We were Very Lucky to Have this band on the Planet from: 1964-70. It will never happen again in our Lifetime, But here it is, in all it's Glory...

There are almost 1,000 reviews posted here and About 95 Per-Cent of those Reviews are Gonna tell you how GREAT this is, and it is, Don't waste your Time Reading About this Record, BUY IT NOW.

The Beatles (The White Album).......2007-06-13

Good luck on locating this exceptional recording, sound, material stereo separation.

Average customer rating:

Stephen as he was meant to be...
Heads-up on the sound quality....
Charming and unpretentious
Good Album -- Worth Buying
Excellent Archival Release

Just Roll Tape: April 26th, 1968
Stephen Stills
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Live at Massey Hall (CD/DVD)
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Brothers of a Feather

ASIN: B000R7I3KA
Release Date: 2007-07-10

Tracks:

All I Know is What You Tell Me
So Begins the Task
Change Partners
Know You Got To Run
The Doctor Will See You Now
Black Queen
Bumblebee (Do You Need A Place to Hide?)
Judy
Dreaming of Snakes
Suite: Judy Blue Eyes
Helplessly Hoping
Wooden Ships
Treetop Flyer

Album Description

Stephen Stills found himself in a New York recording studio, laid down a few hundred dollars, told the engineer to roll tape, and this collection of songs is what came about. Finally remastered and released to the public, this album shows the beginnings of Crosby, Still, and Nash.

Customer Reviews:

Stephen as he was meant to be..........2007-07-20

As a long time fan of CSN and CSNY, etc, I agree with a previous reviewer that this man was meant to play the acoustic guitar. His acoustic music has long been my favorite at his, and CSN and CSNY shows. He is at his best here. Listening to these great songs, like Suite Judy Blue Eyes, Helplessly Hoping, and So Now Begins the Task, with his wonderfull soulfull voice and his just incredible guitar playing is such a treat. Like Joni, with her "Blue" album, these songs are among Stephen's finest, and this style I believe suits his talent the best. Although I'm sure artists need to branch out and always do the new and different, Stephen early acoustic songs are his classic best, and this cd is a chance to listen to them with Stephen's young voice!

Heads-up on the sound quality...........2007-07-16

Lots of good comments already written...
But heads up again on the tape hiss - it's thick - & heads up on the guitar distortion. Fine on the finger-picked songs like "Helplessly Hoping" - but noticably distorted on the strummed or flat-picked songs.

Obviously not recorded for official release - or meant for the mainstream music market - but still great that it's seeing the light of day!

Just be aware that it's not at all clean.

Charming and unpretentious.......2007-07-16

especially for Stills. Most of the material has appeared elsewhere, but there is an unpretentious charm to these quick takes by Stills. The unfamiliar pieces will have bits and pieces reshaped in later tunes, but it is an honest effort by Stills to preserve some moments of genuine inspiration before he awoke from their spell.
What amazes me as well is that listening to Stills sing on these and miss on more than once is that it is likely only Crosby who can hit a melody and keep it in tune on the first go and every go thereafter. Stills frequently misses by a country mile. Tha rawness of these efforts though compensates for the errors. That he can run through BLACK QUEEN so selflessly and with such a simplified honesty somehow makes it a different, if not stronger song than the version on his first solo record. The two songs for Judy Collins are touching. For all the bravado he too often succumbs to, Stills at this point must still have been smarting from the break-up. At this point in his career he was without a girlfriend, without a contract and without his compadre Young. This is a Stills with his tail between his legs. I believe this also represents the first recording of TREETOP FLYER, one of the truly great Stills workouts and great Stills lyrics that in 2006 would be seamlessly paired with Young's classic OVER AND OUT, GOOD BUDDY during the Freedom of Speech tour of last summer.
In most cases with demos, notably Elvis Costello, it's enough already - you get the sense it was a bloody miracle that a song happened. In the case of Stills, the raw material is compelling in its own right and knowing what you do of his golden period from CSN through the first Manassas record, you have to admire the level of inspiration and craftsmanship on display.
And then there is the guitar playing - Stills is actually more impressive when he is not showing off, and thus this record is a keeper for any Stills fan. The only negative elements of this release are that some of the songs are second tier, and the sound quality is very hissy. Very. Given that these takes exist at all, it is a small price to pay to catch a glimpse of someone on the cusp of incredible inspiration.

Good Album -- Worth Buying.......2007-07-13

I was lucky enough to be at the Stephen Stills concert in Santa Cruz on July 10 when the album came out. They had stacks of CDs on hand for the guests to purchase. I grabbed it and listened to it on the way home from the show.

Just beautiful. It's not as much of a discovery as Massey Hall (5+++ stars -- there should be a separate category for legendary material -- Abbey Road, Steel Wheels, Massey Hall), but "Just Roll Tape" is still worth buying. I just love the solo performances of Stills and Young. A man, a guitar and a mike. With the right artist behind the mike, nothing more is required to send chills down your spine.

Stephen might disagree, but this man was born to be an acoustic player. The moment he picks up an electric, forget it. This album is all acoustic and completely unmolested. Perfect natural sound. Very well worth your greenbacks, folks.

Excellent Archival Release.......2007-07-11

First, a little context: in April '68, the 23-year-old Stephen Stills is nearing the end of his Buffalo Springfield days - in less than two weeks (May 5th), that fabled group will play its final concert, w/the band's patched-together final LP, Last Time Around, being released that August. While Crosby, Stills & Nash is (obviously) on the horizon, at this juncture it's by no means definitive - Nash is still w/the Hollies, after all; and Crosby and Stills, while pals, have yet to commit to a partnership together. In other words, for Stills - everything's in flux.

So what's a young singer-songwriter-guitarist to do? Apparently, after a session guesting on Judy Collins' "Who Knows Where the Time Goes" album, it's slipping the engineer a couple hundred bucks so that he can lay down demos of a handful of new songs ... and what songs! "Suite: Judy Blue Eyes," "Helplessly Hoping" and the Crosby, Stills and Kantner-penned "Wooden Ships" turn up the following spring on Crosby, Stills & Nash's debut; "Black Queen" graces Stills' first solo LP; "Change Partners" and "Know You Got to Run" highlight his second solo album; and "So Begins the Task," which he played live with CSNY in '69 and '70, appears on the classic two-LP Manassass set. "Treetop Flyer" (which was recorded elsewhere) shows up on Stills' overlooked 1991 acoustic set, "Stills Alone."

I add the context just so I could say this: "Just Roll Tape" is a tremendous set that shows Stills at the peak of his song-writing prowess. While it may not be the perfect pick for casual fans or neophytes, for those of us who are the opposite, it's a godsend. It's unbelievable that some of these (like "Change Partners") were held back for years and others ("All I Know Is What You Tell Me," "The Doctor Will See You Now," "Judy" and "Dreaming of Snakes") were left behind.

Let's hope this is the first of many releases from Stills' vault.

Average customer rating:

Obviously, he was having a good time
Powerful, raucous, joyful, heartbreaking
The best live CD I've ever heard
Terrific!!!!!
Best music from anyone in years!!!!

Live In Dublin

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Bruce Springsteen with the Sessions Band: Live In Dublin
Memory Almost Full
Easy Tiger
Instant Karma: The Amnesty International Campaign to Save Darfur
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ASIN: B000P1KTVY
Release Date: 2007-06-05

Tracks:

Atlantic City
Old Dan Tucker
Eyes On The Prize
Jesse James
Further On (Up The Road)
O Mary Don't You Weep
Erie Canal
If I Should Fall Behind
My Oklahoma Home
Highway Patrolman
Mrs. McGrath
How Can A Poor Man Stand Such Times And Live
Jacob's Ladder

Tracks:

Long Time Comin'
Open All Night
Pay Me My Money Down
Growin' Up
When The Saints Go Marching In
This Little Light Of Mine
American Land
Blinded By The Light
Love Of The Common People
We Shall Overcome

Amazon.com

The last time Bruce Springsteen gave up E Street for Folk Street, the band of fiddles, banjos, and accordions--sans audience--was recording 2006's We Shall Overcome: The Seeger Sessions in the informality of his living room. This time the Boss takes his American-music foray to Ireland for a three-night stint on the north quay of Dublin's River Liffey. The 23 songs drawn from those performances cover most of the songs from the Pete Seeger tribute, but venture drastically into Springsteen's popular back catalog ("Atlantic City," "Highway Patrolman," "Blinded By the Light") while delving further into his affinity for multiple styles of music, from folk and blues to gospel and country. "If I Should Fall Behind" plays like a tear-jerking last call in a dimly lit pub. "Open All Night" has been shaped into pure swing, complete with pedal steel and sax. And "Jesse James," with its furious banjo, spectator handclaps, and Springsteen howl, could pass for the Pogues, circa 1985. A simultaneously released DVD uses nine cameras to capture every sweat-beaded highlight, from the tin whistle of "Further Up the Road" to an arena bursting out in a "We Shall Overcome" singalong. --Scott Holter

Album Description

New 2 CD set features 23 songs, including fan favorites, Springsteen classics and never-before-released performances

Customer Reviews:

Obviously, he was having a good time.......2007-07-22

I almost didn't buy "Live in Dublin" because it contained several songs I already had on "We Shall Overcome." However, due to the fact that my daughter gave me a gift certificate for my birthday and the price was right ($11.99), I felt I had nothing to lose.

Clearly, The Boss was having a good time in Dublin. His voice cracks, croaks and groans at times, but it's still vintage Springsteen. The backup band is outstanding. Normally, you couldn't mix bluegrass fiddles with a horn section on a single recording. But somehow, they pull it off - and it sounds great.

He also completely rearranges "Atlantic City" and "Blinded By the Light" to the point where they're all new songs. You have to play the haunting "When the Saints Go Marching In" a few times to enjoy it.

My personal favorites are "Long Time Coming" and "Further Down the Road," although there are only a few songs that I consider filler crap.

Crank it up. It's summer. It's definitely Springsteen.

Powerful, raucous, joyful, heartbreaking.......2007-07-13

I'll echo the other reviewers and say that this is undoubtedly the best live CD I've ever heard, a testament to a combination of the music, lyrics, players, and timeliness of the message.

Springsteen is almost impossible to review, but I'll just say that, as much as I loved the Rising, Live in Barcelona, and Devils and Dust, the Seeger Sessions and this live album have taken him into a musical stratosphere that maybe only Bob Dylan and Willie Nelson can touch -- pure Americana.

Most of the other reviewers have adequately pointed out the highlights, but I'll say that the mournful dirge that the band transformed "When the Saints Come Marching In" to made tears stream down my face when I first heard this version, especially as it comes in the set after "How Can a Poor Man Stand Such Times and Live". Folk music is as relevant as it ever was.

If you like any strain of Americana roots music -- blues, folk, jazz, gospel, Western swing, roots country, mountain/Scots/Irish music -- this concert will blow you away and make you sing with the crowd.

The best live CD I've ever heard.......2007-07-11

The Boss doesn't make bad CDs or bad concerts, I am told. I've wanted to hear him in concert since I heard his first songs. I actually was getting tickets to one of the shows that got cancelled due to a band member's illness and he's come to two cities--after I've left them. If I never make it, this CD is better than a lot of the live shows that I have been lucky enough to see.

I miss the E Street Band, but the Sessions Band he's gathered for this effort is excellent. His backup singers are soulful and the 17 piece band can handle anything from swing to Irish without missing a beat.

"Varied" is a mild description for this CD. Anyone else did this kind of concert, you'd have mixed reviews. Bruce can put folk next to swing next to gospel and then turn around and rock the house without ticking people off. He's also going international, doing American music right next to Irish traditional ballads and it appears the Dublin audience is eating it up.

Bruce breathes new life into the music here. I grew up hearing "Jesse James" but it wasn't like this. And "Jacob's Ladder" sure isn't what I heard in church.

He's also taken "Blinded by the Light" which was one of the first Bruce songs I heard and breathed new life into the live version.

"How can a poor man stand such times and live?" is one of the most heartwrenching protest songs I've heard. He really took the comments about the Dixie Chicks "Shut up and sing" to heart.

I don't like usually live CDs most of the time. Hate the staticky sussurus of the applause in the background and some idiot has got to yell the performer's name at least once per song. "Live in Dublin" is beautifully engineered. You get the 'feel' of the hall and the voices of the audience joining Bruce in song, yet the really annoying audience noise is minimized.

Terrific!!!!!.......2007-07-07

This Cd is just fantastic. I love it, and play it all the time.I think it is his best!! If you are are fan, you need to buy this Cd.

Best music from anyone in years!!!!.......2007-06-29

Bruce Springsteen's "We Shall Overcome- The Seeger Sessions" album, and this new one "Live In Dublin- With The Sessions Band" are both nothing but pure genious!!!! It's the best music that I have heard from ANYONE in any area of music, in many years! I absolutely love it!

I am so glad that I was able to experience this in concert, in the summer of 2006 near Chicago, IL. It was an experience that I will never forget. The music just captures you, and doesn't let go.

I have purchased both versions of "We Shall Overcome" (So glad to finally have "Buffalo Gals" & "Bring 'Em Home" on CD!). I also have "Live In Dublin" on CD, and the DVD too!

Keep this type of music coming Bruce! It's great!

Average customer rating:

My sort of music
CCR
great stuff
Gets me going in the morning
Soundtrack of an era

Chronicle, Vol. 1: The 20 Greatest Hits
Creedence Clearwater Revival
Manufacturer: Fantasy
ProductGroup: Music
Binding: Audio CD

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Chronicle Vol. 2: Twenty Great CCR Classics
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ASIN: B000000XB9
Release Date: 1990-10-25

Tracks:

Susie Q
I Put A Spell On You
Proud Mary
Bad Moon Rising
Lodi
Green River
Commotion
Down On The Corner
Fortunate Son
Travelin' Band
Who'll Stop The Rain
Up Around The Bend
Run Through The Jungle
Lookin' Out My Back Door
Long As I Can See The Light
I Heard It Through The Grapevine
Have You Ever Seen The Rain?
Hey Tonight
Sweet Hitch-Hiker
Someday Never Comes

Amazon.com

Few bands of the 1960s retained as much a sense of the roots of rock and roll as did Creedence Clearwater Revival. Their music is rife with country, rockabilly, and R&B influences, a combination that produced several hit singles--most of which are present on this collection. These include "I Heard It through the Grapevine," "Lodi," "Up Around the B ," "Who'll Stop the Rain," and of course "Bad Moon Rising." This is an excellent greatest-hits collection, and a perfect introduction to the music of a band that has been enduringly influential. --Genevieve Williams

Album Description

Recorded 1968-1970 and includes 'Susie Q', 'I Put a Spell on You', 'Proud Mary', 'Bad Moon Rising', 'Lodi', 'Green River', 'Commotion', 'Down on the Corner', 'Fortunate Son', 'Travelin' Band', 'Who'll Stop the Rain', 'Up Around the Bend', 'Run Through the Jungle', 'Lookin' Out My Back Door', 'Long as I Can See the Light', 'I Heard It Through the Grapevine', 'Have You Ever Seen the Rain?', 'Hey Tonight', 'Sweet Hitch-Hiker' & 'Someday Never Comes'. Fantasy label. 1991.

Customer Reviews:

My sort of music .......2007-07-12

As Im in my sixties you might think Im to old, but this is my sort of music.I reckon " john fogerty " is a great singer. Just listen to find out. Hope you like it the same as I do.

CCR.......2007-06-28

An excellent greatist hits CD, I used a handful of songs to burn a CD with other related style of music.

great stuff.......2007-06-27

listening to this CD makes you realize how great john fogerty was back in the day. great songs, great sound.

Gets me going in the morning.......2007-06-27

I've been listening to this CD for 2 weeks in my car on the way to work.

Soundtrack of an era.......2007-06-15

This is an excellent compilation of CCR's tunes from the late 60s, early 70s. There's a reason why Credence tunes kept popping up in movies and commercials. It's great music and evocative of the era from which it comes. No need for me to review the individual tunes; anybody with a radio has head most of them. A must-have for any music fan.

Average customer rating:

Classic Beatles
Fusion Album
A New Direction
One of the first real albums
Nowhere Album

Rubber Soul
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Revolver [UK]
Sgt. Pepper's Lonely Hearts Club Band
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ASIN: B000002UAO
Release Date: 1990-10-25

Tracks:

Drive My Car
Norwegian Wood (This Bird Has Flown)
You Won't See Me
Nowhere Man
Think For Yourself
The Word
Michelle
What Goes On
Girl
I'm Looking Through You
In My Life
Wait
If I Needed Someone
Run For Your Life

Amazon.com essential recording

Rank 'em how you like, Rubber Soul is an undeniable pivot point in the Fab Four's varied discography no matter where, or how, you first heard it. The album was softened up in its original 12-song American edition to jibe with the Dylan/Byrds folk-rock sound, as well as squeeze money from the Parlophone catalog. The 14-song U.K. edition--the version now available on compact disc--is a different, more dynamic, and ultimately more accomplished achievement. So many classics: "Drive My Car" and "Nowhere Man" (both omitted from the U.S. edition) merge the early combustible Beatifics to a burgeoning studio consciousness; "The Word" can be read as a pre-psych warning shot; the sitar-laden "Norwegian Wood" and the evocative "Girl" (the latter written on the last night of the sessions) stand as turning points in John Lennon's oeuvre. George finally emerges too, with the McGuinn-ish "If I Needed Someone." --Don Harrison

Customer Reviews:

Classic Beatles.......2007-07-21

One of my favorite Beatles albums. I've had it on vinyl since it came out many years ago and have all of the Beatles compilations on CD, but I wanted to have this whole album on CD, too. Finally got around to it and after I played it once, I was reminded what a great album this is!

Fusion Album.......2007-07-18

At an abundant time of musical creativity, George Martin keeps released material progressing at a pace that connects us with some familiarities found in their earlier music and yet must begin to open the door for us to witness the musical revolution he saw emerging shortly, and still managed well having the support of the four.

A New Direction.......2007-07-02

Rubber Soul was very different in the approach and sound of the previous albums. Meet the Beatles, Please Please Me, etc were all good albums but for the most part it was just bubble gum music that teen girls ate up.

During the time of Rubber Soul, the guys were getting into differnt styles of music from their own. Bob Dylan was a huge influence on every artist after him, his writting influenced a new direction for John and Paul. Also like everyone else drugs creeped into play.

Drive My Car is a good opening track that is a good transition into this new sounding album. It's what kids in the suburbs expected. Norwegian Wood is basically the same thing as Bob Dylan's 4th Time Around with a sitar.

The other Songs like Nowhere Man are kind of surreal in the lyrics and singing of the three. John and Paul had similar songs in Michelle and Girl. Michelle has that smooth sound that's his bread and butter, and Girl is basically Johns version of the same song (in my opinion).

John always took more chances in his writting than Paul. Paul was a lot more commercial and was hesitant to do anything drastic. In My Life is my favorite track on the album and I think it's one of the best out of their whole catalog.

George and Ringo also have their time to shine. In Previous songs, Rino could only play the back beat cause if he tried anything else you couldn't hear it over the screaming girls. This new direction really gave him more freedom to fill the empty space of the songs. And George is always spot on with his playing. I love how he just seemed to stay true to himself after all the mania.

I look at Rubber Soul, Revolver, and Sgt. Pepper as almost like a trilogy. All three just have nice transitions that you can some how tell that that's the order they were released in. The maturaty in the lyrics, the new sounds incorporating new instruments and musicians.

Back to Rubber Soul... Overall it's one of my favorite albums of all time. It's definitely an album everyone should listen to. The songs are timeless and it sounds like nothing else. I love how the songs never go out of "style" I don't really believe one can slap a date on the music because it's revelant even today. There's always new generations discovering this music continuing the legacy of the Four Working Class Lads from Liverpool.

One of the first real albums.......2007-06-29

(4.5 stars, actually)

This album, which marks the beginning of The Beatles' middle period, is often cited as one of the first real albums. Prior to this, just about all albums consisted of a couple of big hits padded out with a lot of filler designed to boost sales for the popular singles on it. But here we have something which was consciously made as an album as opposed to just a haphazard collection of songs thrown together in no particular or special order. And although this album might not quite be up to their highest artistic level yet, there's no denying these songs show a huge maturity and step up from the type of pop they'd been doing for the past few years. Heavily influenced by pot and folk rock, this album paints a picture of a band whose transitional period from pop songs to more serious and mature recordings was pretty much over, with no going back.

I'm rather amused at all of the people who insist that this isn't the "real" RS but "only" the British version. The British version IS the real RS! From what I've heard, the American repackaging from Capitol probably did have a more consistently folksy feel, but it still wasn't the album The Beatles worked hard on making and meant for their fans to hear! As a second-generation Beatlemaniac, this, the genuine original untampered with version, is the one I'm familiar with; it would feel just as wrong to me to hear it starting with "I've Just Seen a Face" as it might for some nostalgic aging Boomer to hear it starting with "Drive My Car." And though there are a few songs not quite up to the overall level of quality (most particularly the junky closing number "Run for Your Life"), this album is pretty much near-perfect. The songs don't belong any other way. Although at least Capitol recognised how different and special this album was, and thus didn't do as much tampering as they usually did, and even retained the original title and cover.

Overall, this is a wonderful album to get mellowed out to, and a real snapshot in time, of that brief period when The Beatles had matured beyond cover songs and pop songs into more mature and serious artists, yet before they became as heavy and experimental as they did as the decade wore on. The songs range from soft slow songs like "In My Life" and "Michelle," to lighter poppier fare such as "You Won't See Me" and "Drive My Car," to rather deep and introspective songs such as "Girl" and "Think for Yourself," and everything in between. Probably the only major flaw with it is that it has to end with such a throwaway as "Run for Your Life." While not every song on even a great album has to be a winner, it just seems wrong for one of the weakest tracks to be placed at the very end, which kind of disrupts the nice folksy mood that had been set.

Nowhere Album.......2007-06-18

As some of you smarty-pants Beatles' historians might not be aware this is not the Beatles' Rubber Soul album. It is the U.K. version, which has MAJOR differences with the good ole USA version. If you want the USA version you can get it in the Capitol Albums vol.2 set. Then you can properly start listening to Rubber Soul with 'I've Just Seen A Face', which was one of their many hillbilly rags.

Average customer rating:

it must have been better
REally is greatest
comments
What's not to love?!
Memories

Bob Seger - Greatest Hits
Bob Seger & the Silver Bullet Band
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002TSS
Release Date: 1994-10-25

Tracks:

Roll Me Away
Night Moves
Turn The Page
You'll Accomp'ny Me
Hollywood Nights
Still The Same
Old Time Rock & Roll
We've Got Tonight
Against The Wind
Mainstreet
The Fire Inside
Like A Rock
C'est La Vie
In Your Time

Amazon.com

Bob Seger has racked up a lot of worthy tracks over the years, but it took until 1994 for a greatest hits package to appear. Voilà. The bad news: We're missing an awful lot of songs here. Night Moves is Seger's crit-pick album, and a great place to start if you don't have any Seger at all. Next in the rankings is Stranger in Town. Otherwise, his highs are pretty scattered, which would make any best-of package a worthy investment. But if you want to get comprehensive, "Rock & Roll Never Forgets," "Fire Down Below," "Horizontal Bop," "Her Strut," "Betty Lou's Getting Out Tonight," and "Katmandu" aren't on this CD--and you'll have to go to the original albums to secure them. --Gavin McNett

Amazon.com

Bob Seger Photos

More from Bob Seger

Stranger in Town
Nine Tonight
Face The Promise

Against The Wind
Greatest Hits 2
Night Moves

Customer Reviews:

it must have been better.......2007-07-10

este cd trae buenos temas; pero a un grandes exitos no se le puede omitir eso... exitos. aqui falta "shame on the moon" y "shakedown", basicos en la discografia de este artista.

REally is greatest.......2007-07-08

My husband, who thought he'd never heard of Bog Seger, love the CD. They
are, of course, some of his favorite songs. He just didn't know the
artist's name.

comments.......2007-06-11

I enjoyed every song on this album. I got my more than my money's worth.

What's not to love?!.......2007-05-29

You can't go wrong with Bob Seger for good old rock and roll!

Memories.......2007-04-02

Many of these songs bring back memories. What a talent! If you like Bob Seger, you'll love this CD. His grainy, soulful voice is at its best.

Average customer rating:

Revolver is the best album of all-time
It's the freakin' Beatles
The epitome of perfection
Review of Revolver UK
Volume 2

Revolver [UK]
The Beatles
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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Rubber Soul
Sgt. Pepper's Lonely Hearts Club Band
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ASIN: B000002UAR
Release Date: 1990-10-25

Tracks:

Taxman
Eleanor Rigby
I'm Only Sleeping
Love You To
Here, There and Everywhere
Yellow Submarine
She Said, She Said
Good Day Sunshine
And Your Bird Can Sing
For No One
Doctor Robert
I Want to Tell You
Got to Get You into My Life
Tomorrow Never Knows

Amazon.com essential recording

Revolver wouldn't remain the Beatles' most ambitious LP for long, but many fans--including this one--remember it as their best. An object lesson in fitting great songwriting into experimental production and genre play, this is also a record whose influence extends far beyond mere they-was-the-greatest cheerleading. Putting McCartney's more traditionally melodic "Here, There and Everywhere" and "For No One" alongside Lennon's direct-hit sneering ("Dr. Robert") and dreamscapes ("I'm Only Sleeping," "Tomorrow Never Knows") and Harrison's peaking wit ("Taxman") was as conceptually brilliant as anything Sgt. Pepper attempted, and more subtly fulfilling. A must. --Rickey Wright

Customer Reviews:

Revolver is the best album of all-time.......2007-07-16

and it's by the best band of all time (and I do know all the songs off of Sgt. Pepper).

Revolver comes at the midway point of The Beatles, and it is a peak for them. Every song on this album is good at the least (except maybe Yellow Submarine), and there are plenty of great songs, not only perfectly written, but perfectly executed by John, Paul and (sometimes) George's vocals, George's lead guitar (especially in "And Your Bird Can Sing"), Paul's bass, and, of course, Ringo''s drumming. The Great songs are, IMO "Got to Get You Into My Life," "I'm Only Sleeping," "Eleanor Rigby," "I Want To Tell You," "For No One" and "And Your Bird Can Sing." Through all these songs you can see the maturing song writing abilities of Paul, John, and George that you can see starting to surface in "Rubber Soul," going past the boy-girl relationships of the early Beatles, or at least making their boy-girl songs much more complex, instead of "I'm in love, It's a great day" (which you do see part of in "Good Day Sunshine," but John and Paul still found a way to make it a complex song).

I could go on and on about the greatness of this album and the bad that made it, but i'll just get to the bottom line: Buy it.

It's the freakin' Beatles.......2007-07-16

And Revolver is a freakin' great album. Revolver is probally the best balance between normal pop and serious themes (some that will get you thinking more than The early Beatles lyrics). That's probally what stands out from the rest, the instruments include piano and horns, and they work out well. Piano's were coming into more of a focus into The Beatles' music, and those instruments came into focus more, while avoiding the expiremental tracks of the later Beatles. It's a wonderful blend of pop with the piano and other instruments that The BEatles never used, yet still staying firmly to the ground and not going into the sky of Diamonds, on a magical mystery tour.

It sounds more different because of that. Yes, people have reviewed it better, but The Beatles never stopped suprising people with all different kinds of music and styles, and kept on evolving. I think that Evolver should have been the name, so 311 shouldn't have stolen (I like The Beatles better than 311, although they can't get me that energized as 311).

Like all other Beatles albums, they are kind of short, and I have to take off .5 because of I want To Tell You, which I didn't care for as much, but every other song sounded like The Beatles knocked themselves out making it perfect. Essential.

11/10

The epitome of perfection.......2007-07-04

This has been my favorite Beatles' album for years and years and years, as well as one of my top favorite albums overall. While of course some of the techniques used on certain of the songs aren't going to seem as revolutionary or current as they were back in 1966, that doesn't change the fact that at the time, they were very radical innovations, helped to change the face of pop music, and really marked the beginning of The Beatles' mature period. By this point they'd finally fully graduated from doing just love songs and simplistic pop to dealing with weightier subjects, and using a greater amount of studio experimentation, such as the backwards guitar in "I'm Only Sleeping" and the tape loops sounding like exotic birds in "Tomorrow Never Knows." Overall, I'd have to say that it's quite possibly their best album, maybe even the one that's stood the test of time the best (even allowing for how some aspects of the music may seem dated to some people today, it doesn't come across like some horribly dated period piece either). Every song is just so great; it really just seems like the epitome of perfection, the type of album one could listen to several times in a row or every day and not get bored of or skip any tracks on (though I must admit I don't really care for "For No One"). As great as they were, how many other albums did they make that one could say were truly as perfect as this one? One can also easily understand why this has been called their acid album.

Another great thing about this album is how balanced it is. While on some albums, one Beatle predominates (such as how John sings lead on 9 of the 13 tracks on AHDN and half of the songs on RS), here it's much more distributed. John and Paul each sing 5 songs, with the requisite Ringo song ("Yellow Submarine," one of his most famous), and the remaining three songs, including the opening one, going to George. Apart from the White Album where he had 4 songs, such a relatively generous amount of songs would never happen again. One can tell from these three songs that he was really growing and maturing as a songwriter even this early into having become the band's third songwriter. The musical styles themselves are also rather balanced; there are soft songs like "Here, There, and Everywhere," fun meaningless pop like "And Your Bird Can Sing," social commentary songs like "Eleanor Rigby," the Indian-influenced "Love You To" (one of my favorite tracks), partially autobiographical songs like "She Said She Said," and songs with a strong psychedelic influence, like the hypnotic "I'm Only Sleeping" (probably my favorite track) and the closing track "Tomorrow Never Knows." I won't even get into people who are genuinely wondering why this isn't the Capitol repackaging they remember from childhood; I can't imagine this album without such key tracks as "Dr. Robert" and "I'm Only Sleeping," and am baffled as to why anyone would find the repackagings to be superior to the authentic British originals other than sentimental reasons.

Overall, this album is the perfect midway point between their early, more innocent period and their later, more serious period, a transitional bridge between the two eras. I also couldn't think of many more of their albums that would be this much of an ideal introduction to a new fan.

Review of Revolver UK.......2007-07-03

I bought it mainly for one song, but should have purchased if off of Itunes. Its a good album, nice happy songs, takes you back in time.

Volume 2.......2007-07-02

Revolver was released after Rubber Soul. This album continues the evolution of writting and composing of the fab four. It sounds very similar to Rubber Soul and is another great album.

Overall it's a lot more "60s" in the sound. A lot more of Georges Indian influence in the music. A lot more randomness in the writting of Lennon/McCartney. A lot more great drumming by Ringo (He's great on Tomorrow Never Knows).

Taxman is a classic song by George. It's sounds very similar to Drive My Car and just has a nice groove to it.

Paul says he made up a lot of "characters" in his songs like Eleanor Rigby. The String section was first used in Yestarday and is a perfect opening to Eleanor.

Other notable tracks are Goodday Sunshine, She Said She Said, and Tomorrow Never Knows. This is a great track written by John. He didn't want to come off the wrong way in his presentation so he used a saying Ringo came up with in "Tomorrow Never Knows." This was a huge step in moving forward in the music. It showed the audience a sneek peak as to what future music would sound like and I think it's a perfect song to end with to transition into the Genius of Sgt. Pepper's Lonely Hearts Club Band.

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