Sin El

Track Listings

1. Ya No Te Vayas

2. Vete Mejor

3. No Puedo Olvidarlo

4. Pareja Ideal

5. Chico Aquel

6. Sin El

7. Si No Te Hubieras Ido

8. Prefiero Ir Sola

9. Dios Bendiga Nuestro Amor

10. Vete con Ella

Sin El,Marisela,I.M. Discos,Latin,Latin Pop,Tropical

Sin El

Tracks:

Sensemaya
Redes: Los pescadores, Funeral del nino, Salida a la pesca, Lucha, Regreso de los pescadores con su companero muerto
Itinerarios
Caminos
Homenaje a Federico Garcia Lorca: I. Baile, II. Duelo, III. Son
Danza geometrica
Cuauhnahuac
Sensemaya

Tracks:

Janitizo
Alcancias: I. Allegro
Alcancias: II. Andantino
Alcancias: III. Allegro vivo
El renacuajo paseador
8 x Radio
Toccata (sin fuga)
Planos
La Noche de los Mayas: I. Noche de los mayas
La Noche de los Mayas: II. Noche de jaranas
La Noche de los Mayas: III. Noche de Yucatan
La Noche de los Mayas: IV. Noche de encantamiento
Cinco canciones de ninos y dos canciones profanas: I. Caballito (Antonio de Trueba)
Cinco canciones de ninos y dos canciones profanas: II. Las cinco horas (Anonymous)
Cinco canciones de ninos y dos canciones profanas: III. Cancion tonta (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: IV. El lagarto y la lagarta (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: V. Cancion de cuna (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: VI. Serenata (Federico Garcia Lorca)
Cinco canciones de ninos y dos canciones profanas: VII. Es verdad (Federico Garcia Lorca)

Customer Reviews:

Spirited playing of fine compositions.......2007-07-07

This Revueltas anthology is very well played by first class orchestras. The selections by Mata and de la Fuente are particularly played with spirit and verve.

Magical Compositions Brilliantly Performed.......2007-05-03

If you enjoy Bartok & Stravinsky, you will adore Revueltas. Among the 15 works are two versions of sensemaya plus Cuauhnahuac and La Noche de los Mayas, all richly evocative of the ancient Mayan culture which underlies that of Mexico - bold tributes to proud traditions not unlike the musical paintings of the Caucasus peoples rendered by Khachaturian. The music of Revueltas deserves much wider performance in the world, but probably will not be often heard due to its technical complexity and the need for specialized native instruments for some of the passages. At least Leopold Stokowski recognized the brilliance of this spectacular work.

Stokowski's Sensemaya.......2005-10-10

Great, great release. One of the reviews here (by "127") said that the Stokowski version of Sensemaya was interesting "historically but not musically" and I just wanted to strongly disagree with that. Leopold Stokowski has the orchestra playing in a different time-signature than the composer wrote! The piece is written mostly in 7 but this performance seems to have put the whole thing into 4 (it's probably more complicated than that but you get the idea) and the resulting performance is even more hectic and bombastic than the other recorded version of Sensemaya on the same CD. I don't know why Stokowski did this, but this performance is the most unique I've heard (of the piece.) Whether or not this is a "good" thing I don't want to get into but the recording is definitely very interesting and worth a listen.

A Compendium of Revueltas Works.......2003-04-09

Unlike many people I think, I've been a fan of Revueltas since I was quite young...I first heard Sensemaya at the age of 12 and was blown away. Unfortunately, for years most of his music was rather hard to find...darn near impossible actually. However, the composer has recently picked up a number of higher profile champions (including Esa Pekka Salonen) and a spate of rereleases during his Centennial a few years ago. Such a rediscover is long overdue!

This current CD is part of the Centennial celebration of Revueltas. It consists of a compilation of orchestral recordings by Eduardo Mata, chamber recordings by David Aetherton and the Jalapa Orquestra Sinfonica under Herrara de la Fuente. The results are quite stunning, with enough material to keep you listening for quite some time!

The first CD contains exclusively orchestral music under the baton of Maestro Mata. This is prime stuff indeed. The CD begins with Revueltas' most renowned piece, Sensemaya, a dense, barbaric orchestral fantasy inspired by a Cuban poem that details a traditional snake-killing ceremony in the Santeria religion. The piece is dominated by short pithy melodic statements which are gradually layered over each other to create greater and greater tension. The result is deeply compelling, Stravinsky's Rite is combined with Varese's Arcana...with native Mexican rhythms and instruments thrown in.

The other works on the album are also extremely compelling. They can be broken down into abstract orchestral works, chamber pieces and music for film. In addition, Revueltas shows two definate sides, one is the convinced modernist, who shows a lot in common with Varese, and even Scriabin. The best work in this vein is the Danza geometrica (and it's chamber version Planos). The other big vein is the "nationalistic" vein, of which Revueltas was a greater exponent than his compatriot Chavez. Many works on this CD, Itinerios, Homage to Garcia Lorca, and others display a sense of wild abandon present in traditional fiestas. And yet, even here, Revueltas is a formalist and modernist, treating his material less as color and more as another structural element.

The other really wonderful work on this disc is La Noche de los Mayas. Culled from a film score, this is beautifully written film music and quite ahead of it's time. It's not hard to imagine these Revueltas strains as an inspiration to Bernard Herrmann, Elmer Bernstein and the like. The work is structured as a large symphony, dominated by a broad, tonal but dissonant theme in the brass. There is a wealth of detail in this work that I come back to over and over.

Much of this material has very little competition. The chamber works have been basically neglected on CD and many of the orchestral works are only available on this disc. Sensemaya has significant competition however. Salonen has done a really wonderful disc of this material, which also includes a great reading of Noche. Bernstein has perhaps the best reading of Sensemaya available on his Latin American Fiesta album (which also includes a wonderful rendition of Chavez' Sinfonia India)But Mata's reading is nearly as good as Bernstein and just as good as Salonen. Overall, for breadth and depth of music covered, this is a superlative disc and the one to get.

Abstract but deep........2003-02-05

I've got this cd when I first heard of this composer. He is the biggest composer that Mexico has had to offer to the classical music scene. Mexico has a variety of notable composers such as Chavez but none of them match Revueltas impact on the scene.

This cd pretty much has all of Revueltas' major works including his most known one: Sensemaya. That piece has been conducted by Bernstein and Stowkowski with the latter being on this disc. There is two performances of Sensemaya which includes the one mentioned above and a new version.

Tracks:

Castles Of Spain: Rumor de copla
Castles Of Spain: Siguenza
Castles Of Spain: Manzanares del real
Castles Of Spain: Romance de los pinos
Castles Of Spain: Turegano
Variations On A Theme Of Mozart
Tonadilla
Suite espanola: Espanoletas
Suite espanola: Rujero y paradetas
Suite espanola: La Minona de Cataluna
Suite espanola: Folias
Suite espanola: Passacalle de la cavalleria de Napoles
Suite espanola: Canarios
Villanesca
Torre bermeja
Estudio sin luz
Remembranza
Suite In D Minor: Preludio
Suite In D Minor: Allegro
Suite In D Minor: Zarabanda
Suite In D Minor: Gabota
Suite In D Minor: Despacio
Suite In D Minor: Giga
Suite catalan: La Filadora
Suite catalan: La Filla del marxant
Suite catalan: La Nit de nadal
Suite catalan: El Noi de la mare

Customer Reviews:

Awesome guitar work.......2007-01-12

Parkening sets the standard for others to compare to. Enjoyable tribute to Segovia. The type of guitar mastery that one can relax to after a hard days work. Enough said.

Have been loving this for over ten years!!.......2003-09-26

I bought this cassette over ten years ago (1992) when I started taking classical guitar lessons. Would listen to it on the way home from work, then had a baby nine years ago and have used it for lullaby music (works like a charm) for afternoon naps and nighttime. Still listen to it in the car when the kids fight and they mellow out instantly.

Finally buying it on CD because I think I wore a spot out on the cassette! I have listened to this masterpiece at least a thousand times and have never, ever tired of this most excellent work of art.

If you are a classical guitar fan, you will absolutely adore every single note played on this album/CD. I promise!! :)

sonic rapture..........2003-06-03

If anyone knows of a better sonically intoxicating cd than this please let me know. Possibly only Julian Bream's unreal 1982 Granados and Albeniz cd would top this one for me. Anyway just thought I would pass this thought along to anyone who may visit here. The tone is absolutely magical on this cd. This is the cd to listen to at night to chill out and get mellow while being enchanted to the max. Peace. I must go on... the tone, the tone. My god the tone.

Not just a tribute.......2001-07-31

Parkening shows how much he learned from Segovia. I have many of these pieces played by the Master. Parkening plays with a similar timbre, simlar dynamics and with a musicality just as deep as Segovia's. IF you like classical guitar you should own this one.

Wonderful, relaxing music.......2001-01-27

This cd will spend much time on my player. It is so lively, yet comforting music to listen to.

Parkening provides wonderful tribute to Segovia with Spanish compositions especially loved by the master, even some of them performed on one his Segovia's guitars.

Tracks:

Aquellos ojos verdes
La flor de la canela - Que nadie sepa mi sufrir - Amarraditos
Nosotros - Contigo - Sin ti
De Mexico a Buenos Aires
Se me olvido otra vez
El Humahuaqueqo - Caballo viejo - Moliendo Cafe
Delirio - Alma llanera
Solamente una vez - Veracruz - Noche de ronda
Manha de carnavaz - Aquarela do Brasil
Sabras que te quiero
Alfonsina y el mar - Gracias a la vida
Lamento Boricano - Vereda Tropical
Como ayer
Perfidia - Frenesi - La ultima noche
Adios
Por Amor - Asi como te buscaba - Yo vendo unos ojos negros

Customer Reviews:

The best of latin music through Domingo's voice.......1999-08-10

This CD goes wherever I go, it is with no doubt, the queen of my collection. Medleys are wonderfully orchestrated and arranged and every song makes you travel anywhere between Mexico and Buenos Aires. Here, Domingo's voice is more like a musical instrument than anything else and each song you'll discover a new instrument. Honestly, I would personally award it six stars.

Classic Latin American tunes beautifully sung and produced,.......1998-12-11

Domingo's love for traditional Latin American music shines throughout this CD. A selection of great "standards", beautifully arranged and recorded by one of the world's great voices. "De Mexico a Buenos Aires," written by Domingo's son is the one original song on the recording and is one of many highlights here. I have listenned to this CD countless times over the past two years and it remains a delight.

Average customer rating:

It's a gem!
Review: Isabel I: Reina de Castilla
Not always historically accurate, but fabulous performances

Isabel I: Reina de Castilla
Hesperion XXI , Daniele Carnovich , Canciero de Montecassino Anonymous , El Cancionero de Colombina Anonymous , Johannes Cornago , Guillaume Dufay , Juan del Encina , Pedro de Escobar , Luys de Narvaez , Pedro de Tordesillas , Francisco de la Torre , Arabic-Andalusian Traditional , Sephardic Traditional , Turkish Traditional , Carlos Verardi , Jordi Savall , Carlos Mena , Andrew Lawrence-King , Begona Olavide , Luca Guglielmi , Pedro Estevan , Arianna Savall , Montserrat Figueras , and Miguel Bernal
Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Carlos V
Villancicos y Danzas Criollas
Music for the Spanish Kings
Miguel de Cervantes, Don Quijote de la Mancha: Romances y Músicas [Hybrid SACD]
Altre Follie, 1500-1750

ASIN: B0006SSNO6
Release Date: 2004-12-14

Tracks:

Exultat Caelum Laudibus (Vesper's Hymn) - La Capella Reial De Catalunya
Marcha Turca - Various Artists
Toccata (CMC 68) - Various Artists
Dinos, Madre Del Donsel (Villancico) (CMC 90) - Various Artists
Je Ne Vis Oncques (CMM 46) - Andrew Lawrence-King
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El Que Rige Y El Regido (Villancico) (CMP 275) - La Capella Reial De Catalunya
Paseabase El Rey Moro (Romance) - Various Artists
Levanta Pascual (Villancico) (CMP 184) - La Capella Reial De Catalunya
Lavava Y Suspirava (Romance) - Montserrat Figueras
Mappamundi - Various Artists
Franceses, Por Que Rrazon? (Villancico) (CMP 424) - La Capella Reial De Catalunya
Sanctus (CMC 47) - Various Artists
Triste Espana Sin Ventura (Romance) (CMP 83) - La Capella Reial De Catalunya
Cancion En Ritmo Quddan De La Nuba Gribt Al Hussein De Marruecos - B. Olavide
Requiem Aeternam (Gradual) - La Capella Reial De Catalunya

Customer Reviews:

It's a gem!.......2006-11-21

Interesting mix of styles at work here. Paseabase El Rey Moro is particularly pleasing. Montserrat lends true feeling to this piece as she sings the part of the Moorish king. Her recitation of the old man's 'Dutch uncling' is unexpected and equally passionate. All this is punctuated by a musical style that never loses its Moorish influence but changes, oh so subtly, into a more 'European' mode. In direct contrast, Begona's performance of Canció en ritmo Quddan de la Nuba Gribt: Al Hussein de Marruecos is equally compelling. The voices are married perfectly to the styles of the music. In short, if you like Iberian music of this period (circa 1492), get the album. You will not be disappointed.

Review: Isabel I: Reina de Castilla.......2005-07-27

This is a meticulously designed and recorded compilation that provides a delightful introduction to music of the late 15th and early 16th centuries . The CD includes both instrumental and vocal compositions that are performed with considerable expertise and verve. The package contains an illustrated booklet that includes an essay on the history of the period and full lyrics but, alas, is rather weak on details regarding the music other than to place it in historical context.

Not always historically accurate, but fabulous performances.......2005-05-23

This recording presents a selection of music from the time of Isabella of Castile (1451-1504), organised to present a hypothetical illustration in sound of the main events of her reign. Connoisseurs will be familiar with a number of these pieces, many from previous Savall recordings (Palacio, Encina, Colombina discs). Alongside the Spanish works (villancicos, romances, sacred music) are examples of Turkish and Sephardic music, and also a Dufay chanson.

As on many other recordings by this ensemble, historical accuracy is secondary to an overall aesthetic result, and it is perhaps not difficult to understand why Savall's approach has ruffled certain musicologists. Where most of the works recorded here would have probably been performed by a small group of musicians (often a cappella), in these performances there is a wide range of instruments used in addition to the voices (including shawm, cornett and sackbuts). Four tracks have 'composed' introductions [tracks 1, 4, 10, 13], whilst Narvaez's romance [track 12] is transformed from a standard example of the genre into a hybridised Hispanic-Moorish lament.

On the other hand, it is equally apparent why this group have been greeted with such unanimous international acclaim. There is, after all, a significant difference between a sound recording and a musicological article - something which is not always as obvious as it should be in some of the more "correct" renditions of this repertory. Furthermore, there are a number of tracks which are definitely plausible [tracks 5, 8, 17, 20], as well as some which frankly do not stretch extant evidence - direct and indirect - too much [tracks 4, 15, 18; a thorough and satisfactory investigation of the political villancicos and romances - tracks 7, 10, 13, 16, 18 - has yet to be undertaken...why and in what contexts would such works be performed only by small forces, given their obvious exaggerated political overtones? Would Ferdinand and Isabella really have heard, for example, Encina's lament to their dead son [18] performed by no more than four singers in the elite isolation of their private chambers...?]

But what undoubtedly sets this recording apart from so many others of this repertory is the phenomenally high standard of these performances - unsurprisingly given the personnel line-up [Begona Olavide, Montserrat Figueras, Carlos Mena, Jean-Pierre Canihac, Markus Tapio, Andrew Lawrence-King...etc]. Given that so many tracks could be singled out to support this observation - not to mention the musicians themselves - it perhaps only remains to be said that this is without doubt one of the most incredible recordings of Cancionero songs available.

Average customer rating:

Spanish Legends

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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David Russell Plays Baroque Music

ASIN: B0006SNFSU
Release Date: 2005-01-25

Tracks:

Zapateado
Rondena
El Testament D'Amelia
Canco Del Lladre
La Filadora
Lo Fill Del Rei
Lo Rosinyol
Plany
El Mestre
L'Hereu Riera
La Filla Del Marxant
La Nit De Nadal
Scherzo-Vals
Estudio Sin Luz
Anecdotas 2
Anecdotas 5
Remembranza (Estudio II)
Seguidilla
Impromptu
Triquilandia (Jugando Al Escondite)
El Abejorro
Cancion Amatoria
Festivola (Danza Catalana De Espiritu Popular)
Tango
Tonadilla (Manola De Lavapies)
Guajira

Amazon.com

These 65 minutes of solo guitar playing--handsomely, intimately recorded--are a pleasure to listen to. Russell is a true virtuoso, playing with an ease and assurance which gives the recital the great subtle, variety it should have. He's equally at home with the catchy, playful "Zapateado" by De La Maza that opens the program as he is with Llobet's lyrical, singable, relaxed "El testament d'Amelia." The beautiful, lullaby-like "La filla del Marxant" (also by Llobet) is as smooth as silk, and the four pieces by Andres Segovia have a flavor all their own. The downright odd, but alluringly discordant "El Abejorro" by Pujol will enchant and puzzle you. The program is songlike, dancelike, familiar and new-sounding, and Russell's graceful way with each style is ideal. Every note, every delicate harmonic, is audible and important, but there's never a sense of underlining either a melodic or rhythmic phrase. Russsell lets the music, diverse and fascinating, speak for itself. A must for those who love the classical guitar, especially with a Spanish flavor. --Robert Levine

Spanish Music of Travel and Discovery/ The Waverly Consort

Average customer rating:

Beware! two old CDs reissued with a new name
A reworking of a prior disc - but now with 2 CDs
perfect by candlelight or in the office

Spanish Music of Travel and Discovery/ The Waverly Consort

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Music for the Spanish Kings
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Armada: Music from the Courts of England and Spain
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ASIN: B00004TQR2
Release Date: 2000-10-10

Tracks:

Ayo Visto Lo Mappamundi
Viva Gran Re Don Fernando
Una Sanosa Porfia
Imrpovisations On Tres Moricas M'enamoran/Tres Moricas M'enamoran
B'tayhi-M'saddar
Nunca Fue Pena Mayor
Ay Santa Maria
Virgen, Bendita Sin Par
El Cervel
En Memoria D'Alixandre
La Alta ('La Spagna')
Pase El Agoa, Ma Julieta
Oy Comamos Y Bebamos
El Paso Del Mar Rojo
Ah, El Novio No Quere Dinero!
Kyrie: Ayo Visto Lo Mappamundi
Ayo Visto Lo Mappamundi
Improvisations On Ayo Visto Lo Mappamundi

Tracks:

O Virgo Splendens
Stella Splendens In Monte
Laudemus Virginem/Splendens Ceptigera
Los Set Gotxs Recomptarem
Cuncti Simus Concanentes
Polorum Regina
Mariam Matrem Virginem
Imperayritz De La Ciutat Ioyosa
Ad Mortem Festinamus
Ondas Do Mar De Vigo/Mandad' Ei Comigo
Mia Irmana Fremosa/Ay Deus, Se Sab' Ora
Quantas Sabades Amar Amigo/Eno Sagrado En Vigo/Ay Ondas Que En Vin Veer
Santa Maria, Strela Do Dia
El Buesca Del Padre
Las Hermanas Reina Y Cautiva
El Sueno De La Hija

Customer Reviews:

Beware! two old CDs reissued with a new name.......2006-08-02

I bought this CD with great anticipation because I love Spanish music of this era. To my disappointment, this was not a new recording, but a reissue of two CDs I already own: "1492: Music from the Age of Discovery" and "Traveler." If you don't have these CDs already, this double set is a great bargain. But check your CD rack before buying!

A reworking of a prior disc - but now with 2 CDs.......2006-01-27

I was pleased to see that one of my favorite CDs had not really gone out of print, but was reworked into this title and now with a bonus CD. Even though I own the original "Music from the Age of Discovery 1492", I'll probably buy this disc just for the extras. Very nice mood music, lots of variety, exotic instruments and lovely voices.

perfect by candlelight or in the office.......2000-10-20

i've owned this CD for several years, and never tire of it. weather i'm curled up with a book, or just in the office with headphones on, it's appropriate for any occasion (outside a raucus party). i highly suggest it if you're interested in exotic, mystical, and festive tunes.

Average customer rating:

Sensual, Spellbounding, and sheerly Sexy!!!
Haunting, bewitching: a real must have
Una voz opulenta

The Lost Days: Music in the Latin Style
Denyce Graves
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Denyce Graves - Voce di Donna
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Kaleidoscope
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Cathedral Christmas

ASIN: B000071WDT
Release Date: 2003-01-21

Tracks:

Yo Soy Maria
Soledad
Los pajaros perdidos
Haabia-Tupi
Plancha
Al alba, el bosque
Cancao do poeta do seculo XVIII
Los dias perdidos
Habanera de Lorraine
Estrella e lua nova
Plomada
Milonga sin palabras
Romanza de Denyce
Te vas de mi

Amazon.com

While it's tempting to call acclaimed diva Denyce Graves's exploration of Latin classical influences a crossover project, that label's pop lightweight connotations don't do justice to the powerful, often uncompromising performances contained herein. Indeed, Graves leans heavily on her collaborators (who include contemporary composers-arrangers-pianists Chucho Valdes, Eliane Elias, and Jose Maria Vitier, as well as arranger-pianist Pablo Ziegler) for both material and stylistic inspiration, creating a collection that's more concerned with true musical synthesis than it is with commercial exploitation. Even the works of Latin classical standard-bearers like Argentina's Carlos Guastavino, Brazil's Villa-Lobos, and Tango master Astor Piazzolla are cast in stark, contemporary arrangements that underscore both Graves's dramatic mezzo voice and the dusky, rhythmically charged dynamics of her quartet of confederates. Cuban great Valdes composed "Romanza de Denyce" especially for the project, further blurring the collection's boundaries between jazz, classical, and pop. If the listener is only familiar with the better-known Latin classical repertoire, this collection may open up some inviting new horizons. --Jerry McCulley

Customer Reviews:

Sensual, Spellbounding, and sheerly Sexy!!!.......2006-07-10

Denyce's warm and sensual Mezzo voice is truly spectacular when she sings the right rep. This latin album is literally right up her lane. She brings a dark color to the pieces that accentuates the text and the instrumentation. The singing is remarkably beautiful and the musicians play with an entrancing groove that makes you feel warm all over. I recommend just listening to this album while sitting outside in a park on a warm and sunny day. I believe that you will see the world completely differently. Way to go Denyce!!!

Haunting, bewitching: a real must have.......2003-11-27

This record is exquisite in all its elements: the Voice of Graves -voice with a capital V!-, the selections, the arrangements! For me it would take hours to try to decipher its mystery of seduction. A real must for those who love poetry, music and the marriage of both. A real must for lovers of Latin American music. A real must for the senses.
The first time I listened to the cd, it gave a jolt.
A lot has been said about Graves. She's a wonderful mezzo, with that rich black timbre in her low notes and her lovely lyric high ones. And never mind the language, she knows how to create magic around her.
However, although she's supposed to be the main attraction here, to me the composers steal the show from her.
I've been listening to good music, from opera to streetside, for decades now. And I had never heard anything like Plancha or Plomada, by Guastavino. They're simply astounding.
The Cubans come out very well. Their songs are simply irressistible. They own the gift of melody and harmony. Soledad is unforgettable.
But what haunts me the most is Milonga sin palabras. What a piece of art!

Una voz opulenta.......2003-01-31

Denyce Graves es una mezzo de voz carnosa, sensual, evocadora. En este disco de canciones en español y en portugués, la cantante hace lujo de una voz opulenta, muy femenina y de gran pasión. Las canciones están muy bien escogidas y los arreglos son de muy buen gusto. Desde mi perspectiva, la mezzo está más cómoda con el material en español, que resulta ser dominante en el disco, y la dicción es muy clara, lo que es admirable en una cantante de origen e idioma tan separados de la cultura latina. Sin embargo, aunque la dicción es muy clara, la principal falla de esta grabación es también el idioma mismo. Denyce Graves de pronto inicia con un español más que deseable y luego, de pronto, se atropella, dejándo una sensación de insatisfacción en el oyente; pensemos en "Los pájaros perdidos" (uno de los puntos más fuertes del disco) que empieza con una claridad y belleza admirables, que luego, en la parte central de la canción, se pierden cuando la cantante da algunos tropiezos con las palabras. Lo mismo ocurre con la primera pista de "Maria de Buenos Aires": en algunos pasajes la voz es muy clara, pero conforme adquiere fuerza y velocidad, se evidencia el trabajo no resuelto del idioma... pero a esto cabría agregar, a manera de disculpa, que lo mismo ocurre con las cantantes hispanas de ópera...

El disco muestra material conocido y añade algunas canciones prácticamente inéditas (donde se incluye una compuesta para la cantante), y en términos generales, Denyce Graves sale muy bien librada.

Tracks:

Adios Nonino
El Choclo
Fugata
Por Una Cabeza
La Chica
Milonga Del Angel
Calambre
La Cumparsita
Milonga Sin Palabras
Caminito
Revirado
Oblivion
Fracanapa
Piece En Forme De Habanera
Fear - From 'Five Tango Sensations'

Ay-Ay-Ay: Spanish and Latin American Songs By Luigi Alva

Average customer rating:

La Partida

Ay-Ay-Ay: Spanish and Latin American Songs By Luigi Alva

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

General | Classical | Styles | Music

The Decca Records Store | Specialty Stores | Music
ASIN: B0006M4RN8
Release Date: 2005-03-08

Customer Reviews:

La Partida.......2007-07-14

Years ago I was given this recording (LP) by a friend of mine. I couldn't be more impressed by the beautiful voice of Luigi Alva; it's such a beautiful musical program that somehow disapeared from my collection. It took me many years to find this magnificent recording. I've listened to these seleccions by other tenors; and very good ones, but Luigi Alva's heart and soul in these interpretations have no rival. Bravo Amazon for carrying this album.

The Victory of Santiago: Voices of Renaissance Spain

Average customer rating:

first-rate recording from award-winning Concord Ensemble
Flawless Musicmaking

The Victory of Santiago: Voices of Renaissance Spain
Mateo (i) Flecha , Cristobal de Morales , Juan Vasquez , Tomas Luis de Victoria , The Concord Ensemble , Daniel Carberg , Daniel Cole , Pablo Cora , Paul Flight , N. Lincoln Hanks , and Sumner Thompson
Manufacturer: Dorian Recordings
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
ASIN: B00001O2XJ
Release Date: 1999-09-14

Tracks:

La Guerra
Veni, Domine, Et Noli Tardare
Jubilate Deo Omnis Terra
L?grimas de mi consuelo (Version 1): Lagrimas De Mi Consuelo (Version 1)
L?grimas de mi consuelo (Version 2): Lagrimas De Mi Consuelo (Version 2)
Quien Dize Quel'ausencia
O Sacrum Convivium
Benedicta Sit Sancta Trinitas
El Que Sin Ti Bibir Ya No Querr?a
Ojos Morenos, Quando Nos Veremos?
Missa Dum complerentur: Kyrie
Missa Dum complerentur: Gloria
Missa Dum complerentur: Credo
Missa Dum complerentur: Sanctus-Benedictus
Missa Dum complerentur: Agnus Dei

Customer Reviews:

first-rate recording from award-winning Concord Ensemble.......2004-01-18

This CD will amaze you from the very first lines of the opening piece, and the high standard of quality remains consistent througout. The vibrancy of the singing and production make it as close as you can possibly get to a live performance, with the advantage that you can play it again. (And this recording stands up to MANY repeat playings!) However, do hear The Concord Ensemble live if possible, because they are simply the best around at what they do.

The Victory of Santiago showcases a fine variety of sacred and secular works from the Spanish Renaissance. The ensemble's masterly interpretations of these works are always intelligent and musical, with exquisite attention paid to the nuances of text and polyphonic interaction of vocal lines. This is no pedantic, white-toned presentation of antiquated music, however. The singing sparkles with life and freshness, and the voices retain their individual beauty while simultaneously blending into a cohesive ensemble sound. The Concord Ensemble's rhythmic precision, intonation, and fluid legato are unsurpassed by any group I have heard.

The impeccable performances, excellent programming, and sumptuous recording quality make The Victory of Santiago a must for any lover of early music and/or brilliant ensemble singing.

Flawless Musicmaking.......2001-01-14

I had the great good fortune to hear this brilliant new (4 years old) men's a cappella ensemble perform, in a live concert, the very program featured on this disc. While the recording cannot possibly recreate the excitement of the live performance, the CD nonetheless provides an unforgettable musical experience. Their flawless command of pitch and their seemingly effortless support left me breathless. Chanticleer, eat your heart out! This is everything early music singing should be. Buy this CD, and their next one as soon as it is released, and do NOT pass up the opportunity to hear them live if you ever get the chance!

Latin Music:

Latin Music

latin music

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