La Mini Mini

Track Listings

1. Mini Mini

2. Dónde Estás?

3. Divorciado

4. Taco

5. Te Vas

6. Cococha

7. Catalina la Coja

8. Aguila Real

9. Camisa de Fuera

10. Toro Asesino

11. Niño

12. Bandolero

La Mini Mini,Banda Legendarios,Fonovisa Inc.,Latin,Mexican,Mexico

La Mini Mini

Tracks:

The Mission: Gabriel's Oboe
The Mission: The Falls
Giuseppe Tornatore Suite: Playing Love from The Legend of 1900
Giuseppe Tornatore Suite: Nostalgia from Cinema Paradiso
Giuseppe Tornatore Suite: Looking for You (Love Theme) from Cinema Paradiso
Giuseppe Tornatore Suite: Malena (Main theme)
Giuseppe Tornatore Suite: Remembering (Ricordare)*
Sergio Leone Suite: Deborah's Theme from Once Upon A Time In America
Sergio Leone Suite: Cockeye's Song from Once Upon a Time in America
Sergio Leone Suite: Main Theme from Once Upon a Time in America
Sergio Leone Suite: Main Theme from Once Upon a Time in the West
Sergio Leone Suite: Ecstasy of Gold from The Good, the Bad, and the Ugly
Brian DePalma Suite: Main Theme from Casualities of War
Brian DePalma Suite: Death Theme from The Untouchables
Moses and Marco Polo Suite: Journey from Moses
Moses and Marco Polo Suite: Theme from Moses
Moses and Marco Polo Suite: Main Theme from Marco Polo
The Lady Caliph: Dinner
The Lady Caliph: Nocturne

Amazon.com

Ennio Morricone is well-known to moviegoers. His soundtracks for The Mission, The Good, the Bad and the Ugly, Once Upon a Time in America, Cinema Paradiso, and others are invariably warmly melodic and superbly suited to the films they grace. They not only add atmosphere; they help tell the story. For this CD Morricone has created new orchestrations for many of his scores, adding a solo cello part for the indefatigable Yo-Yo Ma, whose musical curiosity seems to be endless. Outside the films, these pieces tend to be lovely melodies, mostly pretty sentimental stuff, and, in the best way, gorgeous aural wallpaper. The most moving are the two selections from The Mission, but fans of Morricone's music will find plenty to enjoy here. Ma's playing, as always, is exquisite---warm, deeply felt (given the circumstances), and entirely idiomatic within the context. Perhaps not quite for the classical music lover, but an affectionate reworking of music by an important film composer. --Robert Levine

Customer Reviews:

Is it bad to say I like this better than the original soundtrack?.......2007-06-02

I never thought Yo-Yo Ma would do Gabriel's Oboe (Track 1) from THE MISSION justice, but I was wrong. There's a pureness to this version that makes it easier casual listening than the version(s) on the soundtrack CD itself. So no matter how much I love the theatrical "largeness" of the Original Soundtrack (not to mention the full choir), this is the version I grab for the CD player/iPod/whatever.

My two other recommendations are Main Theme from ONCE UPON A TIME IN THE WEST (Track 11) and Ecstasy of Gold from THE GOOD, THE BAD, AND THE UGLY (Track 12). I suggest playing these consecutively as a single medley. Track 11 *WILL* bring tears to the manliest among us --particularly if you remember in the movie where Sergio Leone pulls the camera up to reveal the town rising.

I get the feeling "hardcore" classical fans would dismiss movie scores as commercial work. I truly believe Ennio Morricone transcends that. Even moreso than, say, John Williams, and on a different plane than a Danny Elfman. And I can't say more about the emotion Yo-Yo Ma brings to the table than what's already been discussed.

Absolutely Exquisite.......2007-05-15

The combination of Morricone and Ma is pure perfection. This CD fills my heart with so much joy that I could just cry. I listen to it almost daily and have given it away as a gift to my loved ones. I am captivated by their incredible talents, and I know you will be too.

Yo Yo Ma and the Maestro Marvelous!!!.......2007-05-13

Having recently succumbed to Yo Yo Ma after a longtime love of Ennio Marricone I was excited to get this CD from Amazon. It is superb! All of the songs had to be recrafted by Morricone to suit Yo Yo Ma but it is a great listen as you sonically travel down memory lane through some of Maestro Moricone's musical marvels. "Gabriel's Oboe" from "The Mission" now becomes "Gabriel's Cello." I laugh as Yo Yo Ma bows his brains out on the "Ecstacy of Gold' from "The Good,The Bad, and The Ugly." I recommend this to all Yo Yo Ma and Morricone fans...a great listen. Soothing after a hard day!

Better Every Time.......2007-05-09

This CD gets better with every listening. It was a great purchase.

Fabulous CD.......2007-05-07

I love Morricone and this CD has some of the best versions of my favorite pieces. I have ordered several as gifts for friends.

Average customer rating:

Good companion for Battlestar Fans
Captures the feel of the show
Awesome Soundtrack
BSG
Agree with everyone else

Battlestar Galactica: Season One
Daniel McGrew , Ken Stacey , Lillis Ó Laoire , Melanie Henley Heyn , Michael Now , and Raya Yarbrough
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

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Battlestar Galactica: Season 2
Battlestar Galactica
Battlestar Galactica: Season 2.5 (Episodes 10-20)
Battlestar Galactica - Season One
Battlestar Galactica - Season 2.0 (Episodes 1-10)

ASIN: B0009Q0F5U
Release Date: 2005-06-21

Tracks:

Prologue
Main Title (US Version)
Helo Chase
The Olympic Carrier
Helo Rescued
A Good Lighter
The Thousandth Landing
Two Funerals
Starbuck Takes On All Eight
Forgiven
The Card Game
Starbuck On The Red Moon
Helo In the Warehouse
Baltar Speaks With Adama
Two Boomers
Battlestar Operatica
The Dinner Party
Battlestar Muzaktica
Baltar Panics
Boomer Flees
Flesh And Bone
Battle On The Asteroid
Wander My Friends
Passacaglia
Kobol's Last Gleaming
Destiny
The Shape Of Things To Come
Bloodshed
Re-Cap
Main Title (UK Version)

Album Description

Presenting the original soundtrack from the first season of Sci Fi Channel's critically acclaimed, top-rated television series starring Edward James Olmos, Mary McDonnell, James Callis, Tricia Helfer and Katee Sackhoff. Composer Bear McCreary's dynamic score ingeniously melds orchestra, vocals and synth into an emotional experience that ranges from full-throttle action to soul-stirring drama. Packed with more than 78 minutes of music, this is a comprehensive collection of the very best musical moments from this amazing sci-fi drama's first season. Features both U.S. and U.K. main title themes and includes exclusive liner notes.

Customer Reviews:

Good companion for Battlestar Fans.......2007-05-07

If you're a Battlestar Galatica Fan, this audio is an excellent companion to your collection. Passacaglia, Forgiven, and The Shape of Things to Come are emotional and addictive orchestral soundtracks. Not every song from the first season is included in this CD. The opening credit songs for the UK and the US versions and the battle songs (The Thousandth Landing, Battle on the Asteroid) are included. Battlestar Muzaktica is quite odd and doesn't fit with the collection of songs.

Captures the feel of the show.......2007-04-11

Has a great selection of songs from the 1st season. I like show/movie CDs that you can picture the scenes and emotion of the actors when you hear the song. The Celtic underlays are great, and the Taiko drumming style is very well used for building intensity in the music. If you really like the series, you should probably really enjoy the music as well!

Awesome Soundtrack.......2007-04-11

If you like the music in a scene that just blends in and makes the scene even more emotional or suspenseful, that is what the scores from season one do on this cd. I initially bought it to for the prologue (cylon music) and the two main titles (U.S. and U.K.) but after listening to the entire cd, I have become completely addicted to it. The titles of the scores usually give you a hint of the scene and the liner notes also tell you the episode that they are from but the soundtrack has definitely made rewatching season one an even more intriguing experience. The scores with words, are written by Bear and are in various languages, but the words, especially the opera piece, are actually so dead one with the scene and in this specific scene hilarious. I love this soundtrack. If you are someone who is addicted to really grasping everything that happens in this show and watch and analyze it beyond face value, this is an added bonus to have in your collection. I highly recommend it!!!

BSG.......2007-04-10

Man I love the Classic and the Present BSG's So Inaturally find the SoundTrack/Score A joy and very relaxing. They tend to sound very similar but they are very diffrent.

Agree with everyone else.......2007-03-28

There have been lots of raving reviews of this album, as well as the equally sensational season 2 soundtrack. I just wanted to add my opinion on one track, "Destiny". An earlier review describes an Arabic string instrument being used, but it is actually a biwa, a traditional Japanese instrument that has such a distinct sound that it's hard to imagine it being used for anything other than traditional gagaku music. I don't know if anyone but McCreary has ever tried to use this instrument for something else, but it hardly matters. The fact that McCreary managed to use it so effectively in a piece that is so different from gagaku music is a perfect testament to his unique genius. I'm really looking forward to following McCreary's career.

Average customer rating:

BSG Fan
Dark but Original / Non Bombastic but very moving and it grows on you
Spare, but true
A stellar score for a ground-breaking show
some of the best

Battlestar Galactica
Richard Gibbs
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Battlestar Galactica - Season 2.0 (Episodes 1-10)
Battlestar Galactica - Season One

ASIN: B0001BS4SS
Release Date: 2004-03-16

Tracks:

Are You Alive?/Battlestar Galactica Main Title
Goodbye, Baby
Starbuck Buck Buck
To Kiss Or Not To Kiss
Six Sex
Deep Sixed
The Day Comes
Counterattack
Cylons Fire
A Call To Arms
Apollo To The Rescue
Launch Vipers
Seal The Bulkheads
The Lottery Ticket
Eighty-Five Dead
Inbound
Apollo Is Gone/Starbuck Returns
The Storm And The Dead
Thousands Left Behind
Silica Pathways
Reunited
The Sense Of Six
Starbuck's Recon
Battle
Good Night
By Your Command

Album Description

Presenting the Original Soundtrack to the Sci Fi Channel Original Mini-Series BATTLESTAR GALACTICA starring Edward James Olmos (MIAMI VICE, STAND AND DELIVER) and Mary McDonnell (DANCES WITH WOLVES, GRAND CANYON). Renowned composer Richard Gibbs (BARBERSHOP 2, STEP INTO LIQUID, I SPY) evocative score combines ethnic percussion, vocals, synth and orchestra to capture all the humanity and pulse-pounding excitement of this critically-acclaimed relaunching of the legendary BATTLESTAR GALACTICA saga! A must for all generations of GALACTICA fans!

Customer Reviews:

BSG Fan.......2007-04-10

I Love Soundtrack. And I love the Battle Star Galactica Series both classic and Present. It's great to listen to the sound of the series. They are a little diffrent than what I'm use to liking in a SoundTrack or Score. But their enjoyable and relaxing to me.

Dark but Original / Non Bombastic but very moving and it grows on you.......2007-03-17

After finally catching up on the series and downloading the 3rd season from ITunes I can finally write a review for the soundtracks. After watching the miniseries and the first season of the new Battlestar Galactica I of course ordered the soundtracks.

Let's of course start here with Battlestar Galactica: The miniseries soundtrack and then later I'll write a review for the first and second season...I recieved my copy of the miniseries last week but I wanted to hear the soundtrack a few times before giving my review..at first I was going to give it 4 stars because at times part of the score can be very dark and not be rich in color but I think after listening to this a few times now I can agree with some of the other reviewers and say this definitely grows on you.

I too was critical and not sure what direction the soundtrack was going to go being a fan of the original series and the way Stu Phillips wrote the score but after watching the miniseries and finding out that Richard Gibbs a former member of Oingo Boingo had taken the helm for the mini I was intrigued. I of course watched the mini and was pleasantly surprised how good it worked in the show but maybe not quite on cd but again listening on cd it has grown on me. I think overall for many soundtrack fans I can understand this isn't the most pleasant of soundtracks but like a lot of things it is an aquired taste. So if I could give a 4 1/2 instead of a 5 I would but unfortunately there is either 4 or 5 to give and I'm giving it a 5 because it is original and shows that not all science fiction has to be so unrealistic that it has to have a sweeping bombastic crashing score.

This is by far the most realistic science fiction television show ever even though Babylon 5 is very very close 2nd. In this soundtrack it shows that the even in their universe life isn't perfect. The score is dark but very beautiful in it's own sense beginning with "Are You Alive?" which becomes the signature theme for #6 throughout the series and of course is used in the prologue before each episode. Fans of the original Battlestar Galactica theme don't be dissapointed that it isn't featured here in the soundtrack from the decommissioning ceremony because Bear McCreary has Stu Phillips as a guest during the 2nd season to compose the theme a little differently in one of the episodes and is included on the 2nd season disc so please refer to that disc and you won't be dissapointed plus you can read several reviews inluding mine very soon.

A few more things inluding Track #19 Thousands Left Behind-I of course won't be giving anything away here but the music is so realistic in a sense that it does make me remember that scene in the movie and how the event could actually take place here on Earth.

There are plenty more tracks that I could review here but overall there are so many to choose from that are so good and rich that even some of the ones that may seem almost too dark and feel like fillers are better with each listen. This music is very reminiscent of the individual Babylon 5 episodic discs that I own but just a bit darker. No you can't have a party or have a cadance with this soundtrack but if you have an open mind and enjoy this music for what it is really meant to do and describe a documentary style of tv show then I will not be dissapointed. Give this soundtrack a shot and by the time you get to Season 1 and Season 2 (both the series and soundtrack) you will want to go back and listen to the miniseries soundtrack again and again because it truely grows on you plus it's so surreal and realistic that it's a good listen on almost any occasion

Don't be afraid because it's dark it's refreshing to listen to other music than Star Wars or Star Trek or even the original Battlestar Galactica. Trust me you will appreciate how good this score really is and not to take away from other Sci Fi music like Star Wars because I really enjoy those scores too but this breaks up the monotany and shows a different side of the universe a little more realistic...Enjoy!!..now look for me on Season 1 review..

Spare, but true.......2007-01-10

Listening to Richard Gibb's sound track for Battlestar Galactica is a bit jarring at first. Perhaps that has to do with the shock of such a minimalistic score after becoming used to the much richer scores from the Season One & Season Two disc sets. That being said, however, Richard Gibb's music is still very pleasing in it's own right. The spare, crisp notes lose none of the flavor of the first two discs, of which he was also a performer.

All three albums together create a very complete audio picture of this fantastic drama. Well worth adding to one's collection.

A stellar score for a ground-breaking show.......2006-11-08

When Battlestar Galactica re-appeared it was clear that we were dealing with something that would challenge our expectations of a sci-fi drama, and it did so with such critical success that it made fans of people from widely varied and unlikely walks of life.

A great deal of the success of the tone of this show is attributible to Richard Gibbs' score, which is as unconventional as the show itself. Stark Koto drum arrangements underscore battle scenes to add to tension, and the times of desperate peril are sometimes voiced by simple sad bell arrangements which run counterpoint to the direness of the situations. The music is truly another main character to provide reference to the action, and always in an unconventional way.

Pick this up to relive the spectacle of the show, or to give similar mood to your day in the world which our heroes on Galactica are so valiantly trying to find.

some of the best.......2006-11-02

This is one of the best soundtracks out there. The originality of the music is wonderful but the way the composer captures the mood..well its stunning.

Once Upon a Time: The Essential Ennio Morricone

Average customer rating:

Excellence!
"his domain of film scoring is legendary ~ Ennio Morricone"

Once Upon a Time: The Essential Ennio Morricone

Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD

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Film Music, Vol. 2
Once Upon A Time In The West: The Original Soundtrack Recording
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Ennio Morricone - Film Music, Vol.1

ASIN: B0002V4YTU
Release Date: 2004-10-05

Tracks:

Once Upon A Time In The West: Man With The Harmonica
A Fistful Of Dollars
For A Few Dollars More
Days Of Heaven: The Harvest
The Five Man Army
Once Upon A Time In The West: Jill's Theme
The Men From Shiloh
Guns For San Sebastian: Overture
Two Mules For Sister Sara
A Fistful Of Dynamite: Duck, You Sucker
My Name Is Nobody
The Good, The Bad And The Ugly: Main Theme
The Good, The Bad And The Ugly: The Ecstasy Of Gold
Cinema Paradiso
Once Upon A Time In America: Deborah's Theme

Tracks:

The Untouchables: Main Theme
The Red Tent
The Sicilian Clan
Exorcist & The Heretic: Regan's Theme
Moses The Lawgiver
In The Line Of Fire
The Thing
Le Professionnel: Chi Mai
Hamlet
1900: Romanza
Casualties Of War: Elegy For Brown
Marco Polo
The Mission
Gabriel's Oboe
Ave Maria (Guarini)
On Earth As It Is In Heaven
Epilogue: The Falls

Customer Reviews:

Excellence!.......2007-04-22

These recordings range back to 1994, with a number of tracks being from Silva Screen's "Music from the Films of Clint Eatwood" compilation, with Derek Wadsworth conducting the City of Prague Philharmonic.

Those tracks are: "The Good, The Bad and The Ugly", "A Fistful of DOllars", "For a Few Dollars More", and "Two Mules for Sister Sara". "In The Line Of Fire' also appeared on that CD, performed electronically by Mark Ayres.

The next bunch of tracks is from Silva Screen's 1996 compilation, "Cinema Paradise: The Classic Film Music of Ennio Morricone", which included the majority of tracks here such as the extensive The Mission Suite, The Untouchables, Casulaties of War, Once Upon a Time In America, 1900, Chi Mai, Marco Polo, Once Upon a Time In The West (two tracks), Cinema Paradise, and The Good the Bad and the Ugly - Ecstacy of Gold, mostly being conducted by Paul Bateman, with Nic Raine doing some of the conducting duties as well.

Hamlet is from Silva's 1997 "Cinema's Classic Romances" compilation, while "The Thing" is from Silva's 2001 "Essential John Carpenter".

A Fistful of Dynamite - Duck You Sucker is from 2002's Way Out West: Essential Western Film Music Collection Volume Two.

The remaing tracks were newly recorded in 2004 for this release:
Days of Heaven, Exorcist II, Guns for San Sebastian, Moses the Lawgiver, My Name is Nobody, The Five Man Army, The Red Tent, The Men From Shiloh and The Sicilian Clan.

Highly recommended.

"his domain of film scoring is legendary ~ Ennio Morricone".......2004-10-07

Silva America once again has outdone themselves with "Once Upon A Time:The Essential Ennio Morricone Film Music Collection", a double disc collection worth their weight in GOLD! ~ Morricone creates visual moods for each film he scores...action, adventure, mystery, romance, sentimental and suspense...the list could go on.

Ennio Morricone was born in Rome on October 11, 1928...attended the Santa Cecilia Conservatory...worked in various jazz bands, later a staff arranger and composer...an orchestrator in the '50s...scored films in the early '60s, then the WESTERNS and his name became a household word in the film industry ~ a new kind of western was on the horizon and Morricone was commissioned to score "A FISTFUL OF DOLLARS" [1964] for Sergio Leone featuring Clint Eastwood, spaghetti westerns were born ~ next "FOR A FEW DOLLARS MORE" [1965] ~ and a bigger budget film "THE GOOD, THE BAD AND THE UGLY" [1966], again featuring Clint Eastwood, Lee Van Cleef and a third Eli Wallach whose performance was magical to watch on the big screen ~ violence and revenge gives Morricone an opportunity to feature electric guitars, flutes and jew's harp blending with a non lyrical chorus mixed with brass, strings, percussion with full orchestration that simply took your breath away...example is "ONCE UPON A TIME IN THE WEST" [1968], featuring Henry Fonda, Claudia Cardinale, Jason Robards and our hero Charles Bronson the mysterious harmonica player, director Sergio Leone's tribute to the American Western, pulled out all the stops ~ the Western was just a small part of Maestro Morricone's career, in the next paragraph take a gander of just what our icon of film music accomplished.

Our composer didn't stop there as "ONCE UPON A TIME IN AMERICA" [1984], featuring Robert De Niro, James Woods and Elizabeth McGovern, another Sergio Leone film..."THE MISSION" [1986], featuring Robert De Niro, Jeremy Irons and Aldan Quinn, is probably one of Morricone's crowning scores receiving an Academy Award nomination, very haunting and classical genre in substance..."THE UNTOUCHABLES" [1987], featuring Kevin Costner, Sean Connery and Robert De Niro during the Al Capone '30s crime organization, Morricone conjures a powerful and dynamic arrangement of his unmistakable theme..."CINEMA PARADISO" [1988], featuring Phillippe Noiret, Antonella Attili and Pupella Maggio from director Giuseppe Tomatore as he recalls his early childhood, the score immediately captures your heart, so tender and compelling as Morricone can only deliver.

City of Prague Philharmonic Orchestra featuring conductors Kenneth Alwyn, Paul Bateman, James Fitzpatrick, Nic Raine, Derek Wadsworth ~ Crouch End Festival Chorus featuring Choir Master David Temple ~ vocals performed by Charlotte Kinder, Marie Kopecka and Jill Washington ~ guitar, percussion and keyboards performed by Gareth Williams ~ all in all did a magnicent job in bringing the music of a composer who wrote for over 250 films, receiving recognition from the industry and fans which was long over-due ~ his work is in constant demand, scoring as many as over a half dozen films as year.

This collection contains an overlay of each cue in Morricone's distinctive style of legendary scoring ~ the man who made this possible, a tremendous asset to every project he undertakes is James Fitzpatrick [producer of the album] ~ symphonic suites with full orchestra fullfilling the "film-score-buffs" cravings for more of the same, just the way we like 'em!

Total Time: 2-CD-Set ~ Silva America 1165 ~ (10/05/2004)

Average customer rating:

He is .....speechless
The DualDisc
Essential Collection of Ennio Morricone Music Performed by Yo-Yo Ma

Yo-Yo Ma Plays Ennio Morricone
Yo-Yo Ma
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B0006718A8
Release Date: 2005-02-08

Tracks:

The Mission: Gabriel's Oboe
The Mission: The Falls
Giuseppe Tornatore Suite: Playing Love from The Legend of 1900
Giuseppe Tornatore Suite: Nostalgia from Cinema Paradiso
Giuseppe Tornatore Suite: Looking for You (Love Theme) from Cinema Paradiso
Giuseppe Tornatore Suite: Malena (Main theme)
Giuseppe Tornatore Suite: Remembering (Ricordare)
Sergio Leone Suite: Deborah's Theme from Once Upon A Time In America
Sergio Leone Suite: Cockeye's Song from Once Upon a Time in America
Sergio Leone Suite: Main Theme from Once Upon a Time in America
Sergio Leone Suite: Main Theme from Once Upon a Time in the West
Sergio Leone Suite: Ecstasy of Gold from The Good, the Bad, and the Ugly
Brian DePalma Suite: Main Theme from Casualities of War
Brian DePalma Suite: Death Theme from The Untouchables
Moses and Marco Polo Suite: Journey from Moses
Moses and Marco Polo Suite: Theme from Moses
Moses and Marco Polo Suite: Main Theme from Marco Polo
The Lady Caliph: Dinner
The Lady Caliph: Nocturne

Album Description

CD AUDIO SIDE: Entire Album

DVD SIDE: * Entire album in 5.1 Surround Sound and enhanced LPCM Stereo * 11-minute behind-the-scenes video of the making of the album * Four short films (8 minutes) by USC film students, inspired by and featuring tracks from the album * Discography This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.

Customer Reviews:

He is .....speechless.......2007-02-15

You can not go wrong with ANY of his Album. I am now collecting ALL of them since my first CD which was a surprise gift to me, I just fall in love. I do Yoga everyday, and fitness work out everyday. I love listening to his CDs whenever to focus my vision, emotion, and relaxes my body. I also like to cook a nice meal while playing his CDs. I wish he was not married! ha ha.

The DualDisc.......2005-10-20

Enough others have talked about the music presented on this disc. It's good - very good - and a testament to the musicians presenting it. Plenty more reviews available for the standard version. This review is of the DualDisc.

Dualdiscs are a relatively new piece of technology - a CD on one side, DVD on the other, and offer a number of advantages, as well as a few problems. The CD side does not conform to the "redbook" CD standard, and as such cannot be played on all CD players (this is a side effect of the thickness of the DualDisc). I've seen estimates ranging from 2% to 30% incompatibility, so be aware of this. The CD side seems to be especially problematic in computer DVD drives, so if you're purchasing a DualDisc and intending to rip the material to mp3, try to borrow a disc first to check that it will work correctly. Also, the extra thickness and double sided nature of the discs means you shouldn't use them in slot loading CD players like most car stereos or multi-disc juke boxes. All that said, I haven't had problems playing the CD side of any of my DualDiscs.
The DVD side is the same standard as normal DVDs, and can be played on any DVD player or drive. This offers slightly higher quality stereo playback (although I defy anyone to hear the difference) and often Dolby 5.1 playback, as well as an opportunity for extras.

On this DualDisc, the music is presented with a number of student films which are hardly worth the time to view, and a film of Yo-Yo Ma and Ennio Morricone talking about each other - the sort of gushing that would perhaps better be kept in private. If you do not have and do not expect ever to own a system capable of 5.1 playback, I would not recommend purchasing this DualDisc. But if you have 5.1 playback, it is a revalation. The difference between stereo and 5.1 is like night and day. The sound become more open, immersive, and defined. The rear channels are not overused - most of the time you'll be hard pressed to hear them at all - but take them away and you notice their absense. Sparingly, they are used to provide an aural backdrop such as the use of choir, and each time the effect is stunning. It's hard to put a finger on precisely why the 5.1 mix sounds so much better, but it more alive, involving, and emotive, and very, very worth the premium required to buy the DualDisc version of this album.

DualDiscs are, for the most part, a waste of time if they only contain stereo tracks or if you can't play back in 5.1. If you have a home theater, then buy this disc and enjoy a masterful soundscape and experience.

Essential Collection of Ennio Morricone Music Performed by Yo-Yo Ma.......2005-10-06

When Ennio Morricone & Yo-Yo Ma met at the Oscars in 2001 (Morricone nominated for Malena; Ma performing on the Oscar winning score to Crouching Tiger, Hidden Dragon) they both shared great interest in teaming up together. Three years later this album came to fruition. A stunning compilation of Morricone's music, newly orchestrated for Ma's cello.

The music is, as always exceptional from Morricone, ranging from the rich and spiritual 'The Mission', to the idiosyncratic genius of 'The Good, The Bad And The Ugly'. Morricone has in places significantly altered the music to accommodate the cello. Yo-Yo Ma's supreme command over his instrument combines with an excellent performance of the Roma Sinfonietta under Morricone's baton.

The album starts with a brief suite from 'The Mission'. In Gabriel's Oboe (surely one of the most beautiful pieces of music written), Ma weaves his cello throughout the piece in spectacular fashion. The cello starts playing the melody, giving way to the oboe, and then plays in countermelody - breathtaking stuff.

The suite for the films of Giuseppe Tornatore starts off with the exquisite, 'Playing Love' from 'The Legend Of 1900'. Morricone's regular pianist, Gilda Butta, plays splendidly throughout the beautiful track. Other highlights include the nostalgic 'Cinema Paradiso' (one of Morricone's best), and the gorgeous theme from 'Malena'.

Many people became familiar with Morricone through his music from Sergio Leone's legendary films. Morricone had an unprecedented freedom to write the music for those films, often writing the themes before the film had even been shot. The haunting music from 'Once Upon A Time In America' is almost overwhelming in sheer emotion. Yo-Yo Ma's performance of 'Cockeye's Song' is outstanding. The main theme from 'Once Upon A Time In The West is played without the usual solo soprano part, instead replaced by the cello. The most unusual choice of music included on the album is 'The Ecstasy Of Gold' from 'The Good, The Bad And The Ugly'. I was unsure how Morricone could make it work for the cello but he certainly does. This piece of music is drastically altered from its original form but Morricone keeps the spirit of the piece intact. It is a breathtaking track, surely one of, if not Morricone's best.

Next up is a short suite of music from the films of Brian DePalma. The main theme from 'Casualties Of War' is played without the choir. The 'Death Theme' form 'The Untouchables' features a sad and touching piece of music played beautifully by Ma, his cello replacing the sax in the original piece.

The album is rounded off with two suites of music that may be obscure to some listeners, but are equal in quality to the rest of the music that has come before hand. 'Moses' and 'Marco Polo' are featured first. 'Marco Polo' contains one of Morricone's best themes, magnificent; highly memorable. The album ends with two beautiful tracks from 'The Lady Caliph'.

The album is beautifully presented with many pictures and quotes of the composer and performer. This version of this excellent compilation features a Dual Disc. One side of the disc contains the album playable on most Audio CD players. On the other side the album is a DVD. The complete album is presented in a 5.1 Dolby Digital surround mix. It sounds outstanding, providing a far better listen for those with the capability. The DVD includes exclusive footage of the two legendary musicians talking together and recording the music. This disc also features four short films set to the music.

This is really an exceptional compilation of great music. I cannot recommend it highly enough. It comes as an excellent introduction to the music of both musicians and is also a satisfying listen to their fans.

Average customer rating:

Farscape - Peacekeeper Wars Soundtrack Review
Leoone 1956
A fitting finale to an excellent series!
Most Beautiful Finale

Farscape: The Peacekeeper Wars
Guy Gross
Manufacturer: La-La Land Records
ProductGroup: Music
Binding: Audio CD

Movie Scores | Soundtracks | Styles | Music

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Battlestar Galactica: Season One
Battlestar Galactica
Firefly (Original Television Soundtrack)
Battlestar Galactica: Season 2
Farscape - The Peacekeeper Wars

ASIN: B00049QLEG
Release Date: 2004-10-19

Tracks:

Peacekeeper Ambush
The Battle Continues
The Eidelons
Moya Attacked
Developments
Scarrans Arrive
Aeryn Discovers The Truth
Chiana & D'Argo
The Killing Of Yondalao
Jothee Rescues
Decisions
In The Crossfire
The Temple Battle
We Have A Son
Ambushed In The Streets
We All Die
Behold
The Stand Off
The Aftermath
This Is Your Playground

Customer Reviews:

Farscape - Peacekeeper Wars Soundtrack Review.......2007-02-25

At first I was a little reluctant to buy the CD. I only wanted it for tracks 1 and 4, for the Ambush and Moya Attacked. But the whole CD sounds very good and I am glad I bought it. It always ends sooner then you would like. It will remain in my CD changer for quite awhile.

Thanks for reading, hope it helped.

Leoone 1956.......2006-07-14

Farscape is the most up to date science fiction television show out there. It was the next generation of sci-fi, so sharpe, so crisp that you have to beleive there is another life out there. This show had all the right formula to being the best. Its a shame they were cancelled too soon, the adventure should have continued. I highly reccommend you see this complete series from beginning to end.

A fitting finale to an excellent series!.......2004-10-24

According to the liner notes, composer Guy Gross asked for a full orchestra AND a choir for this score. Thank God he had the temerity to ask ... and thank God that David Kemper (Exec. Producer) and Andrew Prowse (Producer) gave him the green light! The miniseries "Farscape: The Peacekeeper Wars" was a true rollercoaster ride, an entire season compressed into four all-too-short hours, and only a full orchestra could provide the requisite weight and grandeur such a culmination required.

The results are wonderful. The score is rich, powerful, glorious and quite entertaining. The Sydney Symphony and Cantillation turn in a worthy, passionate performance. The liner notes are well produced, with nice images and appropriate quotes. The CD listens well on its own, but also quite frankly makes me hunger for the DVD of the miniseries ASAP.

Various tracks provide various and shifting moods, moving from the ethereal "The Eidelons" quickly into the exciting "Moya Attacked" or from the sweepingly romantic "Chiana & D'Argo" right into "The Killing of Yondalao". "We Have A Son" is simply glorious. The score then takes on a frightening momentum with Track #16, "We All Die", that carries one relentlessly though to the conclusion. The restatement of the opening bars of the score later in Track #17, "Behold", sends shivers up my spine. And the haunting Track #19, "The Aftermath", is a searching and deeply satisfying prelude to the powerful and moving finale, "This Is Your Playground". ("The Aftermath" also features a snippet of atonal choral howling seemingly straight out of the end of "2001: A Space Odyssey" -- very clever, given the context in the film!)

"Farscape" was easily one of the best, and certainly the most original and compelling, science fiction series ever shown on television; other genre shows still airing are weak, pale and hopelessly shallow in comparison. It remains a pity and a travesty that "Farscape" was treated so shabbily and cancelled so unceremoniously; it much, much deserved better. "Farscape: The Peacekeeper Wars" is a triumphant achievement, yet sadly only a dim echo of what might have been. But I remain glad that this finale was augmented with such depth and resonance by Guy Gross's tremendous score. I will be listening to this CD with pleasure and great thanks for some time to come.

Most Beautiful Finale.......2004-10-21

To all of the similar FarScape fans, this is the greatest ending to a beauitful series. I hope you also enjoy the SciFi series finale "The PeaceKeeper" wars. It was great to watch and listen from the birth to death of the show. A Legacy that cant be matched up. Again, only true farscape fans can understand the symbiotic relationship between the soundtrack and lives the actors and actresses play on FarScape. A+++

La Confidential Presents: Knoc-Turn'Al (Mini) 1

Average customer rating:

Quality EP from Knoc-Turn'al
hott
The Knoc
Nice Intro To The Rising Smoke From The West
The West Coast Is Highly Slept On

La Confidential Presents: Knoc-Turn'Al (Mini) 1
Knoc-Turn'Al
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Rap & Hip-Hop | Styles | Music

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The Way I Am
The Paper Route
Young Roscoe Philaphornia
Bow Down
Get Rich or Die Tryin'

ASIN: B000069KH2
Release Date: 2002-07-30

Tracks:

The Knoc (feat. Dr. Dre & Missy Elliott)
Musiz
Str8 Westcoast (Remix) (feat. Warren G, Shake Sheist, Nate Dogg, Xzibit)
Let's All Roll (feat. Slip Capone, Timebomb, Jay O Felony, Butch Cassidy)
LA Nite-N-Day
Cash Sniffin' Noses (feat. Too $hort & Slip Capone)

Customer Reviews:

Quality EP from Knoc-Turn'al.......2004-10-25

The 6'4" Long Beach native delivers a 6 song, 24 minute long-awaited EP debut released by his own L.A. Confidential. Although I'd have liked to see it have more songs the ones that are on here a good but it does feature a lot of people but you can still see the Knoc's writing/rapping/and singing talent on the album. Prodction is good, Dr. Dre does 2 songs, Kanye West, Fred Wreck, Budda, and LA Confidential all do 1 song. I'd definatly recommend buying a copy and it should be rather cheap since it doesn't have much material.

#1 - 8.5 (f/ Missy & dr. Dre)
#2 - 9.5 (song about what music means to him)
#3 - 9.5 (f/ Warren G, Nate Dogg, Shade Sheist, & Xzibit)
#4 - 8.5 (f/ Jayo Felony, Slip Capone, Timebomb, & Butch Cassidy)
#5 - 6.5
#6 - 7 (f/ Slip Capone & Too $hort)

b. Long Beach, CA ---- LBC

hott.......2004-07-20

o my gosh! this is what i have been waiting for. hott hott cd. I just love his style.

The Knoc.......2004-07-18

1. The Knoc 5/5 Best Song
2. Muzik 3/5
3. Str8 West Coast (Remix) 5/5
4. Let's All Roll 5/5
5. LA Nite-N-Day 5/5
6. Cash Sniffin' Noses 4/5

Lyrics: 4/5 Beats: 5/5 Overall: 4.5/5

Nice Intro To The Rising Smoke From The West.......2003-05-15

Knoc-Turn'al is the newest big thing from the wast he is helping it gain it's once formadibal position atop the rap game back. Dr. Dre prodege but doesn't need dre to make him carry an album. He kept it short & tight and got a couple pf hot singles and nice tunes oout of it. I'll just mention the high lights

Knoc ft/Missy & Dr.Dre - Nice beat by Dr.Dre this was to be Knoc's single from his full album that got pushed back but alright. Missy does a nice hook but Dre really doesn't do much but drop a pretty short line or two. Knoc uses thsi song to really just showcase him self with a nice hit.

Str8 West Coast (Remix) ft/ Warren G, Nate Dogg, Shade Sheist & Xzibit - Great west coast anthem. This was originally on The Wash soundtrack in it's original version teh same good west coast beat is employed but the added guests spice things up a bit. My only disappointment is that Warren doesn't drop a new verse and i've been waiting awhile to hear something from him again.

Muzik - The second single has a nice powerful guitar riff beat. It was also used on a soundtrack. Knoc comes up with another catchy totally Knoc-Turn'al that sort of sets him apart.

Let's All Roll - ft/ Time Bomb, Jayo Felony, Butch Cassidy, & Slip Capone - This one is a nice rolling posse cut. Jayo & Time Bomb are my personal fav's on this song but slip & knoc both drop tight rhymes. What makes this track really nice is Butch on the hook, he is another on that will help bring the west back and he is already gaining some exposure.

L.A. Night & Day - This is a very trippy laid back smoked out track. Knoc does a pretty damn catchy verse and to make things even more impressive he is the one who produced the great beat. Real nice to ride out with on a saturday night or to chill, sit back & schmoke a phatty to.

all in all a nice sample of what Knoc has to offer and good signs comming from teh left coast once again.

The West Coast Is Highly Slept On.......2002-09-29

I wasn't gonna buy this album because it was an EP. I saw he had the tight song wit missy and a lot of West Coast artist appearances, so I picked it up. Muzik is somethin' different. The song is produced by one of my favoirtes, Kanye West. "Str8 West Coast (Remix) is off the chain and so is "Let's All Roll." Knoc's got tight flow. It's different from everyone eles. You don't know if he's singing or rappin'. Can't wait for the full length album.

Average customer rating:

The Number One Classical Album 2006

Manufacturer: Universal
ProductGroup: Music
Binding: Audio CD

Suites | Forms & Genres | Classical | Styles | Music

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Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

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Czech | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

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Similar Items:

The Classical Album 2005
Classical Love Album 2007
Vittorio
Appassionato
Time to Say Goodbye

ASIN: B000BP2VJW
Release Date: 2005-11-21

Tracks:

Heroe
O Mio Babbino Caro
Deer Hunter/She Was Beautiful (Cavatina)
Tosca/Vissi d'Arte
Adagio
Minuet
ThaMtation
Turandot/Nessun Dorma
Ave Maria
Laudate Dominum
I Believe
Mass for Four Voices/Agnus Dei
Vuchella
O Sole Mio
Barcarolle
Choristes
Jubilate Domum
Dr. Zhivago/Love Is a Mystery
Reflexionem
Listen to the Bell (Chi Si Ascolter

Tracks:

Amore Sei Tu (I Will Always Love You)
Rigoletto/La Donna Mobile
Places
Santa Lucia
Tears in Heavon
Sound of Music/Climb Every Mountain
In Dreams
Panis Angelicus
Orfeo Ed Euridice/Che Farnza Euridice
Marriage of Figaro/Voi Che Sapete
Gymnope No. 3
Dawn
Rusalka/Song to the Moon
Look at the World
Air on a G String
Adiemus
I Paglicacci/Vesti La Giubba
Palladio
Marble Halls
Brighid's Kiss
Auld Lang Syne

Average customer rating:

Three CD Box Set

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Classical Music | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000AV1N7I
Release Date: 2004-11-02

Product Description

Disc 1- CLASSIC YO-YO Disc 2- SOUL OF TANGO Disc 3- PLAYS ENNIO MARRICONE

Average customer rating:

A Long Time Coming...
Her Best Album
Price At Her Peak
of course world class
the greatest american soprano of the 20th century

The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Noels | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Price, Leontyne | Divas | Opera & Vocal | Styles | Music

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Opera & Vocal | The Sony BMG Masterworks Store | Amazon.com Label Stores | Stores | Music
ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

Aida: Act I: Ritorna vincitor!
Aida: Act I: E l'amor mio?
Aida: Act I: I sacri nomi di padre, d'amante
Aida: Act III: Qui Radames verra!
Aida: Act III: O patria mia
Un Ballo in Maschera: Act II: (Prelude)
Un Ballo in Maschera: Act II: Ecco l'orrido campo
Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
Un Ballo in Maschera: Act III: Morro, ma prima in grazia
Il Trovatore: Act I: Che piu t'arresti?
Il Trovatore: Act I: Tacea la notte placida
Il Trovatore: Act I: Di tale amor che dirsi
Il Trovatore: Act IV: Siam giunti
Il Trovatore: Act IV: D'amor sull'ali rosee
Ernani: Act I: Surta e la notte
Ernani: Act I: Ernani! Ernani, involami
Ernani: Act I: Tutto sprezzo che d'Ernani
La forza del destino: Act II: Son giunta! Grazie, o Dio!
La forza del destino: Act II: Madre, madre, pietosa Vergine
La forza del destino: Act II: La Vergine degli angeli
La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

Cosi fan tutte: Act I: Come scoglio immoto resta
Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
TOSCA: Act II: Vissi d'arte
Manon Lescaut: Act II: In quelle trine morbide
Manon Lescaut: Act IV: Sola, perduta, abbandonata
Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
Don Giovanni: Act I: Don Ottavio, son morta!
Don Giovanni: Act I: Or sai chi l'onore
Don Giovanni: Act II: Crudele? Ah, no, mio bene!
Don Giovanni: Act II: Non mi dir
Turandot: Act I: Signore, ascolta!
Turandot: Act III: Tu che di gel sei cinta
Ariadne auf Naxos: Es gibt ein Reich
Antony And Cleopatra: Act III: Give me my robe

Tracks:

Otello: Era piu calmo?
Otello: Mia madre aveva una povera ancella (Willow Song)
Otello: Ave Maria
Fidelio: Act I: Abscheulicher! Wo eilst du hin?
Suor Angelica: Senza mamma, o bimbo, tu sei morto!
Carmen: L'amour est un oiseau rebelle (Habanera)
La Traviata: Act I: E strano, e strano !
La Traviata: Act I: Ah, fors' e lui
La Traviata: Act I: Sempre libera
Le nozze di Figaro: Act III: E Susanna non vien!
Le nozze di Figaro: Act III: Dove sono
Die Agyptische Helena: Act II: Awakening Scene
La rondine: Ore dolci e divine
Salome: Finale

Tracks:

Eugene Onegin: Act II: Puskai pogibnu ya
Eugene Onegin: Act II: Ya k vam pishu
Eugene Onegin: Act II: Net, nikomu na svete
Eugene Onegin: Act II: No tak i byt'!
La rondine: Act I: Chi il bel sogno di Doretta
VANESSA: Act I: He Has Come, He Has Come!
VANESSA: Act I: Do Not Utter A Word
Carmen: Act I: Pres des remparts de Seville (Seguidilla)
Manon: Act II: Allons! il le faut!
Manon: Act II: Adieu, notre petite table
Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
Die Frau ohne Schatten: Act II: Empress's Awakening Scene
Dido and Aeneas: Act III: Thy Hand, Belinda!
Dido and Aeneas: Act III: When I Am Laid In Earth
Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

Otello: Act I: Gia nella notte
Otello: Act I: Quando narravi
Otello: Act I: Venga la morte!
Cosi fan tutte: Act I: Ah, guarda, sorella
Madama Butterfly: Act I: Bimba, bimba, non piangere
Madama Butterfly: Act I: Bimba dagli occhi
Madama Butterfly: Act I: Vogliatemi bene
Requiem: Recordare
Porgy And Bess: Act II: Bess, You Is My Woman
Norma: Act III: Me chiami, o Norma
Norma: Act III: Mira, o Norma
Ernani: Act II: Tu, perfida!
Ernani: Act II: Ah, morir, potessi adesso
Cosi fan tutte: Act II: Sorella, cosa dici?
Cosi fan tutte: Act II: Prendero quel brunettino
Aida: Act IV: La fatal pietra sovra me si chiuse
Aida: Act IV: Presago il core della tua condanna
Aida: Act IV: Vedi? Di morte l'angelo
Aida: Act IV: O terra, addio

Tracks:

Un Ballo in Maschera: Act II: Teco io sto!
Aida: Act III: Ciel! mio padre!
Aida: Act III: Rivedrai le forest imbalsamate
Aida: Act III: In armi ora si desta il popol nostro
Aida: Act III: Padre! a costoro schiava non sono
Requiem: Angus Dei
Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
Cosi fan tutte: Act I: Soave sia il vento
Porgy And Bess: Act II: I Loves You, Porgy
Aida: Act II: Silenzio! Aida verso noi s'avanza
Aida: Act II: Fu la sorte dell'armi
Aida: Act II: Pieta ti prenda del mio dolor
Aida: Act II: Alla prompa che s'appresta
Il Trovatore: Act IV: Udiste?
Il Trovatore: Act IV: Mira, di acerbe lagrime
Il Trovatore: Act IV: Vivra! Contende il giubilo
Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
Carmen: Act IV: C'est toi! - C'est moi!
Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

Les nuits d'ete, Op.7: Villanelle
Les nuits d'ete, Op.7: Le spectre de la rose
Les nuits d'ete, Op.7: Sur les lagunes
Les nuits d'ete, Op.7: Absence
Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
Les nuits d'ete, Op.7: L'ile inconnue
Four Last Songs: Fruhling
Four Last Songs: September
Four Last Songs: Beim Schlafengehen
Four Last Songs: Im Abendrot
Clair de lune, Op.46, No.2: Clair de lune
Notre amour, Op.23, No.2: Notre amour
Au cimetiere, Op.51, No.2: Au cimetiere
Au bord de l'eau, Op.8, No.1: Au bord de l'eau
No.1, Cinq melodies de Venise, Op.58: Mandoline
Main dominee par le coeur
Miroirs brulants No.2: Je nommerai ton front
Miroirs brulants No.1: Tu vois le feu du soir
Ce doux petit visage

Tracks:

Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
Frauenliebe und -leben, op.42: Seit ich ihn gesehen
Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
Frauenliebe und -leben, op.42: Ich kann's nicht fassen
Frauenliebe und -leben, op.42: Du Ring an meinem Finger
Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
Frauenliebe und -leben, op.42: Susser Freund, du blickest
Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
Widmung (No.1, Myrthen, Op.25): Widmung
Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
Volksliedchen, Op.51, No.2: Volksliedchen
Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
Allerseelen, Op.10, No.8: Allerseelen
Schlagende Herzen
Freundliche Vision, Op.48, No.1: Freundliche Vision
Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
Der Gartner (Morike-Lieder No.17)
Lebe wohl (Morike-Lieder No.36)
Morgentau (From An Old Songbook)
Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

Ev'ry Time I Feel The Spirit - Various Artists
Let Us Break Bread Together On Our Knees - Various Artists
His Name So Sweet - Various Artists
'Roun' About De Mountain - Various Artists
Swing Low, Sweet Chariot - Various Artists
Sit Down, Servant - Various Artists
Were You There - Various Artists
He's Got The Whole World In His Hands - Various Artists
Deep River - Various Artists
Honor! Honor! - Various Artists
My Soul's Been Anchored In De Lord - Various Artists
On Ma Journey - Various Artists
A City Called Heaven - Various Artists
Ride On, King Jesus - Various Artists
I Wish I Knew How It Would Feel To Be Free - Various Artists
Sinner, Please Don't Let This Harvest Pass - Various Artists
Sweet Little Jesus Boy - Various Artists
There Is A Balm In Gilead - Various Artists
Let Us Cheer The Weary Traveler - Various Artists
Ev'ry Time I Feel The Spirit - Various Artists
My Way Is Cloudy - Various Artists
Nobody Knows The Touble I've Seen - Various Artists
I Couldn't Hear Nobody Pray - Various Artists

Tracks:

Holy, Holy, Holy
Lead, Kindly Light
Blessed Assurance
Ave Maria
What A Friend We Have In Jesus
Amazing Grace
The Lord's Prayer
Pass Me Not, O Gentle Saviour
The Church's One Foundation
Bless This House
I Need Thee Every Hour
Fairest Lord Jesus
I Wonder As I Wander
Ave Maria
Porgy And Bess: Summertime
America The Beautiful
Lift Ev'ry Voice And Sing
A Mighty Fortress Is Our God
Battle Hymn Of The Republic

Tracks:

Chants tziganes, Op. 103: He Zigeuner
Chants tziganes, Op. 103: Hochgeturmte Rimaflut
Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
Chants tziganes, Op. 103: Lieber Gott, du weisst
Chants tziganes, Op. 103: Brauner Bursche
Chants tziganes, Op. 103: Roselein dreie in der Reihe
Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
Chants tziganes, Op. 103: Rote Abendwolken
Adriana Lecouvreur: Act I: Io son l'umile ancella
This Little Light O'Mine
Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.

Latin Music:

Latin Music

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