Solo Guerra

Track Listings

1. Tu Angel de la Guarda

2. Cuando Estes con El

3. Yo Te Perdono

4. Mis Ganas Por Ti

5. Amor Que Termina Asi

6. Todo Lo Que Hago Por Ti (Everything I Do) I Do It for You

7. Ahora Quien?

8. Como Puedo Vivir Sin Tu Amor (S.O.S.)

Solo Guerra,Guerra y Su Orquesta,Sony International,Latin,Latin Pop,Pop

Solo Guerra

Tracks:

Con Te Partiro
Vivere
Per Amore
Il Mare Calmo Della Sera
Caruso
Macchine Da Guerra
Le Tue Parole
Vivo Per Lei
Romanza
La Luna Che Non C'e
Rapsodia
Voglio Restare Cosi
E Chiove
Miserere-Live
Time To Say Goodbye (Con Te Partiro) - A Tribute To Henri Maske

Amazon.com essential recording

From his childhood on the family farm in rural Tuscany to the worldwide stage, Andrea Bocelli has achieved phenomenal success. His singing is only partially the point, and his fame owes much more to the aura of romance and the romantic archetype that's attached to him. Romanza is by far Bocelli's largest success, winning adoration thanks to the swooning vocals and the easy, sometimes lush, always pop-safe instrumental textures and melodies. As far as his opera chops go, Bocelli has won the approval of Pavarotti but likely will not wow enthusiasts. The upside is that Bocelli will likely grow the opera pie, convincing labels to take on more operatic projects. --Andrew Bartlett

Customer Reviews:

Bias I Confess.......2007-07-06

I confess to loving Italian music and opera in addition to Rock & Roll, Country and music in general.

This music is good when you want to relax or have a lady over 40 you want to entertain.

An Italianized Englishman..........2007-06-01

Is the Devil incarnate." (Inglese italianato e un diavolo incarnate) Or so I've heard. I suppose the author (I read it in a copy of Machiavelli's The Prince) could be forgiven for not having heard Don Bocelli and Donna Brightman sing "Con Te Partiro" - can we now say Inglese italianata e un angelo incarnate?

The rest of the album is a collection of ballads, most of which suffer from weak or clashing instrumentals. An exception is "Macchine Da Guerra" which has a pleasant and comparatively strong piano accompaniment.

I'd like to thank Kenny McCormick of South Park, CO for turning me on to Don Bocelli.

Romancing the listeners.......2007-05-30

What a voice, it soars with the arias and bops with the more contemporary. Especially love the song about Caruso. Andrea is un cantante bello, un uomo bello! Turn this one up with the top down and let it sing you home.

Amazing!!!.......2007-05-18

I bought this cd again after losing my original copy that I bought the year it was released. Out of all my Bocelli cds this is my favorite. It has a good mix of classic opera with popera and really shows his abilities. I have used this cd to turn people on to opera and popera, and the results have been incredible! Once you hear him, you cannot deny his talent and passion. Simply AMAZING!!!

Andrea in the 90's.......2007-04-20

Andrea is incredible.His romantic poetry with music is unparalleled.The only downside to this album is the inescapable 90's feel.If you don't mind it,then buy this album.If you do,then buy 'Time To Say Goodbye'off iTunes and get Sogno,Andrea,or Cieli di Toscana.

Average customer rating:

Handel: The Masterworks (Box Set)

Manufacturer: Brilliant Classics
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ASIN: B00062FLI8
Release Date: 2004-11-30

Average customer rating:

Mellow Magic
Anhelo
A large voice sings small
A Cura for Heartache
Jose Cura's voice is truly magnificent!

Anhelo: Argentinian Songs

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Jose Cura - Puccini Arias / Domingo
Boleros
Verismo
Artist Portrait Jose Cura
Verdi Arias

ASIN: B00000DGWU
Release Date: 1998-11-03

Tracks:

Preludio a los Sonetos de Amor y Muerte
La rosa y el sauce
Se equivoco la paloma
El unico camino
Elegia para un gorrion
Campanilla, adonde vas?
Riqueza
Soneto 4
Anhelo
Caminito
Nocturno
Milonga
Cancion del arbol del olvido
Alfonsina y el mar
Cancion del carretero
Cancion de Perico
Adios Nonino
Desde el fondo de ti
Postal de guerra
Sonetos de Amor y Muerte

Amazon.com

So often, operatic crossover discs seem to be devised according to marketing surveys, with the star swooping into the recording studio between engagements with minimum thought or care. Jose Cura's first crossover disc, Anhelo, is quite the exception. The tenor not only sings but has orchestrated and conducted several numbers as well, which is only the most tangible evidence of the thought and feeling he's put into this. The emphasis is on ballads--which is only fitting for an album whose title means intense, suffocating desire--though there are also folk-like songs and instrumental cuts, one of which Cura composed himself in a neo-Puccinian style. Some of the songs have orchestrations, but the instrumentation is mostly spare: often acoustic guitar or piano and, in one cut, only solo voice. Cura may not have the most flexible instrument, yet he scales it down extremely well here. Clearly, this disc didn't just arise out of a career strategy but as a sincere desire to communicate. And it does. --David Patrick Stearns

Customer Reviews:

Mellow Magic.......2005-12-16

In this exquisite CD of Argentine music, you will not hear Jose Cura sing with the full power of his magnificent operatic voice, but rather with a gentle beauty that is captivating. He shows us his heart in these songs, and what he is capable of doing artistically as well as his commitment to excellence, beyond his career as an international opera superstar. The repertoire consists of music by 20th and 21st century composers: Cura himself (2 tracks), Carlos Guastavino (8), Carlos Lopez Buchardo (2), and Julian Aguirre, Alberto Muzzio, Jorge Cardozo, Alberto Ginastera, Ariel Ramirez, Astor Piazzolla, Hilda Herrera, and Maria Elena Walsh each contributing one selection apiece.

The arrangements (by Cura) and musicianship are superb, featuring the brilliant talents of Eduardo Delgado (piano) and Ernesto Bitetti (guitar). Cura also conducts, and also had a hand in the design of the booklet insert, which has terrific liner notes, recording info, and lyrics in Spanish, English and French. There are also lots of photographs, and one of Cura as a toddler at the piano that is priceless.

There are 4 instrumentals on the CD, and the transcription of Piazzolla's "Adios Nonino" for piano quintet is stupendous, and another big favorite is Ginastera's "Cancion del arbol del olvido." There is nostalgia, sweet simplicity, and a purity to this album that may not appeal to those who like their music always on full throttle, but it is rich with a depth of soul and emotion, and is a rare encounter in this age of sound overkill. Total playing time is 62'08.

Anhelo.......2001-11-20

I discovered Jose Cura through Sarah Brightman's "Time to Say Goodbye." What a find I made! This man has the most expressive voice. Full of emotion and grandure, but not to the point of being ridiculous.

"Anhelo" is the perfect introduction to this wonderful man's voice. It is traditional Argentine music. The first time I heard "La Rosa" I was literally crying by the time it was over. The production is not over the top. You can hear Jose, without fighting the orchestra. Even if you don't speak Spanish, you can understand what he's singing through the emotion he gives each song.

Where most operatic voices do not understand that not every song is an aria, Jose does. He, like Sarah Brightman, can sing the opera with the "pop." Pick up this CD, with the bath and wine ready!

A large voice sings small.......2001-06-01

Many opera singers cannot seem to make their voices fit small or popular-type songs. The great Placido Domingo's pop albums are all disappointing: overproduced and underfelt. Jose Cura, on the other hand, gives these small songs from his homeland a warm, heartfelt treatment. The spare, always apt accompaniment adds to the poetic quality of the whole. This CD is a treasure.

A Cura for Heartache.......1999-09-23

Musical wonderman José Cura conducts himself in this splendid collections of art songs from his native Argentina. Wrapping his big, rich, meltingly warm barti-tenor voice around each ballad of heartache and romantic longing, Cura beautifully conveys the emotion at the heart of the song; it's meaning comes clear even for us listeners who aren't up on our Spanish. Especially impressive are his top notes, which he deploys either forcefully or very soft and intimate, like a lover's whisper in one's ear. Superb support from Ernesto Bitetti and Eduardo Delgado on guitar and piano contribute to the aura of closeness surrounding this disc. Simply put, ANHELO is a beautiful album and one which deserves a place any serious music lover's collection. ¡Viva El Cura!

Jose Cura's voice is truly magnificent!.......1999-09-22

I bought this CD after I heard Jose on Sarah Brighman's "Time to Say Goodbye." His voice is always so powerful, yet sweet that moves the hearts of those who listen to his music. He has truly put his heart into this CD. His feelings about Argentina is clearly reflected in all the songs that he included on this CD. HE will be the greatest tenor!!! He has all the qualities that a truly great tenor should! Let's wait for Jose's career to shine like no one else's.

Art of the Baroque Trumpet, Vol. 5: An Italian Concert

Average customer rating:

exquisite playing, but by this point in the series he's used up most of the first-rate repertoire
Great Baroque Trumpet
Eklund's Trumpet Playing--It's a Natural!

Art of the Baroque Trumpet, Vol. 5: An Italian Concert
Tomaso Albinoni , Arcangelo Corelli , Petronio Franceschini , Baldassare Galuppi , Alessandro Stradella , Giuseppe Torelli , Antonio Vivaldi , Marco Antonio Ziani , Wasa Baroque Ensemble , Niklas Eklund , and Maria Keohane
Manufacturer: Naxos
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Binding: Audio CD

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The Art of the Baroque Trumpet, Vol. 1
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Haydn, Hummel, Neruda: Trumpet Concertos

ASIN: B00005NUOO
Release Date: 2001-10-16

Tracks:

Con in C, RV 537: Allegro - Jeffrey Segal
Con in C, RV 537: Largo - Jeffrey Segal
Con in C, RV 537: Allegro - Jeffrey Segal
Tito Manlio, RV, 738: Combatta Un Gentil Cor - Niklas Eklund/Maria Keohane
Son in D: Grave
Son in D: Allegro
Son in D: Grave
Son in D: Allegro
Son in D: Allegro
La Flora: Trombe D'Ausonia - Niklas Eklund/Maria Keohane
Con in D: Allegro
Con in D: Adagio
Con in D: Presto
Con in D: Adagio
Con in D: Allegro
La Statira: Vien Con Nuova Orribil Guerra - Niklas Eklund/Maria Keohane/Jeffrey Segal
Son in D: Grave
Son in D: Allegro
Son in D: Grave
Son in D: Allegro
Son in D: Grave
Son in D: Allegro
Alla Tromba Della Fama - Niklas Eklund/Maria Keohane
Sinf Avanti Il Barcheggio: Allegro
Sinf Avanti Il Barcheggio: Andante
Sinf Avanti Il Barcheggio: Allegro
Sinf Avanti Il Barcheggio: Allegro
Griselda, RV 718: Agitata Da Due Venti
Son in D: Grave - Jeffrey Segal
Son in D: Allegro - Jeffrey Segal
Son in D: Adagio - Jeffrey Segal
Son in D: Allegro - Jeffrey Segal

Customer Reviews:

exquisite playing, but by this point in the series he's used up most of the first-rate repertoire.......2007-04-26

Of the first four volumes in Eklund's Art of the Baroque Trumpet series, I've enjoyed numbers one and three the most. Volume One is a selection of some of the greatest works of the Baroque trumpet concerto repertoire, and Volume Three a recital of duets with soprano (presenting a nearly identical program to Wynton Marsalis' Baroque Duet album, and possibly outdoing it, to my ears). Both of those albums evince an expressive elegance and flawless technical execution that are truly breathtaking, from Eklund as from all concerned; both probably deserve a place one anyone's list of the top ten greatest classical solo trumpet albums ever recorded.

(Volume 2, a recital for trumpet and organ, is timbrally monotonous and the repertoire is not particularly good, so that it gets a bit tedious. Volume 4, also trumpet concerti, is not as well done interpretively: there's a rushed quality to the readings, even an absent-mindedness.)

This, Volume 5, alternates trumpet concerti with more Baroque opera duets with soprano, so it recapitulates the best of the series. Once again the pieces are astonishingly well-played and the interpretations fresh, sensitive, and exciting. The only problem is that having gong through four hours' worth of this repertoire already, on the previous volumes, Eklund is starting to run out of first-rate repertoire to play. He's strating to get into "filler" material, in other words; not entirely, but aside from the Vivaldi Concerto for Two Trumpets and a couple of the duets with soprano, this program does not represent Baroque writing of the first order.

Great Baroque Trumpet.......2007-02-23

Naxos is often marked down because it is a discount label, but it has turned out its share of excellent CDs, and this is one. We have a well chosen program of Baroque trumpet works by Italian composers, Vivaldi, Corelli, Ziani, Torelli, Albinoni, Galuppi, Stradella and Franceschini. The program opens with the best version I have heard of Vivaldi's grand concerto for two trumpets, and includes works for soprano and trumpet that are just wonderful. The balance between trumpet and strings is perfect. The soloist, Niklas Eklund is probably the best baroque trumpeter of the time, in my opinion better than Wynton Marsalis.
This is great baroque music, superbly played. Very highly recommended.

Eklund's Trumpet Playing--It's a Natural!.......2003-09-23

Having read good things about Niklas Eklund's "Art of the Baroque Trumpet" series on Naxos, I started sampling with this Italian concert and was not disappointed. All that I had read about the beauty and purity of Eklund's tone and steadiness of his intonation are true. In fact, in contradistinction to the many good modern-instrument performances of some of the more famous works on this disc, such as the Vivaldi Concerto for Two Trumpets, Eklund and his colleagues are not in the game for sheer virtuosic sport. Hence, this concerto does not dazzle with breakneck speed as in some performances; instead, you can trace the beauty of the musical line and savor individual note production and contrapuntal interplay.

This is true as well in the arias, where Swedish singer Maria Keohane proves the perfect partner for Eklund, matching the mellowness of the natural trumpet with a darkly burnished soprano. Their collaboration highlights the finest music on the CD: Albinoni's "Vien con nuova orribil guerra"--brilliantly scored for two trumpets, two oboes, and string--and Baldassare Gallupi's "Alla tromba della Fama," with its pretty echo effects and scintillating cadenzas. Keohane even has a virtuoso turn all to herself in Vivaldi's picturesque "Agitata da due venti," which paints the scene of a boat tossed by two winds.

But there is lots of wonderfully colorful music here, including fine works from the High Baroque by Giuseppi Torelli and interesting pieces of the Mid Baroque by Zani, Stradella, and Fanceschini.

Tracks:

Star Spangled Banner
Oh! Canada
Marseillaise
Inno de Mameli
God Save the Queen
Patriotic Song
Patriotic Song
Marcha Real
Kimigayo
Hatikvoh
National Anthem
Deutchesland Lied
National Anthem
Hino Nacional
Advance, Australia Fair
Diestem Van Suid Afrika
Libertad!
Himnusz
Ja VI Elsker Dette Landet
Ukraine Is Still Alive
Gloria Al Bravo Pueblo
Brabanne
Wilhelmus Van Nassouwe
Still Alive
Land Der Berge
Himmo Nacional
Imnul de Stat
Kde Domov Nuj?
Bjorn Bjornson
Dear Fatherland
Mamme
Kong Kristian
Independence March

Average customer rating:

A voice teacher and early music fan
Best of the Best...Handelian Masters for the Uninitiated

Heavenly Handel: Arias and Duets

Manufacturer: Virgin Classics
ProductGroup: Music
Binding: Audio CD

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Vivaldi Edition: Arie d'Opera

ASIN: B0001MQKS8
Release Date: 2005-04-12

Tracks:

Frondi Tenere... - David Daniels
Ombra Mai Fu - David Daniels
Pompe Vane Di MOrte!... - David Daniels
Dove Sei, Amato Bene - David Daniels
Ma Che Parlo, Che Dico... - Veronique Gens
In Tanti Affanni Miei - Veronique Gens
Fra L'ombre E Gl'orrori - Laurent Naouri
Sorge Il Di - Laurent Naouri
Amor, Qual Nuova Fiamma... - Jill Gomez
La Tigre Arde Di Sdegno - Jill Gomez
Per Me Si Strugge Trasimede... - Jill Gomez
E Per Monti, E Per Piani, E Per Selve - Jill Gomez
Where Shall I Fly - Stephanie Blythe
Cantata HWV 166 - Gerard Lesne
As Steals The Morn Upon The Night - Lynne Dawson
How Silently, How Slyly - James Bowman
Upstart, Barbarian And Traitor - James Bowman
Flow My Tears - James Bowman

Tracks:

Fatto Scorta Al Sentier Della Gloria - Vivica Genaux
Fiacchero Quel Fiero Orgoglio - Vivica Genaux
Verdi Prati - Arleen Auger
Ombre Pallide - Arleen Auger
Venti, Turbini - David Daniels
Dolcissima Esilena... - Sandrine Piau
Prendi L'alma E Prendi Il Core - Sandrine Piau
Nasconde L'usignol - Antonio Abete
Nel Riposo E Nel Contento - Antonio Abete
Della Guerra La Caccia Ha Sembianza - Antonio Abete
Tanti Strali Al Sen, Duet HWV 197 - Derek Lee Ragin
Se 'L Mio Duol Non E Si Forte - Sophie Daneman
Caro Autor Di Mia Doglia - Paul Agnew
No, Che D'altrui Che Di Te - Paul Agnew
Dagli Amori Flagellata - Paul Agnew
Madre...Son Nata A Lagrimar - David Daniels

Customer Reviews:

A voice teacher and early music fan.......2006-02-07

This is an excellent sampling of Handel's music and it is indeed "heavenly". Much of the music in Handel's operas, cantatas and oratorios are wonderfully vivid pieces of musical painting, and show Handel's genius in a light that is somewhat unfamiliar to modern musicians. Such passages as the sleep of Somnus in 'Semele' and the moonrise in 'Ariodante', to name but two instances out of many,form an important link in the history of programme music. But to those who understand and enjoy the Handelian idiom its beauty appear eternally new, and its unfailing dignity and loftiness of style recall the words in which Edward FitzGerald summed up his opinion of Handel: "His is the music for a great active people." I have many of the discs already, but some of the songs were new to me for which I am grateful! Some of the high points for me: the duet from Guilio Cesare sung by contralto(Stephanie Blythe) and countertenor (Derek Ragin); the solo from Alcina sung by Arleen Auger(soprano)and David Daniel's rendition of "Ombra mai fu" from Serse. I have Andreas Scholl singing "Ombra" and I never realized how much more there is to that song till I heard Daniels sing it. Anyway this record is a great buy for Handelians.

Best of the Best...Handelian Masters for the Uninitiated.......2005-04-21

For those who would prefer their Handel in bite-size portions, this excellent two-disc set may do the trick. Virgin Classics has chosen stellar aria and duet selections from their extensive Handel discography (1978-2003) and in the process, come up with as definitive a collection of the prolific composer's work as any on the market now. With a running time of well over 2 ½ hours, this compilation covers a broad canvas drawn from some of Handel's finest Italian operas, such as "Rodelinda", "Giulio Cesare", "Rinaldo" and "Deidamia". Even more, there are selections from his English works ("Hercules" and "L'Allegro, il Penseroso ed il Moderato"), as well as miscellaneous vocal Italianate selections.

You know you're in for a world-class set when you have the amazing countertenor David Daniels book-ending the collection, beginning with his platinum-standard version of the much-covered "Frondi tenere...Ombra mai fù" from "Serse" and Bertarido's mournful "Pompe vane di morte!...Dove sei, amato bene" from "Rodelinda". And the set ends in a dream-like state with his wondrous Sesto/Cornelia duet with contralto Stephanie Blythe on the heartbreaking "Madre...Son nata a lagrimar" from "Giulio Cesare". In between is a veritable feast provided by a who's who among the world's leading Handelians. Highlights on disc one include soprano Sandrine Piau and alto Sara Mingardo melding effortlessly on the graceful and vocally challenging "Sorge il di" from the Neapolitan serenata, "Aci, Galatea e Polifemo". Blythe captures Dejanira's requisite madness beautifully in the air, "Where shall I fly?" from "Hercules". Countertenor Gérard Lesne does several thrilling turns on an entire Handel cantata, "Splenda l'alba in oriente". From "Giulio Cesare", legendary contralto Janet Baker contributes a heroically measured "How silently, how slyly", equally revered countertenor James Bowman glides over "Upstart, barbarian and traitor" with true panache, and soprano Valerie Masterson holds her own among these giants showing a diverse range of emotion on "Flow my tears" alternating easily between sonorous and vibrant.

Disc two starts with mezzo-soprano Vivica Genaux displaying some genuinely impressive runs on two arias from "Arminio", "Fatto scorta al sentier della gloria" and "Fiaccherò qul fiero orgoglio". Soprano Arleen Auger does a defiantly passionate turn on "Ombre pallide" from "Alcina", which compares favorably with Renée Fleming's more familiar version on Elektra. Daniels has yet another powerful vocal turn on the victorious "Venti, turbini" aria from "Rinaldo". Piau returns as well, this time intertwining atmospherically with mezzo-soprano Gloria Banditelli on the splendid "Prendi l'alma e prendi il core" from "Rodrigo". Operas are not the only source here. There is a charming duet between soprano Suzie LeBlanc and countertenor Derek Lee Ragin on the effusively Italianate "Tanti strali al sen", and a more dramatically diverse one between tenor Paul Agnew and soprano Patricia Petibon on "Caro autor do mia doglia" - both showcase yet another dimension of Handel to which I have not been exposed. Truth be told, if you enjoy these selections, you should purchase the original recordings, for example, Daniels' wonderful 1998 "Handel: Operatic Arias". But this will do in a pinch for the uninitiated who want an overview of Handel's musical genius. Trust me, with this stellar group of Handelians, you will beg for more.

Average customer rating:

Some excellent tracks.

World Anthems

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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National Anthems

ASIN: B000007QGU
Release Date: 1998-06-16

Tracks:

Olympic Theme
Spain: Marcha Real
Austrailia: Advance Australia Fair
Poland: Jeszcze Polska
Brazil: Patria Amada, Brasil!
Denmark: Kong Christian
Kenya: Ee Mungu Nguvu Ye Tu (Oh God Of All Creation)
Canada: O Canada!/Au Canada
Great Britain: God Save The Queen
China: Ch'i Lai! (Arise!)
Belgium: La Brabanconne
Finland/Estonia: Maamme Laulu (Our Land)
Hungary: Isten Aldd Meg A Magyart (God Bless The Hungarians)
Norway: Ja, Vi Elsker Dette Landet
Germany: Einigkeit Und Recht Und Freiheit
The Czech Republic: Kde Domov Muj? (Where Is My Home?)
United States: The Star Spangled Banner
Greece: Segnorees Apo Tin Kopsi (I Shall Always Recognize You)
The Netherlands: Wilhelmus Van Nassouwe
Japan: The Peaceful Reign
Israel: Hatikvah (The Hope)
Egypt: Walla Zaman 'Algund (Hail, Gallan Troops)
France: La Marseillaise 'Algund
Argentina: Sean Eternos Los Laurales
Sweden: Du Gamla, Du Fria
Mexico: Mexicanos Al Grito De Guerra
Austria: Land Der Berge
Lithuania: Lietuva
Italy: Inno Di Mameli

Customer Reviews:

Some excellent tracks........2000-08-12

With twenty-nine national anthems and John Williams' "Olympic Theme", this album offers a reasonable variety of anthems. (Curiously, there is nothing from the USSR/CIS/Russia!) The recording quality is excellent. The interpretation of the anthems seems to attempt to give an 'appropriate' national flavour to each one. This does not always seem to work. For example, China's "Ch'i Lai!" sounds more like incidental music than a national anthem. There is an interesting rendition of France's "La Marseillaise". While it lacks the 'big' sound usually associated with this anthem, it is distinctive - and is probably a quite good representation of how it might have sounded back in 1792. If, however, you prefer the 'big' sound this version will be a disappointment. Argentina's "Sean eternos los laurales", Canada's "O! Canada" and John Williams' "Olympic Theme" are excellent, but Belgium's "La Brabanconne/Het Belgisch Volkslied" is disappointing and dirge-like. The anthems are performed by a chamber orchestra and consequently have neither the 'big' sound of a full orchestra, nor the martial sound of a military band. The album takes a distinctive approach to the anthems. Whether this approach works is ultimately a matter of personal taste. If you enjoy the more intimate sound of a chamber orchestra, this album will probably be to your taste.

Average customer rating:

Don Quixote in Spanish Music

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000NOIWTE
Release Date: 2007-04-24

Leontyne Price (The Prima Donna Collection)

Average customer rating:

A brilliant collection from a great soprano
If I could have only one collection......
Yes this is great!
The Grandest Collection of Leontyne Price Arias
The Greatest Soprano Ever Recorded

Leontyne Price (The Prima Donna Collection)

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Opera Arias
Ed Sullivan Show 2: Great Moments in Opera
Voices of Firestone: The Great Sopranos / Steber, Price, Tebaldi, Sayao, Nilsson, Moffo, Albanese, Peters, Munsel, Traubel, Sutherland
The Great Recordings
Handel: Arias

ASIN: B000003FAF
Release Date: 1992-08-11

Tracks:

Dido and Aeneas: Act 3: Thy Hand, Belinda!
Dido and Aeneas: Act 3: When I Am Laid In Earth
Le nozze di Figaro: Act 3: E Susanna non vien!
Le nozze di Figaro: Act 3: Dove sono
La traviata: Act 3: Teneste la promessa
La traviata: Act 3: Addio del passato
L'africaine: Act 2: Sur mes genoux, fils du soleil
Manon: Act 2: Allons! il le faut!
Manon: Act 2: Adieu, notre petite table
Otello: Act 4: Era piu calma?
Otello: Act 4: Mia madre aveva una povera ancella (Willow Song)
Otello: Act 4: Ave Maria
Adriana Lecouvreur: Act 1: Ecco: respiro appena
Adriana Lecouvreur: Act 1: Io son l'umile ancella
Louise: Act 3: Depuis le jour
Turandot: Act 2: In questa reggia
Die tote Stadt: Act 1: Marietta's Lied
Vanessa: Act 1: He Has Come, He Has Come!
Vanessa: Act 1: Do Not Utter A Word

Tracks:

Atalanta: Act 1: Care Selve
Don Giovanni: Act 1: Don, Ottavio, son morta!
Don Giovanni: Act 1: Or sai chi l'onore
Der Freischuetz: Act 2: Wie nahte mir der Schlummer
Der Freischuetz: Act 2: Liese, leise
Tannhaeuser: Act 2: Dich, teure Halle
Macbeth: Act 2: La luce langue
Macbeth: Act 4: Vegliammo invan due notti (Sleepwalking Scene)
Macbeth: Act 4: Una macchia e qui tuttora
Mefistofele: Act 3: L'altra notte in fondo al mare
Rusalka: Act 1: Song To The Moon
L'Enfant Prodigue: Air de Lia: L'annee en vain
Andrea Chenier: Act 3: La mamma morta
Francesca da Ramini: Act 3: Paolo, datemi pace
Suor Angelica: Senza mammo, o bimbo, tu sei morto!
Amelia Goes To The Ball: While I Waste These Precious Hours

Tracks:

Alceste: Act 1: Divinites du Styx
Don Giovanni: Act 2: Crudele? Ah, no, mio bene
Don Giovanni: Act 2: Non mi dir
I lombardi: Act 2: O madre, dal cielo
I lombardi: Act 2: Se vano e il pregare
Martha: Act 2: The Last Rose Of Summer
Simon Boccanegra: Act 1: Come in quest'ora bruna
La Perichole: Act 3: Tu n'es pas beau
Die Walkuere: Act 1: Du bist der Lenz
Die Fledermaus: Act 2: Czardas: Klange der Heimat
Carmen: Act 3: Ces des contrebandiers
Carmen: Act 3: Je dis que rien ne m'epouvante
Cavalleria Rusticana: Voi lo sapete
Thais: Act 2: Ah! je suis seule
Thais: Act 2: Dis-moi que je suis belle
Gianni Schicchi: O mio babbino caro
Les dialogues des Carmelites: Act 3: Mes filles, voila s'acheve

Tracks:

Semele: Act 2: Where 'er You Walk
Idomeneo: Act 3: O smania! O Furie!
Idomeneo: Act 3: D 'Oreste, d' Ajace!
La damnation de Faust: Part 4: D'amour l'ardente flamme
Oberon: Act 2: Ozean, du Ungeheuer!
Norma: Act 1: Sediziose voci, voci di guerra
Norma: Act 1: Casta diva
Norma: Act 1: Ah! bello a me ritorna
Rigoletto: Act 1: Gualtier Malde
Rigoletto: Act 1: Caro Nome
Tristan und Isolde: Act 3: Liebestod: Mild und leise
Pagliacci: Act 1: Ballatella: Qual fiamma avea nel guardo
Adriana Lecouvreur: Act 4: Poveri fiori
Gloriana: Act 1, Scene 2: Soliloquy & Prayer: On Rivalries 'tis Safe For Kings
Gloriana: Act 1, Scene 2: Soliloquy & Prayer: O God, My King, Sole Ruler Of The World

Customer Reviews:

A brilliant collection from a great soprano.......2007-04-30

Leontyne Price was much admired and this 4CD collection shows her outstanding vocal gifts to the best advantage. Numerous reviewers have commented on the wide-ranging styles present and I can agree wholeheartedly with them. You would be hard-pressed to find a greater compilation of Ms Price, showcasing her amazing gifts as a great singer!

If I could have only one collection.............2006-11-12

....it would be this. Such fine singing in so many periods, languages, and styles. She is truley a great artist and this set helps you see just HOW GREAT she is. I won't go thru all the tracks but will say Cara Selve drives me wild. "When I am Laid in Earth..." comes across very nicely. There are some rare exerpts too like Gloriana, Menotti's Amelia goes to the Ball. Overall most tracks are inspired. The musicianship is to the highest standards. I JUST lOVE IT!

Yes this is great!.......2006-10-14

But "When I am Laid in Earth" was written by PURCELL! Handel's "Care Selve", however, is also on this set, and it is GORGEOUS!!! I love just about everything on here. A few items from the fourth CD are a bit telling of her age (D'oreste d'ajace!")- but even they are fabulous. THe price of this set is unfortunate - however, it has dropped a little! :) I originally purchased it from BMG in 1994, for next-to-nothing, then "gave" it to my best friend! Two years ago, she lost hers to Hurricane Ivan, and paid a LOT for a new set!

The Grandest Collection of Leontyne Price Arias.......2005-08-08

If you're a fan of Leontyne Price, this should be at the top of your list of her recording albums. I don't know when this was issued, but it's from the RCA Label which was her best promotional record company. It's a box set featuring dozens of arias from magnificent grand operas (some of which Leontyne Price never sang on stage in full and instead sang some bits in concert). Leontyne Price sings in fresh, beautiful and strong voice in dramatic and versatile roles, mastering each music from each composer. She masters such strikingly different masters's works as Samuel Barber (Vannessa) Webber (Der Freischutz) Wagner (Tristan and Isolde, Tannhauser) Falla (Atalanta) Mozart (Le Nozze Di Figaro). She sings the title roles of Massenet's Manon, Bizet's Carmen, Bellini's Norma, Verdi's Lady Macbeth, Amelia in Un Ballo Di Maschera, Nedda in I Pagliacci, Turandot and Suor Angelica, Flotow's Martha, and even oratorio such as Handel's Semele and Benjamin Britten's Gloriana. This is a vast repertoire, far grander in variety than I have ever known any one soprano sang. While critics will indeed compare Leontyne Price to Maria Callas (as another review critic brought up) these two sopranos could not have been any more different. It's not even a matter of their different racial backgrounds- Callas was born in Greece and became an American citizen then gave it up for French citizenship..and Price was born in Mississippi and was African-American) it's a matter of how different their approach at opera was and their vocal category. Callas was a dramatic soprano sforzando (literally "forced dramatic soprano")who would prefer to produce a choking, ugly, harsh sound merely for the dramatic effect and the integrity of the text in her lines. Leontyne Price was the definition of a soprano lyrico-spinto ("pushed" lyric-dramatic singing)which meant above all, to sound beautiful and to fill up those dramatic lines with as much vocal and tonal beauty as possible. Price had a more thrilling mezzo di voce and high soaring top register and a cleaner, smoother sound than the wobbly Callas, no offense to Callas fanatics of which there are many. It is true that Price did lose her touch in a sense in her older years (the 1970's and 80's) when her voice lacked the vibrant lyricism and attention to diction. Her 1970's Toscas and Aidas are therefore a sloppier than her 1950's and 60's Toscas and the same went for her Leonoras in both Trovatore and Forza Del Destino. Nevertheless, Price is an ageless singer. Her voice, dark, messy or bright and smooth, is still what was said of her in her debut at the Met as Leonora in Trovatore - a "bright, unfurling banner". She was goddess of the opera and paved the way for the new generation of black sopranos of today.

This collection does not showcase the more famous roles that were in fact her signature ones - Leonora from Trovatore and Forza, Aida is'nt even in here and that one even she considered her greatest role, we don't find her Madame Butterfly here. Instead we find rare pieces that she sings beautifully and dramatically, making us wish she had sung the entire operas in full on stage. She never sang a full-length Norma and that's a pity- even Grace Bumbry and Shirley Verrett did in their careers. Price seemed to enjoy singing Samuel Barber's vocal works - she opened the 1965-1966 Met season with Barber's Antony and Cleopatra (a bad production by the way but not through any fault of Miss Price but the overblown spectacle of the design of the opera itself) and here she sings his Vanessa. Benjamin Britten's Gloriana sounds lovely in her hands. Her Norma and Dona Anna in Mozart are dramatic and fiery, her Lady Macbeth darkly mysterious, her Suor Angelica peaceful with powerful inner fire and her Dialogue Des Carmelites are also sensational. Yes, many of these arias are beautiful to hear, and thank God she doesn't have any of the flaws critics keep hearing in her later recordings. Without a doubt, this is her finest album. I think you should listen via audio samples here the following to make you get this recording: the Countess aria from Nozze Di Figaro, her Manon (Adieu Petit Table) La Mamma Morta, her version of Sediziose Voce/Casta Diva from Norma, the excerpt from Carmen, "Don Ottavio son Morta...Or Sai Chi L'Onore" from Don Giovanni, Care Salve, the Dido and Aeneas excerpts, the La Traviata excerpts (Addio Del Passato) and the beautifull, mystic, haunting and well-executed Liebestod from Tristan and Isolde, which I even feel surpasses Birgit Nilsson's version. Just listen to how heart-felt that Liebestod is! I have not heard the likes of it anywhere else.

The Greatest Soprano Ever Recorded.......2005-03-20

O.K. So that is only my opinion. But Leontyne Price was one of the most dedicated singers of the 20th century. Her vast repertoire is showcased in this extensive collection of arias. While to many Maria Callas will forever be the ultimate and the greatest of them all, Leontyne Price had the same poswerful, high dramatic voice, in addition a more generous chest register and a regial presence. Moreover, she overcame so much to get to the top. In her day, African-American women in opera was new. Marian Anderson was the first to get into the mainstream opera world, with much difficulty and intervention, such as Eleanor Roosevelt's support. After Marian Anderson finally landed her first role at the Met in the 50's, a new generation of black women in opera began. The 60's and 70's would see the rise of mezzo sopranos later turned to dramatic sopranos such as Grace Bumbry, Shirley Verrett and it would follow into the 80's with Jessie Norman and Kathleen Battle. Today, black women have made opera one of their highest achievements. Leontyne Price began singing in the 50's. A televised production of Tosca was not shown in some Southern states that were racistad opposed the idea of seeing a black woman in a "white" role. Leontyne Price would master the role of Tosca as successfully as Maria Callas. I think that while she is at her best in the Puccini and Verdi operas she recorded and performed (not showcased here)- Trovatore, Aida, Forza Del Destino, Madame Butterfly, Tosca, Suor Angelica. However, there is so much that she is absolutely remarkable in. I love her as Violetta in Traviata (few black women sing the traditionally white role of Violetta), Massenet's Manon, Verdi's Lady Macbeth (which was another of Shirley Verrett's great roles)Dido from Dido and Aneas, Dona Ana and Elvira in Don Giovanni, The Countess in Figaro, Bellini's Norma (she is outstanding in that powerful druid diva role). I think if we narrow it down to a few roles that she really made her own it would be 1: Aida....2:Tosca...3Dona Ana/Dona Elvira 4 Desdemona from Otello and 5..Leonoras from Trovatore and Forza.

This collection is pretty impressive. I didn't know a soprano could be that versatile. Leontyne Price is remarkable. Her rich, lyric voice, capable of plaintive and melancholy lines as well as powerful high C's and dramatic whoops, was always clean, smooth and intense. Of course, like most sopranos, she had her bad days. Her later Toscas (in the mid or late 70's) became too melodramatic and sloppy, when she used to be more mannered and poised with the role, her Cleopatra in Samuel Barber's opera was a fiaco because the production was too bizarre and messy, etc. But for the most part, mostly in Verdi, Puccini, Mozart and as Norma, she was radiant, glorious and perfect. Her background in Church music made her incredibly suited to singing Requiems, such as Verdi's Requiem. There will never be another Leontyne Price. She was a one woman Golden Age of Opera, and sang with the best of the best- Bjussi Bjorling, Giuseppe Di Stefano, Franco Corelli, Placido Domingo.