Oye A...
Track Listings
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1. Una Rosa y Una Espina
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2. Serenata Sin Luna
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3. Caballo Veijo
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4. Pedazos de Mi
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5. Donde Estes Con Quien Estes
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6. Chiquititita
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7. Otro Ocupa Mi Lugar
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8. Ultima Noche
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9. Baile del Gavilan
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10. Hijos de la China Hilaria
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Oye A...,Banda Perla de Michoacan,Sony International,Latin,Mexican,Regional Mexican
Oye A...
Average customer rating:
- excelent soundtrack
- Easy to the ears
- THE RAVE
- I'm touched...
- not the music I expected from the showtrack
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Man on Fire
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Man on Fire
- Gladiator: Music from the Motion Picture
- Collateral
- Black Hawk Down
- Kingdom of Heaven
ASIN: B00028HOB8
Release Date: 2004-07-27 |
Tracks:
- Una Palabra - Carlos Varela
- Main Title
- Taxi
- El Paso
- Creasy's Room
- The Rave
- Pita's Sorrow
- Nightmare
- Bullet Tells The Truth
- Followed
- Smiling
- You Are Her Father
- No Mariachi
- The Drop
- Angel Vengador - Gabriel Gonzalez
- You Betrayed Me
- She's Dead
- The Crime Scene
- Pita's Room
- Gonzalez
- Oye Como Va - Kinky
- La Nina
- Creasy's Art Is Death
- The Voice
- Sanchez Family
- The Rooftop
- The End
- Man On Fire (Remix) - Hybrid
Amazon.com
Director Tony Scott's tale of an ex-Marine-turned-bodyguard (Denzel Washington) who responds to the kidnapping of his young charge and her family with a violence-drenched cycle of revenge and torture is driven by the filmmaker's typically manic visual sense. English composer Harry Gregson-Williams, whose conjured similar action-oriented synth-symphony fusion scores for The Rundown and Spy Game, deftly expands the dimensions of that bi-polar musical sensibility here, infusing it with gentle ethnic folk touches and the ever-savory sonic contributions of Lisa Gerrard. The composer matches Scott's visually jarring action sequences with a melange of strangled guitar riffs, metallic rhythms and aggressive electronic soundscapes, contrasting them masterfully against quiet piano passages and brooding symphonic pastoralism. Contemporary Latin ballads by Gabriel Gonzalez and Cuban singer/songwriter Carlos Varela help cement the score's foreign intrigue, while Gerrard (arguably the MVP of soundtrack utility players) contributes a smart remix of the title track and collaborates with Gregson-Williams on the haunting "The End," which also features her distinctly exotic vocals. The result is a spiritual cousin to Hans Zimmer's similarly compelling brew of electronica and world music for Black Hawk Down. -- Jerry McCulley
Customer Reviews:
excelent soundtrack.......2007-05-14
If you love the movie you will love the soundtrack, it is greatttt......
Easy to the ears.......2007-01-09
This was a gift to my husband,,he loved the music during the movie and wanted this CD for a very long time. He was very suprised at Christmas, even the kids like listening to him play it over and over again.
THE RAVE .......2006-07-29
YEAH i need help finding out the artist or group for THE RAVE please
I'm touched..........2006-05-20
The film and the music makes a magnificent combination. I'm amazed by the pictures, the music and the way it all comes together in my mind. "Smiling" is one of the most beautiful songs I've ever heard and it makes the impression everlasting. I recommend this CD to anyone who wants to lean back after a hard days work and reflect on what's important in life. Because that's what this music does to you. I'm impressed.
Per Jonsson
Malmö, Sweden.
not the music I expected from the showtrack.......2006-03-25
my husband and I were very disappointed. It was not the music we expected from the soundtrack. What happened to the real music?
Average customer rating:
- Just for kids?? No way!!
- The best classical album for kids!
- Great for Preschool Children
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Classics for Kids
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Similar Items:
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- Children's Favorites
- Bernstein Favorites: Children's Classics
- Pavarotti's Opera Made Easy-My Favourite Opera For Children
- Prokofiev: Peter and the Wolf
ASIN: B000003FE3
Release Date: 1993-06-08 |
Tracks:
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- Parade of The Wooden Soldiers (Jessel-MacDonald)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- THe Girl With The Flaxen Hair (Debussy)
- Hoedown from Rodeo (Copland)
- Little Waltz from The Toy Box (Debussy)
- Viennese Musical Clock from Hary Janos (Kodaly)
- Mother Goose Suite Excerpts (Ravel)
- Mother Goose Suite Excerpts (Ravel)
- March of the Siamese Children from The King and I (Rogers)
- Dreams frin Scenes From Childhood ( Schumann)
- March of The Toys from Babes In Toyland (Herbert)
- Childhood Games Excerpts (Bizet)
- Childhood Games Excerpts (Bizet)
- The Toy Trumpet Al Hirt, trumpet (Scott)
- The Little Train of Caipira (Villa-Lobos)
- The Sorcerer's Apprentice (Dukas)
- Waltz from The Sleeping Beauty (Tchaikovsky)
- Lullaby (Brahms)
Customer Reviews:
Just for kids?? No way!!.......2005-04-08
This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").
If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.
The best classical album for kids!.......2002-12-12
This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!
Great for Preschool Children.......2000-10-12
I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.
Average customer rating:
- Simply wonderful!
- quiet time reorganization of the mind
- Sumptuous
- You never have enough Ravel - just never.
- The Best of Ravel By Master Conductor And Orchestra
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Ravel: Boléro
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Gershwin: Rhapsody in Blue - Piano Concerto in F - An American in Paris
- Debussy: La Mer
- Stravinsky: Rite Of Spring, Fireworks, Petrouchka / Ozawa, Tilson Thomas, Chicago Symphony
- Rimsky-Korsakov: Scheherazade/Capriccio Espagnol
- Ravel: Piano Works
ASIN: B00002MXMX
Release Date: 1999-11-09 |
Tracks:
- Bolero
- Alborada del gracioso
- Ma Mere I'Oye (Complete Ballet): Prelude
- Ma Mere I'Oye (Complete Ballet): 1 Tableau: Andse du rouet et Scene
- Ma Mere I'Oye (Complete Ballet): 2 Tableau: Pavane de la Belle du bois dormant
- Ma Mere I'Oye (Complete Ballet): 3 Tableau: Les Entretiens de la Belle et de la Bete
- Ma Mere I'Oye (Complete Ballet): 4 Tableau: Petit Poucet
- Ma Mere I'Oye (Complete Ballet): 5 Tableau: Laideronette, Imperatrice des pagodes
- Une Barque sur l'ocean
- Rapsodie espagnole: Prelude a la nuit - Malaguena - Habanera - Feria
Tracks:
- La Valse
- Pavane pour une infante defunte
- Le tombeau de Couperin: Prelude
- Le tombeau de Couperin: Forlane
- Le tombeau de Couperin: Menuet
- Le tombeau de Couperin: Rigaudon
- Valses nobles et sentimentales: Modere - Assez lent
- Valses nobles et sentimentales: Modere - Assez anime
- Valses nobles et sentimentales: Presque lent - Azzez vif
- Valses nobles et sentimentales: Moins vif - Epilogue
- Menuet antique
- Fanfare pour 'L'Eventail de Jeanne
- Daphnis et Chloe (Suite No. 2): Lever du jour
- Daphnis et Chloe (Suite No. 2): Pantomime
- Dapnis et Chloe (Suite No. 2): Danse generale
Customer Reviews:
Simply wonderful!.......2007-01-09
If you are a music buff like myself ( and I do like all kinds of music ), than what's not to like about The Boléro, by Ravel? And I don't buy into that hog-wash of a story that Ravel wrote this piece in the beginning of dementia...gimmie a break and give that man credit where credit is due.....The Boléro is a master piece! Ok...my review: It was a pleasure to shop for this Cd on Amazon ( after a disappointing search in a main music store )I found what I was looking for, ordered it and anxiously waited it's delivery, which was only about 5 days. The Cd was delivered in tip-top shape and I have enjoyed repeated plays of The Boléro! ( if it were an LP, the grooves would have been worn down by now! ) Today...it's back to classic rock for me. I would surely order from Amazon again!
quiet time reorganization of the mind.......2007-01-05
Have listened to this over the years from a teen who couldn't understand why anyone would write something so slow and repetitive, to a young married who now understood a vehicle for passion in a world filled with disraction, to a person who hears the joy and passion and struggles of a composer and appreciates the pain as a growth process for humans. Tenderly,hot,good stuff.More please.
Sumptuous.......2007-01-04
To heck with arguments about Elvis, Chuck Berry, Bill Haley, etc. Ravel's Bolero was the first ever piece of rock music, so there. This version by Dutoit and the Montreal Symphony totally nails it, always been my favorite version. The trick is to not let things get over the top as the intensity heightens. Flawless readings of the Rapsodie Espagnole and La Valse to boot makes this an essential disc. This is all the evidence you need that Charles Dutoit is the greatest living Ravel interpreter.
You never have enough Ravel - just never........2006-01-15
This two disk set is one of those that you should add to your collection because it is wonderful music, sounds great, and is extremely affordable. Everyone knows and loves "Boléro". Commissioned by Ida Rubinstein as a ballet and premiered in 1928 was not a musical success. At another performance, led by Toscanini, Ravel complained that the tempo was too fast. Toscanini replied that it was the only way to save the work. But it soon became a mass success to Ravel's surprise and consternation. He felt they loved it for all the wrong reasons. The violinist Hélène Jourdan-Morhange relates this interesting story of one incident involving the work:
"Ravel was extremely surprised at the mass success of "Boléro" `They're going to turn it into another "Madelon", he said, rather crossly; and deep down he felt that the obsessive, musico-sexual element in the piece was probably behind its enormous popularity. But one old lady was proof against the contagion. Ravel's brother Edouard saw her, at the first performance, wedged tightly in her seat shouting above the applause `Rubbish! Rubbish!' Maurice, when informed by his brother, replied mysteriously: `That Old Lady got the message!'" from Ravel et nous 1945 page 166.
The other works on this disk are more substantive than the 15-minute crescendo and its constantly changing orchestral colors. The entire "Mother Goose" ballet - who doesn't love this? Although you usually here it performed as the suite. The "Rhapsodie Espagnol" is a favorite and delivers that wonderful Spanish flavor with a French sauce.
"Le tombeau de Couperin" and "Valses nobles et sentimentale" are orchestrations of major piano works (with some alterations in the tombeau) (there are other pieces on these disks that also began as piano works) that are probably more well known to the general public as orchestral works. However, they are very essential works in the pianist's repertoire, and I encourage you to get to know them in that form as well.
"La Valse" is really two things. There is a tribute to Johann Strauss. Ravel admitted that every composer wanted to write a very good waltz, but that it was very difficult. So, he wrote this symphonic waltz as a tribute. However, the second half is something else, is it not? There is decadence and a madness to it that seems like a nightmare to me. As if we are all trapped in this thing until everything falls apart with pain and loss into nothing. A fascinating piece.
There are other small and popular pieces on this disk that are all done well.
Recommended!
The Best of Ravel By Master Conductor And Orchestra.......2005-11-10
French-Canadian conductor Charles Dutoit and the Motneral Symphony Orchestra deliver what is the most musically satisfying collection of Ravel Bolero's French music. At a fine price, this is a fine jewel, with moments that sparkle and burn with a beautiful fire. The first track is of course the famous Bolero, with its hypnotic, singular theme that is expanded into a climatic crescendo which is overtly sexual, primal and sensuous. It was originally a ballet about a Spanish dancer (dancing the bolero of course) in a bawdy cafe. She is spurred on to dance even more erotically by the lusty men until we can assume the men can take no more. The Rhapsody Espagnole is an evocative portrait of Spain, with lyrical passages and tonal beauty. The Valse is another classic of French music of the early 20th century. Ravel's mother had died prior to the premiere. It is a slow, romantic waltz that escalates into a frenzied dance of death. In musical terms, there is nothing too different from La Valse and Bolero. They are both basically one motif that is repeated but changes in volume and pacing. The Pavane For A Dead Princess is my favorite work of his. It is possibly the most gorgeous funeral music one will ever hear. Far from being a melancholy piece, it is a stately, Renaissance-like work that pays homage to exoticism of the East and Romanticism of the West. The Dead Princess we assume is either Moorish or Spanish and the music is lilting and spiritual without ever reaching the heights of frustration or despair that Bolero or Valse take on. The Tomb of Couperin is also a funereal piece but its beauty lies in its imitation of Baroque music. Couperin was a Baroque composer of keyboard works. The music is aptly called neo-baroque or neoclassical since it was composed in the 20th century. This same style is embedded in Valses Nobles Et Sentimentales and Minuet Antique- all works that reflect the music of the Baroque and classical eras, an homage to Handel and Gluck. Daphne Et Cloe is perhaps his most ambitious work, as it expands on the Baroque classic and makes it more operatic and orchestrally grander. All fans of Ravel will want to own this recording. Dutoit knows this music down to a T and the orchestra captures nuance and subtlety in a variety of both light and dark textures. The music is brimming with life and the sound is crisp and beautifully remastered.
Average customer rating:
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Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Manufacturer: Delta
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ASIN: B00012QLTQ
Release Date: 2003-12-09 |
Album Description
Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.
Customer Reviews:
A good gift for novice.......2007-05-12
This was a good gift for somebody learning about Classical music in Japan.
Average customer rating:
|
Ravel: Greatest Hits
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Debussy's Greatest Hits
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- Saint-Saëns: Greatest Hits
- Grieg: Greatest Hits
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ASIN: B000002A27
Release Date: 1994-08-09 |
Tracks:
- Bolero
- Pavane For A Dead Princess
- Alborada Del Gracioso
- Rapsodie espagnole: Feria
- Le tombeau de Couperin: Rigaudon
- La Valse
- Piece In The Form Of A Habanera
- Mother Goose Suite: The Fairy Garden
- Daphnis et Chloe, Suite No. 2: Daybreak
- Daphnis et Chloe, Suite No. 2: Pantomime
- Daphnis et Chloe, Suite No. 2: General Dance
Customer Reviews:
Ravels Greatest hits.......2007-07-20
Listen to the genuis of Ravel on a clean sounding recording that you can enjoy time and time again without deterioration.Be advised the recording levels are not dampened so dinner guests and headset wearers will certainly be awokened especially at the end of Bolero.If you listen closely the music pages can be heard turning ,nice sense of being there ,get the cd they dont make em like this anymore.
Average customer rating:
- Excellent recording
- Highly Recommended!
- Amazing
- A gentleman musical agreement!
- Extreme virtuosity
|
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B000002RTR
Release Date: 1993-09-14 |
Tracks:
- Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
- Estudio brillante
- Etude No. 1 In E Minor
- Recuerdos de la Alhambra
- Leyenda
- Romance
- Rumores de la Caleta
- Capricho Arabe
- Cantata 147: Jesu, Joy Of Man's Desiring
- Well-Tempered Clavier: Prelude No. 1
- Well-Tempered Clavier: Prelude No. 6
- Cantata 140: Sleepers Awake
- Prelude, Fugue, And Allegro: Allegro
- Cantata 208: Sheep May Safely Graze
- Les Barricades mysterieuses
- Preambulo & Allegro vivo: Preambulo And Allegro vivo
- Passacaglia
- The Girl With The Flaxen Hair
- Gymnopedie No. 1
- Empress Of The Pagodas
- Afro-Cuban Lullaby
Tracks:
- Fourth Lute Suite: Praludium
- Fairest Lord Jesus
- Praise Ye The Lord, K. 339
- Simple Gifts
- Hymn Of Christian Joy
- Cantata 29: We Thank Thee, Lord
- Cantata 156: Arioso
- Cantata 99: What God Hath Done
- Canon
- Dolly Suite: Berceuse
- La Vida breve: Spanish Dance No. 1
- Terezinha De Jesus
- Prelude (In The Baroque Style)
- Goyescas: Intermezzo
- Prelude & Fugue No. 4 In E: Fugue
- Evening Dance
- Variations On A Theme Of Mozart
- Canarlos
- La Maja de Goya
- El Noi de la Mare
- Concierto de Aranjuez: Adagio - J. Rodrigo
Customer Reviews:
Excellent recording.......2007-05-12
If you are a fan of classical guitar than this is a must own set. I enjoy every moment.
Highly Recommended!.......2006-12-23
I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.
This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.
Amazing.......2006-05-08
I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.
A gentleman musical agreement! .......2006-03-16
In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.
But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.
Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.
Extreme virtuosity.......2005-09-25
CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
|
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Outstanding performance
- tour de force
- Ravel Piano Works- Pascal Roge
- Beautiful Works, Excellent Performance
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Ravel: Piano Works
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Debussy: Piano Works
- Satie: Piano Works
- After the Rain...The Soft Sounds of Erik Satie
- Liszt: Favourite Piano Works
- Ravel: The Piano Concertos; Valses nobles et sentimentales
ASIN: B00000422W
Release Date: 1994-11-15 |
Tracks:
- Gaspard de la nuit: I Ondine
- Gaspard de la nuit: II Le Gibet
- Gaspard de la nuit: III Scarbo
- Valses nobles et sentimentales: I Modere, tres franc
- Valses nobles et sentimentales: II Assez lent, avec une expression intense
- Valses nobles et sentimentales: III Modere
- Valses nobles et sentimentales: IV Assez anime
- Valses nobles et sentimentales: V Presque lent, dans un sentiment intime
- Valses nobles et sentimentales: VI Vif
- Valses nobles et sentimentales: VII Moins vif
- Valses nobles et sentimentales: VIII Epilogue, lent
- Jeux d'eau
- Miroirs: I Noctuelles
- Miroirs: II Oiseaux tristes
- Miroirs: III Une barque sur l'ocean
- Miroirs: IV Alborada del gracioso
- Miroirs: V La Vallee des cloches
Tracks:
- Sonatine: I Modere
- Sonatine: II Mouvement de menuet
- Sonatine: III Anime
- Le tombeau de Couperin: I Prelude
- Le tombeau de Couperin: II Fugue
- Le tombeau de Couperin: III Forlane
- Le tombeau de Couperin: IV Rigaudon
- Le tombeau de Couperin: V Menuet
- Le tombeau de Couperin: VI Toccata
- Prelude
- Menuet sur le nom d'Haydn
- A la maniere de Borodine
- Menuet antique
- Pavane pour une infante defunte
- A la maniere de Chabrier
- Ma Mere L'Oye: Pavane de la Belle au bois dormant
- Ma Mere L'Oye: Petit Poucet
- Ma Mere L'Oye: Laideronnette, imperatrice des pagodes
- Ma Mere L'Oye: Entretiens de la Belle et de la Bete
- Ma Mere L'Oye: Le Jardin feerique
Customer Reviews:
Outstanding performance.......2005-11-29
I have to concur with Del Dotto's opinion in the yr 2000, this is as close to definitive as possible.
But why stop at just 1 excellent recording, also consider Jean Efflam Bavouzet on the MDG label. As well another definitive recording (yes its possible to have more than just one definitive) is Alexandre Tharaud's recent recording on Harmondo Mundi.
Pascal Rouge, a true master in Ravel, a very rare talent in the recording industry.
tour de force.......2005-04-20
Pascal Roges recordings of Ravels great piano works serves as a honest mark of the music that never was, but perhaps might have been. Gently capturing the sheltered aura of pre-novelite Chopin, whilst endowing the music with the acousto-eco-hyperbolies of Keats, this recording is not to be missed. one can almost sense the tragic embrace that beheld Toffy and Dolly in that one moment, that one eternal moment. Ah. I shall never forget it. Ravels piano works are, in all senses, composures of 20th century modernity, suffused with the country-stylised effects of, say, Emmylou Harris, and the impecably marked greenhouse-jubilance connecting all the pieces in one final exotic anti-frenzy makes certain implications on ones ability to hate. I dont hate this cd, for example. the best pieces are Jeux d'eau, what a hit! and Le Tombeau de Couperin. Buy this cd and you will/wont be very very happy.
Ravel Piano Works- Pascal Roge.......2002-08-30
Having searched for ages for a definitive recording of the Impressionistic Masterpiece "Gaspard de la Nuit", I found it in this CD. Roge plays the technical inferno of Ondine and Scarbo with flawless taste and passion. This recording would rival that of Martha Argerich's famous recording of Gaspard that has long been thought to be the best. The Tombeau and Sonatine are also very nicely done. Sometimes however, with the smaller lesser known pieces such as the Minuet, you get the sense that he is sightreading, not truely feeling the music. Nevertheless this is a must have.
Beautiful Works, Excellent Performance.......2002-08-27
Together with the 2CD set of Debussy's piano works, these two albums are master recordings of the finest impressionist piano music. Pascal Roge has an astonishing control of the sound of the piano, and can bring out a beautiful palette of various tone colours and moods, orchestrating the piano and creating a dreamworld of sensations. Listen to the wonderful suite Gaspard de la Nuit, the marvellous sonatine (especially the second movement), and of course the mirroirs... This album is a must!
Average customer rating:
- Nice album!
- What a great Colombian rock
- I LOVE ANDREA
- What's with the 1 stars!?!?!?!?!?!?
- Giving 1 star to this album is so insensitive!
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Oye
Aterciopelados
Manufacturer: Nacional Records
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Binding: Audio CD
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Similar Items:
- Conector
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ASIN: B000I2IR8C
Release Date: 2006-10-24 |
Tracks:
- Complemento
- Que Te Besen
- Don Dinero
- Canción Protesta
- Oye Mujer
- Insoportable
- Paces
- Panal
- Al Parque
- Fan #1
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Amazon.com
Countless thousands of non-English speakers cram stadiums and theaters all over the world, so why (oh why) does it seem so difficult for U.S. audiences to embrace widely a band as clearly worthy of attention as Aterciopelados? Andrea Echeverri sings in Spanish, sure, but the band revels in melding the instrumental palettes of South America with a sharply smart rock--just spin the trumpets and accordions in "Don Dinero"--so that their tunes are eminently physical. They keep their ears on the dances that popular musics have triggered in their native Colombia (and across South America), and then Aterciopelados delves deeply into straight-up rock & roll, hard-hit drums, and loud guitars. The band has changed shapes over the years, going from a punk-rock scuttle to an electronics-tinged brand pop--with Echeverri's declarative mid-range delivery always in top form. Oye implores you to listen, and you ought to. --Andrew Bartlett
Album Description
The multiple Grammy-nominated Colombian pop-alternative act returns with their first studio album in five years. Their previous Grammy-nominated release, "Gozo Poderoso" scanned 40,000+ units and sold 80,000 copies in the US. Co-founders Andrea Echeverri and Hector Buitrago both released attention-grabbing solo albums (Echeverri's received two Grammy nominations) in the past year, further building anticipation for the band's new studio set. Produced by Buitrago and mixed by Thom Russo (Johnny Cash, Juanes, Kinky).
Customer Reviews:
Nice album!.......2007-05-21
This is another nice album by Aterciopelados. Not their best but still highly recommended.
What a great Colombian rock.......2007-05-17
What can I say. every song is so well done.
If you like alternative music with good melodies, rhythm, great percussion, guitars, latin influence, new sounds and songs that make you feel re-born. This music is for you. It doesn't matter if you don't understand the letters...music is enough.
I LOVE ANDREA.......2007-01-09
I LOVE ANDREA ECHEVERRI, I IDENTIFY WITH HER, WE GREW UP IN THE SAME PLACE, WE ARE ABOUT THE SAME AGE, BY THE WAY, MY NAME IS ANDREA TOO..., I JUST LOVE HER, SHE IS ECLECTIC AND THE LANGUAGE SHE USES TO EXPRESS HERSELF VIBRATES WITH ME..., I LOVE IT!
What's with the 1 stars!?!?!?!?!?!?.......2007-01-06
I can't seem to understand all the one star reviws but it sounds like they were all written by the same person to me. I found this album to be amazing and stayed up til 2 a.m. listening to it three times in a row!!! I don't know what CD the reviewers are listening to but there is certainly the same depth, melodies, rock and exploration as on past CDs. Bands change, people!!! Live with it! These are the songs of talented musicians who love what they do. Ignore the negative reviews and pick this one up. I guarantee you'll be hooked!!!
Giving 1 star to this album is so insensitive!.......2006-12-26
I mean: Aterciopelados are still flying high in the Inspiration department; both musically & lyrically.
The standout for me is DON DINERO,especially if you know spanish you will get caught up in the playfulness of its lyrics.
PACES & AL PARQUE remind me of mid-90s AterciopeLados. While OYE MUJER & INSOPORTABLE sound very GOZO PODEROSO/PIPA DE LA PAZ...
Out of all the Colombian exports people know more about Shakira and Juanes, yet, there is something so uniquely soothing about Aterciopelados'music! They are extremely inspired, I wish they got more exposure( only last week I saw their video for the very lovely COMPLEMENTO on MTV Latin-America)...Aterciopelados are in creative heaven right now, check this album out immediately, dismiss the 1-star reviews.
One more thing: try to catch Andrea Echeverri Live: she transfigures herself on stage, you have to see it and then believe it, she seems like she comes straight from heaven when she performs...alright!
Average customer rating:
- The Most Relaxing Harp Alblum in the World...Ever!
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The Most Relaxing Harp Album in the World... Ever!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
All Works by J.S. Bach
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Ravel, Maurice
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Rota, Nino
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All Works by Satie
| Satie, Erik
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Concertinos
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General
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- The Most Relaxing Piano Album in the World...Ever!
ASIN: B000AXWGXG
Release Date: 2005-10-04 |
Tracks:
- Rrie - Claude Debussy
- Gymnope No. 3 - Erik Satie
- Sonata in A, K.208 (Andante e cantabile) - Domenico Scarlatti
- Siciliana - Ottorino Respighi
- Piano Concerto No. 5 in E-Flat, Op. 73 Emperor - II Adagio - Ludwig Van Beethoven
- Sonatine, Op. 30 - II Calme et expressif - Marcel Tournier
- Allemande & Courante (from French Suite No. 6 in E, BWV 817) - Johann Sebastian Bach
- Arabesque No. 1 in E - Claude Debussy
- Pavane of the Sleeping Beauty (from Ma M lOye) - Maurice Ravel
- Lute Concerto in D, RV 93 - II. Largo - Antonio Vivaldi
- Sarabanda - Nino Rota
- Siciliano (BWV 1031) - Johann Sebastian Bach
- Concerto for Harp & Orchestra in G Minor, Op. 81 - II Romanza (Andante) - Elias Parish-Alvars
- Andante (from Violin Sonata in A, BWV 1015) - Johann Sebastian Bach
- In a Landscape - John Cage
Tracks:
- Concerto for Harp & Strings in B-Flat, Op. 4 No. 6 - George Frideric Handel
- Concerto for Harp & Strings in B-Flat, Op. 4 No. 6 - George Frideric Handel
- Concerto for Harp & Strings in B-Flat, Op. 4 No. 6 - George Frideric Handel
- The Girl with the Flaxen Hair (from Preludes, Book I) - Claude Debussy
- Sonata for Harp - III Lied - Paul Hindemith
- Pavane - Antoine Francisque
- Concerto for Flute & Harp in C, K.299 - II Andantino - Wolfgang Amadeus Mozart
- Clair de lune (from Suite bergamasque) - Claude Debussy
- The Sunken Cathedral (from Preludes, Book I) - Claude Debussy
- Andantino (from Sonata in C Minor) - Giovanni Pescetti
- La Source, Op. 44 (ude) - Alphonse Hasselmans
- Jesu, Joy of Mans Desiring (from Cantata, BWV 147) - Johann Sebastian Bach
- Gymnope No. 1 - Erik Satie
- Danses sacret profane - Claude Debussy
Customer Reviews:
The Most Relaxing Harp Alblum in the World...Ever!.......2007-01-08
Very soothing. Allows you peace of mind
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