Protagonista de la Musica

Track Listings

1. Candela - Tito Enriquez

2. Llegar a Ti

3. Usted Se Me Llevo la Vida - Alexis Ramos

4. Moscas en la Casa

5. Kilometros

6. Inolvidable

7. Yo Si Me Enamore

8. Ultimo Adios

9. Dejaria Todo

10. Besame Mucho

11. Celos

12. Baño de Luna

13. Pueden Decir

14. Corazon de Mujer - Barbara Higuera

15. No Me Rendire [*] - Pablo Portillo, Jaci Velasquez

Protagonista de la Musica,Various Artists,Sony International,Latin,Latin Music,Latin Pop,Latin Pop/Rock Collections,V/a Compilations

Tracks:

Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
Estudio brillante
Etude No. 1 In E Minor
Recuerdos de la Alhambra
Leyenda
Romance
Rumores de la Caleta
Capricho Arabe
Cantata 147: Jesu, Joy Of Man's Desiring
Well-Tempered Clavier: Prelude No. 1
Well-Tempered Clavier: Prelude No. 6
Cantata 140: Sleepers Awake
Prelude, Fugue, And Allegro: Allegro
Cantata 208: Sheep May Safely Graze
Les Barricades mysterieuses
Preambulo & Allegro vivo: Preambulo And Allegro vivo
Passacaglia
The Girl With The Flaxen Hair
Gymnopedie No. 1
Empress Of The Pagodas
Afro-Cuban Lullaby

Tracks:

Fourth Lute Suite: Praludium
Fairest Lord Jesus
Praise Ye The Lord, K. 339
Simple Gifts
Hymn Of Christian Joy
Cantata 29: We Thank Thee, Lord
Cantata 156: Arioso
Cantata 99: What God Hath Done
Canon
Dolly Suite: Berceuse
La Vida breve: Spanish Dance No. 1
Terezinha De Jesus
Prelude (In The Baroque Style)
Goyescas: Intermezzo
Prelude & Fugue No. 4 In E: Fugue
Evening Dance
Variations On A Theme Of Mozart
Canarlos
La Maja de Goya
El Noi de la Mare
Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.

Average customer rating:

Very Enjoyable for all music fans
Absolutely Amazing! Two CDs packed with the world's most beautiful classical music...

The Classical Album 2005

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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The Number One Classical Album 2006
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ASIN: B000A8AXWW
Release Date: 2005-09-13

Customer Reviews:

Very Enjoyable for all music fans.......2006-03-02

This is very good collection of music that brings to life a wide variety of music that is both old and contemporary. The selections vary from composers, historical and famous such as Pavarotti and Puccini to today's James Horner (Titanic, A Beauituful Mind) and John Williams (Star Wars, Sabrina, Jaws, Saving Private Ryan).

If you enjoy the sounds of Sarah Brightman, Charlotte Church, Enya, Kate Bush, Andrea Bocelli, and various theatre music (Andrew Lloyd Webber (Evita, Cats), then you will find this collection worthy of your appreciation.

I have often wondered why classical music radio channels do not play modern composers (i.e., Horner, Willams), and am glad that this album gives them credit that they deserve. There is so many good compositions being created every day that only appear to have a voice on the big screen, which is unfortunate.

Track 11, composed by The Doors, and is a nice version, indeed. I also enjoy the Bond players giving a new twist to some old favourites.

Ciao,
Neil

Absolutely Amazing! Two CDs packed with the world's most beautiful classical music..........2005-11-08

First, let me begin by saying that I am by no means an expert in classical music, but have grown to appreciate it immensely in the past year. I can say wholeheartedly that this is the most beautiful compilation of music I have ever had the pleasure of listening to. It's simple irresistible. There are few words to describe how emotional it is to hear Pavarotti sing "II Canto", or Placido Domingo belt out "Questa o quella". You just get numb with joy!! I have NO idea what they are saying but a translation not necessary. The entire collection (TWo jammed-packed CDs) is phenomenal (excluding the selections from "Bond" which I found to be particularly annoying and not at all "classical" in the true sense of the word). There is something here for everyone, regardless of your personal musical tastes or tolerances.

A guaranteed hit -- Don't miss this one.

CD One

Andrea Bocelli "En Aranjuez con tu amor"
Bryn Terfel - "Granada"
Bond - "Viva" ( not my favorite, sounds almost disco-ish)
Hayley Westenra - "Pokarekare Ana"
Luciano Pavarotti - "Una Mattina"
Katherine jenkins - "Time To Say Goodbye" (a heart stopper - so beautiful!)
Duel - "Canon" (lovely!)
Janine Jansen - "Allegro from 'Spring'"
Andreas Scholl - "Ombra mai fu"
Nigel Kennedy - "The Unknown Soldier"
Kiri Te Kanawa - "Nuns' Chorus"
Nelson Freire - "Chopin Etude No. 1 op. 25
Julian Lloyd Webber - "Flight of the Bumble-bee"
James Horner - "For the Love of a Princess
Hans Zimmer & Lisa Gerrard "Now We Are Free"
Renee Fleming - "Mesicku na nebi hlubokem"
Russell Watson - "Amore e Musica"

CD TWO

Luciano Pavarotti - "II Canto" (I MUST see him sing this in person!!)
Placido Domingo - "Questa o quello" (I never tire of hearing this)
Andrea Bocelli & Bryn Terfel - "the Pearl Fisher's Duet"
Jose Carreras - "Funiculi, funicula
Dominc Miller & Kaori Muraji - "Fragile"
Tavener - "Song for Athene"
Josep Calleja - "La donna e mobile"
Jean-Yves Thibaudet - "Gymopedie No. 1"
Juan Diego Florez - "Una furtiva lagrima"
Kathleen Ferrier - "Blow the Wind Southerly"
Angela Gheorghiu - "Ave Maria"
Janine Jansen - "Schindler's List Main Theme"
Bond - "explosive"
Secret Garden - "You Raise Me Up"
Hayley Westenra - "Never Say Goodbye"
The Three Tenors - "Nessun Dorma"

Enjoy!

Cris Cunningham for Amazon.com

Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid

Average customer rating:

Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid
Savall is the most wonderful spanish musician
An Enchanting Disc
What a gem!

Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid

Manufacturer: Alia Vox Spain
ProductGroup: Music
Binding: Audio CD

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Altre Follie, 1500-1750

ASIN: B000E42MPS
Release Date: 2006-02-14

Tracks:

Pastorale
Allegro Maestoso
Grave Assai - Fandango
Allegro Moderato
Minuetto Con Moto - Trio
Andante Amoroso
Finale: Allegro Vivo, Ma Non Tanto Presto
Allegro Giusto
Andante
Allegro Ma Non Presto
Le Campane Di L'Ave Maria
Il Tamburo Dei Soldati
Minuetto Dei Ciechi
Il Rosario
Passa Calle: Allegro Vivo
Il Tamburo
Ritirata

Customer Reviews:

Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid.......2007-07-22

Boccherini: Fandango, Sinfonie & La Musica Notturna di Madrid~ Claude Wassmer is an astounding recording under the direction of the amazing conductor Jordi Savall. The book-let is a true work of art and no expenses has been spared. The art work on the cover is truly splendid. The liners notes written by Jaume Tortella and Andres Ruiz de Tarazona are well-written and quite informative. This is a recording definitely not to be missed and Boccherini is truly a talented and amazing composer in his own right. 5 well deserved stars indeed.

Savall is the most wonderful spanish musician.......2007-03-02

And this is almost the best prove of it. Since he created his own record label, Alia Vox, he's been working hard, productive and making wonderful CDs with gorgeous booklets inside. Sadly I haven't seen him performing yet, which is one one my greatest desires for the moment.
Anyway, what matters here is that Savall gave us the most beatiful reading that I've ever heard of Boccherini's work, specially of La Musica Notturna di Madrid. Though the life of the composer was a bit storming along the years he created this music, almost the whole collection is joyful music that one can share with non-classical likers and, probably, one of the best ways to introduce children to Classic European Music.
The one and big tag is ENJOY IT!

An Enchanting Disc.......2006-09-01

I bought this disc on sight knowing that performances by Jordi Savall are superlative; I was not disappointed. Luigi Boccherini chose to live in Spain, in the area of Madrid following in the footsteps of Domenico Scarlatti. The period of the compositions recorded here come from 1780 to 1790 which was a turbulent time for Luigi Boccherini with the death of his wife (which left him alone with six small children) and the death of his patron in 1785, a place that was soon filled by Charles III. In 1787, the composer married again

The Quintet for Guitar that starts the disc includes Boccherini's famous Fandango as a third movement with a charming Pastorale and Allegro maestro making up the first two movements. The Symphony op. 37, in four movements, was composed shortly after Boccherini's second marriage and is in the key of D minor giving the music a stormy aspect. The symphony is much like those of Haydn but has an Italian perspective. The Symphony in A major (1782) is in three movements, lacking a minute, and is skillfully composed, reminding me of the Neapolitan symphonies of Alessandro Scarlatti etc. The Quintet (Night Music of the Streets of Madrid) from 1780 is an unusual composition recalling the gaiety and bustle of the capital of Spain. The quintet begins with the strings mimicking the sound of church bells followed by a series of dances until a local garrison sounds Retreat, marking the midnight curfew. Anyone who has seen the film Master and Commander will recognize the Passa calle movement from the film; it is beautifully played here, filled out by the full complement of strings.

The CD comes with a richly illustrated booklet that is very informative about Boccherini and the period in which he lived. The music is beautifully played and recorded by Alla Vox. This CD is a must for fans of Jordi Savall and Italian music.

What a gem!.......2006-04-07

I listen to this CD often and love it!! It's uplifting and refreshing. I highly recommend this CD for your collection of classical music and I plan on getting some more of Boccherini's works.

The Bells of St. Genevieve and Other Baroque Delights

Average customer rating:

One of my all-time classical favorites
The Bells! The Bells!
GREAT WORK MUSIC
Quite a nice little compilation.
Rock fan falls in love with Baroque's "greatest hits" album!

The Bells of St. Genevieve and Other Baroque Delights

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Marais: Viol Music for the Sun King
Baroque at Bathtime: A Relaxing Serenade to Wash Your Cares Away

ASIN: B000003F8U
Release Date: 1992-01-28

Tracks:

The Bells Of St. Genevieve
Concerto For Violin, BMV 1042: Allegro
Concerto For Flute No. 3, Op. 10: Allegro
'The Four Seasons': Summer: Presto
The Arrival Of The Queen Of Sheba
Canon
Brandenburg Concerto No. 2, BWV 1047: Allegro Assai
Orchestral Suite No. 3, BWV 1068: Air On The G String
Concerto For Violin (Transcribed From BWV 1056): Largo
Guitar Concerto, R. 93: Adagio
Orchestral Suite No. 2 BWV 1067: Minuet & Badinerie
Concerto For Violin, BWV 1042: Allegro assai
Trumpet Voluntary
Messiah: Overture
Brandeburg Concerto No. 3, BWV 1048: Allegro
Rondeau

Customer Reviews:

One of my all-time classical favorites.......2005-12-12

I reach for this CD time and again. It is both relaxing and upbeat. I like every recording on this CD...even if they are selections and not the complete works. You cannot go wrong this this purchase!!

The Bells! The Bells!.......2005-10-12

I give this album an average rating as it does what it sets out to do which is give the average listener of classical music various average samples of average performances of great classical compositions. Albums such as these are always a great way to explore various or specific classical music styles with pieces that are usually not too intrusive to the common ear. The only downside of these albums is that they unfortunately, more often than not, introduce a new listner to only the most elementary of performances and leave them believing that all others sound as the ones they just heard when such differences in most cases are huge ones. I chose to review this particular album after hearing the Sonnerie "Bells" de Ste Genevieve on this album (originally composed by the unfortunately obscure Marin Marais) as it is a perfect example of what I am trying to convey.

Although some but few classical chamber pieces can be played well by pretty much any average group, some pieces such as "The Bells" require a certain expertise in instrument and style that very few musicians can properly apply to bring out all of the desired qualities of the piece. The interpretation on this album is a perfect example. Marin Marais was a French Baroque composer who was one of several royal court composers for King Louis XIV in the 17th-18th centuries. He was a soloist prodigy in the viola da gamba which actually sound as if they're being played by cellos here instead. Aside from any change in instruments, they are played with such deficiency in terms of quality, interpretation, and execution,here that it is rather sad that this would be included in an album such as this one. The viola is an instrument with a lot of range as it has more strings and is larger than the cello and the notation is made for the range of such instruments. In particular, there are literally less than five musicians today who are anywhere near proficient with this type of music and those playing here aren't anywhere near the top contenders. All of these things take out an enormous aspect of the full potential of this piece in terms of how it is supposed to sound and performances such as the one here are literally mutilations instead of transcriptions or interpretations. Such performances in many ways cheat the curious listener who is exploring this music as to the music's real potential as intended by its genius source. I recommend to those who may have heard a sample of the 'Bells' here and liked it to then compare it to the performance of this piece by Jordi Savall and Le Concert Des Nations in the soundtrack for 'All The Mornings of the World" available on Amazon. You will hear what I mean and understand how there's simply no comparison. Jordi Savall is the undisputed master in performing on authentic violas that have completely different acoustics than their modern counterparts. Savall is also an established conductor of French Baroque music unlike those here who completely misinterpret the piece as a result. Buying classical music is not as simple as just buying a certain piece by any performer thinking it's great. Unless you really don't care too much and just want to use it as background muscac in your life, classical music requires fine tuning just like playing the instruments themselves as the musicians are in a sense the instruments of the composer and the conductor's interpretatation. Don't settle for second best because the catastrophic results such a choice entails is similar to the range on the Richter scale: the difference between a No. 1 and a No. 4 best performance is exponential as the difference with the 'Bells' version I have mentioned perfectly illustrates. There are differences between symphonic and chamber groups, conductors, soloists, instruments, specialities of technique, production, etc. All of these things fine tune the performance and make the difference between epic and atrocious.

In sum then, although this album is a great source of introductory material as to the range of classical styles and in some cases has reputed perfomers, it is certainly not a sample of the best performances around. These types of albums always require a closer look because you never know what you're gonna get anyway unless you know what you're looking for. Trusting record labels to find stuff for you is not always a good idea. More often than not, this is the place where mediocre professionals can make some form of living without having to wait for a major deal that's never gonna come. If you feel you like the style of music here once you've heard it, expand your horizons in terms of performances as many on this album and similar ones are often simply mediocre in one form or another and there's stuff that's so much better out there for your listening enjoyment of a particular composition and/or style. Hope this helps! Good luck!

GREAT WORK MUSIC.......2004-09-17

Great work music, great travel music. Wonderful upbeat and get-you-going music for all things you do. Even NAXOS brand CDs don't come close to matching the preformances on this disc. Like the Masterpeice Theater theme song? Brandenburg Concerto by Bach is done PEFECTLY on this album. All songs are absolutely brilliant and masterfully done. This is a MUST HAVE CD no matter what kind of music you enjoy. Surely to inspire YOU!

Quite a nice little compilation........2002-03-21

"The Bells of St. Genevieve" is a compilation of Baroque pieces that would serve as an excellent introduction for someone who would like to hear more of the Baroque style beyond "Spring" from "The Four Seasons" or "Canon" by Pachelbel. Granted, this cd does contain "Canon" (what Baroque compilation could resist including it), but it doesn't stop there.

I'm not an expert when it comes to Baroque music, but I am something beyond a beginner; I guess I'd consider myself a moderately knowledgable amateur. However, before purchasing this album, I had never heard the title piece, "The Arrival of the Queen of Sheba," or track # 10 "Guitar Concerto" by Vivaldi. Some of the other tracks were familiar but not well-known to me. I was also pleased to see the inclusion of the turbulent Presto from "Summer" instead of the ubiquitous "Spring."

Compilations are often quite useful in helping neophytes get a better understanding and appreciation for classical music (I know they've helped me over the years). Not all compilations are a good mix or contain decent recordings; many seem like carbon copies of each other. This one, however, has good sound quality and great recordings from the likes of James Galway, Pinchas Zukerman, Canadian Brass, and James Levine.

I recommend this album to anyone wishing to branch out a bit in Baroque music but who is not sure where to start. I've discovered new favorites from listening to this album.

Rock fan falls in love with Baroque's "greatest hits" album!.......2002-03-16

"Bells of St. Genevieve" (BSG) is the cd that got me, a rock fan, into classical music (technically Baroque and Classical are 2 different periods/styles, but we rock fans call it all "classical":-). This is a "best of" album of some of the greatest, and most famous Baroque music. BSG focuses on the last 50 years of Baroque period, which lasted roughly from 1600 to 1750. Most of the pieces come from the "big 3" of the late Baroque period: Vivaldi (3 of the 16 cuts), Bach (7), Handel (2). The tempo is mostly "allegro" (fast and cheerful), although Bach's Concerto for Violin is "largo" or very slow (the only slow piece on the cd). Still, this album has a very uplifting, energetic feel to it. I doubt it will put anyone to sleep, even if they grew up listening to Zeppelin & the Stones! Even the most classical-clueless rock fan will recognize many of these pieces: "Roundeau" by Mouret is the theme from BBC's "Masterpiece Theatre." Clarke's "Trumpet Voluntary" a.k.a. "The Prince of Denmark's March" is another "deja vous" song, often played in wedding processionals and I think was also BBC theme music. Likewise, Pachelbel's "Cannon" is a popular wedding march. In fact, this album contains many songs commonly played in wedding processionals, recessionals, and during dinner, so is good for anyone who needs quality classical recorded music for a wedding. Much of the music is played by chamber orchestras (small ensembles of up to about 9 instruments), so has more of an intimate feel than music played by large symphonies. I highly recommend this cd as an introduction to great Baroque music. However, once initated, I encourage folks to listen to these pieces in their entirety, such as Vivaldi's "Four Seasons" and Bach's "Brandenburg Concertos" to get the full picture of how these great composers intended their music to sound, complete with key and tempo changes.

Medieval & Renaissance Minstrels, Songs & Dances

Average customer rating:

A very nice album for SCAdian ears
Recording is defective
adequate performances but totally inadequate information
A nice overview of very early music
Don't Be Affraid

Medieval & Renaissance Minstrels, Songs & Dances

Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD

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Release Date: 1994-07-18

Tracks:

Renaissance Song & Dance
Dance Suite - Eramus Widmann - Collection Of1613
Three English Songs For Voices And Instruments
Instrumental Music Of The Early Barogue
Festive Sounds
Trouvere Tunes
The Cabinet Organ
Lauda And Motet
Minstrel Melodies
Medieval Dances

Customer Reviews:

A very nice album for SCAdian ears.......2007-04-25

This is a fun album. it's festive, playful, and a real joy to listen to. There is something for everyone in this album--including and especially SCAdians. In fact there's probably at least one piece on this album that every SCAdian dancer, musician, and/or bard will recognize. There's courtly songs, love songs, and get out of your chair dances, even formal pieces you associate with concert halls.

Whether you play in the SCA or just love great historical music, this is one of the better albums I've ever bought--on amazon or anywhere else!

Recording is defective.......2007-04-06

The first one I got had a lot of popping and crackling, and some digital defects that cause the CD player to skip. I liked the music so I bought another copy and it was the same. Both wound up in the trash. Don't waste your money on this disk.

adequate performances but totally inadequate information.......2005-04-27

It is perhaps unfair to judge the performances on this recording (presumably made in the late 1950s/early 60s? - we are not given a date) by modern standards of early music performance. Yes, there are moments when the experimental nature of the approach is all too apparent, both in terms of the [im]plausibility of the interpretations and in the [at times] excruciating intonation (a particularly pertinent example is the shawm playing in track 10). But what is in fact by far the most deplorable feature of this recording is the utter sparsity of information provided - about the performers, the instruments, the composers, the repertoire, etc. Worse still, what little that is provided is often hopelessly inaccurate: sometimes in the form of blatant spelling errors (eg the Coventry Carol becomes here 'Lully Lullary', etc), at other times factual blunders (the medieval 'Estampie' in track 10 is in fact a 16th cent [ie Renaissance] tourdion, 'Quand je bois du vin clairet', whilst John Dowland's 'Frogg Galliard', c.1597, is here given an anonymous attribution...etc, etc, etc).

In short, for those not acquainted with pre-Baroque music, this is NOT a good place to start!!! Seasoned Early Music connoisseurs, on the other hand, may find a perverse pleasure in some atrocious moments, or perhaps take interest in its value as an example of historically informed performance style in the pioneering years - but you have been warned!!

For those interested, here are some alternative recommendations if you are new to this music: firstly, 2 wide-ranging compilations by 2 well-known ensembles -

1. Sinners and Saints - The New London Consort/Philip Pickett (Decca 48559)
2. Portrait ('Moyen Age et Renaissance') - Hesperion XX/Jordi Savall (Auvidis Fontalis 'Portrait' ES9904), or either of the 2 new compilations by Savall and his ensemble(s) on Alia Vox ('Harmonie Universelle', AV9810; 'Harmonie Universelle II', AV9839).

and a compilation (mostly of early music) featuring a number of different groups -

'Pastime with Good Company' (Alpha, A901) [includes groups like L'Arpegiatta, Le Poeme Harmonique, Diabolus in Musica...]

A nice overview of very early music.......2003-12-02

This was one of the first recordings of early music I ever bought. It's a broad survey of styles and periods, from the 12th to 17th centuries. I've become a more sohisticated listener since then, but I still get this one out fairly regularly. The recording is apparently old and the digital remastering was not done extraordinarily well, but those who are more interested in music than in audio equipment should be able to listen through the occasional (minor) vinyl surface noise. My major complaint (why I gave it 3 stars instead of 4) is the lack of documentation--there is no information about the musicians, and many of the composers are uncredited (some because they actually are anonymous, but sometimes out of apparent laziness). Still, at this price it's a bargain.

Don't Be Affraid.......2003-11-19

This cd is worth picking up. Yes the first couple of tracks have pops and crackles in it. And yes it sounds as if the music was transfered directly from a vinyl source. But the performances and selections on this cd are fabulous. And you get use to the flaws in the recordings. Which I find minor.

Customer Reviews:

The classical heritage .......2006-04-16

The visible embellishment of this noble instrument was enriched still more by the Spanish composers, who following the traces of his contemporaries. In the case of Fernando Sor, Haydn was his musical guide, where as Aguado, could establish himself with major vehemence, due its particular style, based in the notable right-hand articulation, eschewed the classical patterns, being able to print his own music a flamboyant and refined character.

In the particular case of Fernando Sor, we have a wisdom blending of the counterpoint technique, an evocative mood from his own that, added the well known influence of the Italian composers (Domenico Cimarrosa and Giovanni Batista Pergolesi) and his beloved love for the Operatic genre, allowed him to enrich still more the lyrical possibilities of the guitar. Besides, unlike Nicolo Paganini, for instance fortunately did not transform the guitar in a simple device to show his overwhelming gifts. He used the guitar to play music, on the opposite approach of Paganini who used the music as mere device to play his instrument.

In the guitar genre there has not been most deserved and superb tribute to Mozart that this Variations Op. 9 based on a motive of The most famous Mozart ?s Magic Flute. Loaded of such imaginative freshness and enraptured inspiration you may notice that one of the Variations conserves an undeniable Italian flavor; this is one of the most beloved hidden treasures the guitar can offers us, which raise with special charm in the hands of this formidable soloist.

Aguado on the contrary acquired due his personal state of things, a notable adroitness who excelled by far, to Sor, so his musical approaches rode in opposite directions, trying to exploit at maximum levels the technical possibilities of the instrument.

Julian Bream makes a colossal tribute to both composers in this egregious and golden album.

Average customer rating:

Worse than Elevator Music
This compact disk forever. . .
less would be more
Musical genius creates an incredible masterpiece
Romantic, soothing, music to let your imagination wonder.

Romantica

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Easy Listening | Pop | Styles | Music
Similar Items:

The Movie Album Classical Pictures; John Bayless
Christmas Rhapsody
The Puccini Album: Arias for Piano
Bach Meets the Beatles: Revisited
Bayless Meets Bernstein: West Side Story Variations

ASIN: B00000I3U7
Release Date: 1999-02-09

Tracks:

Prelude Intermezzo (from Cavalleria Rusticana) - Musica D'Amore
Cinema Paradiso: Cinema Paradiso (Love Them from Cinema Paradiso)
La Wally: Ebben? Ne Andro Lontana - I Will Go Far Away
TOSCA: Vissi D'Arte - I Lived for Art
Santa Lucia: Santa Lucia - Oboe Concerto 2nd Mvmt
L'Elisir d'Amore: Una Furtiva Lagrima - A Secret Tear
Core'ngrato - Ungrateful Heart
Mattinata - Morning Song
Con Te Partiro (Time to Say Goodbye)
Caruso
Torna A Surriento - Return to Sorrento

Customer Reviews:

Worse than Elevator Music.......2003-12-07

I have the Puccini CD (good) and the Movie CD (so-so), and this is the worse of all. The cheesey instrumentation and arrangements make this sound like bad elevator music. Bayless seems intent on killing every possible shred of artistry with unnecessary embellishement and flourishes to the point that it all starts to sound the same after the second track. If you need music for your dentist's waiting room, this might be a good pick.

This compact disk forever. . ........2002-03-09

I am very fastenated and truly intrested in this CD. You will be able to let your imagination be free. John Bayless has truly touch the heart of myself and many people, and always amazes me with the true fellings and emotions that I have experienced scince I was a little child. This album fucuses on the true balence between the piano and the instuments along with voices that was used in this spledid CD. It was one of my best investments that I will have forever. I saw John Bayless live as a child at the Cornado Theater in Rockford Il. and ever since have grown close to his music and him as well as a close friend. Do not underestimate the true power of emotions through his music! I highly recommend purchasing this exsquisit piece of art. John Bayless is not only a genius, but a loved artist throughout the world. John has gone to the great musical school of Juillard at the age of 17 and has found a great portion of his potential in composing and improvising. Please consider making this investment and you too will be touch.

less would be more.......2000-01-24

I like Bayless's Puccini album--a bit over the top but lovely nonetheless--so took the next step with this one. Quite a disappointment. I like all of the pieces of music he has chosen, but they are hardly recognizable under the excessive embellishment. He also adds other new age instrumentation and voices--odd. So I rate this a 3, or OK. I am getting rid of it, as I have other "straight" versions of the songs I would much rather hear. But if these songs are new to you, you might enjoy them more.

Musical genius creates an incredible masterpiece.......2000-01-01

I saw John Bayless a year or two ago in concert and was blown away. The word "genius" does not come close to describing his gift. This CD is breathtaking, brilliantly displaying his talents. My favorites are the large sweeping themes of Cinema Paradisio and Time to Say Goodbye. The CD is easy to listen to over and over again as every piece is a triumph. This music will lift you and float you away.

Romantic, soothing, music to let your imagination wonder........1999-02-28

I didn't think that the Movie Album could be surpassed because every track moved me. I was completely surprised by the uniqueness of Romantica.....unfamiliar, but quickly absorbed. I purchased my first copy at a live concert by John Bayless in Borger, Texas, his home town. Awesome CD...you will want to have an extra copy for a special friend.

Average customer rating:

Isabel's voice is enchanting!
A real diamond!
Amazing amazing stuff
Fascinating Program Beautifully Performed

Isabel Bayrakdarian ~ Azulão
Manuel de Falla , Enrique Granados , Carlos Guastavino , Xavier Montsalvatge , Fernando J. Obradors , Jaime Ovalle , Joaquin Rodrigo , Catalan Traditional , Heitor Villa-Lobos , Isabel Bayrakdarian , and Jamie Parker
Manufacturer: Musica Viva
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Isabel Bayrakdarian ~ Joyous Light
Isabel Bayrakdarian ~ Pauline Viardot-Garcia (Lieder, Chancon, Canzoni, Mazurkas)
Isabel Bayrakdarian ~ Cleopatra
Songs Of Spain / De Los Angeles, et al
Mozart: Arie e Duetti

ASIN: B0000DFZY4
Release Date: 2003-10-21

Tracks:

El Majo Discreto
El Majo Timido
El Tra La La Y El Punteado
La Maja De Goya
La Maja Y El Ruisenor
Song Of The Birds
La Rosa Y El Sauce
Con Que La Lavare?
Vos me Matasteis
De Donde Venis, Amore?
De Los Alamos Vengo, Madre
El Vito
Al Amor
Corazon, Porque Pasais?
La Mi Sola, Laureola
Del Cabello Mas Sutil
Chiquitita La Novia
El Pano Moruno
Asturiana
Cancion
Nana
Jota
Polo
Cancion De Cuna Para Dormir A Un Negrito
Aria (Cantilena)
Dance/Danse (Martel)
Azulao

Album Description

Following on the enormous success of her first recording for CBC RECORDS - Joyous Light (CBC SMCD 5215) - the stunning young Canadian lyric soprano ISABEL BAYRAKDARIAN turns her attention to the seductive colours and rhythms of Spain and Latin America. The centre piece of this recording is the vocal evergreen, Bachianas Brasileiras # 5 for soprano and eight cellos by Brazilian composer Heitor Villa-Lobos. After winning the Metropolitan Opera National Auditions in 1997, Isabel (who is of Armenian descent) has gone on to make debuts with such international companies as the Metropolitan Opera (New York), Lyric Opera of Chicago, Paris Opera and La Scala (Milan), Semperoper (Dresden) and the Canadian Opera Company (Toronto).

Customer Reviews:

Isabel's voice is enchanting!.......2006-10-12

I had never heard of Isabel Bayrakdarian before. I was looking for a copy of Obradors' "Chiquitita la Novia" and happened to come upon this cd. Am I glad I bought it, in fact, I'm wearing it out. Her voice is like a bright
sunlight. Her interpretations are exquisite. My favorite on the recording is Granados' "La Maja y el Ruisenor".
Brava Isabel!

A real diamond!.......2006-04-13

I heard this voice first time on CBC Radio - from a concert in Toronto. It was magical! Soon after, I had a chance to listen to her in recital and this was an EVENT! Over two thousand people in the concert hall were holding their breath for two hours and it seemed that the hall itself became small and cozy. It was indeed a contact soul to soul.
Isabel has a rare talent that combines beautiful tone, clarity and unbelievable fluidity of her voice, intelligent thinking, good sensitive heart and generous nature. You believe every intonation, every nuance. She is always authentic, always noble and her expressivity is never forced, emotions are never overacted.
This CD captures well her magic voice. And God, she is amazing in pianissimos! That's why to me, the Lullaby by Xavier Montsalvatge with its softness and warmth is the highlight of this recording.

Amazing amazing stuff.......2004-10-07

The only reason I didn't give this disc five stars is because I'm not too crazy about Grandos' "Tonadillas." They aren't bad, but they're an incredibly weak opening group and the piano is a bit bouncy and boppy when compared to the more somber numbers on this disc with the cello ensemble.

I first fell in love with Bayrakdarian's voice on the CD "Joyous Light," a collection of Armenian liturgical music arranged for soprano and orchestra (some of it just solo voice.) This disc intrigued me because of her incredible voice and the somewhat off the beaten path repertoire & instrumentation (soprano, piano & cello ensemble!?!) I was happy to see a young, amazing talent NOT do a disc of Italian or German arias. Her CDs definately seem to explore the lesser known repertoire and that's to be commended, because we get to hear a stellar voice bring some real gems to light. Interesting that soprano's solo disc includes an instrumental piece, but it fits in nicely and is certainly appreciated by this listener.

The first two of the Rodrigo madrigales are arrestingly beautiful. The disc as a whole is sublime. She's definately one to watch. I can't think of another soprano I'd rather hear these days than Bayrakdarian. I'm flying back to my hometown next year to her in concert. It's months & months away and I can't think of another performance anytime soon that I'm looking this forward to.

Fascinating Program Beautifully Performed.......2003-11-21

There's been a lot of buzz lately about a young soprano just emerging up in Canada, a striking-looking young woman still in her twenties, winner of the Met Auditions, who has a burgeoning career in opera and recital. Her name is Isabel Bayrakdarian, member of an Armenian family who immigrated to Canada in 1989. She apparently had a nice untrained voice but didn't begin training professionally until 1993; meanwhile she had gotten a degree in biomedical engineering. But only four years later she won the Met Auditions and a couple of years later recorded a CD of seemingly esoteric Armenian songs that became a runaway best-seller in Canada. She made her Metropolitan début in 2002 in the role of Catherine in William Bolcom's 'A View from the Bridge.' This CD is a recording of a program that had been presented on CBC Radio and featuring pianist James Parker, himself a virtuoso with a solo career, and ten Toronto cellists led by cello soloist and Canadian Symphony principal, Bryan Epperson. And all of it in music by Hispanic composers.

First, the program is well-constructed, alternating vocal/piano music with vocal/cello ensemble music, with cello ensemble music. Timbres are changed often enough that one's ear does not tire. Second, every bit of the program is superbly performed. Pride of place must be given to Miss Bayrakdarian, whose voice is crystalline and yet imbued with a womanly sensuality that well serves the alternately sultry and kittenish Spanish music present here. She sings Granados's delicious 'Four Tonadillas' with the kind of charm that I thought only a native Spaniard could bring to it. She negotiates the agréments and their subtle alterations of intonation so typical of Spanish singing with complete mastery. Late in the program she performs, with the cello ensemble, the ever-popular Bachianas Brasileiras No. 5 as well as I've ever heard it. She also inhabits the sung version of Granados's 'La Maja y el Ruiseñor' ('The Maiden and the Nightingale') arranged for the opera he made from his piano suite 'Goyescas.'

The cello group plays Pablo Casals's arrangement of the Catalan Christmas carol, 'El Cant dels Ocells' ('The Song of the Birds'). And they lend a hand in Joaquin Rodrigo's 'Cuatro madrigales amatorios' ('Four Love Madrigals'), with cello ensemble accompaniment arranged (as in others here recorded) by Peter Tiefenbach. I particularly liked the interplay of teasing soprano and sporty cellos in 'Vos me matásteis' ('I die for love of you'), the second of this set, which is then followed by a bang-up performance of the familiar, catchy 'De los álamos vengo, madre' ('I've been down by the poplars, mother').

Fernando Obradors wrote wonderful songs that occasionally get sung by non-Spanish singers--I remember once being entranced by Elly Ameling singing the set recorded here by Bayrakdarian with superb assistance from pianist Parker, 'Canciones clásicas españolas' ('Classic Spanish Songs'). And I must say that at times I hear a hint of Ameling in Bayrakdarian's voice, something I call 'a smile in the voice.' This set is followed by an expert arrangmement, this time by Claude Kenneson, of Manuel de Falla's 'Suite populaire espagnole' that employs the cello ensemble (with some melting solo work by Epperson, their leader) playing three all-instrumental pieces and then accompanying Bayrakdarian in three of the six songs.

The CD is rounded out by Xavier Montsalatge's Lullaby from 'Cinco canciones negras,' the aforementioned Bachianas Brasileiras No. 5, and then the song that gives this album its title, Jayme Ovalle's 'Azulão' ('Bluebird'). The latter uses all the forces available here--soprano, pianist, cellists--in a haunting lament: 'Go bluebird, bluebird, companion of mine, go! Go see my faithless love.'

I cannot praise this issue highly enough. Ms Bayradkarian's voice is world-class and she sings with great musicality and feeling. Her accompanists are flawless. The recorded sound is quite good. The unattributed notes are very helpful. There are full translations of all the sung texts.

TT=76:14

Tracks:

Come Prima
Tarantella
O Sole Mio
Neapolitan Dance
Hofbrauhaus Song (Wir Einmal Nur in Munchen War]
O, Mon Amour (Je Nen Connais Pas la Fin)
Mazurka
Pineapple Pickers
Pagliacci: Vesti la Giubba
Otello: Finale
Aida: Act I
Ich Liebe Dich (I Love Thee)
Ave Maria
Vieni Sul Mar
Senza Nisciuno
Musica Proibita
Vaghissima Sembianza
Serenata - Mario Lanza,
Lolita
Luna d'Estate
Alba Separa Dalla Luce l'Ombra
Pour un Baiser
Mia Canzone
Ideale
Santa Lucia

Customer Reviews:

Impressive performances from Lanza's final years.......2004-12-18

This CD contains most of the soundtrack from Lanza's final movie, the 1958 For the First Time, together with the 1959 album Mario Lanza Sings Caruso Favorites.

By 1958 Lanza's lirico spinto tenor had darkened significantly, acquiring a baritonal richness in its middle and lower registers, while still retaining the celebrated top notes for which he was justly famous. On his best days, he was also a more sensitive singer than he had sometimes been in his Hollywood period. This is immediately noticeable on the operatic selections included here: Vesti La Giubba; the Otello Death Scene (Niun Mi Tema); and the Grand March from Aida. On the first two numbers, Lanza phrases beautifully and avoids marring these arias with the hammy histrionics that many more celebrated names have indulged in elsewhere. Dark with haunting overtones, his voice is by now ideal for both Canio and Otello.

The Grand March scene is also impressive, with Lanza delivering some staggering B flats over the deafening Rome Opera Orchestra and chorus. All three operatic selections from For the First Time were recorded (and subsequently filmed) at the Rome Opera House, and the effect that Lanza had on the musicians present was extraordinary. "A very musical tenor of enormous possibilities, with an exceptional timbre" was the verdict of the theatre's then Artistic Director Riccardo Vitale.

The first half of For the First Time is much lighter, and includes the pleasant title song, Come Prima, along with a sweet and all-too-brief O Mon Amour. There is also the novelty of hearing Lanza singing in German in the rousing Hofbrauhaus Song, as well as a ridiculous rock and roll number called Pineapple Pickers. (Typically, BMG place this next to Vesti la Giubba on the CD, with no thought for the massive jump in musical style and content between the tracks.) O Sole Mio sounds a little laboured here, and rings out much more thrillingly in the movie. But with the exception of the videotape of the actual film (reviewed elsewhere on this site), many of these selections have never sounded better. There is still the ever-present sandiness that mars all of Lanza's stereo releases, but at least this is an improvement on the soundtrack's earlier outing on the Double Feature CD.

My only gripe is that the delightful Cosi Fan Tutte trio - E Voi Ridete - has been omitted. Instead we have three uneventful (and irritating) non-Lanza musical interludes. *Mercifully* missing, however, is the tenor's La Donna 'e Mobile. Uncharacteristically strained, it was his least impressive performance of the aria, and the only vocal lapse in the entire film.

The final twelve selections from the Caruso Favorites album also feature Lanza in mostly fine form. As with all the tenor's 1959 recordings, however, the reproduction of his voice (though curiously *not* the orchestra) is less than ideal, and the ever-present distortion - particularly on his top notes - mars some of the best moments. Gripes aside, this is an important album in the Lanza canon. Among the highlights are the Neapolitan song Senza Nisciuno; a tasteful Vaghissima Sembianza, replete with two beautiful High As; the daunting Serenata; and three exquisite Tosti songs: L'Alba Separa Dalla Luce L'Ombra, Pour Un Baiser and Ideale.

L'Alba Separa dalla Luce l'Ombra deserves special mention. Lanza is appropriately operatic on this miniature masterpiece, and although his voice sounds a little heavy at times, the impact of his performance is very moving. From "Chiudimi, O notte, nel tuo sen materno," (Envelop me, O night, in your maternal [...]) onwards, Lanza is in full control of the song, faltering only slightly on the climactic note on "eterno" (though this may, in fact, be due to the distortion). Lapses aside, L'Alba Separa is a fine example of Lanza's artistic maturity.

Among the few lesser moments, Mario runs out of steam in the second half of La Mia Canzone, and is subjected to an overly boisterous arrangement on Santa Lucia, which sounds more akin to a march than a lilting ode to the Bay of Naples! At times Lanza does sound tired, and as one perceptive reviewer has noted, we miss the characteristic smile of his earlier voice. Ironically, critics and habitual Lanza-knockers are much more likely to praise this album for the very reason that the tenor *is* so subdued.

Caruso Favorites and For the First Time - together with the brilliant Neapolitan album Mario! Lanza At His Best (also reviewed on this site) - represent the tenor's most impressive singing from the final period of his life. As Lanza authority Lindsay Perigo has noted, the tenor's voice on all three albums is often "hauntingly ethereal." In short, these are not performances that are easily forgotten.