Pronto!

Track Listings

1. Vite, Vite, Vite

2. Cantus Firmus

3. Sikanex

4. Peu de Douceur Dans un Monde de Brutes

5. Child Out

6. Clonebone

7. Marxch

8. Street of Shit

9. Vuccirìa

10. Eglise Pygmée

11. Soulful Point of View

12. Bavardage

13. Morning Raga

Pronto!,Xavier Garcia,Intakt

Pronto!

Pronto!

The Second Circle: Love Songs of Francesco Landini
Average customer rating:

Heavenly choir

Landini; the dawn of the Renaissance

Landini; the dawn of the Renaissance

Landini; the dawn of the Renaissance

There isn't a difinitive interpretation of medieval music

The Second Circle: Love Songs of Francesco Landini
Anonymous 4 , and Francesco Landini
Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Similar Items:

La Bele Marie: Songs to the Virgin from 13th-Century France

Darkness into Light

1000: A Mass for the End of Time / Anonymous 4

The Origin of Fire: Music and Visions of Hildegard von Bingen

Wolcum Yule: Celtic and British Songs and Carols - Anonymous 4 with Andrew Lawrence-King

ASIN: B00005M164
Release Date: 2001-09-11

Tracks:

Echo La Primavera
Angelica Bilta
Che Chos'e Quest'amor
Nella Partita
Non Do La Colp' A Te
Quanto Piu Caro Faj
Se Pronto Non Sara
Lasso! Per Mie Fortuna
Ochi Dolenti Mie
Muort' Oramai
Per Allegreca
Nella Mi' Vita
Abbonda Di Virtu
Non Ara Ma Pieta
La Bionda Trecca
Cara Mie Donna
Gran Piant' Agli Ochi
Echo La Primavera

Customer Reviews:

Heavenly choir.......2003-07-05

Absolutely gorgeous a capella quartet. Stunning and soothing music. Highly recommended.

Landini; the dawn of the Renaissance.......2003-04-27

True to thier artistry the A4 conveys Landini as a courtly master; subtle and flowing. Thier singing radiates with the freshness of May.

Landini can be likened to Duccio as Palistrina to Giotto. Duccio is not a painter of angles or the other-worldy but humans on earth. Yet they are not humanized in the Renaissance sense for they lack rotunda and gravity. Rather, they are delicate and "float" and retain something of the soaring intensity and expressive flavor of Medieval art. Yet they are very human and with Duccio as with Landini one can perceive the dawn of the Renaissance.

Like a sunset to sunrise the CD ends with the piece it began (Echo la primavera) singing it with more expansion and reflection. Not bad since the piece is so short. Perhaps the A4 wants to convey an end of a journey or "My end is my begining."

Landini; the dawn of the Renaissance.......2003-04-27

True to thier artistry the A4 conveys Landini as a courtly master; subtle and flowing. Thier singing radiates with the freshness of May.

Landini; the dawn of the Renaissance.......2003-04-27

True to thier artistry the A4 conveys Landini as a courtly master; subtle and flowing. Thier singing radiates with the freshness of May.

There isn't a difinitive interpretation of medieval music.......2002-11-09

While I'm more used to this music with instruments, at least
portative organ this being Landini, Anonymous 4's is what used to be called a valid perfomance. The snatches of documentation for performance practice we have of this period certainly don't rule out an all vocal approach. I've been a musician long enough to know that given the material and the ability of the musicians they will try everything and I'm sure all vocal renditions were done if an instrument wasn't available. Landini was a part of a rather refined group and his music is very subtle. You can't perform his music as if it was a contra dance without distorting it.
While I'm disappointed, and frankly amazed, that anyone could use this a background music for reviewing a paper it isn't the fault of either the listener who can do what he likes or of the preformers who do a good job.
The performance is very good their intonation is some of the best.

Average customer rating:

Falstaff (Highlights)
Verdi , Trimarchi , Servile , Faulkner , and Katnona
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000666A0
Release Date: 2002-06-18

Tracks:

Falstaff! Ola!...So che se andiam la notte
Ehi paggio!...Ll'onore! Ladri!
Alice, Meg, Nannette.Fulgida Alive! Amor t'offro
Psst, psst, Nanetta. Vien qua.Torno all'assalto
Reverenza!
Alive e mia
C'e a Winsor una donna
E sogno? O relata.Eccomi qua. Son pronto
Alfin t'ho colto raggiante fior.Quand'ero paggio
Ehi! Taverniere!
Dal labbro il canto
Ninfe! Elfi! Silfi!...Sul fil d'un soffio etesio
Ogni sorta di genta dozziale
Facciamo il parentado.tutto nei mondo e burla

Average customer rating:

Legendary Voice
Gino Bechi
Manufacturer: Butterfly
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004SQQC
Release Date: 1998-10-09

Tracks:

INCANTESIMO
AL TELEFONO CON TE
LA STRADA DEL BOSCO
SOLI SOLI NELLA NOTTE
NINNA NANNA D' AMORE
SUONA BALALAIKA
MELANCONICA LUNA
RICORDATI DI ME
SIGNORINELLA
PAGLIACCI
RIGOLETTO
CAVALLERIA RUSTICANA
IL TROVATORE
ANDREA CHENIER
UN BALLO IN MASCHERA
OTELLO

Average customer rating:

Great Singers in Donizetti

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
ASIN: B000007TJ7
Release Date: 1998-06-23

Tracks:

Lucia Di Lammermoor: Cruda Funesta Smania - Mariano Stabile
Lucia Di Lammermoor: Regnava Nel Silenzio...Quando Rapita In Estasi - Luisa Tetrazzini
Lucia Di Lammermoor: Dalle Stanze Ove Lucia - Marcel Journet
Linda Di Chamounix: O Luce Di Quest Anima - Rosina Storchio
Lucrezia Borgia: Di Pescatore Ignobile - Carlo Albani
Lucrezia Borgia: Vieni, La Mia Vendetta...Qualunque Sia L'evento - Francesco Navarrini
Lucrezia Borgia: Il Segreto Per Esser Felice - Clara Butt
Don Pasquale: Sogno Soave E Casto - Giuseppe Anselmi
Don Pasquale: So Anch' Io La Virtu Magica - Olimpia Boronat
Don Pasquale: Pronto Io Son...Vado, Corro - Lucrezia Bori/Giuseppe De Luca
Don Pasquale: Com'e Gentil - Giovanni Martinelli/Metropolitan Opr Chor
L'elisir D'amore: LChiedi All' Aura Lusinghiera - Maria Galvany/Aristodemo Giorgini
L'elisir D'amore: Obbligato, Obbligato - Fernando De Lucia/Ernesto Badini
Maria Di Rudenz: Ah! Non Avea Piu Lagrime - Mattia Battistini
La Favorite: Vien, Lenora - Riccardo Stracciari
La Favorite: Redoutez La Fureur D'un Dieu (Anatheme De Balthazar) - Marcel Journet
La Favorite: A Tanto Amor - Renato Zanelli
La Favorite: Spirito Gentil - Giacomo Lauri-Volpi

Tracks:

Don Sebastiano: Deserto In Terra - Alfred Piccaver
La Figlia Del Reggimento: Convien Partir - Toti Dal Monte
L'Elisir D'Amore: Udite, Udite, O Rustici - Salvatore Baccaloni
L'Elisir D'Amore: Una Furtiva Lagrima - Tito Schipa
Don Pasquale: Cheti, Cheti, Immantinente - Mariano Stabile/Martin Lawrence
Don Pasquale: Tornami A Dir Che M'ami - Toti Dal Monte/Tito Schipa
La Favorite: Una Vergine, Un Angiol Di Dio - Aureliano Pertile
La Favorite: O Mio Fernando - Sigrid Onegin
La Favorite: Splendon Piu Belle - Ezio Pinza/Metropolitan Opr Chor/Giulio Setti
Lucia Di Lammermoor: Sulla Tomba Che Rinserra...Verrano A Te Sull'aure - Aureliano Pertile/Anna Rosza
Lucia Di Lammermoor: Splendon I Sacri Faci...Ardon Gl'incensi... Spargi D'amaro Pianto - Toti Dal Monte
Lucia Di Lammermoor: Tombe Degli Avi Miei...Fra Poco A Me Ricovero...Tu Che A Dio Spiegasti L'ali - Beniamino Gigli/Ezio Pinza/Metropolitan Opr House Chor/Giulio Setti

Amazon.com

A vocal feast for lovers of bel canto. Nimbus has collected Donizetti's most popular arias in versions made by Golden Age singers. The earliest tracks date from 1906; the most recent, buffo bass Salvatore Baccaloni's delightful "Udite, udite, o rustici," from 1932. In between come a gallery of famous singers of yesteryear, including the likes of Luisa Tetrazzini, Giovanni Martinelli, Marcel Journet, Mattia Battistini, and Lucrezia Bori. Beniamino Gigli and Ezio Pinza are heard in the Tomb Scene from Lucia di Lammermoor; bright-voiced soprano Toti dal Monte joins Tito Schipa's lyric tenor in "Tornami a dir che m'ami" from Don Pasquale, among many other highlights. Vocal buffs will already have many of these items in their collections, but this convenient package invites duplication and exploration. --Dan Davis

Average customer rating:

Callas & Gobbi...a thrilling team at Covent Garden, 1964
For Callas and Gobbi junkies only. Warning: Cioni alert!

Puccini: Tosca

Manufacturer: Opera D'oro
ProductGroup: Music
Binding: Audio CD

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ASIN: B000000UOD
Release Date: 1997-09-16

Tracks:

TOSCA: Act I: Ah! Finalmente! (Angelotti) - G. Puccini
TOSCA: Act I: E sempre lava! (Sagrestano) - G. Puccini
TOSCA: Act I: Dammi i colori ... Recondita armonia (Cavaradossi) - G. Puccini
TOSCA: Act I: Voi! Cavaradossi! (Angelotti) - G. Puccini
TOSCA: Act I: Mario! Mario! Mario! (Tosca) - G. Puccini
TOSCA: Act I: E buona la mia Tosca (Cavaradossi) - G. Puccini
TOSCA: Act I: Sommo giubilo, Eccellenza (Sagrestano) - G. Puccini
TOSCA: Act I: Un tal baccano in chiesa! (Scarpia) - G. Puccini
TOSCA: Act I: Or tutto e chiaro (Scarpia) - G. Puccini
TOSCA: Act I: Tre sbirri, una carozza (Scarpia) - G. Puccini

Tracks:

TOSCA: Act II: Tosca e un buon falco (Scarpia) - Puccini
TOSCA: Act II: Ha pui forte sapore (Scarpia) - Puccini
TOSCA: Act II: O galantuono, come ando la caccia (Scarpia) - Puccini
TOSCA: Act II: Ov'e Angelotti? (Scarpia) - Puccini
TOSCA: Act II: Sciarrone, che dice il Cavalier? (Scarpia) - Puccini
TOSCA: Act II: Orsu, Tosca, parlate (Scarpia) - Puccini
TOSCA: Act II: Floria ... Amore (Cavaradossi, Tosca) - Puccini
TOSCA: Act II: Vittoria! Vittoria!b(Cavaradossi) - Puccini
TOSCA: Act II: Quanto? (Tosca) - Puccini
TOSCA: Act II: Vissi d'arte (Tosca) - Puccini
TOSCA: Act II: Chi e la (Scarpia) - Puccini
TOSCA: Act II: Io tenni la promessa (Scarpia) - Puccini
TOSCA: Act III: Io de' sospiri (Un pastore) - Puccini
TOSCA: Act III: Mario Cavaradossi? (Carceriere) - Puccini
TOSCA: Act III: E lucevan le stelle (Cavaradossi) - Puccini
TOSCA: Act III: Ah! Franchigia a Floria Tosca (Cavaradossi) - Puccini
TOSCA: Act III: O dolci mani (Cavaradossi) - Puccini
TOSCA: Act III: Come e lunga l'attesta! (Tosca) - Puccini
TOSCA: Act III: Presto, su! Mario (Tosca) - Puccini

Amazon.com

This performance--one of several from January 1964--marked Maria Callas's return to the stage after a period of vocal restudy and hard work. To be sure, there are problems. The very highest notes tend to go wildly astray, flapping in the wind like flags, losing and regaining the pitch. But how many of them are there? Ten? Twenty? Taken in context, it's a mere handful (albeit a highly audible handful), and the performance as a whole does not suffer from them. In short, Callas is otherwise brilliant, acting with her voice to beat the band, and presenting us with a great portrait of Tosca the diva and Tosca the woman. Tito Gobbi, her frequent partner in this opera, is stunning as Scarpia, the incarnation of evil. Renato Cioni's Cavaradossi is unsubtle and forgettable, and he mewls enough to make himself a nuisance. Cillario's leadership is tight and sympathetic. This release is welcomed, even if you already own a Callas Tosca with the legend in fresher voice. --Robert Levine

Customer Reviews:

Callas & Gobbi...a thrilling team at Covent Garden, 1964.......2007-06-02

Maria Callas' assumption of Floria Tosca combined with Tito Gobbi's Scarpia are the stuff of legend. They made two complete recordings of these roles together, in 1953 and 1964 respectively, though it was only in 1964 and 1965 that they appeared together on stage in this opera. Fortunately, there are recordings of them playing these roles in the theatre that provide a glimpse of what it must have been like to be present on one of these monumental nights in the theatre.

This present recording is from early in the series of Callas/Gobbi/Zeffirelli Tosca's at Covent Garden, dating from Jan 24, 1964. And, to my ears it is a fine recording as it perfectly captures the spirit of those performances. While it is true that both Callas and Gobbi had lost much of their respective vocal splendour by this stage, they are without doubt Tosca and Scarpia and thrillingly bring to light these great characters as set to the music of Puccini. From Callas there are some wobbly high notes but in this particular performance they are kept to a minimum, perhaps 3-4 at most. Throughout, Callas sing excitingly though it is apparent that the power and volume of her voice is reduced. However, it is a fully committed performance from start to finish and her concentration and will power are as evident as is her vocal accomplishments in the role. It's a truly legendary performance. What is interesting is that Callas receives no ovation from the audience on her entrance though there is enthusiastic applause after each act and after her stunning "Vissi d'arte", sung simply and as the prayer that it is.

Some people have well founded concerns about the sound quality of bootleg/private recordings of live performances such as this one. While the sound quality is less that would have been achieved in the studio or even if it had been recorded commercially, it is more than acceptable. Every word and syllable uttered is clear and the orchestra sounds vivid throughout. There are the inevitable sounds of the performers stomping around the stage and plenty of coughing from the audience but you do get a real sense of what it must have been like to be there. Also, the cost is so inexpensive it makes purchasing this set a given as it makes fascinating listening in comparison with the two Callas/Gobbi commercial recordings. True, there is no libretto but most Callas fans will already have at least one copy of the 1953 recording from EMI on CD so they will have a full libretto in a number of languages.

My advice: for Callas and Gobbi fans, grab a copy. It's a fascinating snapshot of a wonderful night in the theatre. For those who want to hear Callas as Tosca, start with the 1953 recording. This one is Callas at the end of her career when the voice was in decline. The first studio recording has her at the very top of her game both vocally and interpretively. This recording is not definitive as that one will always be but it is worth a listen.

For Callas and Gobbi junkies only. Warning: Cioni alert!.......2005-10-02

Source: Live performance from 1964.

Sound: No more than fair.

Documentation: The usual Opera d'Oro offering. No libretto. Short essay on the history of the opera. Short summary of the plot. Track list.

Maria Callas is a very, very great singer who appeared in far too many dismal opera productions.

This is another performance on which I find it difficult to base an objective opinion. I bought it in an attempt to capture Callas in one of her greatest roles in a live setting. Well, that's what I got. Callas is ... Callas, that is to say, she is tremendous. For this particular helping of her greatness, though, you have to give her the benefit of a lot of goodwill. Her mighty conception of Floria Tosca is still present in full force, but in 1964 her execution is not at all what it once had been.

Tito Gobbi is, well ... Gobbi, one of the all-time greats. But 1964 is late for him, too, and behind all his dramatic power and charisma you can all but hear his voice fraying away with each bar.

Then there is Renato Cioni. Ehh, the very thought of that man makes my teeth itch. At some point, Cioni possessed a nice, useful, second-class voice, the sort of thing that is invaluable for a house tenor who eases the load on a star performer. Somewhere along the line, though, he must have become convinced that he, himself, was a star. Now, Pavarotti, born as he was with a tremendous voice, got away on ego and a silly bag of tricks for many years. Cioni, born much lower on the tenorial evolutionary scale, couldn't carry it off for ten seconds. He is the anchor that drags down any performance, even Joan Sutherland's high-flying first recording of "Lucia." Here in "Tosca," Cioni is, alas ... Cioni.

If you want a great "Tosca" with Callas and Gobbi, get the studio recording with diStefano. If you absolutely must have a live Callas/Gobbi "Tosca," this one, at least, is not very expensive and it offers better sound than the live Mexico City version (also on Od'O), although the latter has attractions for those who like audience excitement.

In the normal course of events, I'd give this recording four stars for sub-par Callas and Gobbi, then deduct one or even two stars for the wretched Cioni. However, it appears that, unlikely as it may seem, some people actually have a taste for that man's tenorial whining, so ... four stars.

Average customer rating:

Great new cd, better than Something Different
AWESOME

Pronto
Lost and Found
Manufacturer: Limb Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000A28D0W
Release Date: 2005-07-14

Tracks:

With You
Have Love
Where Do We Go?
Lift My Eyes
Because He Lives
Sign
Easy Love
Reflection
Lions
Among Us
Baby
Fearfully

Product Description

Pronto includes 12 songs and a video. The video was filmed on tour in Germany in the summer of 2004. Two new recordings of older songs are also included on Pronto: Lions and Baby. We realized that these songs, often requested at our concerts, were only available in an experimental form (with drums and bass) on our CD This. So, we thought we should make a version, pronto, with just guitar and our voices, like one might hear in a concert. The new songs have been well received at concerts so far, and we are very eager for you to hear them, and Pronto. Some of the styles will sound like a bit of a departure for us, but for the most part Pronto is the usual unusual LOST AND FOUND style. Pronto is a return to our "concept" CD's. That is, there are 12 songs played once, and one song that comes back to haunt the listener ten times. One person who already heard Pronto said it reminded him of something.

Customer Reviews:

Great new cd, better than Something Different.......2006-06-08

Pronto is rather different from Lost and Found's other albums. It seems more mellow. Lost of really good new songs, as well as a new version of Easy Love. The "theme song" of the album is Have Love, which is a very good song. If you like Lost and Found's mellower stuff, I recommend getting this cd.

Overall grade: A

AWESOME.......2005-09-24

Okay, these guys are just awesome. I have their other cd, "THIS", and it's brilliant. I suggest you buy this CD, it's awesome, and it has messages that anyone can see. God loves you and I, and that he's always with us... The usual, but it's just good music.

Average customer rating:

A Nicolai Ghiaurov show!

Verdi: Attila

Manufacturer: Myto Records Italy
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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ASIN: B000001MK4
Release Date: 1996-07-09

Tracks:

Attila, Prologo: Prld - Orch Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Prologo: Urli, Rapine, Gemiti, Sangue - Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Prologo: Eroi, Levatevi! Stia Nella Polvere - Nicolai Ghiaurov/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Prologo: Di Vergini Straniere - Nicolai Ghiaurov/Piero De Palma/Rita Orlandi Malaspina/Chor Del Teatro Alla Scala Di Milano...
Attila, Prologo: Allor Che I Forti Corrono - Rita Orlandi Malaspina/Nicolai Ghiaurov
Attila, Prologo: Da Te Questo Or M'e Concesso - Rita Orlandi Malaspina/Nicolai Ghiaurov/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Prologo: Uldino, A Me Dinanzi - Nicolai Ghiaurov/Piero Cappuccilli
Attila, Prologo: Tardo Per Gli Anni, E Tremulo - Piero Cappuccilli/Nicolai Ghiaurov
Attila, Prologo: Ma Se Fraterno Vincolo - Piero Cappuccilli/Nicolai Ghiaurov
Attila, Prologo: Vanitosi!... Che Abbietti E Dormenti - Nicolai Ghiaurov/Piero Cappuccilli
Attila, Prologo: Qual Notte! - Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Prologo: Qui, Qui Sostiamo!-Propizio Augurio - Veriano Luchetti
Attila, Prologo: Ella In Poter Del Barbaro! - Veriano Luchetti/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Prologo: Cara Patria, Gia Madre E Reina - Veriano Luchetti/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Atto Primo: Liberamente Or Piangi... - Rita Orlandi Malaspina
Attila, Atto Primo: Oh! Nel Fuggente Nuvolo - Rita Orlandi Malaspina
Attila, Atto Primo: Qual Suon Di Passi! - Rita Orlandi Malaspina/Veriano Luchetti
Attila, Atto Primo: Si, Quell'io Son, Ravvisami - Veriano Luchettti/Rita Orlandi Malaspina
Attila, Atto Primo: Va.-Racconta Al Sacrilego Infame - Veriano Luchettti/Rita Orlandi Malaspina
Attila, Atto Primo: Oh, T'inebria Nell'amplesso - Rita Orlandi Malaspina/Veriano Luchetti
Attila, Atto Primo: Uldino! Uldin! - Nicolai Ghiaurov/Piero De Palma
Attila, Atto Primo: Mentre Gonfiarsi L'anima - Nicolai Ghiaurov
Attila, Atto Primo: Raccapriccio! Che Far Pensi? - Piero De Palma/Nicolai Ghiaurov
Attila, Atto Primo: Oltre Quel Limite T'attendo, O Spettro! - Nicolai Ghiaurov
Attila, Atto Primo: Parla, Imponi - Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane/Nicolai Ghiaurov
Attila, Atto Primo: No... Non E Sogno - Rita Orlandi Malaspina/Veriano Luchetti/Nicolai Ghiaurov/Piero De Palma...
Attila, Atto Secondo: Tregua E Con Gli Unni - Piero Cappuccilli
Attila, Atto Secondo: Dagli Immortali Vertici - Piero Cappuccilli
Attila, Atto Secondo: Chi Vien? - Piero Cappuccilli/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane/Veriano Luchetti
Attila, Atto Secondo: E' Gettata La Mia Sorte - Piero Cappuccilli

Tracks:

Attila, Atto Secondo: Del Ciel L'immensa Volta - Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane/Nicolai Ghiaurov/Piero Cappuccilli
Attila, Atto Secondo: Ezio, Ben Vega! Della Tregua Nostra - Nicolai Ghiaurov/Piero Cappuccilli/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane
Attila, Atto Secondo: Chi Dona Luce Al Cor?... - Piero Cappuccilli/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane/Veriano Luchetti...
Attila, Atto Secondo: Si Riaccendan Le Querce D'intorno - Piero Cappuccilli/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane/Veriano Luchetti...
Attila, Atto Secondo: Oh, Miei Prodi! Un Sol Giorno - Piero Cappuccilli/Chor Del Teatro Alla Scala Di Milano/Giuseppe Patane/Veriano Luchetti...
Attila, Atto Terzo: Qui Del Convegno E Lil Loco... - Veriano Luchetti/Piero De Palma
Attila, Atto Terzo: Che Non Avrebbe Il Misero - Veriano Luchetti
Attila, Atto Terzo: Che Piu S'indugia... Attendono - Piero Cappuccilli/Veriano Luchetti/Chor Del Teatro Alla Scalla Di Milano/Giuseppe Patane
Attila, Atto Terzo: Oh, Cessa, Deh, Cessa... Lasciami - Rita Orlandi Malaspina/Veriano Luchetti/Piero Cappuccilli
Attila, Atto Terzo: Te Sol, Te Sol Quest'anima - Rita Orlandi Malaspina/Veriano Luchetti/Piero Cappuccilli
Attila, Atto Terzo: Non Involarti, Seguimi - Nicolai Ghiaurov
Attila, Atto Terzo: Scellerati... Su Voi Sanguinosa - Veriano Luchetti/Piero De Palma/Piero Cappuccilli/Chor Del Teatro Alla Scalla Di Milano...
Tosca, Atto Primo: Sante Ampolle! Il Suo Ritratto!... - Chor Del Teatro Comunale Di Firenze/Antonino Votto/Veriano Luchetti
Tosca, Atto Primo: Recondita Armonia - Veriano Luchetti/Chor Del Teatro Comunale Di Firenze/Antonino Votto
Tosca, Atto Primo: Gente La Dentro!!... - Veriano Luchetti/Chor Del Teatro Comunale Di Firenze/Antonino Votto/Grace Bumbry
Tosca, Atto Primo: Mario!... Son Qui! - Grace Bumbry/Veriano Luchetti
Tosca, Atto Primo: Non La Sospiri La Nostra Casetta - Grace Bumbry/Veriano Luchetti
Tosca, Atto Primo: Or Lasciami Al Lavoro - Veriano Luchetti/Grace Bumbry
Tosca, Atto Primo: Quale Occhio Al Mondo - Veriano Luchetti/Grace Bumbry
Tosca, Atto Primo: E' Buona La Mia Tosca, Ma Credente - Veriano Luchetti/Chor Del Teatro Comunale Di Firenze/Antonino Votto
Tosca, Atto Terzo: E Lucevan Le Stelle... - Veriano Luchetti
Tosca, Atto Terzo: Franchigia A Floria Tosca... - Veriano Luchetti/Grace Bumbry
Tosca, Atto Terzo: O Dolci Mani Mansuete E Pure - Veriano Luchetti/Grace Bumbry
Tosca, Atto Terzo: Amaro Sol Per Te M'era Morire - Veriano Luchetti/Grace Bumbry
Tosca, Atto Terzo: E Non Giungono... - Grace Bumbry/Veriano Luchetti
Tosca, Atto Terzo: Trionfal, Di Nuova Speme - Grace Bumbry/Veriano Luchetti
Tosca, Atto Terzo: L'ora!... Son Pronto - Chor Del Teatro Comunale Di Firenze/Antonino Votto/Veriano Luchetti/Grace Bumbry
Tosca, Atto Terzo: Presto! Su! Mario, Su Presto! - Grace Bumbry/Chor Del Teatro Comunale Di Firenze/Antonino Votto

Customer Reviews:

A Nicolai Ghiaurov show!.......2002-07-08

Attila is one of early Verdi's best works and was a favourite opera of the italian public also because of its historical theme.

With Ghiaurov in the title role the opera becomes a masterpiece! I think that only when you hear a singer live do you realise the size of his/her voice. And what a grand and powerful instrument does this man have..! Perhaps the pronunciation is not always 100% italian but then Atilla wasn't Italian either. The role of Odabella has similarities with other early Verdi soprano roles (Elvira, Gizelda), which promises exciting cabalettas. Orlandi-Malaspina has the right, rough voice for the part, if occasionally a bit unstable. I also liked her italian vibrato something, for example, Deutekom in the phillips studio recording lacks. Unknown (to me) tenor Luchetti is fine but nowhere near the sublime Bergonzi. Cappucilli remains one of my favourite italian baritones and he certainly is on the same level as Ghiaurov. Patane is a credible conductor and the sound quality quite good.

Tracks:

'Le Nozze Di Figaro': Se Vuol Ballare - Giuseppe De Luca
'Le Nozze Di Figaro': Aprite U Po - Giuseppe De Luca
'Don Pasquale': -Pronto Io son... Vado - Giuseppe De Luca/Lucrezia Bori
'L' Elisir D' Amore': Venti Scudi! - Giuseppe De Luca/Enrico Caruso
'Guglielmo Tell': Resta Immobile. - Giuseppe De Luca
'Ernani': O Sommo Carlo. - Giuseppe De Luca/Alfio Tedesco/Grace Anthony/Chor
'Rigoletto': Cielo!... Ah, Veglia O Donna. - Giuseppe De Luca/Amelita Galli-Curci/Metropolitan Opr Chor
'Rigoletto': Povero Rigoletto... Cortigiani, Vil Razza Dannata... Miei Signori - Giuseppe De Luca/Metropolitan Opr Chor
'Rigoletto': Piangi, Piangi, Fanciulla. - Giuseppe De Luca/Amelita Galli-Curci
'Rigoletto': Bella Figlia Dell'amore - Giuseppe De Luca/Galli-Curci/Homer/Gigli
'La Traviata': Dite Alla Giovine... Imponete - Giuseppe De Luca/Amelita Galli-Curci
'La Traviata': Di Provenza Il Mar - Giuseppe De Luca
'Aida': Ciel! Mio Padre... Su Dunque - Giuseppe De Luca/Elisabeth Rethberg
'Zaza': Il Bacio - Giuseppe De Luca/Geraldine Farrar
'Benvenuto Cellini': Combien De Fois... De L'art Splendeur [In French] - Giuseppe De Luca
Voi Dormite, Signora! - Giuseppe De Luca
'Les Pecheurs De Perles': O Durga... Del Tempio Al Limitar - Giuseppe De Luca/Beniamino Gigli

CD Greeting Card (Spanish) Espero Que Te Mejores Pronto

Average customer rating:

CD Greeting Card (Spanish) Espero Que Te Mejores Pronto

Manufacturer: Passion Music
ProductGroup: Music
Binding: Audio CD
ASIN: B0002WYJFS

Product Description

1. Isla De La Belleza De La Vida 2. Un Tiempo Para Curar 3. Permitido Por Suaves Sonidos 4. Armonias Vicoriosas 5. Cayndo Sobre El Agua 6. Navega Lejos 7. Melodias Flotando 8. Construyendo Tu Corage 9. Reciva Energia Por La Musica