Todo el Mundo a Bailar

Track Listings

1. Mi Cha Cha Cha

2. Tunel

3. Blusa Azul

4. Señor Juez

5. Al Ritmo del Cha Cha Cha

6. Satanas

7. Sitiera

8. Pedro y Pablo

9. Yerberito Moderno

10. Totiri Mundachi

11. Cachita

12. Bomberos

Todo el Mundo a Bailar,Ramon Marquez,Balboa,Latin,Mexican

Amazon.com

This "fiesta" is in honor of the Virgin, and contains music by Roque Jacinto de Chavarria, a Brazilian Baroque composer (1688-1719), Juan de Araujo (Chavarria's teacher) and others. Don't let their unfamiliarity and the unfamiliarity of the other composers/arrangers on this CD put you off--all the music is flavorful, solid, Baroque fare, and much of it is rhythmically propulsive with an exciting Latin beat. Musicologist Bernardo Illari has put it all together to create a thrilling, vastly entertaining, and unique experience. It winds ups as a veritable pageant, beginning with a drummed entry into the cathedral, followed by the polyphonic sections alternating with purely instrumental ones and some nice monophony as well. Needless to say, Garrido leads his large instrumental and vocal forces with verve and understanding. The CD comes with a DVD including an interview with Garrido and some rehearsal footage which should have been more gripping if they were to include it at all--but why look a gift-horse in the mouth? --Robert Levine

Customer Reviews:

Another highlight in Garrido's discography.......2005-06-09

Firstly, full agreement with the review immediately below.

The disc probably should perhaps have been entitled Chavarria - selected works, since this otherwise unknown native Bolivian composer (1688-1719) doesn't appear to ever have had a disc in his name yet dominates the tracklisting. Though one can understand Garrido wanting to celebrate an "event", a "context", rather than a single composer, along the lines that Paul McCreesh is perhaps best known for in his San Rocco, Venetian Coronation, recordings and so on. Garrido has of course done this kind of "context" disc before, as have other artists in the K617 label's Les Chemins du Baroque series.

Chavarria's boistrous Spanish settings consist of villancicos, salves, and a bullfight. They are complimented by Latin motets from Flores, Guzman, and anonymous. As usual in K617's full price releases (though not reissues) the documentation is superb - essays in French English and Spanish and original texts with French translations. Generous timing at 78'19. Plus the free DVD of course.

Vividly atmospheric "Fiesta"!.......2005-05-07

This recording aims to recapture something of the exuberance of the musical celebrations surrounding the 'Feast of Our Lady of Guadalupe', in La Plata (now Sucre) in early 18th century Bolivia [complete track listing given at the end of this review]. Much of the programme focuses on works by the talented (but hitherto largely neglected) Roque Jacinto de Chavarria (1688-1719); these are complemented with pieces by his [New-World] contemporaries, some better known (such as Juan de Araujo), others not. Listeners new to this repertory may be struck by the archaic style of some pieces, though they make sense in the context of contemporary Iberian music (in particular the villancicos of Juan Frances de Iribarren [1698-1767]). Other pieces, in contrast, are more typical of the Italian Baroque style, such as Chavarria's Salve regina 'Parajillos madrugad!' [track 13].

The performances by Ensemble Elyma (supplemented with the ensemble Ars Longa de La Havane and the Cor Vivaldi, Els Petits Cantors de Catalunya) are outstanding - indeed, I believe this is one of the finest recordings of New World Baroque music currently available. Most pieces are given a suitably colouristic interpretation - voices, strings [bowed and plucked], wind instruments [loud and soft] and occasionally percussion - as it seems was most probably the case in the original performances (interested readers should consult literature by Robert Stevenson and Steven Barwick etc). The programme also includes some fascinating dance-songs taken from the manuscripts of Don Baltasar Martinez Companon (a pioneering ethnomusicologist and also Bishop of Trujillo, 1779-89), which bear the hallmarks of music which can be heard to this day in South America. Whether such pieces would have been as orchestrated as they are here is perhaps a matter for conjecture, although it is impossible not to be carried away by the brilliance of Garrido's interpretations! [The original manuscripts are accompanied by Companon's own watercolour illustrations, which depict musicians - sometimes native Indians, sometimes Creoles or Africans - in small groups, playing a mixture of Western instruments (like harp and guitar) and traditional ones such as the quijada and the cajita].

The CD also includes a free DVD with extracts from a concert of this programme, and an interview with Gabriel Garrido. Highly recommended!

Track listing:

1. Todo el mundo en general - (?)Francisco Corra de Arauxo

2. Angeles, al facistol! - anon. villancico, Sucre
3. Paraninfos alados (Salve) - Chavarria
4. Tota pulchra es, Maria - Andres Flores (1690-1754)

5. Morenita con gracia es Maria - (?) Araujo
6. A la flor del Alba - Chavarria

7. Alegria, risa, ha! (Salve) - Chavarria
8. Alegrese la tierra - Chavarria
9. La matutina estrella - anon. Bolivian, trans. Melchior Mercado
10. Cachua serranita - anon. (Martinez Companon manuscripts)

11. Maria todo es Maria - anon trans. Amedee Frezier (Chili, c.1713) and Flores

12. Sigueritos risuenos - Chavarria
13. Parajillos madrugad (Salve) - Chavarria
14. Sub tuum praesidium - Blas Tardio de Guzman (c.1695-1762)

15. Oigan las fiestas de toros - Chavarria
16. Baile de toritos - anon. trans. Mercado

17. a) verset du 8e ton (organ) - Martin i Coll
b) Toquen Alarma - Chavarria
18. Salve Regina (a 8) - (?)Guzman
19. Lanchas para bailar - anon., Martinez Companon manuscripts

Translation between centuries.......2003-04-23

Fiesta Criolla, is a true representation of a Latino-American "party" that reveals the religious spirits the Colonial period had. It truly makes you feel as you were living it.