Un Bolero
Track Listings
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1. Bolero
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2. Tengo Todd Excepto a Ti
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3. Brisa
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4. Compartir
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5. Popurri: Perdon/Frenesi/Campanitas de Cristal/Desvelo de Amor/El Amor D
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6. Castigo
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7. Donde Estabas Anoche
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8. Tu Altar de Orouideas
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9. Para Olvidarte
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10. Popurri: Sorpresa/Desesperadamente/Nosotros/Amar y Vivir/Te Quiero...D!
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Un Bolero,Carlos Cuevas,I.M. Records,Latin,Latin Pop,Ranchera
Un Bolero
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Passion - Most Famous Orchestral Spectaculars [20 CD Set]
Manufacturer: Delta
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Similar Items:
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ASIN: B00012QLTQ
Release Date: 2003-12-09 |
Album Description
Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.
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A good gift for novice.......2007-05-12
This was a good gift for somebody learning about Classical music in Japan.
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- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Ludwig van Beethoven
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Mill. Classical review
- classical music for the unitiated
- Some little gems there that I had forgotten!
- A very helpful collection
- Excellent!
|
Classical Masterpieces of the Millennium [20 CD Set]
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Binding: Audio CD
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- Masters of Classical Music (Box Set)
- Little Night Music - Ultimate Mozart Collection [20 CD Set]
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- Rendezvous of Angels - Concert Collection [20 CD Set]
ASIN: B00000K1C9
Release Date: 1999-08-24 |
Tracks:
- Brandenbutg Concerto No.3 In G First Movement
- Overture No.3 In D Second Movement
- Violin Concerto In E First Movement
- Prelude In C minor
- Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
- Overture No.2 In B minor Minuet And Badinerie
- Oboe Concerto In D minor Second Movement
- Brandenburg Concerto No.4 In G Third Movement
- Musical Offering - Fuga canonica
- Easter Oratorio - Overture
- Minuet In D minor
- Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
- Brandenburg Concerto No.1 In F Second Movement
- Art Of The Fugue - Contrapunctus 9
- Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
- Overture No.4 In D - Réjouissance
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 1 in E: Spring
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 2 in G minor: Summer
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 3 in F: Autumn
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto No. 4 in F minor: Winter
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Concerto Grosso in A minor, Op. 3, no. 8
- Water Music - Alla Hornpipe
- Xerxes - Ombra Mai Fu (Largo)
- Messiah - And The Glory Of The Lord
- Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
- Organ Concerto In F, Op. 4, No. 4 Allegro
- Water Music - Air
- Messiah - For Unto Us A Child Is Born
- Concerto Grosso In B flat, Op. 3, No. 2 - Largo
- Salomon - Sinfonia, Act 3
- The Choice Of Hercules - While For Thy Arms
- Water Music - Allegro (Suite No. 1)
- Suite No. 5 In E - Air With Variations
- Jephtha - How Dark, O Lord
- Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
- Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
- Water Music - Andante Allegro Da Capo
- Concerto for Trumpet & Orchestra in E-flat: First Movement
- Symphony No. 94 in G: Surprise Symphony-second movement
- Concerto for Violin No. 2 in D: Third Movement
- Flute Trio No. 31 in G: Second Movement
- Symphony No. 31 in D: Hornsignal-First Movement
- String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
- Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
- Concerto for 2 Horns & Orchestra in E-flat: Second Movement
- Symphony No. 88 in G: Fourth Movement
- String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
- Notturno No. 1 in C: Second Movement
- Symphony No. 98 in B: Londoner No. 4-Fourth Movement
- Eine Kleine Nachtmusik - first movement
- Piano Concerto in A - second movement
- Flute Concerto in D - Rondeau
- Serenade - Minuet
- Violin Concerto - first movement
- Symphony No. 40 in G minor - first movement
- Clarinet Concerto - second movement
- Turkish March
- Divertimento - Minuet
- Horn Concerto No. 3 in E-flat - first movement
- Symphony No. 5 in C minor, Op. 67-First Movement
- Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
- Overture
- O welche Lust (Prisoners' Chorus)
- Ha, welch ein Augenblick (Pizarros's Aria)
- Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
- Concerto for Violin and Orchestra in D, Op. 61: Third Movement
- Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
- Sympony No. 6 in F, Op. 68: Pastorale-First Movement
- Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
- German Dance No. 1 In C
- Impromptu Op. 90, No. 3 In G-Flat
- Heidenroslein
- Ave Maria
- Der Lindenbaum
- Quintet In A 'Trout Quintet' - Andante
- Mass No. 6 In E-Flat - Kyrie
- Die Schone Mullerin Des Mullers Blumen
- German Dance No. 2 In G
- Piano Sonata In B-Flat
- Nachtgesang Im Walde
- Winterreise - No. 15: Die Krahe
- German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
- Symphony No. 8 In B Minor 'Unfinished' - Second Movement
- Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
- Nocturne in E-flat, Op. 9, no. 2
- Etude in G-flat, Op. 10, no. 5
- Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
- Mazurka in D minor, Op. 33, no. 2
- Prelude in D-flat, Op. 28, no. 15 Raindrop
- Etude in C, Op. 10, no. 1
- Nocturne in D-flat, Op. 27, no. 2
- Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
- Scherzo in B minor, Op. 20
- Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
- Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
- Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
- Violin Concerto - second movement
- The Sleeping Beauty - Waltz
- Capriccio Italien, Op. 45
- Swan Lake - Waltz
- Eugene Onegin - Polonaise
- The Nutcracker - Waltz of the Flowers
- Orchestral Suite No. 4 - Mozartiana - Third Movement
- Swan Lake - Dance of the Swans
- Symphony No. 6 in B minor - Pathétique - Third Movement
- Hungarian Dance No.5
- Lullaby
- Symphony No.1 in C minor, Op. 68 - Third Movement
- Intermezzo in E-flat, Op.117, no. 1
- Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
- Waltz, Op. 39, no. 15
- Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
- String Quintet in G, Op. 111 - Second Movement
- Symphony No.4 in E minor, Op. 98 - Third Movement
- Intermezzo in A minor, Op. 76, no. 7
- Hungarian Dance No.1 in G minor
- German Requiem Selig sind die Toten (Final Chorus)
- Die Fledermaus - Overture
- Kaiser Waltz, Op.437
- Thunder And Lightning Polka, Op. 324
- Roses From The South Waltz, Op. 388
- AnnenPolka, Op. 117
- Vienna Blood Waltz, Op. 354
- Eljen A Magyar Polka, Op. 332
- Wine, Women and Song Waltz, Op. 333
- On The Beautiful Blue Danube Waltz, Op. 134
- Die Meistersinger Von Nurnberg - Overture
- Tannhauser - Die Pilger sind's (Pilgims' Chorus)
- Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
- Lohengrin - Act 3 Prelude and Bridal Chorus
- The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
- The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
- Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
- Die Walkure - Ride of the Valkyries
- Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
- Tristan und Isolde - Liebestod
- Thus sprach Zarathustra, Op. 30 (excerpt)
- Don Juan, Op. 20
- Eine Alpensinfonie, Op. 64, I.Nacht
- Don Quixote, Op.35, first movement: Introduction
- Salome, Op. 54, Dance Of The Seven Veils
- Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
- Piano Concerto 2 In C minor, Op. 18 - First Movement
- Vocalise, Op.34, No. 14
- Prelude In G Sharp minor, Op. 32, No. 12
- Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
- Symphony No. 2 In E minor, Op. 27 - Third Movement
- Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
- Rhapsody, Op. 43 On A Theme By Paganini
- Hungarian Rhapsody No.2
- Liebestraum No.3 in A-flat
- Piano Concerto No.1 in E-flat - third movement
- Angelus
- Mephisto Waltz No.1 (Dance in a Village Tavern)
- Prelude and Fugue on B-A-C-H
- Dante Symphony - Finale. - Purgatorio - Magnificat
- Les Préludes
- Boléro
- Daphnis et Chloé first movement: Nocturne
- Rhapsodie Espagnole
- Shéhérazade - first movement: Asie
- Ma Mère l'Oye - fourth movement: La Belle et la Bête
- Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
- La Valse
- Slavic Dance No. 1 in C, Op. 46, no.1
- Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
- Humoresque, Op. 101
- Slavic Dance No. 8 in G minor, Op. 46, no. 8
- Serenade for String Orchestra, Op. 22 - second movement
- Romance for Violin and Orchestra In F minor, Op. 11
- Symphony No. 7 in D minor - third movement
- Melodie (Songs My Mother Taught Me)
- Carneval Overture, Op. 92
- Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
- Symphony No.4 In A, Op. 90. Italian - First Movement
- Frühlingslied In A, Op. 62, No. 6
- Wedding March (From A Midsummer Night's Dream, Op.61)
- Duetto In F, Op.30, No.6 (From Songs Without Words)
- String Symphony No.9 In C. Schweitzer Symphony - Third Movement
- Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
- Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
- Notturno (From A Midsumment Night's Dream, Op. 61)
- Rondo Capriccioso, Op.14
- String Symphony No. 12 In G minor - First Movement
- Venetian Gondola Song In F Sharp minor, Op.30, No.6
- Scherzo (From A Midsumment Night's Dream, Op. 61)
- Violin Concerto In E minor, Op.64 - Third Movement
- Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
- Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
- Holberg Suite, Op. 40 - IV. Air. Andante religioso
- Arietta, Op. 12, no. 1
- Homage March from Sigurd Jorsalfar, Op. 56
- Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
- Wedding Day at Troldhauen, Op. 65, no. 6
- The Last Spring, Op. 34, no. 2
- Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
- Nordic Melody Op. 63
- Notturno, Op. 54, no. 4
- Elegie, Op. 47, no. 5
- Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
- Piano Concerto in A minor, Op. 16 - Allegro
- Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
- Traumerai (from Kinderszenen, Op. 15)
- Mondnacht (from Eichendorff-Liederkreis, Op. 39)
- Aufschwung (from Fantasietucke, Op. 12)
- Triolett, Op. 114, no. 2
- Tanzlied (No. 1 from Duets, Op. 78)
- Symphony No. 4 in D minor, Op. 120 - second movement
- Frühlingsgruss
- Abschied (from Waldszenen Op. 82)
- Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
- Manfred Overture, Op. 115
- Romance in F sharp, Op. 28, no. 2
- Die Rose stand im Tau
- Liebesgarten (from Four Duets, Op. 34)
- Warum? (from Fantasiestucke, Op. 12)
- Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
- Von fremden Landern und Menschen (from Kinderszenen, Op. 15)
Album Description
An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.
Customer Reviews:
Mill. Classical review.......2007-05-13
This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.
classical music for the unitiated.......2007-04-01
This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.
Some little gems there that I had forgotten!.......2007-03-30
Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.
I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.
It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!
Classical Masterpieces of the Millennium [20 CD Set]
A very helpful collection.......2007-03-24
I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.
Excellent!.......2007-03-08
A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.
Average customer rating:
- OKAY, TAKE ME AWAY.
- Great music...stunning recording quality
- Incredible
- Just Stunning!
|
Essential Verdi
Manufacturer: Decca
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Binding: Audio CD
All Works by Verdi
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Similar Items:
- The Ultimate Puccini Collection
- Essential Puccini
- The Most Famous Opera Duets
- The #1 Opera Album
- The Most Famous Opera Arias
ASIN: B000056JSW
Release Date: 2001-02-13 |
Tracks:
- Rigoletto: La donna e mobile - Luciano Pavarotti
- Nabucco: Va pesiero - Chicago Symphony Orchestra
- La forza del destino: Overture - Kirov Orchestra
- La Traviata: Un di felice - Joan Sutherland
- I Vespri Siciliani: Merce dilette amiche - Maria Chiara
- La Traviata: Libiamo ne' lieti calici - Joan Sutherland
- Il Trovatore: Di quella pira - Jose Carreras
- Il Trovatore: Vedi! le fosche notturne spoglie - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Stride la vampa! - Stefania Toczyska
- Aida: Ritorna vincitor! - Leontyne Price
- Don Carlo: Dio che nell'alma infondere - Carlo Bergonzi
- La Traviata: Prelude - Orchestra E Coro Del Maggio Musicale Fiorentino
- Rigoletto: Caro nome - Joan Sutherland
- Don Carlo: O don fatale - Olga Borodina
- Aida: Se quel guerrier io fossi! Celeste Aida - Carlo Bergonzi
- Emani: Ernani! Ernani involami - Joan Sutherland
- Un Ballo in Maschera: Di tu se fedele - Jussi Bjorling
- Un Ballo in Maschera: Morro ma prima in grazia - Margaret Price
- Luisa Miller: Quando le sere al placido - Luciano Pavarotti
- Aida: Gloria all'Egitto - Chicago Symphony Orchestra
Tracks:
- Requiem: Dies irae - Wiener Philharmoniker
- La forza del destino: Pace pace mio Dio - Angela Gheorghiu
- Rigoletto: Questa o quella - Carlo Bergonzi
- Rigoletto: Bella figlia dell'amore - Luciano Pavarotti
- Otello: Ave Maria - Renee Fleming
- La Traviata: Parigi o cara - Frank Lopardo
- Macbeth: Ah la paterna mano - Luciano Pavarotti
- Il Trovatore: Squilli echeggi la tromba guerriera - Chicago Symphony Orchestra And Chorus
- Don Carlo: O Carlo ascolta - Dmitri Hvorostovsky
- Requiem: Ingemisco - Luciano Pavarotti
- Simon Baccanegra: Come in quest'ora bruna - Kiri Te Kanawa
- Macbeth: Salve o Re! Si colmi il calice - Lucia Aliberti
- Aida: O patria mia - Leontyne Price
- I lombardi: La mia letizia infondere - Placido Domingo
- Aida: Lo sguardo avea degli angeli - Montserrat Caballe
- La forza del destino: Solenne in quest'ora - Nikolai Putilin
- Macbeth: Patria opressa - Chicago Symphony Orchestra And Chorus
- Il Trovatore: Tacea la notte - Katia Ricciarelli
- I due Foscari: Dal piu remoto esilio - Odio solo ed odio atroce - Jose Carreras
- Don Carlo: Spuntato ecco il di esultanza - Orchestra E Coro Del Teatro Alla Scala Di Milano
Customer Reviews:
OKAY, TAKE ME AWAY........2006-01-20
I don't know opera.
Last summer we had an incredible 20th anniversary trip to Italy. As a side trip from Venice, we planned a night in Verona. Neither my wife or I had been to an opera.
Is this how its supposed to be...
...an incredible star filled night with a three quarter moon, the largest stage and outdoor theatrical production on the planet, all taking place in a roman colleseum (arena) built in 180 a.d., an incredible colorful set and production with a full symphony orchestra and voices that don't come easy. Aida.
Now I know what all the hpye is as you opera fans sure are lucky to have such a beautiful setting for all your productions.
Okay, we got spoiled. But I also found myself getting spoiled on the Italian composer Verdi.
For me, this set is not only a "take me back to Verona" trip, but a great introduction to Verdi's other works. With some of the biggest names in the opera world in starring roles, I listened to both discs twice the first night they arrived.
And, of course, we are planning a return trip to Verona in the very near future to see some more Verdi...perhaps Nabucco or Otello or Macbeth...I'll even settle for Aida again. It was such a magical experience and a superb introduction to opera and Verdi.
This set continues that magical moment for us and provides a great introduction to a master of the opera...Verdi.
Great music...stunning recording quality.......2002-11-01
This is a marvelous compendium of Verdi's opera works that even the serious opera fan wouldn't turn his nose up at. These are the top contemporary soloists singing with first tier orchestras. When I saw the Decca label, I expected reasonable quality, but this disk is stunningly well engineered. Most of the vocals match the best jazz cds for immediacy and intimacy, and the orchestras are equally well done.
Incredible.......2002-06-05
I don't say incredible about too many things, but Verdi was the zenith of Italian Opera and Solti and the Chicago Symphony and the Vienna Philharmonic are the quintessential ensembles for modern classical performance. Not to mention that most of the voices showcased have their own lines of CDs (Pavarotti, etc.) This CD is the best Verdi album available, and it has EVERYTHING. BUY THIS CD!
Just Stunning!.......2002-01-26
In my opinion this recording is stunning. I am not usually a fan of compilations in classical music, as they're usually watered down representations made under the presumption that the listener would find the full-blown version intimidating or boring. This one, however, is not only an exception in my view, but a recording that deserves a high place of honor in every serious listener's collection. The representation of artists, both vocal and orchestral, is breathtaking and impressive for the span of years. A great big thank you to the people at Decca responsible for putting this collection together, as it is obvious to this listener that a great deal of thought and care went into looking for the most beautiful version of every piece on here. I have purchased two copies, one for home and one for the office, and have gotten two friends similarly hooked. I am also feverishly searching for more pairings of Joan Sutherland and Carlo Bergonzi. In the meantime, I'm on to Essential Puccini!!
Average customer rating:
- Fine CD ,Lame DVD
- Great playing but recording is a bit weak
- LOS ROMEROS WITH THE EDISON SYMPHONY IN NEW JERSEY
- The Rodrigo Collection
- Great multimedia
|
Los Romeros: The Rodrigo Collection
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Royal Family of the Spanish Guitar
- Rodrigo: Concierto de Aranjuez; Fantasía para un Gentilhombre
- Rodrigo: Complete Concertos for Guitar and Harp
- The Art of Pepe Romero: Guitar Favorites
- Antonio Vivaldi: Guitar Concertos, Los Romeros
ASIN: B00076YNI2
Release Date: 2005-04-12 |
Tracks:
- Fanfare: Allegro Marziale
- Madrigal: Andante Nostalgico
- Entrada: Allegro Vivace
- Pastorcico, Tu Que Vienes, Pastorcico, Tu Que Vas: Allegro Vivace
- Girardilla: Presto
- Pastoral: Allegro
- Fandango
- Arietta: Andante Nostalgico
- Zapateado: Allegro Vivace
- Caccia A La Espanola: Allegro Vivace-Andante Nostalgico
- I. Villano Y Ricercare: Adagietto - Andante Moderato
- II. Espanoletta Y Fanfare De La Caballeria De Napoles: Adagio-Allegretto Molto Ritmico
- III. Danza De Las Hachas: Allegro Con Brio
- IV. Canario: Allegro Ma Non Troppo
- I. Tiempo De Bolero - Los Romeros
- II. Adagio - Los Romeros
- III. Allegretto - Los Romeros
Customer Reviews:
Fine CD ,Lame DVD.......2007-01-28
I thought the sound quality on the cd was fine. But if you're buying this for the Concerto on the DVD you should know that half the time you won't be seeing the concerto. Yes, while the musicians play you will frequently be shown statues, fountains, gardens and other pretty images that have nothing to do with the music and take up way too much time on screen.That kind of thing might fine on a tourism video which you might or might not watch once, but watching the concerto performance would have been far more interesting.
Great playing but recording is a bit weak.......2006-08-18
The Rodrigo Collection is a compilation of Rodrigo guitar concerti recordings from 1975 to 1979. The guitar playing is robust, aggressive and macho, but not nearly as sensitive and deep as efforts by Pepe and Angel during the last decade. Twenty some years of practice and performing makes a big difference!
Although the recording quality is decent, it is not nearly as full bodied as modern digital recordings by the Romero brothers. The midrange is thin and slightly bright and stereo imaging flat. It's not a great digitalization and remix of an analog recording. Lastly, the "Shadows and Light DVD" transfer from analog tape to DVD is terrible. If I didn't know I had put a DVD in the player I'd swear it was an old low rez video tape. Despite these warts, it's a must have for any diehard Rodrigo or Romero fan.
LOS ROMEROS WITH THE EDISON SYMPHONY IN NEW JERSEY.......2005-12-29
THIS CD IS SUPERIOR AND ONCE AGAIN THE LOS ROMEROS DO A GREAT JOB.
COME SEE THEM PERFORM LIVE WITH FULL SYMPHONY ORCHESTRA AT THE STATE THEATRE IN NEW BRUNSWICK, NEW JERSEY, FEBRUARY 19, 2006, 2:00 P.M.
FOR TICKET INFORMATION VISIT www.edisonsymphony.com
or www.statetheatrenj.org
The Rodrigo Collection.......2005-10-19
Here is a delightful combination CD and DVD with some of Rodrigo's most famous and lovely music. The DVD is especially touching and I got a new perspective on this unique composer and his music.
Great multimedia.......2005-09-13
The first CD is very good, the sound of the concerts is great, but the DVD is another thing, it's great to see Pepe Romero in the Aranjuez Concert and the documentary about the late great master Joaquín Rodrigo touch me very deeply.
My only regret it's that you can only hear the Aranjuez Concert if you play the DVD and not in a CD player (car for example)
Average customer rating:
- I can name that tune in three notes
- A Fabulous CD
- Mega-Sampler! This really does have 99 tracks!
- Fun Sampler
- Useful.
|
Idiot's Guide to Classical Music
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD
Waltzes
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Similar Items:
- Scott Joplin: Greatest Hits
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ASIN: B000003FPT
Release Date: 1995-02-14 |
Tracks:
- Adagio
- Air on the G String: Air on the G String, Excerpt
- Brandenburg Concerto: Third Movement, Excerpt
- Jesu, Joy of Man's Desiring: Jesu, Joy of Man's Desiring, Excerpt
- Tocatta & Fugue: Excerpt
- Adagio for Strings: Excerpt
- Synphony No. 5: First Movement, Excerpt
- Symphony No. 9: Fourth Movement, Excerpt
- Fse: Excerpt
- Turkish March: Turkish March, Excerpt
- Moonlight Sonata: Excerpt
- Symphonie Fantastique: March Ot the Scaffold, Excerpt
- Damnation of Faust: Excerpt
- Carmen - Habanera: Habanera, Excerpt
- Toreador Song [From Carmen]
- Minuet: Minuet, Excerpt
- Prince Igor: Polovtsian Dance No 17, Excerpt
- Hungarian Dance No. 5: No 5, Excerpt
- Lullaby: No 4, Lullaby, Excerpt
- "Minute" Waltz: Excerpt
- Grande Valse Brillante: Excerpt
- Marche Fune: Marche Fune
- Appalachian Spring: Excerpt
- Fanfare for the Common Man: Excerpt
- Clair de Lune: Excerpt
- Prelude to the Afternoon: Excerpt
- Lakm Flower Duet: Flower Duet, Excerpt
- Symphony No. 9 "New World": Second Movement, "Going Home" Theme, ...
- The Sorcerer's Apprentice: Excerpt
- Pomp & Circumstance: Excerpt
- El Amor Brujo
- Pavane: Excerpt
- Rhapsody in Blue: Excerpt
- American in Paris: Excerpt
- Funeral March of Marionette: Excerpt
- Piano Concerto in a Minor: Excerpt
- Peer Gynt Suite No. 1 - Morning: Morning, Excerpt
- Messiah - Hallelujah Chorus: Hallelujah Chorus, Excerpt
- Water Music - Hornpipe: Hornpipe, Excerpt
- Symphony No. 94 "Surprise": Second Movement, Excerpt
- The Planets - Mars: Mars, Excerpt
- Sabre Dance: Sabre Dance, Excerpt
- Pagliacci: Vesti la Giubba, Excerpt
- Hungarian Rhapsody
- Liebestraum No. 3: No 3, Excerpt
- Cavalleria Rusticana - Intermezzo: Intermezzo, Excerpt
- Midsummer Night's Dream - Wedding March: Wedding March, Excerpt
- Symphony No. 4 "Italian": Fourth Movement, Excerpt
- Rondeau: No 1, Rondeau
- Piano Concerto No. 21: Andante, Excerpt
- Eine Kleine Nachtmusik: First Movement, Excerpt
- The Marriage of Figaro - Overture: Overture, Excerpt
- Sonata in A - Rondo Alla Turca: Rondo Alla Turca, Excerpt
- Symphony No. 40: First Movement, Excerpt
- Night on Bald Mountain: Excerpt
- Pictures at an Exhibition - Great Cave of Kiev: Great Gate of ...
- Barcarolle: Barcarolle, Excerpt
- Orpheus in Hades - Theme II: Excerpt (Theme)
- Carmina Burana - O Fortuna: O Fortuna, Excerpt
- Canon: Canon, Excerpt
- Romeo & Juliet - Montagues & Capulets: Montagues & Capulets, Excerpt
- Lt. Kije's Wedding: Lt. Kije's Wedding, Excerpt
- Turandot - Nessun Dorma: Nessun Dorma, Excerpt
- Piano Concerto No. 2: Second Movement, Excerpt
- Symphony No. 2: Third Movement, Opening, Excerpt
- Rhapsody on a Theme: Variation 18, Excerpt
- Bolero
- Flight of the Bumblebee
- Concierto de Aranjuez - Adagio: Adagio, Excerpt
- The Barber of Seville - Overture: Excerpt
- The Barber of Sville - Largo Al Factotum: Largo Al Factotum, Excerpt
- William Tell Overture - Theme II: Excerpt
- Danse Macabre: Excerpt
- Gymnope No. 1
- Symphony N0. 8 "Unfinished": Excerpt
- Ave Maria: Excerpt
- Finlandia [Finale: Finale, Excerpt]
- Valse Triste: No 1, Valse Triste, Excerpt
- Stars & Stripes Forever: Excerpt
- Semper Fidelis: Excerpt
- Blue Danube Waltz: Excerpt
- Tales from the Vienna Woods: Excerpt
- Also Sprach Zarathustra: Fanfare, Excerpt
- Firebird - Infernal Dance & Main Theme: Infernal Dance & Main ...
- The Nutcracker - Waltz of the Flowers: Waltz of the Flowers, Excerpt
- Swan Lake - Waltz: Waltz, Excerpt
- Sleeping Beauty -: Waltz, Excerpt
- Romeo & Juliet - Theme II: Theme LL, Excerpt
- Piano Concerto No. 1 - Opening: Opening, Excerpt
- 1812 Overture - Finale: Finale, Excerpt
- Fantasia on "Greensleeves": Excerpt
- Alda - Grand March: Grand March, Excerpt
- Il Trovatore - Anvil Chorus: Anvil Chorus, Excerpt
- Requiem - Dies Irae: Dies Irae, Excerpt
- Rigoletto - La Donna Mobile: La Donna Mobile, Excerpt
- The Four Seasons "Spring" - Allegro: Allegro, Excerpt
- The Four Season "Winter" - Largo: Largo, Excerpt
- Lohengrin - Bridal Chorus: Bridal Chorus, Excerpt
- Die WalkRide of the Valkyries: Ride of the Valkyries, Excerpt
Customer Reviews:
I can name that tune in three notes.......2005-02-19
My family likes to put this disc in on shuffle and play name that tune. I wish they made more discs like this, only with more obscure works.
A Fabulous CD.......2004-10-14
The Idiot's Guide to Calssical Music is an awesome Cd for those people who want to have a tiny sample of all the great classical compositions. Track 61 and 63 are my favorite.
Mega-Sampler! This really does have 99 tracks!.......2002-03-20
Yes, this CD really does have 99 tracks. How do they do it? Each is about a minuet long. Some are longer, some are shorter, but you get the micro-essential moments of the music.
If you like burning your own CDs, then this is a great source for intra-track fillers, along the lines of They Might Be Giants' "Apollo 18" album, which has all of those short tracks on the end. The idea is to put your CD player on shuffle, so the short tracks get mixed in with the bona fide songs. The result being a very unusual album.
The booklet gives an explanation of the track, where you heard it (i.e. the Warner Brother's Cartoons, or on famous films), and where you can get the full piece of music. So it's a mega sampler CD.
I can honestly say that this CD is a great gift for the friend who has everything.
Fun Sampler.......2001-11-09
For the beginner. You will be surprised at how many of the 99 themes you recognize here. It is an easy introduction to classical music. Nice booklet too.
Useful........1999-03-22
Take it for what it is, a clever and useful GUIDE to classical music. No, it is NOT an uncut rendition of Beethoven's 9th symphony. It IS a cd that will jog your memory. You have heard many of the tunes presented here, but not always knowing what the work was. This is your chance to catch up with all the great classical music you have been exposed to. Cheap too.
Average customer rating:
- Greatest Collection of Classical I have.
- This is not a good digital recording
|
Classics for Lovers
Manufacturer: Compendia
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003QWF
Release Date: 1994-10-18 |
Tracks:
- Canon In D Major - CLASSICS FOR LOVERS
- Piano Concerto No.21 'Elvira Madigan': Andante - CLASSICS FOR LOVERS
- Pagliacci: Vesti la giubba - CLASSICS FOR LOVERS
- Madame Butterfly: Un bel di - CLASSICS FOR LOVERS
- Romeo And Juliet: Fantasy Overture - CLASSICS FOR LOVERS
- Polovstian Dances 8 And 17: Prince Igor - CLASSICS FOR LOVERS
- Tristan And Isolde: Overture - CLASSICS FOR LOVERS
- Symphony No.3, 'Organ': Poco adagio - CLASSICS FOR LOVERS
Tracks:
- Air For The 'G' String - Royal Philharmonic Orchestra
- Moonlight Sonata: Adagio sostenuto - Dubravka Tomsic
- Swan Lake: Suite - Scene: Enchanted Lake - London Festival Orchestra
- Piano Concerto No.2: Adagio sostenuto - Garrison Kent
- Clair de lune - Anna Lelkes
- Aida: Celeste, Aida - Jose Perez
- La Boheme: Che gelida manina - Jose Perez
- Symphony No.9, 'From The World': Largo - Berlin Symphony Orchestra
- Martha: Ach, so Fromm - Jose Perez
- The Planets, Op.32: Venus (The Bringer Of Peace) - Dallas Symphony Orchestra
- Bolero - Radio Symphony Orchestra
Tracks:
- 'Peer Gynt' Suite: Morning Song - Slavonic Philharmonic Orchestra
- Xerxes: Largo - London Festival Orchestra
- Piano Concerto No.20: Romance - Svetlana Stanceva
- The Nutcracker Suite: Arabian Dance - Berlin Festival Orchestra
- Pavan - London Festival Orchestra
- The Afternoon Of A Faun: Prelude - London Festival Orchestra
- Giselle: Adagio: Waltz - Philharmonia Orchestra Of London
- The Carnival Of The Animals: The Swan - London Festival Orchestra
- Eine kleine Nachtmusik: Romanze: Andante - Camerata Academica
- The Tales Of Hoffman: Barcarolle - Royal Philharmonic Orchestra
- Cavalleria Rusticana: Intermezzo - London Festival Orchestra
- Daphnis And Chloe - Slavonic Philharmonic Orchestra
Tracks:
- The Sleeping Beauty Suite: Pas d'action: Andante - CLASSICS FOR LOVERS
- Scheherazade: The Young Prince And Young Princess - CLASSICS FOR LOVERS
- Clarinet Concerto In A Major: Adagio - CLASSICS FOR LOVERS
- On The Beautiful, Blue Danube - CLASSICS FOR LOVERS
- Dawn Until Noon On The Sea: La Mer - CLASSICS FOR LOVERS
- Carmen: Intermezzo - CLASSICS FOR LOVERS
- Carmen: Seguidilla - CLASSICS FOR LOVERS
- Carmen: Habanera - CLASSICS FOR LOVERS
- Carmen: Nocturne - CLASSICS FOR LOVERS
- Carmina Buraba: Omnia sol temperat - CLASSICS FOR LOVERS
- Carmina Buraba: Amor volat undique - CLASSICS FOR LOVERS
- Carmina Buraba: Dies, nox et omnia - CLASSICS FOR LOVERS
- Symphony No.6, 'Pathetique': Adagio lamentoso: Andante - CLASSICS FOR LOVERS
Customer Reviews:
Greatest Collection of Classical I have........2006-12-14
I don't care much for compilation CDs. Usually they are someone else's favorite set of songs from that genre or composer. I usually like the songs, but when I get into listening to the other songs in the genre or by the same composer I find songs that I'm more fond of.
This collection is different.
I try not to be too generous with my top ratings in iTunes for songs, I don't give out a four or five stars to just anything, but many of the songs from this collection make up a good chunk of my top rated songs. I just love this collection.
This is not a good digital recording.......1999-07-27
There is a 'record player' hum in the background when you try to listen to various tracks on these CDs. The compilation is wonderful. The Quality of the recording is very disappointing. The outside of the album cover reads DDD which I thought to mean clean and clear all digital recording. Don't be deceived by the cover.
Average customer rating:
- Very nice introduction to the work of a great soprano
- The very best performance by Victoria de los Angeles
- In Memoriam: A Tribute To The Late Victoria
- the genius of de los angeles
- A n angelic voice
|
The Very Best of Victoria de los Angeles
Victoria De Los Angeles
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD
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ASIN: B000083GOE
Release Date: 2003-04-22 |
Tracks:
- O Mio Babbino Caro
- Un Bel Di Vedremo
- Si. Mi Chiamano Mimi - Jussi Bjorling
- Senza Mamma
- Voi Lo Sapete, O Mamma
- Qual Fiamma Avea Nel Guardo!... Hui! Stridono Lassu
- Ebben? Ne Andro Lontana
- Nacqui All'Affano...Non Piu Mesta
- Una Voce Poco Fa
- E Strano!... Ah, Fors' E Lui...Sempre Libera
- Porgi, Amor
- Dich, Teure Halle
- Einsam In Truben Tagen
- Je Ne Suis Que Faiblesse...Adieu, Notre Petite Table
- Les Grands Seigneurs...Ah! Je Ris
- Quand Je Vous Aimerai?...L'Amour Est Un Oiseau Rebelle
Tracks:
- Auf Flugein Des Gesanges
- Ich Liebe Dich
- Wiegenlied
- Les Filles De Cadiz
- Cuba Dentro De Un Piano
- Chevre
- Punto De Habanera
- Cancion De Cuna Para Dormir A Un Negrito
- Canto Negro
- De Espana Vengo
- Cancion Del Amor Dolido
- Cancion Del Fuego Fatuo
- La Pastoura Als Camps
- Bailero
- Chut, Chut
- Uno Jionto Postouro
- Oh! Had I Jubal's Lyre
- An Die Musik
- Dein Blaues Auge
- Vergebliches Standchen - Gerald Moore
- L'Invitation Au Voyage
- La Flute Enchantee
- Chanson Espagnole
- Chanson Francaise
- Chanson Italienne
- Clavelitos!
- Malaguena - Gerald Moore
- Granadina - Gerald Moore
- Adios, Granada
- Zapateado (La Tarantula E Un Bicho Mu Malo) - Alicia De Larrocha
Customer Reviews:
Very nice introduction to the work of a great soprano.......2007-07-13
This 2 CD set is a terrific introduction to the body of work of Victoria de los Angeles. As the "liner notes" point out: "She was an artist who brought individuality and a sense of joy to everything she performed. . . ." And this is not hyperbole. She was a top soprano in the middle part of the twentieth century.
Some cuts exemplify her art:
"Un bel di" is a ravishing version of this well known aria. She demonstrates a rich voice with fine musicality. This is a ravishing version of this aria. The singer displays good vocal control. There are nice transitions across the registers.
"Si, mi chiamano Mimi" is another well known work for sopranos. Again, nicely done. She appears (to me anyhow) to catch the spirit of Mimi very nicely indeed.
From "La Traviata," she essays "E strano. . .Sempre Libera." This is an affecting version. She does not have the coloratura armamentarium that some have brought to bear on this aria, but she does a fine job nonetheless. She seems to capture the desperate spirit of Violetta in "Sempre Libera."
Rossini's "Una voce poco fa" is a nice tour de force for sopranos. De los Angeles does a nice job here. This is a work from the Bel canto repertoire, but she does well. She shows vocal agility and captures the spirit of the work. This is an affecting, charming version. There is some occasional vocal harshness, but not a serious issue.
From "Carmen," "L'amour est un oiseau rebelle." Richly and nicely sung.
Her range on this CD is worth noting: from Puccini and Verdi to Wagner to Rossini to Gounod.
And then another of her specialties--songs. She does a nice turn with the Spanish song "Malaguena." Then, in a nice twist, she accompanies herself on guitar in "Adios Granada." I'm not normally so excited about songs, but in this case I found her work enchanting.
So, if you want to get a sense of the artistry of Victoria de los Angeles, this is an excellent starting point. Highly recommended!
The very best performance by Victoria de los Angeles.......2006-09-13
Is the recording on Allegro records of her performance of Madame Butterfly in New Orleans in 1954, not the Rome recording. She is simply radiant, perfect, a voice truly that is a victory for the angels. Unbelievably marvelous.
In Memoriam: A Tribute To The Late Victoria.......2005-02-01
Victoria De Los Angeles died Saturday of heart failure at the age of 83 in Barcelona, Spain. The world of opera mourns her loss. She was a gifted soprano and a wonderful human being. On stage, she was able to directly speak to her audience and communicate with them in a very special and rare way that is not always seen today. She never hid herself behind a facade nor distanced herself from fans and audiences. She was born to sing opera. It was in her blood. This album showcases De Los Angeles in her most memorable and successful roles. Victoria De Los Angeles was one of the first singers from Spain to win worldwide acclaim. Others would follow- Placido Domingo and Montserrat Caballe. De Los Angeles is showcased in this album which may also serve as a tribute to the now late soprano.
Her voice was essentially full lyric with some spinto. Hearing her renditions of "O Mio Babbini Caro"- a signature soprano role, as well as "Ebben Ne Andro Lontana" from La Wally and her performances as Mimi, one is clearly treated to the truest form of a pure lyric soprano. Her voice is spunned gold, with sweet, warm, feminine textures. Her reperotire remained in the Italian and French. Of course, being Spanish, she was a leading singer in Spanish Lieder and romantic ballads. Her Art Songs in Spanish are full of elegance and grace. A champion of obscure composers, she sang and recorded recitals that featured the works of lesser known composers, though strictly Lieder and Folk/Art Song.
Victoria De Los Angeles is fortunately a well-documented artist. Some film footage exist of her performances. I seem to recall that there exists a taped performance of her Violetta in Verdi's La Traviata. She excelled in the lyric roles of Mimi in Puccini's La Boheme, Marguerite in Gounod's Faust. Her Madame Butterfly is a pure lyric rendition, with less of the dramatic intensity other singers have given the role- i.e. Leontine Price, Maria Callas, Renata Tebaldi, etc. But her Butterfly is actually the way the role ought to be sung. It's a voice of grace, naivete and above all romance that must colorize Butterfly. The dramatic intensity only makes her sound older and madly passionate. She is only a fifteen year old girl who has been deceived and betrayed. She must remain youthful sounding. De Los Angeles does justice to the truest form of Butterfly. She was thrilling in French and Italian operas and her Spanish songs were briliant and beautiful.
Victoria will always be remembered. She was a unique and talented artist of the lyric repertoire. Her pure, lovely voice was like an angel's. There will never be another Victoria De Los Angeles. With her death, the end of an era also passes. In particular, I will always remember one reported incident. She was about to make her first recital in America but she had no accompanist- pianist/guitarist etc. When asked how she would handle this, she remarked: "Well I brought my guitar with me". And she proceeded to accompany herself with the guitar.
the genius of de los angeles.......2004-02-14
the incomparable de los angeles combines exquisite sound and nuance to the world of superb singing. her mastery of a variety of styles is astounding and yet it always sounds natural.her magic will live forever.
A n angelic voice.......2004-02-06
De los Angeles' ability to sing with elegance and style has rarely been equalled and never been surpassed. She's the greatest Charlotte in "Werther", the most tender Santuzza in "Cavalleria Rusticana" and the most sumptuos Nedda in "I Pagliacci". Her Lieder-Recordings are legendary, my favourites are the Spanish ones of course. What a piano-culture and what a velvet sound! Get this set, it's cheap and it has GREAT singing!
Average customer rating:
- A great singer for a great price!!!
- Martinez sounds beautiful on disc too!
- Reminds me of Leontyne Price
- Brava!!!
- Martinez: Soprano Arias
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Martinez: Soprano Songs and Arias
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
Canteloube, Joseph
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ASIN: B000BK53G0
Release Date: 2005-11-15 |
Tracks:
- Les Filles De Cadix
- Je Veux Vivre
- O Mio Babbino Caro
- Vilja-Lied
- De Espana Vengo
- Violetas Imperiales
- Chi Il Bel Sogno Di Doretta
- Bailero
- Un Bel Di Vedremo
- Aria (Cantilena)
- Danca (Martelo)
Amazon.com
Ana Maria Martinez is a young Puerto Rican soprano with a natural Mediterranean warmth to her tone and an easy upper extension that is suitably bright but does not lose the color and texture of the rest of her voice. Hers is a true lyric which will probably grow darker soon; at the moment, vocally, there's little she has trouble with. Her high pianissimi are lovely, her agility is tested and true in Juliette's Waltz, her sense of rhythm impeccable, as exhibited in both "Les filled de Cadix" and an aria from the Zarzuela "El Nino Judio." Her version of Villa-Lobos' Bachianas Brasileiras no. 5 is lovely, including the difficult hummed part at the end of the Aria. She lacks both the heft and interpretive subtlety--or interest--for "Un bel di" and Doretta's Dream and lacks charm in "O mio babbino caro," but her "Vilja-Lied" is ravishingly sung. As soon as she begins to delve a bit into the characters she's portraying, she'll be quite something; now, however, Martinez is already a fine singer, with a beautiful voice, and should be heard. Stephen Mercurio is the sympathetic conductor. --Robert Levine
Customer Reviews:
A great singer for a great price!!!.......2007-07-01
In this quality CD, Ana María Martínez demonstrates a palettes of colors that clearly shows her mastery over the voice. Her ability to sing such diverse repertoire and keep an artistic consistency throughout the recording is to be expected of her.
Been myself a double bassist, I didn't quite appreciate the repertoire selections for this recording, although I loved the standards. Otherwise, I have played in the Puerto Rico Symphony Orchestra while accompanying Ana María, and I have always been astonished by her exquisite musical taste and how it shows through her voice. A great buy!!!
Martinez sounds beautiful on disc too!.......2007-04-10
In 2000, I became a fan of Anna Maria Martinez's voice when I appeared with her in a production of L'elisir d'Amor at Houston Grand Opera. Her beautiful tone , passionate acting and amazingly consistant technique made a memorable impression on me.
It is a pleasure to be able to hear her on my stereo and to play for my singing students, a lovely example of a gifted young soprano.
The next year (2001) she returned to sing a role in Catan's "Florencia en el Amazones" and her voice was even richer and more resonant.
I am not aware of any more recent solo recordings so get this one, and I hope that Naxos will bring her back to make another CD, more reflective of how she sings today.
Reminds me of Leontyne Price.......2006-08-04
A beautiful instrument. The voice has such clarity! The Aria choices superb! I cannot bestow enough accolades!
Brava!!!.......2006-02-21
This CD shows to the world what I have known for years.
Ana Maria Martinez in indeed one of the best sopranos alive today. I bought 25 copies of this CD for friends and family and they are all gone. Everyone loves it.
I have the priviledge of knowing Ana Maria for years and through her I met Steve Mercurio on one of Andre Bocelli's concerts( Ana was singing with Bocelli and Steve was conducting). What wonderful people they are. To both of them....Well done!!! Bravi!!!
Athos Colon, MD
Lubbock, Texas
Martinez: Soprano Arias.......2006-01-30
The quality of de cd is superb and so is Ana María Marinez.
Average customer rating:
- Excellente!
- No. Luis Miguel is not a new name to me
- North-American commercial sound - in Spanish
- GENIOUSLY COMPOSED POP MUSIC OF OUR TIME!!!!!!!!
- Another Great Release from Luis Miguel
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Amarte Es Un Placer
Luis Miguel
Manufacturer: Warner Music Latina
ProductGroup: Music
Binding: Audio CD
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ASIN: B00000K559
Release Date: 1999-09-14 |
Tracks:
- Tu Mirada
- Soy Yo
- Sol, Arena Y Mar
- O Tu O Ninguna
- Quiero
- Dormir Contigo
- Dimelo En Un Beso
- No Me Fio
- Te Propongo Esta Noche
- Tu Solo Tu
- Ese Momento
- Amarte Es Un Placer
Amazon.com
Too much might never be enough for fans of Latin pop superstar Luis Miguel's swooning balladry. For discerning listeners, however, Amarte Es Un Placer is the same old song and dance. The album balances swooning ballads with up-tempo numbers, much like Miguel's previous Nada Es Igual and Aries. Admittedly, Miguel displays a wonderfully expressive voice, particularly on "Tu Mirada," "Soy Yo," and "O Tú o Ninguna," but other problems surface. Up-tempo numbers such as "Sol, Arena y Mar," "Quiero," and "Dímelo en un Beso" feature tepid arrangements akin to background music for a Miami Vice episode, and Miguel doesn't inject any real rhythm into the songs. The sole exception is "Te Propongo Esta Noche," which breaks into a pulsing club beat. Miguel would be wise to follow that same path next time around. --Joey Guerra
Customer Reviews:
Excellente!.......2006-10-15
This is not a TRADITIONAL latin album, he only sings in Spanish, but it's the best U.S. session cats and some great material and high quality production, and besides he's an exciting vocalist and gutsy performer so I dig this CD very much and I can't speak Spanish at all. I highly recommend it to fans of West Coast AOR. It's fun, funky and romantic.
Features the top session vocalists and sessions players from Los Angeles and it won several Grammies. BUY IT!! If you love very much a U.S. R&B /MOR sound.
No. Luis Miguel is not a new name to me.......2004-06-23
I just got this cd from LM a few days ago and I must say that the cd is great. Even though this my first cd from Lm I have heard of him before and I had seen him. Not in person though. I want to get a whole bunch more of cds from Mr. Miguel and I hope their just as good as Amarte Es Un Placer. I remembered Amarte Es Un Placer was a hit in 1999 and I had jus fallen in love with the song but never got the cd. Well I have it in my collection now. Thanks
North-American commercial sound - in Spanish.......2003-12-02
What is the justification for using an orchestra of 115 players
--according to the list at the back of the book - when the main sound that comes out behind the singer - is drums and more drums.
First- there are no latin rhythms anywhere--only 7 very slow songs that use over 90 strings behind all those drums--and 5 fast pieces that use a brass section and chorus as well as LM's own rhythm section.
The quality of the arrangements leaves much to be desired. The players list notes 11 woodwinds and eight horns. All that can be heard is an occasional oboe and a distant horn.
An orchestra of these proportions should be playing Wagner. In the case of this production, it would have been better to put these simple arrangements on a synthesizer and free up all those expensive resources to do something useful that would give them some satisfaction in their work.
LM can do anything he wants, and get the backing for it. Next time, the producers should think about some quality.
GENIOUSLY COMPOSED POP MUSIC OF OUR TIME!!!!!!!!.......2003-11-20
This is definately Luis miguels best album by far. It has songs that are classically composed "Amarte es un placer" & "Tu miradad" (no wonder it won a grammy)..The song "Quiero" & "tu solo tu" have a very classy pop feel to them. This is an album you hear when you are by the beach overlooking the ocean out of a balcony with a $300 cigar and your beautiful wife with you.Then you get into your Bently and drive off into the sunset.
Another Great Release from Luis Miguel.......2003-07-07
I enjoyed this latest CD, it is a combination of his normal staple of romantic ballads such as the title track "Amarte es un Placer", "Dormir Contigo", "No Me Fio" as well as great uptempo music like "Sol, Arena y Mar", "Dimelo en un Beso" the album overall I will say I was pleased with, he has one of the great voices in Latin music. It will be on my regular play list for time to come, they say great singers never get old, Luis Miguel is one who can claim that.
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