WE CALL IT MUSIC

Track Listings
 
1. Heart Has It's Own Way
2. Seeing It as a Child
3. He Wasn't Always That Way
4. Festival
5. Caribbean Nights
6. I'd Come Home Anywhere to You
7. Just Because Your Memory
8. I Remember
9. Tenerife
10. Corners
11. Therapy
12. Orion's Belt
13. Magic Eye

WE CALL IT MUSIC,The Christine Spero Group,E.C. Spero Productions,A soulful and diverse collection of breathtaking vocal compositions, burning instrumentals, and smooth grooves by the singer, pianist against a backdrop of Latin and jazz rhythms with elements of pop, r&b and world.

Latin

Music

Jazz

Music

WE CALL IT MUSIC

WE CALL IT MUSIC
Mendelssohn: Elijah
Average customer rating: 4.5 out of 5 stars
  • Wonderful, but not my first choice
  • THE BEST recording of the BEST oratorio ever...
  • Too bad there are so few recordings of Elijah
 Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Franz Joseph Haydn: The Creation
  2. Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
  3. Mahler: Das Lied von der Erde
  4. Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
  5. Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

  1. Introduction: As God The Lord Of Israel Liveth
  2. Overture
  3. No.1 Help, Lord! Wilt Thou Quite Destroy Us?
  4. No.2: Lord! Bow Thine Ear To Our Prayer!
  5. No.3: Ye People, Rend Your Hearts
  6. No.4: If With All Your Hearts
  7. No.5: Yet Doth The Lord See It Not
  8. No.6: Elijah! Get Thee Hence
  9. No.7: For He Shall Give His Angels Charge Over Thee
  10. Recitative: Now Cherith's Brook Is Dried Up
  11. No.8: What Have I Do To Do With Thee?
  12. No.9: Blessed Are The Men Who Fear Him
  13. No.10: As God The Lord Of Sabaoth Liveth
  14. No.11: Baal, We Cry To Thee: Hear And Answer Us!
  15. No.12: Call Him Louder, For He Is A God!
  16. No.13: Call Him Louder! He Heareth Not!
  17. No.14: Lord God Of Abraham, Isaac And Israel!
  18. No.15: Cast Thy Burden Upon The Lord
  19. No.16: O Thou, Who Makest Thine Angels Spirits
  20. No.17: Is Not His Word Like A Fire?
  21. No.18: Woe Unto Them Who Forsake Him!
  22. No.19: O Man Of God, Help Thy People!
  23. No.20: Thanks Be To God!

Tracks:

  1. No.21: Hear Ye, Israel; Hear What The Lord Speaketh
  2. No.22: Be Not Afraid, Saith God The Lord
  3. No.23: The Lord Hath Exalted Thee
  4. No.24: Woe To Him, He Shall Perish
  5. No.25: Man Of God, Now Let My Words Be Precious
  6. No.26: It Is Enough; O Lord Now Take My Life
  7. No.27: See, Now He Sleepeth
  8. No.28: Lift Thine Eyes To The Mountains
  9. No.29: He, Watching Over Israel, Slumbers Not
  10. No.30: Arise, Elijah, For Thou Hast A Long Journey
  11. No.31: O Rest In The Lord
  12. No.32: He That Shall Endure To The End, Shall Be Saved
  13. No.33: Night Falleth Round Me, O Lord!
  14. No.34: Behold! God The Lord Passed By!
  15. No.35: Above Him Stood The Seraphim
  16. No.36: Go, Return Upon Thy Way
  17. No.37: For The Mountains Shall Depart
  18. No.38: Then Did Elijah The Prophet Break Forth
  19. No.39: Then Shall The Righteous Shine Forth
  20. No.40: Behold, God Hath Sent Elijah
  21. No.41: But The Lord, From The North Hath Raised One
  22. No.41a: O Come Everyone That Thirsteth
  23. No.42: And Then Shall Your Light Break Forth

Customer Reviews:

4 out of 5 stars Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

5 out of 5 stars THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

4 out of 5 stars Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
 Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. What to Listen for in Music
  3. Study of Orchestration, Third Edition
  4. The Life and Works of Ludwig van Beethoven
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Circus Spectacular
Average customer rating: 4 out of 5 stars
  • Neither Circus nor Spectacular, but it is Karl King.
  • Great circus music
  • Good music, mediocre playing
  • Review of Circus Spectacular
  • Circus Spectacular
 Circus Spectacular

Manufacturer: Vox (Classical)
ProductGroup: Music
Binding: Audio CD

MarchesMarches | Miscellaneous | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Easy Listening | Pop | Styles | Music
Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
CDs Under $7CDs Under $7 | Classical General | Classical | Today's Deals in Music | Formats | Music
All Bargain TitlesAll Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music
4-for-3 Classical4-for-3 Classical | 4-for-3 Music | Stores | Music
4-for-3 Jazz4-for-3 Jazz | 4-for-3 Music | Stores | Music
4-for-3 Pop4-for-3 Pop | 4-for-3 Music | Stores | Music
4-for-3 All Music4-for-3 All Music | 4-for-3 Music | Stores | Music
Similar Items:
  1. The Grand Old Circus Band
  2. Circus Music from the Big Top
  3. Under the Big Top: 100 Years of Circus Music
  4. Screamers (Circus Marches)
  5. Clown and Midway Calliope Music Vol. 1

ASIN: B000001KEZ
Release Date: 1997-02-18

Tracks:

  1. Sells-Floto Triumphal March
  2. Voice of America
  3. The Home Town Boy March
  4. Wings for Peace
  5. 'Loyalty' March
  6. Prestissimo Galop
  7. Emblem Of Freedom
  8. Our Heritage
  9. We Stand United
  10. Glorious America
  11. The Kentucky Derby
  12. Yellowstone Trail March
  13. On The Warpath, Indian War Dance
  14. Broadway One-Step Or Two-Step
  15. The American Way
  16. The Joy Riders, March & Two Step
  17. Bombardier March
  18. Diplomacy March
  19. Aviation Tournament March
  20. Call To Victory March
  21. Thumbs-Up US.A. March
  22. Step On It! March
  23. Fete Triumphal March
  24. The Victor March
  25. Mountain Trail March
  26. The Defending Circle March
  27. Canton Aero Club March
  28. Auld Lang Syne March

Customer Reviews:

3 out of 5 stars Neither Circus nor Spectacular, but it is Karl King........2006-10-15

Having played a number of times under Karl King, I had great expectations for this CD. Alas, it was not to be. The music is there, the musicians play all the right notes and the conductor keeps time. The recording is only mediocre, of Laserlight quality, and the performance is not what I expected from what they call a "Circus Band." Indeed, the liner notes state that the band is mostly students and professionals from the Philadelphia area. In other words, a "pick up" band. And the conductor seems to have no circus experience only small town symphony experience (from the puffery in the liner notes). From listening, it would appear that he has never even heard a real circus band. Both conductor and band would not last a day at a real circus. I do have a suspicion, however, that the musicians would do better under a better conductor.

Now, if they called themselves a concert band, that would be accurate and fair, and would not have dashed my hopes, as they are OK as a concert band. But just OK.

Of course, a concert band can indeed generate all the excitement of a bona fide circus band, as Frederick Fennell so aptly demonstrated on his Mercury recordings.

Now, if you want real circus music played by a real circus band, get a Merle Evans recording.

However, having said all that, I will keep the album, as I have always been a Karl King fan, and it is fine music decently played by an OK concert band.

5 out of 5 stars Great circus music.......2005-08-12

I needed some circus music to promote a fundraiser our Lion's club was having (a circus). I got the CD on time and it sounded great. I could not find this type of music anywhere else. Thanks.

3 out of 5 stars Good music, mediocre playing.......2001-11-19

It was indeed exciting to find so many of Karl King's marches on one disc. The band's playing, however leaves a lot to be desired, as does the sound quality of the disc. The balance is poor, with a very annoying tenor sax playing loud and out-of-tune on every cut. Buy this if you are a march collector (which I am), but I do not recommend it for its entertainment value. Get the "Screamers" disc by Fennell and Eastman for a far superior set of circus marches with great playing and sound.

4 out of 5 stars Review of Circus Spectacular.......2000-12-07

Certainly the best thing about this CD is that there are many of Karl King's marches that have probably never been recorded previously, which is curious, since some of them rank with his best. The curious thing about this CD, on the other hand, is that it is supposedly a circus album, but only a few marches were actually written for the "big top". This band is not the best I have heard - recommend listening with headphones, to get a much clearer, less muddled sound. King was only kind of a contemporary of Sousa, having lived 35-40 years later. He actually published more marches than Sousa, and generally wrote in a style that was "softer" than the March King. Sousa wrote mostly military-style marches (better than anyone else ever has, of course), whereas King wrote many military as well as circus marches, and marches in a simpler style, suitable for school bands.

5 out of 5 stars Circus Spectacular.......2000-08-12

This recording of music by Karl King is absolutely splendid -it contains 28 tracks most of which I have certainly not heard before - I particularly liked the tempos of the marches - not too quick but just right - the band is good (although I had never heard of them) - I came across this recording by chance and I'm glad I did - highly recommended
Pure Gershwin
Average customer rating: 4.5 out of 5 stars
  • you cant beat an Ira lyric.
  • A Wonderful CD
  • Quiet and elegant
  • Disappointed
  • they can't take that album away from me
 Pure Gershwin
Michael Feinstein
Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

NostalgiaNostalgia | Miscellaneous | Styles | Music
GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
CabaretCabaret | Broadway & Vocalists | Styles | Music
Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
GeneralGeneral | Broadway & Vocalists | Styles | Music
GeneralGeneral | Soundtracks | Styles | Music
GeneralGeneral | Oldies | Pop | Styles | Music
Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
GeneralGeneral | Vocal Pop | Pop | Styles | Music
Similar Items:
  1. Isn't It Romantic
  2. Nice Work If You Can Get It: Songs by the Gershwins
  3. Remember: Michael Feinstein Sings Irving Berlin
  4. Michael & George (Feinstein Sings Gershwin)
  5. Romance on Film/Romance on Broadway

ASIN: B000002H4W
Release Date: 1990-10-25

Tracks:

  1. S' Wonderful
  2. Our Love Is Here To Stay
  3. Liza
  4. The World Is Mine
  5. They Can't Take That Away From Me
  6. Isn't It A Pity?
  7. Let's Call The Whole Thing Off
  8. Embraceable You
  9. What Causes That?
  10. He Loves And She Loves/How Long Has This Been Going On
  11. They All Laughed
  12. The Girl I Love
  13. Someone To Watch Over Me

Amazon.com

Pure Gershwin was Michael Feinstein's first album, and it remains one of his best. It may not have the production values of his later Gershwin tributes, Nice Work if You Can Get It (1996) and Michael & George (1998), but it simply and directly presents Feinstein in his piano-bar days, singing to his own tasteful accompaniments with occasional contributions from bass and drums and a second piano. Establishing the patterns for his later albums, he sings unjustly neglected verses to familiar songs, uncovers some never-before-recorded gems ("The World Is Mine," "What Causes That"), and provides song-by-song notes. Longtime friend Rosemary Clooney guests on "Isn't It a Pity?" --David Horiuchi

Customer Reviews:

5 out of 5 stars you cant beat an Ira lyric........2007-01-05

this is good...and just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. I REPEAT: just to hear a REALLY GREAT "Isn't A Pity" duet with Rosie is well worth the price of admission. listen & enjoy some great american music. you cant beat an Ira lyric.

5 out of 5 stars A Wonderful CD.......2005-05-19

PURE GERSHWIN is just that, pure!. Feinstein interprets Gershwin the way it was meant to be performed. This is pure delight!

4 out of 5 stars Quiet and elegant.......2003-04-20

Michael Feinstein's thin voice is compensated by his apparent enthusiasm for the material and a spare arrangement of piano, bass, and drum that gives this recording the ambiance of an intimate piano bar. Before hearing this disc, I knew only Gershwin's biggest hits, so many of the numbers here were new to me and increase my appreciation of that great American composer.

2 out of 5 stars Disappointed.......2003-04-10

I bought this cd because I am a huge Gershwin enthusiast and am always on the lookout for versions of one of my favorite pieces, "Liza". I'd heard a lot of buzz about Feinstein and the supposed wonderfulness of his Gershwin interpretations, so I thought I would give this album a shot.

I was extremely disappointed. Feinstein seems to suck the life out of Gershwin's compositions, a feat I would have previously thought impossible. Though I concede that vocalists are free to reinterpret songs (many to a great success, as in Louis Armstrong's and Ella Fitzgerals's enjoyable versions of Gershwin), I think Feinstein's lazy tempos "loungy" voice make the tracks on this album boring and annoying.

I have loved to listen to and sing these songs my entire life. I just wanted to warn listeners who perhaps, like myself, enjoy George Gershwin's music for its beautiful clarity and energy (as easily experienced through Gershwin's own recordings, early interpretations by artists such as the Astaires, and even recent broadway "Crazy For You") that they will not experience any feeling of the sort from Michael Feinstein.

Amidst all the gushing that has recently been done over him, I found Michael Feinstein to have attempted to murder "Liza" and the other songs on this album. He merely displays a very unexceptional voice and poor interpretive taste. Fans beware, Feinstein proves that it is possible to make a bad cd of Gershwin songs. I'd recommend listening elsewhere.

5 out of 5 stars they can't take that album away from me.......2002-05-09

they say the third time's a charm, but in this instance, it is the first time -- michael feinstein's first gershwin album -- that is the charm. this album is by far better and more listenable than the next two -- "feinstein sings gershwin" and "nice work if you can get it".

the listenability of this album may stem from the fact that it is a bare-bones arrangement, with two pianos, a bass and drums, a la a jazz trio, with no embellishment, so michael feinstein's then sincere and unsophisticated voice is the featured instrument.

i heartily recommend this album, as every song on it is a gem and feinstein's voice is more appealing than on the two later albums, when he jazzed it up with what sounds like an echo chamber and other electronic enhancements and he seems to be doing the songs by the numbers.

feinstein's version of "liza," slowed down to ballad form and plaintively phrased, is the best i have ever heard. the duet with rosemary clooney on "isn't it a pity," again brings out the best of feinstein's then-new voice and shows why george's (clooney) aunt is rightfully considered a jazz legend.

the combined "he loves and she loves/how long has this been going on" is another melodic/poignant highlight, while the album's finale, "someone to watch over me," is a stirring anthem to wanting and needing someone and is done with vocal and instrumental passion; it brings this collection of songs to a fitting crescendo.

for a lawyer's kid from columbus, ohio who started out cataloguing gershwin estate material for the reclusive ira and then began singing the songs for family and friends, michael feinstein has done all right for himself. he has become the recognized interpreter of the gershwin legacy, sort of the same way his pseudo-cousin, john, jr. feinstein, has become the recognized interpreter of the bob knight legacy... .

michael feinstein may have hit a home run his first time up with this album, and it may be his best, as it is the purest and most joyful celebration of gershwin tunes, while the others are fancier, more jazzed up and ponderous and less appealing.

the other albums are certainly not bad, though, and i recommend buying them to fill out a feinstein or gershwin collection, but this one is by far the best one to get if you are only going to get one as a sample of either's work. it is nice work, and you can get it.
Lay Aside All Earthly Cares: Orthodox Choral Works in English
Average customer rating: 5 out of 5 stars
  • Just heavenly
 Lay Aside All Earthly Cares: Orthodox Choral Works in English

Manufacturer: Cappella Romana
ProductGroup: Music
Binding: Audio CD

Vocal & SongVocal & Song | Early Music | Historical Periods | Classical | Styles | Music | Requiems
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
Similar Items:
  1. The Fall of Constantinople
  2. Metropolitan Museum of Art: Music of Byzantium
  3. When Augustus Reigned: Christmas Music from the Byzantine Tradition
  4. A Brush With God: An Icon Workbook
  5. The Glory Of Byzantium

ASIN: B000AXWHE4
Release Date: 2005-09-13

Tracks:

  1. Bless the Lord, O my soul
  2. O gladsome Light
  3. Lord, now let Thy servant
  4. Rejoice, Virgin Theotokos
  5. Praise the Name of the Lord
  6. The Great Doxology, No.1
  7. Bless the Lord, O my soul
  8. The Second Antiphon
  9. Only begotten Son
  10. Holy God, No.2
  11. Alleluia, No.1
  12. Cherubic Hymn (Special melody: The thief beheld)
  13. A mercy of peace
  14. It is truly meet
  15. Our Father / One is holy / Praise the Lord, No.1
  16. Praise the Lord from the heavens, No.2
  17. I will receive the cup, No.2
  18. Their proclamation has gone out, No.2
  19. Rejoice in the Lord
  20. Receive the Body of Christ, No.1,2,1
  21. Blessed be the name of the Lord
  22. Psalm
  23. All of creation
  24. Troparion for the Sunday of Orthodoxy
  25. Let my prayer arise
  26. Now the Powers of heaven
  27. Taste and see
  28. Thy bridal chamber
  29. The wise thief, No.2
  30. The wise thief, No.3
  31. Let all mortal flesh
  32. What shall we call you, Mary

Customer Reviews:

5 out of 5 stars Just heavenly.......2007-01-30

An extraordinary, original collection of vocal music that defies categorization. An inspiring pleasure to own.
Lerner & Loewe Songbook for Orchestra
Average customer rating: 5 out of 5 stars
  • Lerner & Loewe Songbook
  • Wouldn't it be lovely?
  • A Successful Sequel
  • Delightful Listening
 Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Classical | Styles | Music
Orchestral PopOrchestral Pop | Easy Listening | Pop | Styles | Music
Similar Items:
  1. Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
  2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
  3. Puttin' on the Ritz: The Great Hollywood Musicals
  4. Classics of the Silver Screen
  5. Beautiful Hollywood

ASIN: B000003D0E
Release Date: 1994-01-25

Tracks:

  1. I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
  2. Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
  3. The Night They Invented Champagne - Waltz At Maxim's - Et Al.
  4. They Call The Wind Mariah - I Still See Elisa - Et Al.
  5. Sword Dance - Down On MacConnachy Square - Et Al.

Customer Reviews:

5 out of 5 stars Lerner & Loewe Songbook.......2006-02-24

If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.

5 out of 5 stars Wouldn't it be lovely?.......2005-09-26

This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.

The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.

There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.

This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.

This is a fun disc to have.

5 out of 5 stars A Successful Sequel.......2005-08-03

This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.

4 out of 5 stars Delightful Listening.......1998-12-05

Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
Broadway: America's Music 1935-2005
Average customer rating: Not rated
    		Broadway: America's Music 1935-2005

    Manufacturer: Decca Broadway
    ProductGroup: Music
    Binding: Audio CD

    All Works by BernsteinAll Works by Bernstein | Bernstein, Leonard | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Morton GouldAll Works by Morton Gould | Gould, Morton | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PorterAll Works by Porter | Porter, Cole | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by WeillAll Works by Weill | Weill, Kurt | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
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    GermanGerman | Languages | Opera & Vocal | Styles | Music
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    Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
    GeneralGeneral | Soundtracks | Styles | Music
    GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
    GeneralGeneral | Broadway & Vocalists | Styles | Music
    GeneralGeneral | Vocal Pop | Pop | Styles | Music
    The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
    Similar Items:
    1. Broadway - The American Musical (PBS Series)
    2. Grey Gardens - A New Musical (2006 Original Broadway Cast)
    3. White Nights
    4. Spring Awakening (2006 Original Broadway Cast)
    5. Letters from Iwo Jima (Two-Disc Special Edition)

    ASIN: B000B8I93Q
    Release Date: 2005-10-18

    Tracks:

    1. Oh What a Beautiful Mornin'
    2. Summertime
    3. I Could Write a Book
    4. It Never Entered My Mind
    5. I Can Cook Too
    6. Make It Another Old Fashioned, Please
    7. If I Loved You
    8. My Heart Belongs to Daddy
    9. Thou Swell
    10. I Left My Heart at the Stage Door Canteen
    11. There's No Business Like Show Business
    12. South American Way

    Tracks:

    1. Shall We Dance
    2. Ohio
    3. Luck Be a Lady
    4. Mack the Knife
    5. There's a Small Hotel
    6. Once in Love with Amy
    7. Yodel Blues
    8. Lazy Afternoon
    9. There Must Be Somethin' Better Than Love
    10. You're Just in Love
    11. Now Is the Time

    Tracks:

    1. Impossible Dream
    2. Love Makes the World Go 'Round
    3. Try to Remember
    4. Put on a Happy Face
    5. I Say Hello
    6. Happiness
    7. She Loves Me
    8. What Kind of Fool Am I?
    9. Shy
    10. Consider Yourself
    11. Poor Little Person

    Tracks:

    1. Magic to Do
    2. They're Playing My Song
    3. I Don't Know How to Love Him
    4. I Won't Send Roses
    5. Good Morning Starshine
    6. Don't Cry for Me, Argentina
    7. Hard Candy Christmas
    8. Diamonds Are a Girl's Best Friend
    9. Won't You Charleston with Me?
    10. Applause

    Tracks:

    1. Phantom of the Opera
    2. Memory
    3. On My Own
    4. Muddy Water
    5. How Could I Ever Know
    6. American Dream
    7. I Know Him So Well
    8. Dr. Jazz
    9. Me and My Girl
    10. Suddenly Seymour

    Tracks:

    1. Mamma Mia!
    2. Popular
    3. Seasons of Love
    4. Oh, the Thinks You Can Think
    5. Whatever Lola Wants
    6. Crazy
    7. How Deep Is Your Love
    8. Stars
    9. People Like Us
    10. I Go to Rio
    Essential Gershwin
    Average customer rating: Not rated
      		Essential Gershwin

      Manufacturer: Decca
      ProductGroup: Music
      Binding: Audio CD

      QuartetsQuartets | Chamber Music | Classical | Styles | Music
      GeneralGeneral | Chamber Music | Classical | Styles | Music
      All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
      PreludesPreludes | Forms & Genres | Classical | Styles | Music
      OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
      PianoPiano | Keyboard | Instruments | Classical | Styles | Music
      Cleveland OrchestraCleveland Orchestra | ( C ) | Featured Performers, A-Z | Classical | Styles | Music
      Hollywood Bowl Symphony OrchestraHollywood Bowl Symphony Orchestra | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
      GeneralGeneral | Symphonies | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Jazz | Styles | Music
      Movie ScoresMovie Scores | Soundtracks | Styles | Music
      Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
      GeneralGeneral | Soundtracks | Styles | Music
      The Decca Records StoreThe Decca Records Store | Specialty Stores | Music
      ASIN: B000088E4C
      Release Date: 2003-02-11

      Tracks:

      1. Rhapsody In Blue - Andre Previn
      2. Symphonic Portrait Of Porgy & Bess - Robert Russell Bennett
      3. Cuban Overture - Howard Hanson
      4. An American In Paris - Lorin Maazel

      Tracks:

      1. 3 Preludes For Piano Solo - Werner Haas
      2. 3 Preludes For Piano Solo - Werner Haas
      3. 3 Preludes For Piano Solo - Werner Haas
      4. Lullaby - Riccardo Chailly
      5. Variations On I Got Rhythm - Bernard Herrmann
      6. The Man I Love - Barbara Hendricks
      7. Oh Kay! - Overture - Arthur Fiedler
      8. Walking The Dog From Shall We Dance - John Mauceri
      9. They All Laughed From Shall We Dance - John Mauceri
      10. Let's Call The Whole Thing Off From Shall We Dance - John Mauceri
      11. They Can't Take That Away From Me From Shall We Dance - Barbara Hendricks
      12. A Foggy Day From A Damsel In Distress - John Mauceri
      13. Nice Work If You Can Get It From A Damsel In Distress - Barbara Hendricks
      14. Love Walked In From The Goldwyn Follies - John Mauceri
      15. Love Is Here To Stay From The Goldwyn Follies - Barbara Hendricks
      The Gershwins in Hollywood
      Average customer rating: Not rated
        		The Gershwins in Hollywood

        Manufacturer: Polygram Records
        ProductGroup: Music
        Binding: Audio CD

        All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Jazz | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        Movie ScoresMovie Scores | Soundtracks | Styles | Music
        Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
        GeneralGeneral | Soundtracks | Styles | Music
        GeneralGeneral | Musicals | Broadway & Vocalists | Styles | Music
        Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
        GeneralGeneral | Broadway & Vocalists | Styles | Music
        Similar Items:
        1. Hollywood Dreams
        2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri

        ASIN: B00000414N
        Release Date: 1991-11-05

        Tracks:

        1. Overture: Gershwin in Hollywood - Hollywood Bowl Orchestra
        2. New York Rhapsody [From "Delicious"] - Hollywood Bowl Orchestra, Wayne Marshall
        3. Walking the Dog - Hollywood Bowl Orchestra
        4. (I've Got) Beginner's Luck - Patti Austin, Gregory Hines, Hollywood Bowl Orchestra
        5. Slap That Bass - Gregory Hines, Hollywood Bowl Orchestra
        6. They All Laughed - Patti Austin, Hollywood Bowl Orchestra
        7. Let's Call the Whole Thing Off - Patti Austin, Gregory Hines, Hollywood Bowl Orchestra
        8. Watch Your Step!: Final Ballet - Hollywood Bowl Orchestra
        9. Foggy Day - Gregory Hines, Hollywood Bowl Orchestra
        10. Nice Work If You Can Get It - Gregory Hines, Hollywood Bowl Orchestra
        11. American in London - Hollywood Bowl Orchestra
        12. Love Walked In - Patti Austin, Hollywood Bowl Orchestra
        13. Love Is Here to Stay - Patti Austin, Hollywood Bowl Orchestra
        14. For You, for Me, for Evermore - Patti Austin, Gregory Hines, Hollywood Bowl Orchestra
        'S Wonderful
        Average customer rating: Not rated
          		'S Wonderful

          Manufacturer: Avid Records UK
          ProductGroup: Music
          Binding: Audio CD

          All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
          General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          GeneralGeneral | Jazz | Styles | Music
          Swing GeneralSwing General | Swing Jazz | Jazz | Styles | Music
          Classic Big BandClassic Big Band | Swing Jazz | Jazz | Styles | Music
          Traditional Jazz GeneralTraditional Jazz General | Traditional Jazz & Ragtime | Jazz | Styles | Music
          Vocal Jazz GeneralVocal Jazz General | Vocal Jazz | Jazz | Styles | Music
          GeneralGeneral | Pop | Styles | Music
          GeneralGeneral | Oldies | Pop | Styles | Music
          Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
          Tin Pan AlleyTin Pan Alley | Oldies | Pop | Styles | Music
          GeneralGeneral | Easy Listening | Pop | Styles | Music
          GeneralGeneral | Vocal Pop | Pop | Styles | Music
          ClassicClassic | Vocal Pop | Pop | Styles | Music
          NostalgiaNostalgia | Miscellaneous | Styles | Music
          Movie ScoresMovie Scores | Soundtracks | Styles | Music
          Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
          GeneralGeneral | Soundtracks | Styles | Music
          GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
          Traditional Vocal PopTraditional Vocal Pop | Broadway & Vocalists | Styles | Music
          GeneralGeneral | Broadway & Vocalists | Styles | Music
          GeneralGeneral | Jazz | Indie Music | Stores | Music
          ASIN: B00002MRH1
          Release Date: 1998-12-15

          Tracks:

          1. 'S Wonderful - Buddy Clark, Dinah Shore
          2. He Loves and She Loves
          3. My One and Only - Jack Hylton Orchestra
          4. How Long Has This Been Going On? - Mel Torm
          5. I've Got a Crush on You - George Gershwin, Sarah Vaughan
          6. Liza (All the Clouds'll Roll Away) - Al Jolson
          7. Strike up the Band - Carroll Gibbons & His Orchestra
          8. Bidin' My Time - The Foursome
          9. Could You Use Me? - Judy Garland, Mickey Rooney
          10. Embraceable You - Frank Sinatra
          11. I Got Rhythm
          12. But Not for Me - Teddy Wilson
          13. Treat Me Rough - Mickey Rooney
          14. Boy! What Love Has Done to Me! - Jane Froman
          15. You've Got What Gets Me - Roy Fox & His Band
          16. Gems from of Thee I Sing: Wintergreen for President/Who Cares?/Of Thee - Jane Froman, , Victor Salon Group
          17. Mine
          18. Slap That Bass - Fred Astaire, Johnny Green & His Orchestra
          19. (I've Got) Beginner's Luck - Roy Fox & His Orchestra
          20. They All Laughed - Red Nichols
          21. Let's Call the Whole Thing Off - Greta Keller, Brian Lawrance
          22. They Can't Take That Away from Me - Fred Astaire, Johnny Green & His Orchestra
          23. Shall We Dance? - Fred Astaire, Johnny Green & His Orchestra
          24. I Can't Be Bothered Now - Fred Astaire, Ray Noble & His Orchestra
          25. Things Are Looking Up - Fred Astaire, Ray Noble & His Orchestra
          26. Foggy Day
          27. Nice Work If You Can Get It

          Latin Music:

          1. 100% Puro San Luis
          2. 12 Exitos de el as de la Sierra
          3. 20 Exitos de Pelos
          4. 20 Exitos de Pelos
          5. Alih Jey
          6. At the Beginning...
          7. Ayer Y Hoy
          8. Billete Verde [Explicit Lyrics]
          9. Bombazo Duranguence
          10. Chapter 2

          Latin Music

          latin music

          Recommended Music:

          On the Night [Import]

          Susan Marchant Plays the C.B. Fisk Op. 106 Organ

          Symphony 7 / La Colombe

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          Wang Dang Doodle [Import]

          Under My Skin: Special Japan Tour Edition [Import]

          Trust

          Soli Deo Gloria: Trompete und Orgel

          Today's Greatest Country

          Tipica 73 En Cuba Intercambio Cultural [Import]

          The Lost Tapes [Import]

          Tango [Import]

          The World of Ballroom Hits [Import]

          Shostakovich: Symphony No. 14

          Cymande