Do It

Track Listings

1. Hazlo Asi

2. Fue Tanto Amor

3. Que No Se Acabe el Baile

4. Colme de Besos

5. Luna

6. Paola

7. Como Te Gusta

8. Another Cha-Cha

9. Exagerado

10. Esa Mujer

11. Me Voy de Bebida

12. Fue Tanto Amor [Bachata]

13. Amor Mío

Do It,Clan De La Furia,RCA Intl,Latin,Latin Music,Tropical

Latin

Music

Jazz

Music

Do It

Tracks:

Overture/Prologue
Honey, Honey
Money, Money, Money
Thank You For The Music
Mamma Mia
Chiquitita
Dancing Queen
Lay All Your Love On Me
Super Trouper
Gimme! Gimme! Gimme!
The Name Of The Game
Voulez-Vous
Entr'acte
Under Attack
One Of Us
S.O.S.
Does Your Mother Know
Knowing Me, Knowing You
Our Last Summer
Slipping Through My Fingers
The Winner Takes It All
Take A Chance On Me
I Do, I Do, I Do, I Do, I Do
I Have A Dream

Amazon.com

Put together by Abba's own Benny Andersson and Björn Ulvaeus, Mamma Mia! manages to cram over 20 of the Swedish supergroup's songs into a threadbare plot. It goes a little like this: Young Sophie is getting married and she's trying to identify which of three men is her father. That's about it. Wisely, the musical doesn't mess around with the songs, save for the insertion of some dialogue or for having some of them performed by a man (it works amazingly well). Abba fans will jump on this import of the London production, but traditional fans of musical theater should consider it as well. After all, Andersson and Ulvaeus's songs have always felt as if they were more than isolated pop gems and actually belonged to a longer narrative. --Elisabeth Vincentelli

Customer Reviews:

Mamma Mia.......2007-03-22

I have not stopped playing this cd. It is just great! It makes any trip in my car most enjoyable Happy I bought it!

Mamma Mia Musical CD.......2007-03-21

This is a grand list of songs from the original musical when it was first introduced in England. The songs from ABBA are very recognizable even if you haven't seen the show. But, making a trip to NY to see the Broadway production is a plus. ENJOY!

JUST GREAT MUSIC.......2007-03-08

I RECENTLY SAW THE SHOW MAMMA MIA IN LAS VEGAS. ALWAYS LIKES THE MUSIC OF ABBA, AND THOUGH THE PLOT WAS THIN, THE MUSIC WAS WELL PERFORMED. IN THIS PARTICULAR ALBUM, THE ENGLISH ACCENTS WERE A BIT MUCH, BUT THE SONGS WERE GREAT. ALL I CAN SAY IS THANK YOU FOR THE MUSIC, ABBA.

Mamma Mia.......2007-01-29

Every time I hear the music and songs it brings back memories of seeing the Broadway Show

Not good at all.......2007-01-09

This is not what we wanted. The British accents throw it was off. We just saw it in NY and this is not what we were looking for.

Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)

Average customer rating:

Check out Other Versions. Don't be swayed by Others' Reviews.
beautiful music for a haunting story.....
Man of LaMancha As Good As Ever
Don Quixote
Magnificent voices

Man of La Mancha: A Decca Broadway Original Cast Album (Original 1965 Broadway Cast)
Mitch Leigh , Joe Darion , Richard Kiley , and Joan Diener
Manufacturer: Decca Broadway
ProductGroup: Music
Binding: Audio CD

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Camelot (1960 Original Broadway Cast)
Man of La Mancha
Fiddler on the Roof (1964 Original Broadway Cast)
My Fair Lady (1956 Original Broadway Cast)
The Music Man (1957 Original Broadway Cast)

ASIN: B00005A8KE
Release Date: 2001-03-06

Tracks:

Overture
Man Of La Mancha (I, Don Quixote)
It's All The Same
Dulcinea
I'm Only Thinking Of Him
I Really Like Him - Joan Diener
What Do You Want of Me - Joan Diener
Little Bird, Little Bird
Barber's Song/Golden Helmet
To Each His Dulcinea (To Every Man His Dulcinea)
The Impossible Dream
The Combat (Previously Unreleased Reissue Track)
Dubbing (Knight of the Woeful Countenance) - Joan Diener
The Abduction
Aldonza - Joan Diener
A Little Gossip
Dulcinea (Reprise) /The Impossible Dream (Reprise) /Man of Mancha (Repr - Joan Diener
Finale (The Impossible Dream) - Joan Diener

Amazon.com

Man of La Mancha, the show that introduced "The Impossible Dream" to the world (and lounge singers everywhere), was the hit of the 1965 Broadway season. Richard Kiley is magnificent in his career-defining performance as the deluded wannabe knight Don Quixote. His leading lad Joan Diener sings the role of the kitchen wench Aldonza with just the right balance of dignity and vulgarity. Irving Jacobson turns in a fine comic performance as the Don's faithful squire, Sancho Panza. The score, with music by Mitch Leigh and lyrics by Joe Darion, was revolutionary in its time. The orchestra had no violins--just brass, woodwinds, percussion, and flamenco guitars. Man of La Mancha is one of Broadway's most inspiring musicals and it well deserves its high reputation. --Michael Simmons

Customer Reviews:

Check out Other Versions. Don't be swayed by Others' Reviews........2007-06-09

I've never seen this show on stage and my first exposure to the music was the Sony CD Man of La Mancha featuring Placido Domingo, Pandy Patankin, and Julia Migenes-Johnson. Despite lackluster reviews of the disk, I enjoy it, and when I saw this version at a second hand book/music store, I decided check it out too. My initial impression was that the Sony version was the better disk but decided to compare both versions by setting up a playlist in Media Player, playing tracks from both version back-to-back.

After that test, I have to agree with the reviews here that Richard Kiley is the superior Don Quixote. Domingo's voice is, of course wonderful, but Kiley acts the role better on the CD and Domingo's accent is a major distraction.

In the role of Aldonza - no contest. Julia Mingenes-Johnson's singing and performance on the Sony version is far superior to Joan Diener's. I didn't have to hear the tracks back-to-back to realize that. Ms. Diener's performance just grated on my ears from the beginning.

Bucking the crowd, I prefer Mandy Patankin's Sancho (Sony version) to Irving Jacobson's. I may be biased, having had more exposure to the Sony version, but Patankin seemed to be trying to inject a bit more feeling into the character. Jacobson, singing in an annoying, scratchy voice, came across almost like a cartoon trying to fit in among live characters. It seems like most people either like Patankin or hate him. Guess I'm one of the former.

The Orchestration does seem brighter/clearer in this version compared to the Sony version, but, in general, the tempo on most tracks seems slower than the same tracks on the Sony version. I preferred the up-tempo, Sony versions of "The Barber Song", "Little Bird, Little Bird", "The Dubbing" and "A Little Gossip".

In Summary: For Kiley's Don Quixote, you'll probably want this version, but for tracks featuring Aldonza (and maybe Sancho) you'll want to check out the Sony version. Since I have both disks, I will probably come up with a mix of my favorite tracks, in general, favoring the Sony disk but substituting the tracks that feature Richard Kiley's Don Quixote where I can.

beautiful music for a haunting story............2007-06-07

I remember reading excerpts from Cervantes' DON QUIXOTE, as a Spanish student, way back in junior high school. The saga of the madman fighting windmills and pursuing his illusions [and delusions] was very sad, but very romantic at the same time. When the musical adaptation, MAN OF LA MANCHA, was brought to the stage in 1965, Richard Kiley (as the title character, Don Quixote) absolutely transfixed the audience with his sensitively heartfelt portrayal of the tragic madman. The plight of Don Quixote, who travels on horseback, with his faithful companion, Sancho Panza (Irving Jacobson), and absolutely lovestruck by kitched wench Aldonza (Joan Denier), is alternately pathetic and profound. Perhaps one of the best known (and most remade) songs in the repertoire from LA MANCHA, is "The Impossible Dream." Richard Kiley really make it his own, here, and after you hear his version, it's hard to listen to others' versions of it. It's just not the same. Though, this story is anything but joyful, the music will glide through your ears and carry you on a surrealistic journey through attempted triumph and (ultimately) tragedy.

Man of LaMancha As Good As Ever.......2007-05-07

Very pleased with ourchase of this item. Quality is great as was the price. Delivery was timely. Easy transaction! A++++++++

Don Quixote.......2006-09-14

Back in High School my band leader, Mr. DeYoung, decided (agianst much opposition from those of us in the band let me tell you) to have us perform select pieces from this musical

I hated the idea. But when we began to play, he even had us watch the musical, I fell in love with the melody. The many songs of a man who believes the best in the world. YOu find that in Dulcinea, The Impossible Dream, etc.

From one maginificently rendered song to another, you can be lost in its melodic elegance.

My favorite song is the initial rendition of 'Little Bird, Little Bird'. It's a soft song, sung as a love ballad. In the musical you discover it's being sung to a local whore by a bunch of randy men. Despite that, I still like it.

This along with others are among the great works of the stage!

Magnificent voices.......2006-07-05

Voices and music make a revival of this beautiful play. Full of passion.

Average customer rating:

Cant get enough.
INSANELY AWESOME!

Do It Again
The Chemical Brothers
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD

General | Dance & DJ | Styles | Music

Electronica | Dance & DJ | Styles | Music

General | Dance Pop | Dance & DJ | Styles | Music

We Are the Night
Come with Us/The Test
Idealism
Do It Again, Pt. 1
AmericanEP

ASIN: B000QXDE86
Release Date: 2007-06-26

Tracks:

Do It Again (Extended Mix)
Do It Again (Oliver Huntemann Remix)
Do It Again (Audion Remix)
Clip Kiss
No Need

Album Description

The Chemical Brothers are back with one of their biggest stormers to date. Do It Again is a true return to the innovative creativity that the duo have been delivering for over a decade. This is the first single from the new album We Are The Night and is sure to turn heads and open minds with vocals by Ali Love. The mixes and b-sides included in this release fill the package with the uncompromising mixes fans would expect from a Chemical Brothers release.

The extended version mixes between a thunderous beat, chugging bassline and rhythmic bleeps. The song grooves into a dark Do It Again vocal and synth tab breakdown and a vocal chant that make this incredibly infectious. Additional remixes by the renowned producer Matthew Dear AKA Audion and Oliver Huntemann give an even more sinister angle to this single. The Audion mix is a sonic bomb and should have no problem shattering the walls of any club or your headphones. The Oliver Huntemann mix falls into the same pocket with an unbelievable throbbing bass line with white noise and analogue mayhem.

Customer Reviews:

Cant get enough........2007-07-17

Excellent single. The two new tracks "clip kiss" and "no need" are awesome. Cant wait to get the album.

INSANELY AWESOME!.......2007-07-09

i can't stop listening to this cd since i got it, i cant wait until the full album comes out!

Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Average customer rating:

Greatest baby gift ever
Great for the whole family
More Great Fun
One is better but this is still awesome!! Gotta have it!
Absolute joy, and endless fun!

Beethoven's Wig, Vol. 2: More Sing-Along Symphonies

Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD

Waltzes | Ballets & Dances | Classical | Styles | Music

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Beethoven's Wig: Sing Along Symphonies
Beethoven's Wig 3: Many More Sing-Along Symphonies
Mozart's Magnificent Voyage
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World's Very Best Opera for Kids... in English!

ASIN: B0001I2C8O
Release Date: 2004-03-16

Tracks:

Stuck In The Saddle Again (Light Cavalry March, Suppe)
Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
Musical Bs (Hungarian Dance #5, Brahms)
Dont Play That Violin (Violin Concerto #2, Paganini)
Schuberts Trout (Trout Quintet, Schubert)
Dvorak The Czechoslovak (Humoresque #7, Dvorak)
A Fan of Chopin (Prelude 7, Op. 28, Chopin)
Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
Its Spring! (Spring, from The Four Seasons, Vivaldi)
Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
Instrumental Performances:
Light Cavalry March, Suppe
La donna e mobile, from Rigoletto, Verdi (with vocals)
In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
Hungarian Dance #5, Brahms
Violin Concerto #2, Paganini
Trout Quintet, Schubert
Humoresque #7, Dvorak
Prelude 7, Op. 28, Chopin
Blue Danube Waltz, Strauss
Spring, from The Four Seasons, Vivaldi

Amazon.com

From a pure-pleasure standpoint, the first Beethoven's Wig was nothing to flip over, and the second disc in the series follows suit. However, that is not to say that this is not a valuable and possibly ingenious record. Those unfamiliar with the premise will quickly get the picture: Producer/writer/lead singer/chief clever guy Richard Perlmutter gathers a bundle of important classical works (Paganini's "Violin Concerto #2," Strauss' "Blue Danube Waltz") and makes up silly, catchy lyrics to lay over them, informing the listener about the piece or its composer. Standing out for their offbeat brilliance this time are "Dvorak the Czechoslovak" ("Humoresque #7," Dvorak) and "Wow What a Wedding Cake" (Wedding March from A Midsummer Night's Dream, Mendelssohn). Few stabs at mixing education with entertainment succeed so well. As a bonus, the second half of the CD repeats the symphonies straight up, presenting a neat opportunity to quiz kids 5-12 on what and who they've just heard. --Tammy La Gorce

Customer Reviews:

Greatest baby gift ever.......2007-03-15

Both of my grandchildren (and their parents and grandparents) are hooked on this CD and all of the silliness and beauty it brings into our lives. We sing to it, dance to it, and find ourselves thinking about it at odd times. Who can't love singing Verdi VERY LOUD? I've now started giving this as a simple baby gift, especially to those with older siblings. They are already equipped with clothing and nursery gear, and Beethoven's Wig invites the whole family to gather round...even if it is just on short car rides.

Great for the whole family.......2007-01-04

My husband, 18 month old daughter and I all love this CD. It's a staple in the car. One caveat- these lyrics will get stuck in your head and I now find myself singing the "words" to these songs when I hear them in a store or commercial! I'm hoping this means my daughter will recognize these songs as she gets older.

More Great Fun.......2006-03-13

Like the first volume, this CD encourages young children to enjoy classical music. The silly lyrics sometimes impart factual information on the composer or the piece. There are 11 sing-along symphonies and then the 11 symphonies are replayed without the lyrics--total of 22 tracks. Booklet with lyrics and trivia is included. All our children (aged 2-12) enjoy this CD, as do we.

One is better but this is still awesome!! Gotta have it!.......2006-01-10

My children loved Beethovens Wig 1. I checked this one out at the library. Then, we decided we had to have this one too.
Yes, one is the best but 2 is still wonderful.
Save yourself the shipping and order both at the same time.
We all thoroughly enjoy it. My 4 yr old can name these classicals when he hears them elsewhere and he can hum these beautiful songs. Much better than kiddie rhymes and Disney jingles. Culture your children the funniest way!!

Absolute joy, and endless fun!.......2005-11-15

The tunes and word stay with you and before you know it, you are signing them along. My two kids (ages 9 and 7) ask me to put the CD on as soon as we get into the car. What a wonderful and fun way to get them to love classical music!

Average customer rating:

Gettin Back to the Basics
Timeless, Ageless, Music
Daryl Still knows what Soul is all about.
'Used ta be my girl' gets my vote for worst song of all time!
EXCELLENT

Our Kind Of Soul
Daryl Hall & John Oates , and Hall & Oates
Manufacturer: U-Watch Records
ProductGroup: Music
Binding: Audio CD

General | Pop | Styles | Music

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Motown Two
Do It for Love
The Essential Daryl Hall & John Oates
Daryl Hall & John Oates/Our Kind of Soul
Can't Stop Dreaming

ASIN: B0002M6AO6
Release Date: 2004-10-26

Tracks:

Let Love Take Control
Standing In The Shadows Of Love
I'll Be Around
Used To Be My Girl
Soul Violins
I Can Dream About You
Don't Turn Your Back On Me Baby
Fading Away
Neither One Of Us
After The Dance
Rock Steady
Love (TKO)
What You See Is What You Get
Can't Get Enough Of Your Love
You Are Everything
I'm Still In Love With You
Ooh Child

Amazon.com

Our Kind of Soul, the follow-up to 2003's VH1-propelled Do It for Love, is mostly a can't-miss proposition: Daryl Hall's smooth, expressive voice, synonymous with the Philly soul sound, is so well suited to this material that it feels shrink-wrapped overtop. "Can't Get Enough of Your Love," the Barry White classic, is given a breezy makeover (and, maybe more impressively considering that most artists wouldn't touch it, not mangled); Teddy Pendergrass' "Love TKO" is dusted off and tinkered with till it takes on a signature H&O sound; and "After the Dance," one of Marvin Gaye's most cryptic compositions, comes across like a solved mystery--there's a gentleness and a reverie in the reading will prompt thoughtful listeners to return to it more than a few times. That said, a couple of these covers--the O'Jays "Used to Be My Girl" and Aretha Franklin's "Rock Steady"--seem cursory, and the duo can count on a cranky contingent decrying their lack of fresh material. But the strength of three songs introduced here should keep them at bay. First track "Let Love Take Control" gutsily and convincingly glides into Four Tops' "Standing in the Shadows of Love," "Soul Violins" strikes notes at once heartfelt and spontaneous, and "Don't Turn Your Back" has the classic Hall & Oates marks of their-kind-of-soul songs like "Out of Touch." --Tammy La Gorce

Customer Reviews:

Gettin Back to the Basics.......2007-05-26

This is their best work in a long time. They recorded a lot of classic soul songs. What makes this collection so unique is they recorded them close to how the songs were originally written. They use acoustic guitars and violins. Of course they put the classic H&O style. In many cases their version is better than the original.

There are a couple of new songs on the CD also. I like those also. I notice the boys are getting back to their roots the older they get. I would give this CD a 10 out of 10. With the best song being Soul Violins. If you like soul music this is a must for your collection.

The more I listen to this CD the more I like it! There is nothing better than sweet soul music done with acoustic instruments. I started reading the cover and found the CD was recorded in 5 weeks at Daryl's home in the Bahamas!

The background vocals are amazing. I just love the way they harmonize with each other. Daryl still has his pipes and can still hit those really high notes. He does a great rendition of the Al Green classic "Still in Love".

I heard an interview with John Oates one time were he said "he brings a certain shortness to the group". I think he is selling himself short! (Ha I made a pun) His rendition of "Ooh Child" is remarkable. It's like the song was written for him.

I noticed that on many of the songs some of the lyrics and the key were changed. At first I had a problem with this, because I am used to hearing the songs done a certain way. I get it now! They took these classic R&B songs and made them Hall & Oates songs. This was done intentionally and I have to say it works.

Timeless, Ageless, Music.......2007-05-12

When I heard #3 played on the radio, I looked everywhere for the CD. I recognized D.Hall's voice right away. This is MUSIC,timeless, ageless talent and style. Thank you AMAZON.com and Thanks to Hall and Oates.

Call me!

Daryl Still knows what Soul is all about. .......2007-04-25

Hall and Oats were one of the only Blue Eye Soul groups I believed understood what soul is about. Over the years I haven't heard much from them. I just happen to catch the concert on tv, it looked like it was at some big bar in the suburbs at first. But I understand it was in the Bahama's.
I was very delighted to hear that Daryl Hall still can sing. The songs were not songs from their music but covers of various R&B songs from people such as Gladys Knght and the O'Jays and the Four Tops. and one or two newer original songs. Whoever said their version of the O'Jays, She Use to Be My Girl was the worst song he ever heard must not of listened to any of the 10,000 cd's he has. It was fine, I get nervous when people sing covers of great R&B songs. Most do it pretty horrendously. Not Daryl Hall even 34 years later the man can still sing and he does a very good job singing that song. Surprisingly he took on sacred cows like Neither One of Us, by Gladys Knight and he was excellent. He did not try to over sing Gladys, he made the song his own. He sang Rock Steady like he has been singing it all of his life.
Same with Marvin Gaye's song.
Again I will say Hall and Oates were the only Blue Eye Soul group particulary Daryl Hall who knows what soul is about and that is why they were able to tackle songs most singers would sound foolish singing. This CD proves it.

'Used ta be my girl' gets my vote for worst song of all time!.......2007-03-13

I consider myself a music expert or something close to it. I own close to 10,000 albums. I say this because I hope that you will listen to some very good advice. Do not buy this album. Do not borrow it from the library. If you see it in the record store, look away as fast as you can. 'She used to be my girl' is the WORST song I have ever heard. That is taking into consideration all of the generic bubblegum pop, 80's hair metal, disco, and rock blands that I have had the misfortune to hear. To describe it as infinitely dreadful would be giving it too much credit. 'The O'Jays' should be ashamed and embarrassed that they are responsible for this miserable catastrophe of a 'song.' Daryl Hall & John Oates simply take 'worst' to a whole new low. Absolutely horrible! Hearing this song is like being forced to eat cow dung while suspended by your toe nails above a steaming pit of molten lead. Please, do not buy this album! (Rating: No stars whatsoever!)

EXCELLENT.......2007-03-12

ALways loved this group....own several of their CD's and this is by far my favorite. Darryl Hall's phrasing of his songs are superb.

That's How They Do It In Dixie - The Essential Collection

Average customer rating:

A good Hank Jr. CD
thats how they do it in dixie
Not Bad for a Collection
It's not that bad.
Only 12 Tracks? This Falls Wa-a-a-y Short of 'Essential'

That's How They Do It In Dixie - The Essential Collection
Hank Williams Jr.
Manufacturer: Curb Records
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

Outlaw & Progressive Country | Country | Styles | Music

Southern Rock | Classic Rock | Styles | Music

Pop Rock | Pop | Styles | Music
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Dangerous Man
White Trash with Money
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Hank Williams, Jr.'s Greatest Hits, Vol.1

ASIN: B00097DXHG
Release Date: 2006-06-27

Tracks:

That's How They Do It in Dixie
Family Tradition
All My Rowdy Friends Are Coming Over Tonight
Country Boy Can Survive
Whiskey Bent and Hell Bound
Tear in My Beer
If Heaven Ain't a Lot Like Dixie
Born to Boogie
Women I've Ever Had
Country State of Mind
My Name Is Bocephus
Stirrin' It Up

Customer Reviews:

A good Hank Jr. CD.......2007-06-03

For the serious Hank Williams Jr. fan, this CD has little to recommend it. Reading the reviews will catalog all their objections, valid or not. I am not a big fan but like his work and enjoy hearing his songs now and again. For me, this is an excellent buy. There are at least five must have hits coupled with a strong selection of standards, make this a good buy. The title song is excellent and could become his newest must have song.

I am not enough of a fan to think Hank Jr. can do a great CD, however this is very enjoyable. When you want to hear his style of country, this is the CD to have.

thats how they do it in dixie.......2007-06-02

i was happy with the album especially the title song as i like country music probably the most this album is one of the better ones i've listened to as i live in australia the only way i can keep up with current american artists is by watching the Country music channel on Foxtel,and i have only recently seen and heard Hank Williams jr on this channel but i am impressed with his music and as i only have two of his albums at the moment i am sure in the future i will purchase more at the moment both albums are good this is the better of the two.

Not Bad for a Collection.......2006-11-07

Well the two new songs are Awesome... How they do it in Dixie and Stirrin it up. The other songs are good too. If you are a die hard Bocephus Fan you already have these albums but when it's a new album it's a gotta have no matter what! It has the classic good songs from Hank Jr and it would be great for new Fans.

It's not that bad........2006-07-11

O.K. Maybe they should have left off "The Essential Collection", and just kept the main title. But, if you count all of the hits ole Bocephus has had in the past. It would be down right impossible to fit them all on 1 CD (unless it's an MP3 format). If you did we would be calling it a boxset...Not, The Essentials. Being a longtime member of the Hank Williams Jr Fan Club, this collection of past hits compliments this CD. Along with the two new recordings titled, "That's How They Do It In Dixie" with a little help from his newest country friends Big & Rich, a very talented Gretchen Wilson and Van Zant. The second entry, "Stirrin' It Up" Is not too shabby in it's own right. Myself I woulda like to have seen "If The South Woulda Won" and "If It Will, It Will" added to this collection. But, the hits that appear on this one is good enough. Like old ThunderHead Hawkins would say "I Ain't Going Peacefully".

Only 12 Tracks? This Falls Wa-a-a-y Short of 'Essential'.......2006-06-28

Hank Williams Jr deserves a thorough career-spanning single-disc anthology. Unfortunately, THAT'S HOW THEY DO IT IN DIXIE: THE ESSENTIAL COLLECTION ain't it.

Don't get me wrong. Williams is one of the great outlaw country artists. I first got hooked on his mid-Eighties albums like BORN TO BOOGIE and MONTANA CAFE.

What ESSENTIAL COLLECTION does is cherry pick a handful of tracks from GREATEST HITS, Vol. 1-3 (all still in print) and then adds two new tracks: The title track (which features Big & Rich, Gretchen Wilson, and Van Zant) and "Stirrin' It Up." There are just too many missing tracks to qualify this as "essential." At only 12 tracks and a little over 40 minutes, fans deserve more than this before spending their hard-earned money. A better purchase (although more expensive) is Curb's 2000 excellent 3-CD set THE BOCEPHUS BOX. At 65 tracks, it certainly provides more bang for your buck.

Average customer rating:

Wonderful, but not my first choice
THE BEST recording of the BEST oratorio ever...
Too bad there are so few recordings of Elijah

Mendelssohn: Elijah

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
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Franz Joseph Haydn: The Creation
Mendelssohn - Elijah / Terfel, Fleming, Bardon, Ainsley, Fulgoni, Paul Daniel
Mahler: Das Lied von der Erde
Brahms - Ein Deutsches Requiem (A German Requiem) / Auger, Stilwell, Atlanta SO, Robert Shaw
Brahms: Ein deutsches Requiem [A German Requiem]

ASIN: B0002XV31A
Release Date: 2005-02-15

Tracks:

Introduction: As God The Lord Of Israel Liveth
Overture
No.1 Help, Lord! Wilt Thou Quite Destroy Us?
No.2: Lord! Bow Thine Ear To Our Prayer!
No.3: Ye People, Rend Your Hearts
No.4: If With All Your Hearts
No.5: Yet Doth The Lord See It Not
No.6: Elijah! Get Thee Hence
No.7: For He Shall Give His Angels Charge Over Thee
Recitative: Now Cherith's Brook Is Dried Up
No.8: What Have I Do To Do With Thee?
No.9: Blessed Are The Men Who Fear Him
No.10: As God The Lord Of Sabaoth Liveth
No.11: Baal, We Cry To Thee: Hear And Answer Us!
No.12: Call Him Louder, For He Is A God!
No.13: Call Him Louder! He Heareth Not!
No.14: Lord God Of Abraham, Isaac And Israel!
No.15: Cast Thy Burden Upon The Lord
No.16: O Thou, Who Makest Thine Angels Spirits
No.17: Is Not His Word Like A Fire?
No.18: Woe Unto Them Who Forsake Him!
No.19: O Man Of God, Help Thy People!
No.20: Thanks Be To God!

Tracks:

No.21: Hear Ye, Israel; Hear What The Lord Speaketh
No.22: Be Not Afraid, Saith God The Lord
No.23: The Lord Hath Exalted Thee
No.24: Woe To Him, He Shall Perish
No.25: Man Of God, Now Let My Words Be Precious
No.26: It Is Enough; O Lord Now Take My Life
No.27: See, Now He Sleepeth
No.28: Lift Thine Eyes To The Mountains
No.29: He, Watching Over Israel, Slumbers Not
No.30: Arise, Elijah, For Thou Hast A Long Journey
No.31: O Rest In The Lord
No.32: He That Shall Endure To The End, Shall Be Saved
No.33: Night Falleth Round Me, O Lord!
No.34: Behold! God The Lord Passed By!
No.35: Above Him Stood The Seraphim
No.36: Go, Return Upon Thy Way
No.37: For The Mountains Shall Depart
No.38: Then Did Elijah The Prophet Break Forth
No.39: Then Shall The Righteous Shine Forth
No.40: Behold, God Hath Sent Elijah
No.41: But The Lord, From The North Hath Raised One
No.41a: O Come Everyone That Thirsteth
No.42: And Then Shall Your Light Break Forth

Customer Reviews:

Wonderful, but not my first choice.......2007-04-07

I believe this was the first recording of Elijah in English that used an "international" conductor and some international singers. Fruhbeck gives a good, dramatic sweep to the piece, with some wonderful dramatic moments. This is an old fashioned performance, with only a solo quartet, and if there is a semi-chorus, I can't tell the difference. This means that the soprano is the Widow, and an Angel, the mezzo the Angel and Queen Jezabel, etc. You really should have a libretto, but you don't get one at this price.
Fischer-Dieskau roughens up his voice for the role, and therein lies a problem. The voice spreads and his diction suffers because of it; that and his unidiomatic pronounciation, with far too many rolled "r"s. He does the drama well, but what works well in lieder works here less well on the large scale. Odd, given his success as on opera singer (check out his Iago), that here he frequently comes off blustery.
Dame Gwyneth Jones belies her reputation and gives a contolled, dramatic performance, using her "edge" to advantage in "Hear Ye, Israel". Gedda's diction is amazing, with exactly the right color for this literature, and projecting a little more blood than an English tenor.
Dame Janet Baker is my star in this performance. Dramatic, heart-rending when need be, and in wonderful voice. She'll chill your blood when she tells the people of Baal to "slaughter him, do what he hath done!".
And as for the people of Baal, the Philharmonia Chorus is wonderful. Incisive and dramatic, with beautiful tone. I could do without the trick of the boy choir for "Lift Thine Eyes", and I miss the small ensembles, but all in all a fine performance, and good recording, circa 1968.
First choice in English, Daniels/Terfel: better Elijah in Terfel, better recording, more authentic orchestra, small vocal ensembles (as per the score) but inferior women (including Fleming: beautiful tone, but where's her head?). In German, it's Sawallisch/Adam all the way.
But if you're singing Elijah, and have a score, this is a good choice.

THE BEST recording of the BEST oratorio ever..........2006-08-15

Okay, I'm gonna admit I'm biased- I first sung in the chorus of Elijah when I was 14 and it made a BIG impression on me!
This recording is in every way wonderful. Starting with Dietrich Fischer-Dieskau. He IS Elijah to me. His singing is perfection. He has amazing phrasing and his diction makes it possible to understand the lovely, inspired libretto to this heavenly music. There are so many pieces that are ephemeral, but a couple of my favorites are: #14, Lord God of Abraham and #37, For the Mountains shall Depart. Dieskau does a great job of what I think of as compassionate, heartfelt singing. His interpretation sounds like the voice of God himself. It has a quality of kindness and yet he sounds just as convincing reprimanding the people of Baal. He is the true highlight of this recording.

That said, the rest of the cast is wonderful as well. Gwyneth Jones has a lovely, silvery voice that has a clarion bell-like tone that rings over the large orchestra with ease. She has occasional "misfire" but is a consistent performer. Dame Janet Baker and Nicolai Gedda both perform at a consistently lovely level. The orchestra and chorus are both wonderful. #15, Cast thy Burden upon the Lord, #32 He that Shall Endure to the End, and #38 Then Did Elijah are all highlights.

All said, for me the main reason to get this recording is Dieskau's Elijah- after all, he's the main character. But don't forget the lovely music. This story is exciting and passionate and sacred all at the same time. For me, it's the best oratorio that has a moving story and great music too.

Too bad there are so few recordings of Elijah.......2006-07-03

This is a good recording of an oratorio that deserves more attention. The chorus and soloists are very good--I just wish Fischer-Diskau wouldn't slide around so much in singing the title part!

The Producers (2001 Original Broadway Cast)

Average customer rating:

Just what I wanted
I Want to be a producer
Spring Time for "The Producers"
Mel Brooks = Brilliant
it won 11 (if im correct) TONY awards for a reason!

The Producers (2001 Original Broadway Cast)
Mel Brooks , Matthew Broderick , Nathan Lane , Roger Bart , Gary Beach , Cady Huffman , Jesse Levy , and Grace Paradise, Jennifer Smith Tony Kadleck
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005AY6I
Release Date: 2001-04-17

Tracks:

Overture
Opening Night
The King of Broadway
We Can Do It
Unhappy
I Wanna Be a Producer
In Old Bavaria
Der Guten Tag Hop-Clop
Keep It Gay
When You Got It, Flaunt It
Along Came Bialy
That Face
Have You Ever Heard the German Band?
It's Bad Luck to Say Good Luck on Op'ning Night
Springtime for hitler
Where Did We Go Right?
Betrayed
'Til Him
Prisoners Of Love (Leo & Max)
Goodbye!

Amazon.com's Best of 2001

The Producers was the vehicle that first proclaimed Mel Brooks's decidedly singular comic vision as a film director in 1968. At the time, the world may not have been entirely ready for the depth charges of hilarity he unleashed; but more than three decades later, it seemed almost foreordained that the film's retooling as a full-fledged musical--directed and choreographed by Susan Stroman--would become the smash hit of the 2000-2001 Broadway season (even before opening at the St. James Theatre in April). Brooks is, of course, no stranger to the Broadway musical genre or to songwriting, but skeptics might find themselves taken by surprise at just how outrageously well all the threads come together for the new show.

The film's absurd core vignette--the infamous "Springtime for Hitler"--if anything gains a few notches in hilarity when framed by a character-rich musical that comes off as both parody and valentine in its mimicry of Broadway's "golden age." Brooks (with the help of idiomatically expert arrangements by Glen Kelly) has cooked up a variety of numbers constituting a virtual primer of old-fashioned American musical comedy styles (there's even a toying with Cabaret-style decadence), but they're always coated with an extra layer of zaniness. In fact, the whole show becomes a Chinese box of parodies within parodies. But what really gets the whole mix working is a surefire cast headed by Nathan Lane playing Max Bialystock and Matthew Broderick doing a delightfully nebbish turn with delusions of misplaced glory as his sidekick, Leo Bloom.

From his first big number (musically winking at Fiddler on the Roof), Lane hungrily lays claim to the role, undaunted by his formidable predecessor, Zero Mostel. Even on disc, you can visualize his over-the-top mugging as a dethroned "king of Broadway" who was "the first producer ever to do summer stock in the winter." Comedy, as they say, is all about timing, and that's exactly what Lane gets right. His interactions with Bloom, Franz Liebkind (Brad Oscar), and Roger de Bris (Gary Beach) are priceless, even when only in sound. As for the tunes, Brooks crafts a number of truly memorable ones--don't be surprised to find yourself horrified as you hum along with "Der Guten Tag Hop-Clop" and, of course, "Springtime for Hitler." --Thomas May

Customer Reviews:

Just what I wanted.......2006-11-06

I saw the making of the CD on TV. The cast does a great job. I have the CD in my car stereo and listen to it often.

I Want to be a producer.......2006-03-06

This recording is great! I saw the play in november and loved the music. I bought the CD a little later and i am still listing to it. The cast are all great singers and did a great job. The songs are witty and catchy and never get old. You should listin to this.(Warning:See the movie or the play before you listin to this, you might hate it if you've have not.)

Spring Time for "The Producers".......2005-12-13

While I'll abmit that Nazi regemes and Hitler are probably some of the least funny thing in the world...i have to admit that the words to Springtime for Hitler are hilarious, just like the rest of the songs on this cast recording.

While "The Producers" Is not as musically complex or mature as other "Best Musical" scores of recent years (Spamalot, Avenue Q, Hairspray,) It is funnier than all of those put together. Nathan lane And Matthew Broderick Are perfectly cast in their roles and Caddy Hoffman is great, and when Ulla belt, she Belts!
the rest of the cast is amazing.

As for the song I can't think of one that I don't like, They are all great!

I would hope that the fact that the show makes light of Hitler doesn't turn you off, because you would be missing somthing great.

Mel Brooks = Brilliant.......2005-12-12

My theatre group went to New York two years ago, adn we did a marathon 4 shows in 3 days. Each show got progressively better, finally culminating in seeing Nathan Lane and Matthew Broderick's final performance of "The Producers." I have been a fan of Brooks' since I saw "Robin Hood: Men in Tights" 5 years ago. Naturally, I was beyond excited to see the show he made of his most brilliant film.

I was not disappointed. It was funny, racy, and downright fabulous. I bought the soundtrack at intermission and have been listening to it ever since. I highly recommend it to anyone who loves musicals. Lane and Broderick play off each other perfectly, Cady Huffman has one of the best belting voices I've heard in ages, and the songs are actually FUNNY.

Aside from raving about one of my favorite shows, I would like to address the comments made about the show downplaying Hitler and being racist towards Germans. In no way does this show downplay Hitler's terrible deeds. Bialystock and Bloom make several comments about how disgusted they are about the play- the fact that it is so insulting to our sensibilities is the reason why it was chosen in the first place. I am Jewish and have studied the Holocaust and WWII for years. I was not offended in the least, nor did I feel the Brooks was promoting or trivializing Hitler's war crimes. Brooks himself is Jewish for god's sake.

Second, I see nothing in the show that is racist towards Germans. Yes there is a Nazi in it who is German. How is that racist? The Nazis went all over the world after WWII- it is possible that several ended up in New York City. And no one will argue that some Nazi's were German. You might as well say that the show is discriminatory towards Swedes, or gay directors, or producers, or the countless number of things made fun of in the show.

it won 11 (if im correct) TONY awards for a reason!.......2005-12-08

This is by far the funniest thing I have ever seen. I got the chance to see it on broadway with Lane (unfortunatly not Broderick) and most of the original cast. For some reason, certain people seem to think this play is racist. First off, the whole thing is pure 100% SATIRE. I'm 15 and I can realize that. Also, are you aware that Mel Brooks is jewish? Yeah, so lighten up. I realize what Hitler did, and it will never be forgotten. But my God, get a sense of humor. In case you never saw the play, the Bavarian guy breaks his leg (making "It's bad luck to say good luck on opening night funny) and is replaced by the gay director for the song "Springtime for Hitler". ITS HILARIOUS! BROOKS MADE HITLER A GAY GUY! And why do you think he did that? Geeze... just lighten up!

So about the CD...awesome. I love these songs, and I am very much looking forward to seeing the movie version of the musical coming out in late December! GO SEE IT!

Average customer rating:

Hot
No one did it better...
The 1st West Coast Classic
Classic West Coast/Southern Rap Debut!
One of the first great West Coast lyricists.........

No One Can Do It Better
The D.O.C.
Manufacturer: East/West Records
ProductGroup: Music
Binding: Audio CD

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Strictly Business
AmeriKKKa's Most Wanted
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Let the Rhythm Hit 'Em

ASIN: B000002JN4
Release Date: 1989-06-19

Tracks:

It's Funky Enough
Mind Blowin'
Lend Me An Ear
Comm. Blues
Let The Bass Go
Beautiful But Deadly
The D.O.C. & The Doctor
No One Can Do It Better
Whrilwind Pyramind
Comm. 2
The Formula
Portrait Of A Master Piece
The Grand Finale

Amazon.com

Long before Snoop Dogg, Eminem, or Xzibit came into the picture, Dr. Dre had already found the perfect MC in the D.O.C., a Texas transplant to Los Angeles. Before he tragically lost his vocal chords in an auto accident, the D.O.C. was easily one of the fiercest lyricists that the West Coast had ever witnessed--a combination of Ice Cube's scowling aggressiveness but balanced with a sophistication that would have rivaled KRS-One at his best. With a ragga-tinged flow, he could drop lyrical bombs with fury on "It's Funky Enough" or sublimely style for "The Formula." Dre supported the D.O.C. with a bevy of funk-laden tracks that were pre-Chronic, meaning that the feel was rough and rugged vs. wet and sticky. Had his voice survived, there's little doubt that the D.O.C. would have become one of Cali's greatest MCs ever. All the supporting evidence is on this album. --Oliver Wang

Customer Reviews:

Hot.......2007-07-09

The Doc was hip hops up and commer until his accident that damaged his vocal cords...

No one did it better..........2007-05-30

To say that this guy would have been one the Greatest MC'S OF ALL TIME is an understatement! As it is the D.O.C. is finding his way back into the cd players of the younger kids out there looking for REAL RAP. Exploding lyrics, a brash tone in his voice with a hint of reggae made the DOC one of the most original MC's of our time. I compare the game to him ...that's a hell of a compliment to the GAME. Don't get it twisted though, this guy was one of a kind and "No one can do it better", #8 and the title track of this rap masterpiece is so true. "It's funky enough" hit the radio and the video hit "pump it up"...he was the real deal winning a rap contest in Texas and the services of Dr.Dre ,who is a West Coast Genius, made this album untouchable. There a bit of comedy with a few sketches between tracks but this is no joke. The formula was also a hit with it's smooth mellow approach easy to appreciate his lyrics on. The cuts that i still love today also include "Lend me an ear","Whirlwind Pyramid" are straight up lyrical BOMBS! Fierce lyrics straight to the throat!...to cap this masterpiece off listen to a very raw Ice Cube( "My medly is deadly as a pin in a hand grinade") leading off the "Grand Finale" which also include the late Eazy E, MC Ren, and of course a splash of Dre is the one cut you can't overlook. I turned my 14 year old son on to the D.O.C. and he's now his favorite rapper. All the young bucks out there...pay homage to one of the greatest of all time...our one hit wonder of a MASTER PIECE! I met him in the mall in Thousand Oaks, Ca and I was able to pay respects and offer condolinces on his accident that took his voice away from us...This is a 5 star masterpiece!!!!!

The 1st West Coast Classic.......2007-05-26

Before Ice Cube, Dr. Dre, and Snoop were droppin classics on the left coast, D.O.C. did it first. While the production was top notch, the lyrics were a perfect compliment and left you wanting more. The CD title speaks for itself cause whether he was rapping fast, slow, smooth, or rugged he could do it all. If you don't have it, then you got to get it cause i been blessed ever since i got the tape 18 years ago.

Classic West Coast/Southern Rap Debut!.......2007-05-10

Dallas, Texas native Tracy Curry started his rap career in a group called the Fila Fresh Crew. A chance acquaintance by a group member with Los Angeles, California's Dr. Dre' led the group into the auspices of Eazy-E's Ruthless Records. After recording a handful of 12" singles, the group soon broke up, but Curry, a.k.a. "The D.O.C." stayed with the Ruthless camp, writing lyrics for several songs on Eazy E's solo debut, "Eazy Duz It" and becoming a peripheral member of N.W.A. Though his presence was limited on "Straight Outta Compton", soon the hip-hop world would know his name in major way on the Ruthless/Atlantic release, "No One Can Do it Better."

The album is produced in its entirety by Dr. Dre, and combines street-ready breakbeats with Dre's preference for Soul and Funk samples (keen listeners will note that on several songs there is not an outright sample but rather a live studio reinterpretation of key riffs).

The debut single is here, "It's Funky Enough", as is "The D.O.C. and the Doctor", "Mind Blowin'" and the guitar-rocker "Beautiful but Deadly". The best song is the mellow "The Formula", which samples Marvin Gaye's "Makes Me Wanna Holler" (even better is the extended remix). Also of note is "The Grand Finale", a posse cut featuring Dr. Dre', Eazy-E, MC Ren and Ice Cube (and DJ Yella on drums), which would be the final recording of all the N.W.A. members before the death of Eazy-E in 1995. The album would sell over 1 million copies.

Lyrically, D.O.C. had a cadence that was clear and articulate that couldn't be automatically pegged by New York purists as Southern or West Coast. He also generally avoided profanity and his thematic content wasn't entrenched in gang life & violent boasts. Tragically, a car accident permanently damaged D.O.C.'s voice, so this is really his defining artistic statement.

Despite being in-print for many years now, this album truly deserves a deluxe re-release. Remixes, 12-inch/EP cuts and music videos could be included.

One of the first great West Coast lyricists................2006-11-15

Dre and his first solo protoge delivered this classic back in 89.

Classic Joints:
Grand Finale (One of the greatest posse cuts ever. Ice Cube kills it.)
The Formula
Whirlwind Pyramid
It's gettin funky
Let the Bass Go
The whole joint!

Average customer rating:

You 're The One That I Want
Prepare to be transported to Summer Nights
Great Soundtrack & Fun Extras from an Enduring Musical.
If You Love Grease, You'll Love This - Only 1 Major Flaw
Grease CD Reveiw

Grease - Deluxe Edition
Olivia Newton-John , John Travolta , and Stockard Channing
Manufacturer: Polydor / Umgd
ProductGroup: Music
Binding: Audio CD

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Gold

ASIN: B0000C16OQ
Release Date: 2003-09-23

Tracks:

Grease - Fankie Valli
Summer Nights - Olivia Newton-John
Hopelessly Devoted To You - Olivia Newton-John
You're The One That I Want - Olivia Newton-John
Sandy - John Travolta
Beauty School Drop-Out - Frankie Avalon
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Look At Me, I'm Sandra Dee (Reprise) - Olivia Newton-John
We Go Together - Olivia Newton-John
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Sandy (Sing-A-Long Version) - Louis St. Louis
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Rydell Fight Song (Instrumental) - Jim Jacobs
Greased Up And Ready To Go (Instrumental) - Jim Jacobs
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You're The One That I Want (Martian Remix) - Olivia Newton-John

Amazon.com

There's no better example of American pop culture's hall-of-mirrors ethos than producer Alan Carr's relentlessly buoyant 1978 film adaptation of the stage musical Grease. Inspired by that decade's rampant 50's nostalgia, it now paradoxically evokes the campy 70's excesses that spawned it. That sense of recycled decades in collision is underscored repeatedly on this deluxe, double-disc Grease-fest, especially on the set's second disc of bonus materials that spans vintage singles of the title track (its instrumental B-side) and "Greased Lightnin'," some sing-along karaoke tracks, and a handful of alternately slick/techo-savvy remixes (originally produced for the film's 20th anniversary) that are testament to its enduring, era-defying appeal. The original soundtrack itself has been treated to a stellar digital remastering that fills disc one, and remains a joyous monument to camp, sheer ambition, and exuberant nostalgic illusions. Includes a slip-cased, double-fold-out case and new booklet with complete song lyrics. --Jerry McCulley

Customer Reviews:

You 're The One That I Want.......2007-04-03

The complete Grease experience. This cd is a two disc-set with disc one being the complete soundtrack, while disc two is all bonus material including the popular Grease Megamix. Fans of the movie would want to make this cd an essential part of their music collection.

Prepare to be transported to Summer Nights.......2006-03-26

Well here we are with a great piece of history.

This album has not only captured the spirit of the movie but the essence of a 1970's version of the 1950's. I have seen this play live and yes some things are different. Yet I grew up on the movie. I even find myself singing some of the songs now and then. Of course you will never see me singing "Look At Me, I'm Sandra Dee." However I do keep this in my car as great driving music. This album is not you can pick apart and say things like missing songs, in the wrong order etc. It sounds and feels just right. There will be many versions yet this one is the Grease - Deluxe Edition [ORIGINAL RECORDING REMASTERED] [SOUNDTRACK] gives you more information about each of the tracks allowing you to feel that you have inside information and to feel that you know more of what went into the making of each song.

Great Soundtrack & Fun Extras from an Enduring Musical........2004-07-06

I'm enjoying listening to this great soundtrack that I loved as a child after a long hiatus. I had it on 8-track 25 years ago. So it's fitting that I should get the 25th Anniversary Edition on CD. The 24 songs from the movie are just as everyone remembers them, so I'll talk about the Bonus Disc, which contains 10 alternative versions of the songs plus 2 previously unreleased instrumentals from the film.

Track 1 on the Bonus Disc is an instrumental version of the film's theme, "Grease", written and produced by Barry Gibb. Frankie Valli's voice has been replaced by a saxophone. The chorus is vocal, but the voices are not those in the original song. You could use this as a sing-along version, as it would be easy to sing over the sax. Tracks 2-5 are officially sing-along versions. "Summer Nights" includes the chorus vocals from the film and sounds good. "You're the One That I Want" has new chorus vocals of questionable merit. "Sandy" is a new arrangement. It's not as good as the film version, but you can sing along. Track 6 is the single version of "Greased Lightning" that you may have heard on the radio back in the day. It's differs from the original in that the bad words have been replaced for radio airplay. Tracks 7-8 are previously unreleased instrumentals from the film. "Greased Up and Ready to Go" is lively. Tracks 9-10 are mixes that I occasionally hear on the radio. The "Grease Megamix" and the "Grease Dream Mix" are fun, if awkward. Tracks 11-12 are Martian Remixes of "Summer Nights" and "You're the One That I Want". They retain the original vocals, but set them to a Latin rhythm. They make pretty good dance tracks.

This 2-disc set isn't in a jewel case. The case is paperboard with 4 panels that fold out. This is inside of a clear vinyl slip case on which the tracks are written. This isn't convenient packaging. On the bright side, the case won't crack in the mail. Tucked inside one of the panels is a booklet that contains lyrics and credits.

The "Grease: 25th Anniversary Deluxe Edition" is a terrifically fun soundtrack to one of the all-time great movie musicals. And for all those preteen girls who go wild over the movie with each new generation, the bonus material is perfect for parties and horsing around.

If You Love Grease, You'll Love This - Only 1 Major Flaw.......2004-05-15

Disc 1 is like the original album, which I also own. 1 major flaw is that "Love Is A Many Splendored Thing" cuts off at the very end of it! I was upset by this, hence the 3 stars instead of 4. Disc 2 is a lot of fun w/some remixes and sing-a-longs, all in all, I'm pretty happy with it being that I'm a HUGE Grease fan. If you like Grease, you'll love this, it's fun. Too bad when they "remastered" it, they didn't catch there 1 mistake. Oh well, at least I have it on another album.

Grease CD Reveiw.......2004-04-26

This Grease CD is the best! I listen to it every week. I just love Your The One That I Want.:) Amazon.com has everything!Olivia Newton-John and the boy singer have the best voices. Now thatnks to Amazon.com I can listen to it! The Grease CD is the best!:)

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