El Desguace V.1 [Import]

Track Listings

1. Marihuana

2. Sigue Latiendo Fuerte

3. La Cancion Mas Triste

4. Show Girl

5. Toro Salvaje

6. Muerete Y Dejame Vivir

7. Al Otro Lado

8. Vivo

9. H.A.D.

10. O.T.

11. Mi Chica Se Fue A Masari Sariff

12. Juego De Idiotas

El Desguace V.1,Various Artists,El Coyote,Latin

Latin

Music

Jazz

Music

El Desguace V.1 [Import]

Tracks:

El Cantante
Mi Gente
Escandalo
Aguanile
Che Che Cole
El Dia De Mi Suerte
Que Lio
Quitate
Todo Tiene Su Final
Toma De Mi

Album Description

Over 10 million albums sold worldwide. Awarded over 12 Latin and standard gold and platinum certifications by the RIAA. Has won a total of 16 "Premino Lo Nuestro" Awards in the span of his career. Holding the record of winning the most "Premios Lo Nuestro" Awards of all artist. Marc Anthony first single will be "Mi Gente" distributed on June 7th. Radio impact date: June 12th. Two versions will be available. Radio contests around album release date. Radio VIP will be invited on May 16th and May 24th to the movie screening in New York.

Average customer rating:

Crossover to the American Market Gone Wrong
The Big Boss
The unbiased opinion of an biased fan
Daddy Yankee has done it again
THE KING IS BACK

El Cartel: The Big Boss
Daddy Yankee
Manufacturer: Interscope Records
ProductGroup: Music
Binding: Audio CD

General | Latin Music | Styles | Music

Latin Rap | Latin Music | Styles | Music

General | Reggae | International | Styles | Music

Los Benjamins: La Continuacion
Perfect Melody
Presenta: El Pentagono
Residente o Visitante
Los Benjamins

ASIN: B000PDZJ0I
Release Date: 2007-06-05

Tracks:

Jefe
En Sus Marcas Listos Fuera
Cambio
Fuera De Control
Impacto
Ella Me Levanto
A Lo Clasico
Bring It On
Who's Your Daddy?
El Celular
Ven Damelo
Papi Lover
Que Paso!
Mensaje De Estado
Tension
Soy Lo Que Soy
Coraza Divina
Plane To PR
Me Quedaria
Todos Quieren A Raymond
Impacto

Amazon.com

If the reggaeton revolution slowed for a second and you're not sure why, consider the comings and goings of Daddy Yankee: Three years have passed since he lit a Latino fire under the non-Latino world with "Gasolina," and despite the best efforts of vast clusters of tough-talking, body-rocking followers, only he, apparently, can keep it stoked. El Cartel: The Big Boss is a 21-track thrill ride destined to restore reggaeton's lost luster. The first few minutes creak--as intros go, "Jefe" is on the longwinded side--but from there it's a riot of bump-bumps, nemesis-bashing, and quick-tongued braggadocio. All credit to DY for again climbing atop a swirling mass of beats and remembering to swagger appealingly on the way up, but the small army of producers and friends who line up to pay the big boss respects on this disc also deserve their props: Fergie makes an impact on the Scott Storch-produced "Impacto" without forcing it in an overly mainstream direction, "Papi Lover" with Pussycat Doll Nicole Sherzinger busts out a cool bhangra-ragga vibe, and Will.i.am winds up "Plane to PR," a slight but contagious ode to Caribbean senoritas, tight. --Tammy La Gorce

Album Description

THE KING OF REGGAETON, DADDY YANKEE, returns with his new album "El Cartel: The Big Boss". After international platinum success with his first 4 albums, Daddy Yankee released, "El Barrio Fino", which went PLATINUM in the U.S alone, and solidified himself as the leading pioneer of the reggaeton movement. "El Cartel: The Big Boss" is the follow-up studio album everybody has been waiting 3 years for. Having enlisted super-producers such as will.i.am and Scott Storch, Daddy Yankee more than lives up to the hype and delivers his most multi-dimensional and complete album to date.

Customer Reviews:

Crossover to the American Market Gone Wrong.......2007-07-20

I've always liked Daddy Yankee, since I think he's the best latin reggaeton artist there is right now... but this album was almost like him fighting his roots, since he includes many famous singers (which none has to do anything with latin music), which is something that makes you wonder... for what market was this album really released for... something that makes me mad... since he's famous because of his latin crowd.. not the american one (and he sings reggaeton.. he's not a rapper)

Now speaking of the songs in the album... most of the reggaeton songs are good (except the one with Héctor "El Father", because it sounds like the beat was made in a bathroom with a leaking pipe), they are a little different than the songs we're used to... since the dembow(reggaeton beat) has changed.. and it's too similar to hip-hop (most of the album ), with slowed down rythms. I personally hated all of the hip hop songs in the album (since as I stated before, he's a reggaeton artist)since they sound to be directed to the american audience and not his true fans...

I just hope that's his next album goes back to his real roots... and that in his songs... he stops mentioning that he's awesome

The Big Boss.......2007-07-20

Daddy Yankee has done it again. I have not been able to quit listening to this cd since I recieved it. The music is infectious.

The unbiased opinion of an biased fan.......2007-07-14

I've spent the last 3 days listening to El Cartel: The Big Boss, and I'm happy to report that Daddy Yankee's latest is actually very good. Back track- I picked up Barrio Fino about this time in '05, and truthfully, it took about 3 months to grow on me. Since then, however, it's become one of my all-time favorite CDs, and I still enjoy listening to it. Fast forward- The Big Boss grew on me in about three minutes. What I especially like about the tracks on The Big Boss is the skillful way that DY experiments sound but somehow manages to stay true to his reggaeton roots. The CD doesn't try to be too hip hop and seems to be tailored to an "American" audience without pandering. I found the blend of English and Spanish languages well thought out, playful, and pleasant. When I hit [REPEAT]- Bring it On, Papi Lover, Plane to P.R., Impacto (sin Fergie), and Me Quedaria. Anyway, as some would say "it's Daddy Yankee, so you know it's going to be good!"

Daddy Yankee has done it again.......2007-07-08

El Cartel is a hot cd. It has a different flavor of reggaeton that makes you want to dance endlessly. Impacto of course is the most bangin' track on the cd. Some of the tracks are in English, which allows the non Spanish speaking audience the opportunity to truly appreciate this genre of music and Daddy Yankee's extreme talent. As Daddy Yankee says the King is back!

THE KING IS BACK.......2007-07-07

Excellent, just excellent. This is a new age of Reggaeton.
Almost every song is brilliant with right words.
Hope You gonna like it like I do.

Average customer rating:

Sousa's marches
OK, But Not As Good As the Original
Sousa Marches, MC Band
This is so great!
A Great Sousa Collection

Sousa's Greatest Hits
John Philip Sousa , and United States Marine Band
Manufacturer: Altissimo Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Marches | Miscellaneous | Styles | Music

Classic Big Band | Swing Jazz | Jazz | Styles | Music
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Stars & Stripes Forever and the Greatest Marches
The Military Band: Salute to the Services
Salute to America
Fiedler's Favorite Marches
40 Famous Marches

ASIN: B0000296U6
Release Date: 1999-09-07

Tracks:

The Stars And Stripes Forever
The Bride Elect
Semper Fidelis
King Cotton
Sound Off
The Washington Post
The Gladiator
National Fencibles
Jack Tar
The Thunderer
Sabre And Spurs
The Royal Welsh Fusiliers
El Capitan
The Gridiron Club
Manhattan Beach
Man Behind The Gun
The Invincible Eagle
The Gallant Seventh

Customer Reviews:

Sousa's marches.......2007-06-28

Excellent CD! I'm happy with the speed in which it arrived at our home.

OK, But Not As Good As the Original.......2006-08-12

It's OK, but doesn't have the quality of Sousa's original songs which were also played by a United States Marine Band.

Sousa Marches, MC Band.......2006-08-04

I was totally happy with the CD. It was everything I expected it to be. Thanks Much

This is so great!.......2005-03-27

This music speaks to my inner being, my father was a Marine with the ETC, and it was not an easy time. Music like this helped him think about how the best things in life are two doors down on the left, just a shade away from peace. I love this music, track 13 speaks to me so much that I am not sure if I have the time to listen as much as I want to! Such great music!

A Great Sousa Collection.......2004-12-15

These recordings seem to date from the 1960s and reflect a style of play that is impossible to find today. Some people might consider the sound to be too bright, the entrances too aggressive. But I think this is more authentic for Sousa than what one generally hears today. Sousa himself is known to have preferred "enthusiastic" entrances from his players, to have favored an "orchestral" sonority for his band and to have played his marches in strict tempo with no ritards or tempo changes. That is what you have on this disc, which features the Marine Band under Lt. Col. Albert Schoepper, who also conducts on Volume 3 of Altissimo's Sousa Original series.

Classical Music for Children: A Toddler's Introduction to Classical Music

Average customer rating:

Awesome CD
He started dancing as soon as we put it on!
Better than baby einstein
great music at a great price
A Wonderful CD for all ages

Classical Music for Children: A Toddler's Introduction to Classical Music

Manufacturer: Ent. Media Partners
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

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4-for-3 Classical | 4-for-3 Music | Stores | Music

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David Bowie Narrates Prokofiev's "Peter and the Wolf"

ASIN: B000002XE8
Release Date: 1997-10-24

Tracks:

Clair de Lune
Eine kleine Nachtmusik: Romance: Andante
Moonlight Sonata: Adagio sestonuto
Minute Waltz
On The Beautiful Blue Danube
The Nutcracker Suite: Russian Dance
El Amor Brujo: Danca del Terror
Grand Valse Brillante, Waltz No. 1 op. 18
Scenes Of Childhood Op. 15: Knight Of The Rocking Horse; Important Event
Goldberg Variations: Aria
The Nutcracker Suite: Chinese Dance
Symphony No. 7: Allegro molto
Symphony No. 94: Menuetto: Allegro molto
The Nutcracker Suite: March
Sonata In C Minor, Op.13 'Pathetique': Adagio cantabile

Customer Reviews:

Awesome CD.......2007-05-11

Have enjoyed this CD immensely with our four-year old. Great price for the quality. Thank you.

He started dancing as soon as we put it on!.......2007-01-09

My 12 month old loves this CD and happily bops away to the music (in the car he sometimes even starts singing!). We like it too and not being very well versed in Classical music, it is a nice mix for us.

Better than baby einstein.......2006-02-26

This is a great CD, with great music, at a great price. Everyone seems to love Baby Einstein, but I don't like the plinking music on those CD's, I like real orchestral pieces to stimulate my child. This is exactly what parents need, at a good price!

great music at a great price.......2006-02-02

I got this cd to use as background when putting my 18 month old to sleep and for car rides. So far it has not made it out of the car. The cd is wonderful. The first song is the Luftansa airline comercial song (that is what my husband calls it) and is beautiful. I didn't think my husband would enjoy the cd at all but he doesn't mind one bit listening to it, he actually will put it on himself when we get in the car. My daughter loves it and will often start nodding her head back and forth to songs. I actually listen to it even when my daughter is not in the car. The music is soft and relaxing but not boring. It is also one of the only cd's that my in laws don't mind listening to when they are in the car with us.

I only paid like $4 here on amazon for it and I gladdly would of paid more for such a great cd. Its a great cd for such a great price!

A Wonderful CD for all ages.......2002-11-03

My whole family has enjoyed this CD. It is very upbeat and easy to listen to. I think there is something for everyone on this one.

Average customer rating:

Excellent Introduction to Spanish Classical Guitar Music
The guitar is an orchestra in miniature!
GUITAR MAJESTY
Sweet, sweet music, an essential addition to your collection
A True Classic

Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Suites | Forms & Genres | Classical | Styles | Music

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Essential Guitar: 33 Guitar Masterpieces
300 Years of Guitar Masterpieces
Baroque Guitar
Masters of Flamenco Guitar
Classic Williams: Romance of the Guitar

ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

Albeniz: Asturias
Albeniz: Tango
Sanz: Canarios
Rodrigo: Fandango
Torroba: Nocturno
Segreras - El Colibri
Albeniz: Sonata in D
De Falla: The Corregidor's Dance
De Falla: Fisherman's Song
De Falla: The Miller's Dance
Torroba: Madronos
La Nit de Nadal
El Noy de la Mare
Granados: Ma Maja de Goya
Abeniz: Cordoba
Tarrega: Recuerdos de la Alhambra
Granados: Spanish Dance No. 5
El Testamen de Amelia
Villa-Lobos: Prelude No. 4 in E Minor
Albeniz: Sevilla
De Falla: Homanaje
Mudarra: Fantasia
Turina: Fandanguillo

Customer Reviews:

Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.

Average customer rating:

Very Good... but windows does not display titles correctly

El Cantante: The Originals
Héctor Lavoe
Manufacturer: Fania / Umgd
ProductGroup: Music
Binding: Audio CD

General | International | Styles | Music

General | Latin Music | Styles | Music

Salsa | Latin Music | Styles | Music
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Comedia
El Cantante
La Voz
Regreso el Jefe
The Best of Ruben Blades

ASIN: B000R7I33W
Release Date: 2007-07-03

Tracks:

El Cantante
Mi Gente
Che Che Colé
Periódico De Ayer
El Dia De Suerte
Qué Lío
Aguanile
Todo Tiene Su Final
Tú Bien Lo Sabes
Plato De Segunda Mesa
No Hay Quién Te Aguante
Paraíso de Dulzura
Lloré
Mi Gente (Louie Vega EOL Remix-Radio Edit)

Album Description

El Cantante - The Originals - Hector Lavoe

HÃ©ctor Lavoe continues to be the source of tributes, covers, drama, and films. This collection of carefully remastered original songs affirms that the attention is well deserved. It features some of the classic hits he recorded together with Willie Colon. The influence of Lavoe will continue to be felt in the Latin music world, but nothing beats listening to this remastered original.

HÃ©ctor Lavoe siempre serÃ¡ una fuente de tributos, Ã¡lbumes, portadas, obras de teatro, y pelÃculas. Esta colecciÃ³n de temas originales remasterizados otorgan la atenciÃ³n que se merece el gran cantante. Adicionalmente, contiene canciones clÃ¡sicas que grabo con Willie Colon. La comunidad latina continuara sintiendo el impacto de Lavoe, pero en realidad, no hay nada mejor que escuchar este Ã¡lbum original remasterizado.

Customer Reviews:

Very Good... but windows does not display titles correctly.......2007-07-12

Those who like Hector Lavoe will enjoy this cd. Although the quality is not excellent (I heard the original LP in one of my neighbor's sound system and liked the sound and was amazed by the coda of Periodico de Ayer, an almost classical part at the end of the song with violins which lamentably is not included in this CD.)
I also like Dia de Suerte. How the chorus begins at "destiempo"... had not noticed it? uhmm.

The Most Relaxing Piano Album in the World...Ever!

Average customer rating:

something to have
Excellent Music
buy now
Lovely
Aesthetically Pleasing

The Most Relaxing Piano Album in the World...Ever!

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000059Q4Q
Release Date: 2001-03-27

Tracks:

II: Andante - Stephen Hough
I: Adagio Sostenuto - Dame Moura Lympany
Jesus Bleibet Meine Freude (Jesu, Joy Of Man's Desiring) - Dame Moura Lympany
Nocturne No. 2 In E Flat - John Ogdon
Clair De Lune - Dame Moura Lympany
II: Adagio - Cecile Ousset
Tango - Dame Moura Lympany
Liebestraum No. 3 In A Flat - John Ogdon
Waltz No. 9 In A Flat - Dmitri Alexeev
Rhapsody On A Theme Of Paganini - Cecile Ousset
Traumerei - Dame Moura Lympany
La Maja Y El Ruisenor - Magda Tagliaferro
Nocturne No. 5 In F-sharp Minor - Maurizio Pollini
Gymnopedie No. 1 - Aldo Ciccolini
Fur Elise - Dame Moura Lympany
Etude In E 'Tristesse' - John Ogdon
Fruhlingslied - Daniel Adni
II: Andante - Dmitri Alexeev

Tracks:

II: Adagio Cantabile - Walter Gieseking
II: Romanze - Annie Fischer
Aria - Maria Tipo
II: Romance (Larghetto) - Garrick Ohlsson
Granada - Gonzalo Soriano
Waltz No. 15 In A Flat - Maura Lympany
II: Largo - Andrei Gavrilov
An Den Fruhling - Daniel Adni
Nocturne No. 10 In A Flat - Daniel Adni
II: Adagio Un Poco Mosso - Walter Gieseking
La Fille Aux Cheveux De Lin - Dame Moura Lympany
Cancons I Dansas No. 1 - Gonzalo Soriano
II: Adagio Sostenuto (Opening) - Cecile Ousset
Prelude No. 15 In D Flat 'Raindrop' - Dmitri Alexeev
Gnossienne No. 1 - Aldo Ciccolini
Berceuse - Jean-Philippe Collard
Minuet In G - Dame Moura Lympany
Berceuse In D Flat - Peter Donohoe

Customer Reviews:

something to have.......2007-03-14

These CD's are filled with all the awesome relaxing songs for the evening when you need it. It is just one of those must have items in your CD collection.

Excellent Music.......2007-02-19

This album was a "try and see" purchase but I love it. It makes great dinner music, great music to drift off to sleep with, or just nice background filler during social events needing a softer tone. It is not all solo piano music if that s what you are after; the other instruments blend very well however and don't challenge the piano playing. It is a piano album after all!

buy now.......2006-09-01

Want to know why I think the piano is the best musical instrument ever invented? Because no matter how the piano is played, it will always sound good. Whether the music is fast, slow, quiet or loud, it ALWAYS delivers with an appealing sound. This is something you need to buy.

Lovely.......2006-02-22

This is a beautiful calming cd. The playing is excellent and the pieces are well chosen.

Aesthetically Pleasing.......2005-09-14

I simply love piano music. If you're looking to relax, enjoy a peaceful time, then you must check out this album. If you truly enjoy piano music, this album is by far one of the best you can purchase.

As it says....it is the "Most Relaxing Piano Album in the World...Ever..." Well, I haven't listened to all piano albums in the world, but I don't need to, this one is just perfect for me, and I think you will agree!

I would say the pianists' are extremely accomplished. At times, I would admit-it's a bit 'spine tingling'!

Average customer rating:

Only a provisional four - could well become five
PERFECT.
Broke The Rules
I have no words.
I'll Sleep When You're Dead

I'll Sleep When You're Dead
El-P
Manufacturer: Definitive Jux
ProductGroup: Music
Binding: Audio CD

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EMG
Drive
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Amazon.com

When a hip-hop album opens with a collaboration with modern-day prog-rockers the Mars Volta, you know to expect the unexpected. That's pretty much what Brooklyn's El-P (born Jaime Meline) has been delivering since day one, first as a member of now-defunct indie-rap heroes Company Flow and later as founder of the maverick New York label Definitive Jux. Trent Reznor and Cat Power also show up on his first new release in five years, but El-P remains the one to watch, rattling off his typically complex rhymes about the state of the world (and the bedroom) over the cling-clang of industrial beats and frenzied noise. It's dense and weird and sometimes even scary, all of which makes it a marked improvement over the usual Saturday night boom-bap. --Aidin Vaziri

Customer Reviews:

Only a provisional four - could well become five.......2007-07-09

I'm at the stage with this album whereby I think it's pretty much a classic but I could end up losing interest soon. The real test is whether I get that hit a couple of months in where I listen to it once at find something even more spectacular about it.

So far I love it: the extended, prog-rock beats and electronics/noises of all descriptions. My favourites are probably the first track, last and many of the others in between. It's a lot easier to say which tracks I don't find 100% great. Flyentology has a slightly monotonous and boring beat which doesn't quite seem as dark or deep as some of his other tracks but it's still pretty good.

I bought this quite soon after getting Fantastic Damage and am currently in a sort of EL-P mode which could mean I'm a little biased but this is definitely worth a listen.

PERFECT. .......2007-06-16

this is one of, or the best of the year. Everything is put together so well! it has some famous stars on it, but you don't notice them/they don't distract as often happens. It's all just layred together perfectly. Don't miss.

Broke The Rules.......2007-06-14

This album can make you smarter.

this album gets deep into the darkside within.

I have no words........2007-06-10

I don't really like rap. Like, at all. This album made me rethink everything. As I said, I have no words, this album left me breathless. If there's one album you buy this year, make it this one. You won't regret it. Simply amazing.

I'll Sleep When You're Dead.......2007-06-07

Hip-hop was becoming a tired institution when El-P, Bigg Jus and Mr. Len (under the moniker Company Flow) recorded one of the most stunning hip-hop albums of the '90s. Bleak, raw, and verbally devastating, 1997's Funcrusher Plus provided a real alternative to G-funk as the three fireball emcees rapped about war, corporate greed and extraterrestrial evil over bargain-basement beats and unsettling ambience. Over the next few years, El-P built up his Definitive Jux label and released a stream of high-quality recordings by some of the most vital emcees in the game, nearly all of whom used Funcrusher Plus as a blueprint to varying degrees. The label had gone quiet in 2007 when rumors of a new El-P record finally surfaced, sending excited twitters through the underground community. Some questioned the rapper's intent when they found out that the album would feature collaborations with Trent Reznor ("hmm"), The Mars Volta ("uh..."), and Chan Marshall of Cat Power ("are you serious?"), but most were fairly certain that it would pulverize in typical El-P fashion.

And pulverize it does. I'll Sleep When You're Dead feels absolutely ferocious; it's the roaring, heavy metal counterpart to Funcrusher Plus's skeletal hardcore punk, and it takes no prisoners from its galvanizing start to its death knell of an ending. Songs are packed to the gills with weird, ungodly noises, melodies appear and disappear like holographs, and dense yet nuanced rhymes roll atop percussion that could have been created by actual weaponry. Indeed, there's so much violence on this record that it should be traumatic to drink in, but El-P's skill and insight on the mic, his studio perfectionism and his flair for idiosyncratic drum programming keep the proceedings as gripping as a 13-car pileup.

Deeper listening reveals that Sleep thrives on a couple of paradoxes. First, the album maintains its focus and cohesion even as it spins off in many different directions. The doomy atmosphere of "Tasmanian Pain Coaster" doesn't sound much like the Brooklynese bounce of "EMG" or the almost operatic "Poisenville Kids No Wins," but even with the diversity (which is inevitable, what with the hundreds of sounds being employed), it's clear that there is a particular aural agenda at work. I'll Sleep When You're Dead sounds uncannily like a comic book, which isn't to knock it; after all, comic books these days attain a level of darkness and extremity that filmmakers are often too risk-averse to attempt. Imagine swarms of robotic flying insects in the Invader Zim cartoon from your worst nightmare raining down machine gun fire and you're getting close.

The second paradox has to do with El-P's lyrics, which attend to personal and universal problems as though they're both part of the same sick plan for humanity that was doomed from the very beginning. While Clipse's Malice and Pusha T believe that a worldly issue (coke dealing) affected their personal states (thickly obfuscated misery), El-P flips the algorithm: He views every act of savagery--from speeding cars to sexual abuse--as indicative of the world's endemic evil. Though it's clear that he doesn't want any part of it, he admits has no choice. He calls himself the "son of urban confusion hatched in a pit where brutes live" and "half a robotic monkey ugly born of a viral agent." Like Nas on his classic Illmatic, El-P simply speaks about what he sees and uses his observations as a form of social protest, reinforcing the idea that the most affecting hip-hop finds a middle ground between slouching back in the seat of a flashy convertible and trying to change the world. His raps have slowed down a bit from his previous work to become part of the rich milieu and to let us latch onto every grim metaphor he hurls our way, but don't worry; El-P's flow will still knock you out of your chair.

And the collaborations? They're all excellent, probably because El-P isn't concerned about flattering his guests, writing his songs his way and using Reznor, Marshall, Rodriguez-Lopez and Bixler-Zavala purely as filigree. The Mars Volta caps off the blitzkrieg "Tasmanian Pain Coaster" with an a funereal trudge, Marshall lends her emphatic torch singing to the chorus of "Poisenville Kids No Wins," and Reznor's sinister cackle seems form-fitted to the electronic torture chamber of "Flyentology." Though they do seem like unorthodox choices, especially compared to Def Jux labelmates Cage and Aesop Rock, all of these artists deal with depravity in their own music (albeit in different ways), and after a few listens, their additions on this album click oddly into place.

I'll Sleep When You're Dead is an utterly urgent recording, something that (unfortunately) feels appropriate for our perpetual state of emergency. Nas once famously spit, "I never sleep, 'cause sleep is the cousin of death," to which El-P eventually paid tribute: "The timepiece must've read early morning at least, so I laid death's cousin, woken by the silence of the peace." The title of this record, then, seems like less of a threat and more of a helpless prayer to a deaf higher power. Something tells me that, deep down, El-P wishes that there wasn't any need for him to enter the rap world and do what he does. But as long as we live on Earth, this record is as good a warning as any to sleep with one eye open.

Average customer rating:

It's good
Revolutionary times
Black Dove
makes me want to dance
Enjoy!

Frida

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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Frida
Border (La Linea)
La Sandunga
Una Sangre (One Blood)
La Llorona

ASIN: B00006LLNV
Release Date: 2002-10-22

Tracks:

Benediction and Dream
The Floating Bed
El Conejo
Paloma Negra
Self-Portrait with Hair Down
Alcoba Azul
Carabina 30/30
Solo Tu
El Gusto
The Journey
El Antifaz
The Suicide of Dorothy Hale
La Cavalera
La Bruja
Portrait of Lude
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Estrella Oscura
Still Life
Viva La Vida
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Burning Bed
Burn It Blue

Amazon.com

She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley

Customer Reviews:

It's good.......2007-07-22

But I don't think it's all it's hyped up to be on the other reviews, but, I do like it to the point of keeping it. It's the perfect 4star rating.

Revolutionary times.......2007-05-14

I absolutely love this soundtrack! Everytime I listen to it, I feel as though I am in Mexico during the revolution and Frida's life. Everyone should choose their own life soundtrack and this one allows us to see into Frida's life more clearly.

Black Dove.......2007-05-13

Fell into the movie trying to avoid study and hang out with a jilted housemate. If I'm honest, Salma Hayek was the main draw. Wafer thin.
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.

makes me want to dance .......2007-05-07

I really enjoyed the CD, the musical selection is great and it seems very authentic.

Enjoy!.......2006-12-30

I purchased this CD after seeing the movie. The music is enjoyable to listen to and passionate as I would think Frida was. I purchased this CD a second time to give to a female Hispanic artist who identifies with the trials and tribulations of Frida. This artist now paints while listening to this CD. Her artwork not only has improved but has become popular. I defiantly recommend its purchase.

Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano

Average customer rating:

Universal music
Long-Time Favorite
Best Copland Album I've Ever Listened To
Test of Time--Passed with honors!
the PERFECT Bernstein recording

Copland: Appalachian Spring/Fanfare For The Common Man/El Salón México/Danzón Cubano

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Gershwin: Rhapsody In Blue/An American In Paris
Copland: Rodeo/Billy The Kid
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Barber's Adagio

ASIN: B0000025MO
Release Date: 1990-10-25

Tracks:

Appalachian Spring: Very Slowly
Appalachian Spring: Allegro
Appalachian Spring: Moderato
Appalachian Spring: Fast
Appalachian Spring: Subito allegro
Appalachian Spring: As At First (Slowly)
Appalachian Spring: Doppio movimento (Shaker Melody 'The Gift To Be Simple')
Fanfare For The Common Man
El Salon Mexico
Danzon Cubano

Amazon.com

If Copland's own recordings of his music have the warmth of a soft summer night, those by Leonard Bernstein convey the blazing heat of noon. In his later remakes of several of these scores for Deutsche Grammophon, Bernstein exhibited a tendency toward overly-nuanced readings. But his earlier accounts with the New York Philharmonic, recorded by CBS in the late 1950s and early 1960s, are still incomparable in their vitality and impetus. Bernstein's way with the Western ballets is exuberantly personal and persuasive. He has the ability to move between delicacy and brashness, always getting the gestures right, and he delivers magical characterizations of both scores. The Phiharmonic's playing, while sometimes a bit raw, is confident and rhythmically secure; there is certainly nothing to apologize for here. There is a wonderful sense of immediacy to Bernstein's account of the Appalachian Spring Suite, in which the New Yorkers give a virtuosic account of themselves, playing in a rhythmically incisive fashion that puts Copland's account with the London Symphony in the shadows. The couplings are a mixed bag, however. Bernstein always had the measure of El Salon Mexico, and gives a rousing account of it here. But the so-called Fanfare for the Common Man is lifted from his recording of the Third Symphony; its beginning is not the same as that of the real fanfare. Both recordings have been wonderfully remastered by their original producer, John McClure, and have excellent presence and a palpable sense of atmosphere in the quiet pages. --Ted Libbey

Amazon.com

Leonard Bernstein was a friend of Aaron Copland's, and he approaches this music with rare flair and verve--as well as with sympathy and warmth--and, we can assume, with a good idea of the composer's intentions regarding it. This is a classic album, containing several of the works in the essential Copland oeuvre; the sound is not as good as you'll find in a more contemporary recording, but for most listeners the spirit will make up for that. --Sarah Bryan Miller

Customer Reviews:

Universal music.......2006-07-14

This recording, aside of bringing back great memories of a live performance of Mr. Bernstein more than 25 years ago directing Mexico State Philarmonic Orchestra playing Salon Mexico, is of grand quality and Aaron Coplands music selection is escellent as is performed and recorded. My mom (77) and my daughter (8) enjoy it just the same.

Long-Time Favorite.......2005-03-16

When I was in the fifth grade, there was a district-wide competition called music memory, and one of the pieces I had to memorize for the competition was the last movement of Appalachian Spring. And I fell in love with that song. I went and bought the cassette of Appalachian Spring with Bernstein conducting the New York Philharmonic, and I listened to it almost every night before going to sleep. I even remember that one night I was listening to that final movement through my walkman as I was laying in bed. Evidently, I was humming along without realizing it, and I woke my parents, who slept downstairs and across the house, with my humming. Anyway, that's how good this recording is. And I'm still amazed at what great taste I had at that age. Now, eleven years later, I have upgraded to a CD, but I still listen to Copeland's masterpiece just about as much. I've heard a lot of great music in those intervening years, but I've still never heard anything quite this perfect. I doubt I ever do.

Best Copland Album I've Ever Listened To.......2004-05-15

I love Appalachian Spring Suite! When I went out to buy the music CD, I got This one because of the cool newspaper cover and it turned out to be the best one out there. I've listened to other recordings of Appalachian Spring performed by other orchestras, they just aren't as good. This is the absolute best one. Not only is this one of my favorite classical albums of all time, it's one of my favorite albums period. Every single track on this CD is money.

Test of Time--Passed with honors!.......2003-07-21

I have been a fan of Aaron Copland's from an early age--in fact, so early that I can hardly remember not knowing "Fanfare for the Common Man". As I became older, my appreciation grew and deepened. I still remember my first exposure to the "Gift to Be Simple" section of Appalachian Spring...it was in history class, played as part of a presentation. I can't even remember the subject of the presentation anymore--all I remember is that at that wild, joyous crescendo, I was not in the room. I was somewhere far away, flying. That is the power in a piece like this, and the standard to which I hold any musical recording.

When I began seeking a full version of Appalachian Spring for my own collection, I had the good fortune to get a "recommendation" of sorts for the definitive recording: Richard Wright, keyboardist of Pink Floyd, has more of a Copland influence than you might suspect. When I read his article in Record Collector Magazine, the particular rendition he recommended was this one--the 1962 recording for CBS, of which he seemed to have the original LP. Imagine my surprise and delight to find that it was still in print and easy to find in stores!

"Aaron Copland's an American classical composer," summarizes Mr. Wright, "and [Appalachian Spring] is his most famous work...Like all of my favourite music there's something in his material that touches me; I think it's the chordal progression and the melodic lines just above them that do it for me here - and the fact that it's very peaceful. When I listen to a lot of the stuff that I've played over the years I feel I've been heavily influenced by Copland, albeit subconsciously." (Note to Pink Floyd fans: Comparing the basic approach in "Shine On You Crazy Diamond" and Copland's "Quiet City" may prove interesting.)

I am in full agreement here...it is absolutely striking what Copland was capable of creating. In his hands, simple, traditional harmonies were transformed into breathtakingly original works that reflect the best of the American spirit...innovative, beautiful, optimistic, and slightly wild. It never ceases to amaze me how he could weave such a beautiful musical texture with so few notes at times--it is indeed a gift to be simple. But Copland's work is not boring by any means--he also knows the place for grand, sweeping statements and shockingly unique, beautiful chord changes that occur seemingly out of nowhere.

As soon as I heard this disc, in comparison to other recordings I'd sampled, it was immediately obvious why this one survived the test of time, why it was still so vivid in the mind of Richard Wright. Copland and Bernstein seem always to be a good match for each other, but there was something very special going on the night this was recorded. Even if you own other renditions of "Appalachian Spring", even if you are interested in no other composition on this disc, this is an absolute must-have.

As for the other pieces, recorded in the early 60s as well, there's a similar magic--even though the "Fanfare" version is radically different, it's a real ear-opener. The pitch changes are done with a shocking fluidity, but it brings new interest to the piece. It is no replacement for the original; it's probably best to treat it as a different song. "Salon Mexicano" and "Danzón Cubano" are also excellently rendered and timeless.

All in all, this is a fantastic album--a must for any classical collection.

the PERFECT Bernstein recording.......2002-12-16

I have heard A LOT and i mean A LOT of Bernstein recordings...and...as far as post-Beethoven works go...this is it...this may only be comparable to his multiple Beethoven 5th Symphonies...
If you own ANYTHING with Leonard Bernstein's name on it...one should say "Beethoven's Fifth Symphony" on it...and the other should be this disc.

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